performing on the voice

what's a fire and how does it - what's the word? - burn

so i have this disney playlist i listen to usually when i’m driving and i was blasting poor unfortunate souls this morning and i was thinking

what if ariel didn’t sign the scroll?

because she’s about to, okay, and she looks at the paper. the parchment made of seaweed, the ones that’s specially treated to survive underwater. and she thinks of her cave of treasures, her books that remain perfectly preserved underwater. “no thank you,” she says slowly, becoming keenly aware of air of this place, of the not-people she’d seen who hadn’t been able to pay the price for sea witch’s bargain. “i – no. thank you. but no.”

ursula tries to convince her otherwise, but ariel runs. she goes back to her cave, destroyed as it was by her father’s anger, and thinks.

she’s the daughter of triton. her books never got wet, though she lives in the ocean. she feels a pull inside her, to the land, to somewhere else, but what if – what if –

what if she doesn’t need the sea witch or her father to perform magic for her? what if she has her own?

ursula had wanted her voice because that’s how she performed her magic. singing in this cave had given it powers and protection, and when she saved her prince from the sea – she sang then too, to keep him safe, to guide him back to life and away from death.

so she has magic. she only needs to figure out how to use it.

so that’s what ariel does now. she’s quiet and keeps to herself, and her father and sisters think that it’s because she’s upset with her father, that she’s busy licking her wounds. she’s moved on from that. she has no trident, and is uninterested with fueling her magic with the souls of the damned like ursula has. so she needs to figure something else out.

she does what she’s not supposed to do, and goes where she’s not supposed to go, slipping past the guards and patrols to the one place in the sea that is forbidden to all of them.

the crevice in the earth where what remains of her grandmother lives.

ariel goes to amphitrite, and the sea goddess is so much bigger than ariel, the size of great whale as she curls at the bottom of the sea floor, too old and too tired to do anything more than sleep. “granddaughter,” the great being croaks, opening an eye as blue and as unfathomable as the sea, “you look like me.”

“they say i look like my mother,” she says, and to herself adds: that’s why father can barely stand to look at me.

“you have more of me in you than your mother,” she says, and she shifts and pulls her mass of red hair over her shoulder. “more of me in you than your father does, even.”

“i have magic,” she says, pulling her bravery to the fore as she swims closer to her grandmother, “i want you to teach me how to use it.” amphitrite pushes herself up, and it’s the first time she’s moved in a millennia, and ariel notices for the first time that her grandmother isn’t a mermaid – she has legs.

she has legs.

“you have power,” amphitrite corrects fiercely, “and i will teach you to wield it.”

and so she does. ariel spends her nights by her grandmother, learning to harness the power of the sea that runs in her veins, and sleeps her days away while her sisters and flounder and sebastian grow more and more concerned, but she refuses to tell them why. she refuses to be stopped.

but her heart still aches. she fell in love with her prince, and she wants him still. so she swims to the edge, goes to the beach where his castle resides in the dead of night when her lessons with her grandmother are complete, and sings

. she’s careful not to let any magic leak through, only her voice. she does not want to enchant him. she wants him to love her as she is. so she sings, her voice clear and powerful and cutting through the air. she hopes he can hear it.

then one day a figure walks to the beach, and it’s him, her prince. “hello?” he calls out, “are you out there? are you – please, it was you that saved me, wasn’t it? won’t you come out and let me see you?”

so she does, waves her tail at him until he catches sight of her and takes hesitant, disbelieving steps closer.

“you’re a mermaid,” he says, eyes wide, “i thought i saw – but it couldn’t be.”

“i am, and it can,” she says, heart beating wildly in her chest. he’s just as handsome as she remembered, and she wants him just as much. “my name is ariel.”

“ariel,” he repeats, and pulls off his boots and goes wading into the water, watching her to see if she flinches away from him. she doesn’t, and his strides grow bolder. “my name is eric.”

