spiraling-vortex  asked:

WHy does META-KUN have lenny face eyes?!!?

It’s not actually a lenny face, it’s a Henohenomoheji face, which is basically a face drawn with the Hiragana characters that make up its name. (へのへのもへじ)

The reason Meta Knight gets them is because he’s the one who drew the Meta-Kun comics, which is also the same reason they’re a bit more crudely drawn than the rest of the comic.

(Context for people who have no idea what I’m talking about.)

well there’s even more pictures around my neighborhood so i’m fairly certain that there’s no flooding in my family’s area, or at least nothing so drastic they couldn’t make it out. still, seeing my city (i don’t know if it’s fair to call it my hometown but it’s as close to it as any) shredded is… uh… rough

i know enough of the puerto rican diaspora that i’m not totally alone but i’ve been crying for well over an hour right now and there’s a party going on outside and it’s the most amazingly surreal experience that the people around me physically have no idea about the tragedy going on, even though it’s so, so close to my heart

Do other Brits struggle writing British characters in fic etc because they feel people have unrealistic ideas of how we sound? 

Like, I’m just as likely to call someone a fucking asshole - not arsehole - as I am a bloody fool, but I doubt myself when writing it, because I wonder if it sounds right in the context of who I’m writing.

Is it just me who finds this or is this a common issue? 

honestly the more time i spend on tumblr and especially in discourse hell, the more i appreciate the simple ass allies whose only opinion is “being gay isnt wrong” its so refreshing to remember that most people irl have no idea what 90% of all yalls made up nonsense means

Okay so you know what’s a thing that occurred to me?

Look at Blaytz, and look at the merfolk from s2e2. Look at his complexion, markings, head fins- he even has little antennae like several of them do!

You know how the mermaid planet is never named?

What if it’s Nalquod- Blaytz’s planet?

Think about it. Blaytz would really flit in perfectly with the merfolk. The only real difference is he doesn’t have a tail, but, even though Blaytz is obviously a sea creature, we only see him on land. And we only see the merfolk underwater- though they make it very clear that being on land, and on spaceships, is something they can do.

And the merfolk take a lot from human lore of mermaids- which very often features the idea that they’re able to grow legs and walk on land.

Several things in line with this:

The bubble coral makes perfect sense. Nalquod was part of a coalition of five planets. In its heyday, it would have needed to accommodate air-breathing guests. Frequently.

Luxia has creatures large enough to transport Voltron Lions.

The rebels immediately latch onto Lance as their savior explicitly because of the Blue Lion. Even though Hunk also has a Lion, they’re not nearly as concerned with him. It’s specifically the Blue Lion that they recognize- Blaytz’s Lion. The same Lion Luxia basically doesn’t even bat an eye at waking up in its mouth but immediately trusts and tries to appeal to the people there.

We have no idea how old Luxia is or how long she’s been leader. The mermaid city appears very well-established. Plaxum states that Luxia froze the ocean over by blocking the “thermal vents” and then moved everyone down to the depths, and Luxia talks about opening contact with other planets “again”, telling us they once were a spacefaring people, and also, that unlike many things that ultimately Luxia wasn’t responsible for, the Baku was- Luxia froze the ocean before the Baku took control of her. Plaxum, not knowing about the Baku, might conflate the two because Plaxum is probably much younger- she’s noticeably smaller than Luxia and Florona, after all.

So why would she do that? Why presumably call all her people back from space, freeze the entire surface of her planet, and hunker in the depths?

Well… the comics show us that some of Altea’s old allies are still alive. And again, we don’t know the lifespan of a mermaid.

If Luxia is over ten thousand years old- the Blue Lion is a nurturer, and Lance did shove Coran out of the way of a bomb.

