PRIEST: “Today, Jesus urges us to live a worthy life. And what better gift to give him than that of a marriage between a man and a woman? But… marriage as an institution is under great pressure today. No two men or two women can become one flesh. We weren’t designed to be homosexual. Any electrician will tell you you can’t get power if you use two same-sex electrical sockets. They.. simply won’t spark. And if you consider a magnet.. two positives come together and they repel. Yet, when the opposite sources are used, they weld to one another tightly, like a man and wife in holy matrimony. Homosexual sex is dangerous and destructive to the human body. Homosexuality is a sin.”
During the Interregnum period (1649-1660), following the
execution of King Charles I, the theatres of Britain were closed by Oliver
Cromwell. However, upon the restoration of Charles II as king in 1660, they were
re-opened and theatre managers, Thomas Killigrew and William Davenant,
specifically, were issued a royal charter to set up a theatre company.
Subsequently, the King’s Company and the Duke of York’s Company became the
major duopoly of the Restoration theatre scene.
This was also the first time that women were allowed on the
stage. Previously, female parts had been played by young boys or men but the
King had experienced the phenomenon of the actress during his exile on the
Continent and was highly impressed. The King’s Company was one of the first
theatre companies to feature actresses in the plays it staged and they were a sensation.
There is some debate as to who the very first British actress, as we would define
it today, was, although many say that the first female role to be played by a
woman was that of Desdemona in Shakespeare’s Othello on 8th December
1660. Male members of the audience, especially, flocked to see these talented,
charismatic ladies perform in a way that had never been seen before.
Pictured are the Restoration era actresses Nell Gwyn (who
later went on to become the most famous mistress of King Charles II), Mary
Saunderson, Anne Marshall and Margaret “Peg” Hughes. Other female actresses of
the era included Elizabeth Barry, Mary Knepp, Elizabeth Boutell, Katherine
Corey, Rebecca “Beck” Marshall (sister of Anne Marshall: occasionally, the two
performed as a pair), Hester Davenport and Mary “Moll” Davis. These women were
among the first ever celebrities and professional career girls.
It wasn’t all glitter and glamour for these girls, however.
Beck Marshall, especially, on several occasions, had to petition the king to
make sure she was protected against boisterous male audience members.
How to Live on Other Planets: A Handbook for Aspiring Aliens, forthcoming March 2015, explores the immigrant experience in a science fiction setting, with exciting fiction and poetry from some of the genre’s best writers.
Table of Contents:
Dean Francis Alfar, “Ohkti”
Celia Lisset Alvarez, “Malibu Barbie Moves to Mars”
R.J. Astruc, “A Believer’s Guide to Azagarth”
Lisa Bao, “like father, like daughter”
Pinckney Benedict, “Zog-19: A Scientific Romance”
Lisa Bolekaja, “The Saltwater African”
Mary Buchinger, “Transplanted”
Zen Cho, “The Four Generations of Chang E”
Abbey Mei Otis, “Blood, Blood”
Tina Connolly, “Turning the Apples”
Indrapramit Das, “muo-ka’s Child”
Tom Doyle, “The Floating Otherworld”
Peg Duthie, “With Light-Years Come Heaviness”
Thomas Greene, “Zero Bar”
Benjamin S. Grossberg, “The Space Traveler’s Husband,” “The Space Traveler and the Promised Planet” and “The Space Traveler and Boston”
Minal Hajratwala, “The Unicorn at the Racetrack”
Julie Bloss Kelsey, “tongue lashing” and “the itch of new skin”
Rose Lemberg, “The Three Immigrations”
Ken Liu, “Ghost Days”
Alex Dally MacFarlane, “Found”
Anil Menon, “Into The Night”
Joanne Merriam, “Little Ambushes”
Mary Anne Mohanraj, “Jump Space”
Daniel José Older, “Phantom Overload”
Sarah Pinsker, “The Low Hum of Her”
Elyss G. Punsalan, “Ashland”
Benjamin Rosenbaum, “The Guy Who Worked For Money”
Erica L. Satifka, “Sea Changes”
Nisi Shawl, “In Colors Everywhere”
Lewis Shiner, “Primes”
Marge Simon, “South”
Sonya Taaffe, “Di Vayse Pave”
Bogi Takács, “The Tiny English-Hungarian Phrasebook For Visiting Extraterrestrials”
Bryan Thao Worra, “Dead End In December” and “The Deep Ones”