“eric,” she whispers, and when he’s close enough he touches her, trailing fingers across the bare skin of her shoulder and tangling them in her hair.

when he kisses her, she feels powerful enough to undo the world.

so there’s that now, spending her nights with her grandmother and her prince, and she knows how to make her own legs now, could walk onto land and be made a queen among the two legged men.

but she’s a princess here first, and before she can do that she needs to take care of something.

ursula.

the rotten sea witch with her rotten sea magic won’t be allowed to torment her people any longer.

she tells her grandmother, and amphitrite smiles and says, “an excellent decision, child. i’ve enjoyed our time together, but i think it’s time for me to sleep once more. i’ve taught you everything i can.”

and tears prick ariel’s eyes, but she holds them back. she knew that it couldn’t be forever, that her grandmother can’t die but no longer desires to live and this is the in-between.

“you’ll be an amazing queen,” amphitrite murmurs, and closes her eyes for a millennia more.

this isn’t something to be done in the dead of night, although it would be easier to do it then.

she will make a spectacle of it, she will remind the sea that her people are not to be trifled with.

once upon a time they feared a blue eyed, red haired sea queen with the power to destroy them all. it’s time for them to do so again.

so she drives ursula to the center of the city. her sisters cower and people hide, and her father comes rushing forward to save her.

“you’ve committed great crimes against my people,” she says, not flinching as lightning gathers in the sea witch’s hands, “so now shall a great crime be committed against you.”

“foolish girl,” the sea witch snarls.

triton is yelling. he won’t get there in time.

he doesn’t have to.

she doesn’t need to sing anymore. instead she lifts her hands and pulls ursula apart without ever touching her, not only renders flesh from bone but also sets free the souls she’s been hoarding, reverses the magic done to those who’d fallen into the sea witch’s trap.

they all stare at her, her people, her father, and her sisters. she looks to triton and says, “i’m not a little girl anymore.”

he opens his mouth, closes it again, then says, “i can see that.”

all at once everyone’s perceptions are turned sideways about their youngest princess. she commands a power that even her father doesn’t have access to, she’s not depressed and dreamy – she’s powerful young woman who knows exactly what she’s doing.

so she does what she wanted to do, she gives herself legs and steps onto the sand and launches herself into eric’s arms. she becomes his bride, and the rumors run rampant of what she is, of where she came from, but they can’t prove anything and so they rule.

they live long, happy lives. ariel is his consort, his advisor, his wife, his tactician, and his best friend. all those years reading drowned books have certainly paid off. she ages herself along with her husband, bears his children and then teaches them they ways of her – their – people.

her husband dies, and she disappears, like the stories of selkie women that everyone whispers around her. their children give their father a sea burial, and vow to see him again one day. what they know and none of their subjects do is this – their father’s body isn’t in that casket.

she returns to her ocean, her legs form into her glittering green tail, and she goes home. she uses her terribly powerful magic, and brings her husband with her. she went from princess ariel of the sea to queen ariel of the land, and now she’s back again.

she’s not quite a teenager, but neither is she the old woman she pretended to be on land. she’s returned her and her husband to the prime of their life, and as she gained legs to be with him, he now gives his up to be with her.

eric becomes a merman, and a prince by virtue of being ariel’s husband.

she returns to her family and her world without missing a beat, and they all welcome her as if she never left, treat her husband with kindness and respect.

because they all know.

it doesn’t matter that she’s the youngest. when, far in the future, triton’s reign ends –

ariel’s reign will begin.

Katara: It’s not magic. It’s waterbending, and it’s-
Sokka: Yeah, yeah, an ancient art unique to our culture, blah blah blah. Look, I’m just saying that if I had weird powers, I’d keep my weirdness to myself. 

So I wanted to talk a little about Katara, because I think we often focus on her grief for her mother, and forget her relationship to her culture, and her experience of the Southern Water Tribe genocide (unlike the Air Nomads genocide, which was for the greater part over after four big terrifyingly effective simultaneous strikes, this one took place over a long length of time - more than 40 years? 50? - and it wasn’t total, but it definitely was one. genocide = the deliberate and systematic extermination of a national, racial, political, or cultural group, fwiw)

(Kanna’s village - before and after)

All of the Southern water benders were exterminated or taken away to rot in prison (where they all died eventually except for Hama). Katara was born the only bender left in the whole South Pole. Then when she was eight years old, she survived a raid that was meant to kill her, but took her mother instead (she probably was too young to realize that, to her it must have been a question mark up until she met Yon Rha - gratuitous cruelty? Why her mother in particular? They took nothing else!).