It’s possible Blaytz was unable to escape himself, but, he was able to warn his homeland that Zarkon was going to attack them. And Luxia, next in line- Blaytz’s sister, daughter, niece, something else- locked down the planet so by the time the fleet got there, they found an icy, lifeless wasteland- and may have assumed that Nalquod’s people had fled the planet.

anonymous asked:

Could you elaborate on those D&D settings? Maybe two or three sentences describing each? I always thought D&D was just set in Generic Fantasy Land #357

(With reference to this post here.)

Yeah, a lot of people have the wrong idea about that. Dungeons & Dragons is a set of rules for running a particular kind of game, with a number of published settings associated with it, few of which resemble the generic Tolkien pastiche most folks picture when they see that it’s got elves and hobbits in it.

In the same order as the previous post:

Planescape is set in an industrialised quasi-Victorian city constructed around the inner rim of a giant ring hovering atop an infinitely tall spire at the centre of the universe. The streets are ruled by warring gangs of philosophers who can literally argue you to death. Playable races include anarchist goat-centaurs and sapient geometric shapes.

Dragonlance is basically medieval fantasy meets World War II, wracked by constant open war between the forces of Light and Darkness. Knights ride dragons into battle while sinister dragon-men prowl the countryside (there are a lot of different kinds of dragons). Playable races include steampunk gnomes and musical minotaurs.

(If that last bit sounds familiar, it’s because most of what World of Warcraft didn’t borrow from Warhammer, it lifted from Dragonlance).

Ravenloft is pretty much as described in the previous post: it’s a prison dimension for the multiverse’s worst baddies, which has evolved into a confederation of dystopian city-states ruled by thinly disguised expies of various Hammer horror villains, like Dracula and the Wolfman. And also an evil version of Pinocchio, because why the hell not?

Spelljammer is D&D in space, where enchanted galleons sail the luminiferous aether in search of fortune and adventure. If you’ve seen Treasure Planet, you’ve got the right basic idea, though Spelljammer predates Treasure Planet by some decades. Standout features include mercenary hippo-men and gnomes whose ships are powered by giant hamsters running on wheels.

The Forgotten Realms is probably the closest to what folks are picturing when they think of “generic fantasy land”, though they’re a couple of decades off with respect to its inspirations - it’s much more 1980s romantic fantasy than 1960s epic fantasy. Talking housecats, cosmopolitan cities with suspiciously modern amenities, enlightened matriarchies ruled by beautiful sorcerer-queens - you know the drill if you’ve read your Lackey.

Dark Sun is a post-apocalyptic milieu set in the wake of a global environmental collapse brought about by irresponsible use of magic. “Mad Max with wizards” would be a glib but not-wholly-inaccurate description. Playable races include savage cannibal hobbits and giant psychic praying mantises.

Birthright assumes that the player characters are members of ancient ruling houses empowered by the blood of slain gods. Beyond that, it’s almost entirely generic - its whole shtick is that you get to rule a domain right from first level, rather than having to work your way up to it.

Red Steel is an Age of Sail swashbuckling game set on the Savage Coast, a region tainted by magical fallout that grants wondrous powers, but also induces progressively more hideous mutations. The economy is based on the eponymous red steel, a rare metal that grants resistance to the mutations without suppressing the accompanying powers. I wasn’t kidding when I said The Three Musketeers meets the X-Men.

Eberron is a “magipunk” setting that envisions a high fantasy world in the process of undergoing an industrial revolution. Trains powered by bound lightning elementals crisscross the land, and one of the major tensions involves the integration into society of a race of mechanical soldiers constructed from enchanted wood to fight in a recently ended war.

Greyhawk is tough to pin down, as it’s basically the collected campaign notes of one of the game’s original designers. It covers a lot of ground, but the focal point, the eponymous city of Greyhawk, is a straight up sword-and-sorcery pastiche. In terms of inspirations, think Robert Howard, Fritz Leiber and Michael Moorcock. Sinister cults, baroque cities ruled by degenerate nobles, and player characters who are as likely to be planning urban heists as delving dungeons.


