people film

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‘Get Out’ is now being called 'anti-white’ and 'racist’ by some viewers

  • Critics have high praise for Get Out, Jordan Peele’s directorial debut. 
  • Yet some “rotten tomatoes” are slamming the satirical horror film for its so-called “anti-white” and “racist” portrayal of white characters. T
  • he discussion has generated a whopping 11 pages worth of comments from users. While the average audience rating is 4.5 stars out of 12,583 user ratings, there’s a very vocal group online that clearly hates the movie. Read more (2/24/17 12:55 PM)

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after a stupid long time, i’m finally able to post my rmit grad film, for fear of little men! this thing represents 8 months of delirious work surviving off pizza shapes and academic fear alongside my friends, please enjoy

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a blessed fancam.

“I want a LGBT film that has well  rounded characters” 

“I want a LGBT film that has an interesting story”

“I want a LGBT film that has good subtext”

“I want a LGBT film that has a happy ending”

“I want a great LGBT film”

Watch.

The. 

Handmaiden.

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willabeth appreciation week

↳ day seven: the making of the maelstrom wedding

will and elizabeth are married by barbossa while fighting, which i think is probably one of the greatest things that’s ever happened on film.- kevin r. mcnally

abcnews.go.com
Transgender actress Alexis Arquette left out of Oscars' In Memoriam
Alexis Arquette, who had over 70 acting credits, died last September.
By ABC News

Lots went wrong at the Oscars this year. One mistake that Patricia Arquette called out right away: her sister, transgender actress Alexis Arquette, who died in September with more than 70 screen credits to her name, was not included in the Oscars’ annual “In Memoriam” segment. 

“I was really pissed off the academy left out my sister Alexis in the memoriam, because Alexis had a great body of work, but Alexis was one of very few trans artists that worked in the business,” she told ABC News.

“At a time when we have trans kids that can’t even go to the bathroom at school, you would think the academy would have a little bit more respect for a group of people that are murdered, and trans women of color are most likely to live in extreme poverty, making $800 a month, so I think the Oscars have a lot of learning to do.”

A lot of learning to do, indeed. 

Beauty and the Beast isn't what Tumblr's been saying it is.

I can completely get over Emma Watson being Belle for the sheer amount of representation that’s in the film. What representation? 

 Let’s begin (spoiler alert!):

1. Black People in France. Yes, honey. For the first time in my life, I walked into a widely released period piece that doesn’t ignore the existence of black people. Not as mere servants and slaves, but as actual fucking court members and townspeople. Also, interracial couples. Y'ALL. 

 2. Le Fou. I was concerned about this, but he actually undergoes character development. He eventually abandons Gaston and has a change of heart (Disney-style, but I’ll take it). The scene with him “dancing with another man” at the end is led up to- it’s not just random. It doesn’t send the message that gay people are stupid and deserve to be mistreated (Mrs. Potts literally tells him he deserves better), which were my main concerns for this film. TL;DR, the LeFou plotline isn’t what Tumblr made it out to be, I promise.  

 3. The Gender Fluid Character. There is a scene in a which a character normalizes a man in a dress in a positive way. I was expecting him to be mocked, but this doesn’t happen! (Also, I believe this is the same character LeFou dances with at the end). 

 4. Belle teaches a child to read/ LeFou realizes he can’t read. Watson aside, the actual perils of living in 17th century France are explored, like the Plague, and also the importance of literacy. As children’s literacy is very important to me, I LOVED this. 

There’s more, but I think the representation needs to be supported (listen, I almost never see myself in a period piece, I was expecting this cast to be vanilla as hell) and Disney needs to know that we want more of it. 

 ALSO: to the white and non-black POC who straight up lied about the representation in this film, I SEE YOU.