So Katara from a young age had a double burden to bear: that of her mother, and the legacy of her bending (and she was shown as painfully aware of her situation and what it meant on both front). But here’s the thing: Katara could be a mother, she was naturally good at it, and her grandmother could teach her what she didn’t already knew. Her family and tribe demanded that of her, they needed her to be that for them (especially after her father and the rest of the men basically abandoned them). However, there was no one left to teach her how to waterbend - she had almost no hope of ever becoming a master without formal training, her brother thought it was silly and weird and let her know, her grandmother thought it was a waste of time. But she kept practicing, because she knew how important it was, to her and to her tribe, that she kept trying (as the only one left who could).

(…an ancient art unique to our culture, blah blah blah…)

(Of course she would obsess over that waterbending scroll)

When she gets to the North Pole, she meets Pakku, and with him the opportunity of finally becoming a true master. But because she is a girl, he judges her unworthy. He judges her, the only remaining southern waterbender, unworthy of carrying on their culture. The Fire Nation didn’t care about the gender of their prisoners, men and women - they all fought side by side for their freedom in the South, and they were all taken away to the last one, and killed to the last one. In the South, the women had the choice to learn how to fight, or be defenseless. And privileged master Pakku couldn’t possible realize the extend of what he was denying her in that moment.

Katara had to prove herself, she had to earn her right to these teachings. And if she had been less good or less stubborn or not Kanna’s granddaughter - well the North would have refused their sister-tribe the power to use their common cultural heritage to fight back against the nation that destroyed them.

(It’s sexist and terrible.)

Meh, thankfully, she was that good, stubborn, and Kanna’s granddaughter, and she did get to become a master.

Good.

But, of course, her story doesn’t end here, and wrt her culture, the next chapter is a much more traumatizing experience. In the Fire Nation, she meets another master. This time it’s an old woman from the South like her (“You’re a waterbender! I’ve never met another waterbender from our tribe!”), and she is, ah, more than willing to help her.

Look how happy Katara looks at the idea to learn from her in particular:

Katara: I can’t tell you what it means to meet you. It’s an honor! You’re a hero.
Hama: I never thought I’d meet another southern waterbender. I‘d like to teach you what I know so that you can carry on the southern tradition when I’m gone.
Katara: Yes! Yes, of course! To learn about my heritage… it would mean everything to me.

But when Hama starts her lesson, the techniques she teaches have been obviously developed with one goal in mind: survival in enemy territory. They can’t possibly have been invented in the South Pole, where water is abundant everywhere. They are deadly and cruel, and the damage they do to the environment leaves Katara sad and uncomfortable, but Hama waves that off as unimportant. It doesn’t matter, she doesn’t have the time to worry about flowers or beauty or nature. To her that peace and beauty is probably just an illusion anyway, a lie: years after her escape she is still living the war, and war is ugly and rotten and messy (her world is ugly and rotten and messy - this is her comfort zone).

The last technique she teaches Katara is bloodbending. She forces Katara to learn something she finds disgusting, repulsive (just like Hama was forced to learn?) by torturing her (Hama was tortured), by overpowering her, invading her, making her lose control over her own body, bending her blood (Hama herself is clinging to the last remain of control she managed to get back after rotting in prison for years), and finally by threatening to have the two people she cares most about in the world kill each other right under her eyes (Hama lost everyone too, she had to say goodbye).

(Katara: But, to reach inside someone and control them? I don’t know if I want that kind of power.
Hama: The choice is not yours. The power exists…and it’s your duty to use the gifts you’ve been given to win this war. Katara, they tried to wipe us out, our entire culture… your mother!
Katara: I know.
Hama: Then you should understand what I’m talking about. We’re the last Waterbenders of the Southern Tribe. We have to fight these people whenever we can. Wherever they are, with any means necessary!
Katara: It’s you. You’re the one who’s making people disappear during the full moons.
Hama: They threw me in prison to rot, along with my brothers and sisters. They deserve the same. You must carry on my work.)