Producer Jeff Bhasker faced a daunting task several months ago. After having worked with Kanye West and winning Grammy Awards for producing Mark Ronson’s “Uptown Funk,” and Fun.’s 2012 album “Some Nights,” he had to decide whether to take on a new project: the debut solo album of One Direction member Harry Styles.

“I’d just had a baby, and I was kind of like, ‘Eh, I don’t know if I’ll jump into this,‘” Bhasker tells Variety. He agreed to have Styles come over to “just talk,” and proceeded to put him through the Bhasker home sniff test. “My dog tends to bite people, and he was kind of scoping Harry out,” Bhasker explains. Styles “did this move — like a little shoot the gun with his finger, and my dog walked over and started licking his finger. That’s when I was, like, ‘This guy has something special.'”

Once music came into the mix, Bhasker was sold. “He started playing references of what he wanted to do, which sounded like a cool rock band. I got it, and could see where if we pulled this off, it would be one of the coolest things ever. But he needed a buddy who plays guitar like he’s Keith Richards.” The insinuation being: Styles is the Mick Jagger in this scenario.

Adds Bhasker: “I’m so proud of the album itself, and also of Harry for being so brave, and committing 100%, and writing the kind of vulnerable lyrics that he wrote, and not pandering to what people thought he would do. People have no idea that this is what Harry Styles is like. Just like I didn’t know. He’s obviously very famous and beloved, but people don’t know the depths of what an amazing personality and artist he is.”

Variety spoke with Bhasker about the recording of “Harry Styles” ahead of the album’s May 12 release: 

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What do you want from me? Admit that you wanted to get rid of me the whole time. Tommy knows this area better than- Agh, fuck that- Well, I’m sorry, I trust him better than I trust myself. Stop with the bullshit. What are you so afraid of? That I’m gonna end up like Sam? I can’t get infected! I can take care of myself. How many close calls have we had? Well, we seem to be doing alright so far. And now you’ll be doing even better with Tommy! I’m not her, you know. What? Maria told me about Sarah. And I- Ellie! You are treading on some mighty thin ice here. I’m sorry about your daughter, Joel, but I have lost people too. You have no idea what loss is. Everyone I have cared for has either died or left me. Everyone - fucking except for you! So don’t tell me that I would be safer with someone else because the truth is I would just be more scared. You’re right… You’re not my daughter, and I sure as hell ain’t your dad. And we are going our separate ways.



@grimmmons and i were drawing @ each other the other night and just yelling about this au, heres what we came up with (INHALES DEEPLY): grif and simmons work in Sarge’s shop, Kaikaina was in a shitty relationship with Temple for a fling and now the asshole is stalking her + grif, theyve always had shitty living situations and this just makes it worse, grif worries about kai being alone so he can never go anywhere, doesnt think simmons deserves to be wrangled into his shitty life, simmons wants to help but has N O clue how, enter Audrey 2 (GriFF with 2 F’s), so Simmons kills Temple and feeds him to the plant :D Sarge finds out and Simmons is “forced” to kill Sarge, but its cool cuz at the end of the play when Grif is accidentally eaten by the plant, Sarge BUSTS both of them out like a badass and things are fine (or you can have your angsty ending where Grif dies but my heart cant take that) and then all of them become alien plant hunters in the apocalypse kaikaina included (her and sarge make a badass team yes) 


also blue team + donut as the Street Urchins. theyre a quartet because i wanted Donut to be included lmao. gay culture.

Here is some more stuff me/people have done for the au

pluto & where you transform/ find power

~Pluto is the last generational planet and has the slowest orbit around the signs. Therefore, while some common generational themes can be found in the sign placements, the house placement should be focused on more when it comes to interpreting the individual. Most people here have their Pluto in Scorpio or Sagittarius. Ruled by Scorpio, Pluto shows what changes/truths you seek, how and where you transform yourself, the thin veil between powerfulness and powerlessness. Plutonian change is not as societal as Uranus’ systematic dismantling, but rather more internal, ruthless and intensely reformative.

