GIRLS GET BUSY’S BLOG TAKEOVER: Peachy Keen Collective - Day 5
So it’s the last day and the last post of Peachy Keen’s blog takeover here at GGB. I’ve really enjoyed their posts and hope that you have too! Here are 5 books that they’ve recommend we all check out, and I just want to give a massive thank you to Peachy Keen Collective ♥
Sylvia Plath’s journals were originally published in 1982 in a heavily abridged version authorized by Plath’s husband, Ted Hughes. This new edition is an exact and complete transcription of the diaries Plath kept during the last twelve years of her life. Sixty percent of the book is material that has never before been made public, more fully revealing the intensity of the poet’s personal and literary struggles, and providing fresh insight into both her frequent desperation and the bravery with which she faced down her demons.
From Barbie and Action Man to guns via bicycles, perfume and trainers, The gendered object is an intriguing collection of new writing on the way in which objects of everyday life are made socially acceptable and ‘appropriate’ for women or men. What does the Strawberry Shortcake doll tell us about views of the adult female body? When does the necktie become anti-establishment? How does a woman relate to a washing machine? And can a hearing aid really be gendered? These questions are answered and many others raised in this entertaining study of design for men and women.
Based on an exhibition of the same title at the Whitney Museum of American Art this collection of more than 300 pictures documents the alternative culture of Nan Goldin’s friends and acquaintances in the arty bohemian substrata of Manhattan. Goldin turns her camera outward to record transvestites carousing in downtown clubs and the social impact of AIDS and drugs; and inward to look with unblinking intimacy at her friends, her lovers of both sexes, and herself. She records her boyfriend masturbating. She shows him on the toilet. She shows her own battered face in a mirror after he beats her up. She traces the decline and death of her friend Cookie Mueller. Goldin has created a stark record of her urban demi-monde.
This is the life and times of T. S. Garp, the bastard son of Jenny Fields - a feminist leader ahead of her times. It is also the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes - even of sexual assassinations. It is a novel rich with 'lunacy and sorrow’; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. It provides almost cheerful, even hilarious evidence of its famous last line: “In the world according to Garp, we are all terminal cases.”
Since its inception just over 30 years ago, the Feminist Art movement has presented a challenge to mainstream modernism that has radically transformed the art world. In The Power of Feminist Art, coeditors Norma Broude and Mary D. Garrard, professors of art history at The American University in Washington, D.C., bring together many of the influential art historians, critics, and artists who participated in the events of the 1970s. Together, they have created this landmark volume, the first history and analysis documenting this fertile and dynamic period of artistic growth.