And this, this, is the only truly southern waterbending Katara is ever going to learn. This is her tribe’s bending heritage, what’s left of it: blood, grief, suffering, hatred, loss of control over both your body and mind (because it’s terrible, but I think that’s what’s implied by the show: bloodbending makes you lose your mind. Hama’s only mean of regaining physical freedom ended up trapping her in another nightmare). Hama gifts her with a power she despises (but will use anyway in her darkest hour when she loses control) and a philosophy of violence and revenge.

Katara chose peace and forgiveness. As an adult, she will have bloodbending outlawed, she will become the greatest healer in the world, and she’ll teach her daughter, the next avatar, probably many others. These choices matter, and we should talk about them with that background in mind. Katara redefined her heritage - or rather she created a new one for herself: she refused the condition that was forced upon her (bloodbender) and ensured nobody could legally do to someone else what Hama did to her (and it’s implied this law is valid anywhere in the world). She transmitted Pakku’s warrior teachings, the ones she fought for, to the next generations (and did a great job of it!), but she also taught them how to heal, refusing to separate the arts as in Northern Water Tribe tradition - and healing was something she discovered by herself, that she felt was always a part of her. At that, she became the universally acknowledged best. Her legacy, despite everything that happened to her, will never be one of violence.

tl;dr: Katara is one of the strongest fictional characters ever created bye

I’m Back!

I’m back from tour!!! It was incredible but I’ll probably talk about it more in depth soon in a video or again here.

I wanted to talk about the next couple weeks though because it’s gonna get messy. I’m back for now but I leave again in like 2 days to go on the Ready Player 3 tour and that means that the schedule is gonna suffer as a result. I prepped 2 a day for when I went on my own tour but this next run of shows is much longer so I’m going to need to change some stuff to make it happen.

For now it’s looking like I’m gonna record as much as I can right now, put those out as 1 a day videos and wherever the break happens I’ll just take a full gap until I’m capable of returning.

This obviously isn’t something that I want to do. I would love to be able to keep the schedule going because I’m incredibly proud of it, no gaps in 5 years at all. It’s physically impossible to do so however and I need to be able to make the shows really good instead of burning myself out completely, blowing my voice out and then making crappy performances, no one wins in that scenario.

I also think for my own mental health I need to take a break and just not think about it. I’ve stressed out way more times than I let on because of videos and scheduling conflicts, it takes its toll. So I think it’s necessary to distance myself from things every once in a while. It’s also healthy for you guys and the general audience too to get a break from me now and then and put things into perspective a bit.I bombard you with content constantly so it’ll be nice to have a bit of respite and also for the entitled people to realise that I won’t always be there every single time.

I need to take some time off now and then to really focus and do bigger and better things that will pay off in the long run. I’m really happy that most of you understand and have been as loving and caring judging by all the messages I get about it so thank you, sincerely :)

I wish Ashton Sanders got more recognition for his role as high school Chiron in Moonlight. He gave such a beautifully nuanced performance. How fragile he was, his tone of voice, the way he shrunk in on himself when anyone spoke to him, the resentment but love that radiated off him for his mother. sometimes you don’t need words to give a powerful performance.

i’m not saying exo’s lay zhang yixing would be the best at doing the eve choreography but exo’s lay zhang yixing would be the best at doing the eve choreography

Some Notable Bioware characters who share voice performers

Not a complete list at all but quite a few voice actors and actresses who cross over from Knights of the Old Republic, Mass Effect, and Dragon Age. (list does not include The Old Republic, as I’ve not played that one)

Also worth noting that some of these actors also played minor roles as NPCs in the games, but I couldn’t find all of them (also gave up after Alix Wilton Regan’s went up to 5 picture slots)