Pluto in signs (more generational):

Transforming in….

Aries ♈: … an urgent, driven, bold way. themes of asserting independence
Taurus ♉: … a steady, enduring, collected way. themes of materialism
Gemini ♊: … a versatile, adaptable, communicative way. themes of exposed information and ideas
Cancer ♋: … an emotional, protective, defensive way. themes of intracommunity changes
Leo ♌: … a dramatic, creative, optimistic way. themes of indulgence
Virgo ♍: … a critical, practical, analytical way. themes of precision and self-mastery
Libra ♎: … a diplomatic, peaceful, harmonious way. themes of justice and fairness
Scorpio ♏: … a secretive, deep, intense way. themes of obsession and research discoveries
Sagittarius ♐: … a freedom-seeking, idealistic, expansive way. themes of travel/exploration and higher learning
Capricorn ♑: … a pragmatic, calculated, measured way. themes of industrialism and businesses
Aquarius ♒: … an unconventional, original and detached way. themes of humanitarianism and elitism
Pisces ♓: … a transcendental, sacrificial, idealistic way. themes of spirituality and addiction

Pluto in the houses (more specific to the individual):

Power struggles in or transformation within/through….

1st 🏠: … the self and the lifestyle. / constant regeneration of outlook and maybe appearance, feelings of alienation are possible. you are perceptive, aware of and sensitive to power struggles in your life. you find yourself holding many secrets for you feel powerful possessing knowledge that no one else does. you therefore prefer to keep your life private and keep things under wraps. you come off as intense, mysterious and have a magnetic presence that others are fascinated by. you may find yourself drawn to psychology and investigative research… you love a complex challenge.

2nd 🏠: … your self-worth and the acquisition of resources. / you may find your possession and resources constantly taken or ‘stolen’ from you, or otherwise inconsistent. you are insecure about your value and may find yourself often worrying about financial stability. you are incredibly resourceful though, and just as capable of getting the finances you lost back.. obsessive about wealth and acquiring possessions, you put in much effort in achieving the stability you seek. you may find yourself constantly throwing things out to get new things… you experience a lot of fundamental changes in your values and principles, maybe even appearance. may have a strong, booming voice that is lower in pitch

3rd 🏠: … communication and thoughts. / inquisitive & curious, you are a deep, pensive thinker and have an incredible perceptive awareness and analytical appreciation of things. you find yourself fascinated by new topics and may be prone to obsessive thinking.. regardless, you have a need to be heard and you communicate in a powerful, intelligent way that makes people listen. your ideas have much depth and ruthless wisdom. learning is a transformative experience to you and you may find yourself an extremely knowledgeable/high-achieving student. linked to educational investigative research & linguistics

4th 🏠: … the childhood and the domestic life. / you may have experienced a intense/turbulent past or a childhood with controlling, authoritarian figures that made you feel powerless. you may have deeply repressed desires because of this or are reserved and secretive about your background as a result, developing much protective armouring.. now you feel a need to subtly be in control of family traditions/in control of your ‘inner circle’; a powerful head of house. you are intensely protective of the people you consider a part of that inner circle. you likely have an unusual domestic life. some with this placement experience a sudden change in homes, developing resourcefulness & resilience through changing environments.

5th 🏠: … self-expression and leisure. / you have a deep creativity and a strong, intense & dramatic manner of self expression. more inclined to take pleasure/leisurely activities and romance seriously. there a lot of shifts in the love life and you may find yourself swinging from extremes, going from intense and transformative relationships and lovers to none at all. capable of forming extremely strong bonds with children or being very protective of your own. you may take pleasure in gambling or occult interests. possessive or obsessive lover

6th 🏠: … jobs and helping others. / obsessive concern over health & hygiene. you are passionate about servicing/helping others and do this through transformative means, may gravitate to psychology or therapy-related jobs as well as “inside” jobs (associated with spies). intense workaholic, you take your duties and work seriously. you may preoccupy yourself with work or helping others so much that you neglect your own health, self destructive tendencies that affect health are common with this placement.

7th 🏠: … partnerships and your interactions with others. / you are prone to having/gravitating to extreme and intense relationships - that’s where your passion is most apparent. destructive, obsessive, possessive lover/attracts destructive, obsessive, possessive partners (romantic or otherwise). similarly, may be controlling or attract controlling partners. you have good investigative skills and an ability to uncover secrets from others. you look for intimacy and depth in your interactions. you may be a lone wolf or have a dramatic social life. you’re reserved and private about your relationships because you hold their transformative powers dear.

8th 🏠: … your legacy and your intimate relationships. / you may have obsessive or compulsive tendencies and desires. capable of extreme regeneration and powerful inner transformation. passionate sexuality or strong intimate needs. you have a perceptive, psychic sensitivity and awareness. you are also capable of high self-control and discipline - empowers you and ignites you due to the potency of your powerful desires that you once thought were out of control. you don’t take things at face value which is why this placement is strongly associated with psychology, healing and investigative research; you look beyond the surface, aren’t afraid to dig deep or get your hands dirty. you’re resourceful, measured and calculated. resilient and not easily scared off, you can overcome extreme or adverse situations. you do have a tendency to expose hidden matters within yourself and others though, which may land you in trouble…

9th 🏠: … your beliefs and spiritual exploration. / you may be extremely religious or deeply attracted to spirituality or philosophy. expansion is fascinating to you and you have a strong drive to explore new horizons/pursue higher learning. if you do manage to pursue this, you might find yourself adept at or drawn to subjects that ‘uncover’ and expose hidden or secret matters, or subjects that have depth and insight on ‘taboo’/untalked about matters like life and death. you are unafraid of new or unfamiliar experiences, in fact you find them quite empowering. you are likely interested in exploring places that have a lot of history, depth or obscure legends in them. this placement is linked to archaeology, criminology, teaching & medicine.

10th 🏠: … the public image and the career. / you project a powerful, intense persona and come off as intimidating to others. your aspirations are high and you are ruthlessly ambitious. you have a magnetic presence that demands recognition and works hard for it… you look for powerful/high authority positions and likely aspire to be the boss. you are sensitive to power struggles in the workplace and are calculated in approaching such situations… sometimes you attract such opposition and challenges from others, for the public perception of you is controversial and divided. you can be self-serving and greedy but you are capable of incredible resourcefulness in your climb to the​ top. observant, very perceptive and may have a natural affinity with subjects that require insightful depth like psychology and (surprise) astrology. good investigative skills; you probe beyond the surface. celebrities with this placement can be very controlling of their public image. linked to career crises and you find power in overcoming them

11th 🏠: … the community and your circle of friends. / you are loyal and protective of your friends, capable of forming intense & deep bonds but you like to have power over them and tend to be lone wolf due to your controlling nature & seeming unapproachable. regardless, you are incredibly perceptive of changes in your environment and you find communities and friendships incredibly transforming. you like to change/manipulate group dynamics. you also have very fixed and potentially extreme ideals and views that may attract opposition from others - no matter, your persuasive skills are subtle but powerful. you may find power in forming friendships in outlandish, unusual places..

12th 🏠: … the subconscious and your solitude. / you face deep internal transformations in your alone time - a rich, and intense inner life that you may be inclined to keep hidden. repressed violent urges may manifest in your dreams. there’s a lot about yourself you may be unaware of that you will only learn through deep introspection and contemplation. you find great power behind the scenes and are inclined to isolate yourself from the ‘spotlight’/confining chains of society. you are pensive, secretive and incredibly layered. be careful of your suppressed rage - you can be unaware of how angry you are and it comes up in volcanic outbursts..