Jennifer Hale - Bastila Shan (KOTOR, KOTOR II), Female Shepard (ME, ME2, ME3), Krem (DAI)

Raphael Sbarge - Carth Onasi (KOTOR, KOTOR II), Kaiden Alenko (ME, ME2, ME3)

Steve Blum - Oghren (DAO), Grunt (ME2, ME3)

Alix Wilton Regan - Female Inquisitor (DAI), Comm Specialist Traynor (ME3), Macha (DAII), Ser Cauthrien (DAO)

Nicolas Boulton - Male Hawke (DAII, DAI), Reyes (MEA)

Jo Wyatt - Female Hawke (DAII, DAI) Dr. Cole (ME3) Ostagar Nurse (DAO)

Courtenay Taylor - Juhani (KOTOR), Jack (ME2, ME3)

Freddie Prinze Jr. - James (ME3), The Iron Bull (DAI)

Allegra Clark - Josephine (DAI), Kesh (MEA)

Ali Hillis - Liara T’soni (ME, ME2, ME3) Scout Harding (DAI)

Indira Varma - Vivienne (DAI), Sloane Kelly (MEA), Moshae Sjefa (MEA)

Like I said, not a complete list. I may revisit this post at a later date and add more! If there are any other Bioware carryover voices you’d like to see on the list please let me know!

CLICK HERE FOR PART 2!

in all seriousness, without getting into specific spoilers, I think the thing that bowls me over the most about the adventure zone is the absolute love and care you can feel in every single piece of it that comes out of it being a podcast medium.

like… we see Griffin talking on twitter about his adoration, and Justin and Clint busting at the seams trying not to talk about things that are coming, Travis fucking picking up woodworking to create the things his character does in canon to feel the emotional impact. Part of the reason this show has worked it’s way so into my heart is because of how much it’s so obvious the creators adore it, and the story they’re telling, and how much you can HEAR it as they perform their story.

The day I knew I was in on this podcast forever was absolutely at the end of Eleventh Hour, during the backstory episode. Magnus’ section of the episode was right before the ad break, and Griffin had an NPC describing how he could change his past, the worst mistakes of his life, and save the person closest to him, and as soon as he says “you can save them”, the mic picked up Travis making a small gasp in realization. Just one hitch of breath. That simple action has stuck with me for months, and it shines out in so many aspects of their vocal performance. You know things are about to get serious with Taako when Justin’s voice gets low, and flat, and directly to the point. There’s a way Clint breathes in and goes “well, you know…” when you just know things are about to get so real. And Griffin’s narration, the way his voice warbles with a little laugh when he’s delivering the one-two emotional punch.

I just… I adore seeing creators love their creations and these boys have gone above and beyond, especially this arc, to perform their characters to their fullest extent. I’m just so, so thankful of the dedication and craft they’ve brought to this show, and while I’m sad to see it go, I cannot wait to see how it ends.

summary of bmc songs

More Than Survive: guy says hes not the who the story’s about yet he sings the entire opening number

I Love Play Rehearsal: beautiful angel what a gal 10/10

The Squip Song: ITS FROM JAPAAAAAAAAAAN

Two Player Game: two bros playing a video game, five feet apart cause they’re not gay (they are gay)

The Squip Enters: the boy’s are back in town and are here to ruin everything

Be More Chill pt.1: all it takes to be popular is a few minor adjustments!***

Do You Wanna Ride?: help i’m uncomfortable

Be More Chill pt.2: ***and also hating yourself and degrading yourself to the point of no return

More Than Survive Reprise: is that a trumpet or the sound of abandoning friendships? the answer is both

A Guy That i’d Kinda be Into: the friendzone song

Upgrade: JEREMY HOW COULD YOU

Halloween: the scariest thing about this song is the teenage irresponsibility

Do You Wanna Hang: help i’m uncomfortable the sequel: betraying your best  friend

Michael in the bathroom: i’m not crying there is just weed in my eyes

The Smartphone Hour: a good wholesome song about profiting from your friends tragedy

The Pitiful Children: RAB BAP BEEP BOOP

The Pants Song: dad upgrade ft. best friend pining

The Play: wildest performance yet 10/10 deserves a tony

Voices in my Head: there are voices in jeremy’s head and tears in my eyes

2

Patrick and Lupe Fiasco performing at 2007 MTV U Award + Pete (x)

im not saying nina taught sonny to read, but that is what she tells people

SDCC Steven Universe Panel Highlights

I thought I’d summarize some details on the San Diego Comic Con panel for anyone who wants it.