These are all my own interpretations, for more posts like this please follow @jupiteronic

During my journey of understanding and accepting my autism, I’ve focused a lot on “can’t”.
I “can’t” go to parties. I “can’t” go to uni. I “can’t” travel or keep my flat clean.
A lot of people have, for a lot of different reasons, been upset with this, and I get it.
If they love me, it’s sad to think I’m resigning myself to a limited kind of life.
If they don’t love me, they think I’m whining and not pushing myself enough. That I’m weak. Spoiled.
And I get all that… especially when it comes from people that know me.

That’s because there’s a soft “can’t” and a hard “can’t”.
I could, technically, go a day without food or I could lift something as heavy as me.
People understand that when I say I “can’t” do that, it’s a soft “can’t”. Like, I could push myself beyond what’s healthy, and it’d suck ass, and you’re a jerk if you expect me to do this. Technically I can, but you’d understand my “can’t”.
A hard “can’t” is then an actual “can’t”. I can’t survive without food. I can’t lift a car.

So far so obvious, I guess.
But the thing is the world never accepts a soft “can’t” from disabled people.

My wife “soft can’t” do the shopping for my whole family for the weekend we’re staying with them. So my mum asks her anyway, because my wife is a sweet and giving person and I’m the only one who sees her shaking when she comes back.
I “soft can’t” hold down a nine to five job, but because me crying in the break room, shutting down during my hours off and because my wearing headphones during my lunch break instead of talking to my coworkers is just snobbery, people think I’m being lazy or spoilt when I say I “can’t” do it. Even though I’ve been fired for that kinda shit before.

If you know me you’ve seen me push through my soft “can’t"s all my life, and I was forced to so often that even I didn’t realize I “couldn’t”, because other people knew better and I was just spoiled and either people broke down just like me when I couldn’t see them, or I was just a weird, entitled, difficult child like everyone said.

But I’m realizing a soft “can’t” is still a fucking “can’t”. Because abled people aren’t denied that kind of “can’t”. We understand that if an abled person avoids physical or mental pain or exhaustion, that’s just them being sensible. People have a rough idea of what they “can’t” do, and they expect that at least part of the pain and difficulty in disabled people’s lives is just pushing through their limitations to reach the same “can” and “can’t"s as they experience and respect.

Of course the trope of the good disabled person pushing through to impress even abled people with their accomplishments has been discussed before.
But my thing right now is just about claiming or reclaiming “can’t”. I don’t have to, or shouldn’t be expected to, suffer through my soft “can’t"s any more than an abled person.

So fuck you, world! I can’t be outside in summer. I can’t handle your manipulations. I can’t perform. I can’t live on my own. I can’t have a perfect life. I’m not a spoiled brat, dad. My pain counts just as much.
And my can'ts count. I’m already pushing myself through difficulties you’ll never understand, just to stay alive. Respect my limits. I will, whether it pisses you off or not.



At last, the first in a series of interconnecting one shots about my Victuri Merman AU!

I had so much fun drawing these, I hope you guys like them! These two drawings are based on the last scene in this one shot :D

This first one shot is bit short and possibly a bit slow but you need to know how they met first :) Then it’s just going to be fluff for days~

I haven’t written fanfiction in about 6 years. Please have mercy X’D

This is the only place this fic is posted at the moment since I don’t have an AO3 account. Anyone wanna help a fan out and send me an invite so I don’t have to go on a waiting list? X’D

Relatively short introductory one shot under the cut.

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Shoutout to autistic people who don’t know whether they have high or low empathy

To the autistic people with alexithymia who can barely figure out what they’re feeling, let alone what others are feeling

To the autistic people with fluctuating empathy that changes from day to day or moment to moment

To the autistic people who feel some things so strongly and other things not at all

Shoutout to the autistic people with low empathy

To the autistic people who don’t feel what other people are feeling 

To the autistic people who are driven to help anyways

To the autistic people who have no idea what other’s are feeling unless it is explicitly stated

Shoutout to the autistic people with high empathy

To the autistic people who feel so strongly for animals or objects but feel little for other humans

To the autistic people who feel the emotions of others way too strongly

To the autistic people who can’t sort out their own feelings from the feelings others

No matter how you experience empathy, it’s ok. You’re not a bad person for experiencing empathy differently from neurotypicals. You’re not cold or uncaring if you have low empathy. You’re not too sensitive if you have high empathy. It’s ok to not know how you experience empathy. It’s ok if how you experience empathy changes. No matter how you experience empathy, it’s ok. 

I’m so proud of the album itself, and also of Harry for being so brave, and committing 100%, and writing the kind of vulnerable lyrics that he wrote, and not pandering to what people thought he would do. People have no idea that this is what Harry Styles is like. Just like I didn’t know. He’s obviously very famous and beloved, but people don’t know the depths of what an amazing personality and artist he is.
—  Jeff Bhasker

narigonsinparangon  asked:

Wo hen hao, ni ne? I'd like to ask you about Asian looking people in general. I know this girl that looks like Asian (I can not tell exactly from where) but I'm sure she's German, even if her name sounds (let's say again) Asian. Would be very unpolite to ask her about her roots or ethnic? I have this other friend who is completely black and is always complaining about people telling her that she speaks very good Spanish, even when she was born in Madrid.

I don’t think it’s a good idea. A lot of non-poc (and poc, nbpoc, everyone) do this but the basis of asking about someone’s ethnicity is trying to fit them into specific boxes. Even if someone is part German, part Swedish, part Peruvian, part Sri Lankan, they might look to you as if they belonged to a “different ethnic group” and that just shows many people have preconceived ideas about race, ethnicity, and culture (including names that sound ethnic).

I know people will say that I’m being super extra, but the truth is, these questions are problematic because yt ppl rarely get asked “what are your origins”? You never ask a yt person if they have “Scandinavian” roots because they have very light hair and they are tall. However, as soon as someone has slightly almond-shaped eyes, people ask “are you kinda Asian?”…. 

This just shows how much poc are fetishized and thought of as “exotic”, which is demeaning and belittling to our identities. This is a question that segregates a poc from the rest of the group because of their name, skin colour, features.

Hate That You Know Me (So Well)


Adrien and Marinette discuss Chat Noir.

Can also be found on and AO3.

“Can I ask you a question?”

She was lying face down on his carpet so he was left to interpret the muffled “yrsfh”. She hadn’t said no to him yet so he gave in to precedence.

“Does Chat Noir know?”

Marinette didn’t answer him right away so he leaned over the side of the couch to look down at her.  She turned her face so it was no longer buried in his rug and one very blue, very wary eye peeked up at him.

“No,” She whispered.  “No one was supposed to know.”

It had been like this for an hour now. 

She seemed to still be coming out of shock.  After all, it wasn’t every day your classmate stumbles upon your biggest secret. Adrien wished, not for the first time, that he had chosen any other alley, if only to spare her whatever she was feeling right now.

“I’m sorry,” He said, again.

She turned her face back into the carpet.  “Snrt yr fawl.”

And, really, it wasn’t.

Not when he considered the increase in akuma attacks over the past few months or the fact that he and Marinette had been circling each other for over a year.  In fact, Adrien was surprised that they hadn’t stumbled upon each other transforming sooner.

It really was obvious now that he knew.

Of course Ladybug was Marinette.  There was no one else in Paris like her.

And if, after the warm, pink light faded, her startled eyes met his with anything but absolute despair he wouldn’t have hesitated pulling her to him.

As it was, he had still been reeling from the gunshock that was watching his beautiful classmate (had she really been so close) transform into his beautiful partner, when she crumpled in on herself shaking no, no, no, no.

And when Adrien finally did realize what was happening and started to move forward she was already up, fragile and broken and strong.

“Don’t say a word.”

Caught in the steel of her eyes he could only nod before she threw her yoyo up and out, vanishing from the alleyway.

There was, after all, an akuma.

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