The panel at SDCC opened with a live singing of the theme song.

Zach Callison is the moderator. He introduced the guests: Michaela Dietz (Amethyst), Deedee Magno Hall (Pearl), Estelle (Garnet), AJ Michalka (Stevonnie), and of course Rebecca Sugar. He gives her congrats on the Emmy nomination (which is for “Mr. Greg” if you didn’t know). Then he asks the other cast members some questions. This is all paraphrased, not direct quoting.

Zach to Michaela: What Amethyst quotes do you use most in daily life?

Michaela says that when she wakes up, she makes noises that sound like her Gem is cracked. Then she says maybe she should change her answer to “womp womp.”

Zach breaks in with “Which way to the baby war?” as his favorite.

Zach to Deedee: What songs do you sing around the house?

She responds “Which do I NOT sing?” She likes “Love Like You” in the shower. “Steven and the Stevens” when she’s doing dishes, and “Peace and Love” a lot lately. Her kids are learning the songs on piano and ukulele, so there’s lots of SU tunes happening in her house.

Zach to Estelle: How has the popularity of the show affected your music career?

Estelle basically says a new generation of people are noticing her music and realizing she is the singer on songs they encounter in the wild. Zach says he grew up on “American Boy.” ;)

Zach to AJ: How has Stevonnie changed since their first appearance?

She says Stevonnie has learned a lot, and has more confidence now.

Then the cast does a great little line read of the scene when Stevonnie first appears, beginning with them barging in with “Pretty cool right?” The voice actors all say their parts and perform it slightly differently, which is cute. Then they do a version of “Here Comes a Thought” with Estelle and AJ!

Zach to Rebecca: What’s next on Steven Universe?

(Of course she laughs.)

Rebecca says the show has recently had so many huge events, so there will be lots of fallout, like a roller coaster from here on out. Then they show a clip. It’s sort of like a trailer. It’s all about Lapis’s conflictedness not wanting to get caught in another war, Homeworld’s future actions, Pearl being unable to properly explain the context of everything even though she wants to, and Greg not knowing his place in all this.

Zach says he hadn’t seen it yet.

Then they talk a bit about the Save the Light game coming out. A trailer for the game pops up and it includes footage that hasn’t been seen. Including a new character: Squaridot, a Peridot from Homeworld.

Rebecca was very involved in the making of the game. She says having a console game is a dream come true because they could do so much more than with the small mobile game, Attack the Light. There are Fusions and original characters, and the mechanics are relationship-based, and Greg is a player character who can play guitar. She likes that Squaridot is a Peridot who hasn’t made the kind of progress that Peridot has made. They segue to say Shelby Rabara (Peridot’s voice actor) is taking over social media for the week.

Then they talk about the Art and Origins book being out, and how there’s a SDCC-exclusive version. Launching also is the podcast, a 10-episode production, about the production of the show. McKenzie Atwood is the host. Rebecca and Steven were Episode 1–I’ve already heard this (and I seem to recall there wasn’t really a lot of new info except that the Gem writing in the Kindergarten will say who each section belongs to if you can read it, and that a lot of Ishtar imagery was used, including the 7 lions and the stars). Rebecca did episode 1 of the podcast with her brother, and says she wishes she could do everything with Steven. Zach and Grace are Episode 2.  

They talk about how the soundtrack Volume 1 is out, and announce that a vinyl version is out in fall! A limited-run Stronger than You and Love Like You vinyl single is out for SDCC.

Then they play a name-the-song game with SU cosplayers. They complimented a Pearl cosplayer’s cool spear too. They read lyrics, tell what song it’s from, and if the player gets it right, they win a vinyl single. Quiz songs included “Love Like You,” “Wailing Stone,” “Let Me Drive My Van Into Your Heart,” “Steven and the Stevens,” “It’s Over, Isn’t It,” “What’s the Use of Feeling (Blue),” and “Comet.” Most people got them right, but if they got it wrong they got to try another one.

Then there’s a Q&A, which I’m paraphrasing the 12 questions:

1. Audience member: Fluorite is a polyamorous relationship, right? What inspired it?

Rebecca said she went to an LGBTQ center in Long Beach and chatted about what stuff they really wanted to see. Poly relationships came up. (So yes, that’s confirmed, though in my opinion it really didn’t have to be since they were pretty clear about it!)

2. Audience member: Fan theories–do they influence you or do you have a master plan?

Rebecca says she loves fan theories, but they work way further in the future, so no, they really don’t influence what the story does. She has loved reading the theories about the trial, because some are onto something, and some are like way off. Zach says the good stuff gets downvoted a lot.

3. Audience member: Says a favorite character of theirs is Rainbow Quartz, and wants to know will we see a version of her with Steven?

Rebecca says of course she can’t give spoilers, but that Rainbow Quartz 2.0 would inevitably be different. Then she quickly says, “Forget I said that.”

4. Audience member: How old is Lion? Have we seen all his powers?

Rebecca says it’s a good question and can’t say exactly. The episode “Buddy’s Book” gives a hint at the general time when Rose was spending time with seven lions. That’s a gauge for how old Lion is. She implies that Lion does have more to show us about what he can do.

5. Audience member: Regarding the “Off Colors” episode, which Off Color do you relate to?

Rebecca immediately says “Rhodonite, the neurotic.” Then Zach says he relates to Padparadscha because he’ll trail off in the middle of a sentence. Deedee says she relates to that too.

6. Audience member: On writing music for the show–any challenges?

Rebecca says it’s very challenging–they’re given no extra time to work on the songs. “Mr. Greg” was most challenging of course. Zach is glad the Emmys recognized Rebecca’s extra hours. He said he had a hard time when his voice changed. “Puberty is a thing,” he says, while talking about some songs he struggled with.

7. Audience member: Will there be a Blu-Ray?

Rebecca would like it. Making it happen will take more moments like this (the panel, people showing up for the show).

8. Audience member: Did Yellow Diamond shatter Pink Diamond?

Dude.

Zach: “We won’t tell anyone what you say Rebecca.”

Rebecca just says she’s really excited about the next run because it was a chance to do a real murder mystery.

9. Audience member: What inspired you to use gems/rocks?

Rebecca: “Aesthetic! It’d look cool!” But she learned a lot about myths. Smoky Quartz was fun to learn about gem trivia for, building important symbolism into their character. Estelle said gems are just really pretty, that’s enough of a reason.

10. Audience member: How often do you write a song and then build an episode around it or vice versa?

Rebecca says it depends. Character stories will need a song when dialogue just isn’t enough. “Here Comes a Thought” was unusual since it came before the episode. She wanted it to be a tool to teach kids about mindfulness meditation.

11. Audience member: Do you anticipate what’s going to be popular on your show?

Rebecca says on the inside they focus on loving what they’re making. Team ideas that are spur of the moment seem to catch on most with the fans too. They discuss Padparadscha’s immense popularity. Sapphires are sort of Zelda-like, Rebecca says, and she wanted one who reminded her of Peach. Lamar Abrams came up with the idea of making her hair kinda look like a crown to increase the feeling that she has a matching vibe.

12. Audience member: On Lars’ development: was it planned initially?

Rebecca says it happened naturally. He’s one of the oldest characters in the show, and she was drawing him in college. Lars-n-Sadie comics are older than SU. (This was already known but apparently some people didn’t know they predate the show.) So of course they were always going to be important. (Zach says Lars was important in the pilot for calling Steven names.)

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Today in “Sea Shanties I Have On Repeat”, what dark magic did this man have to perform to get this voice?? This is the voice of Poseidon himself. Damn.