Seriously though, this is a movie that loves not making heads or tails of itself.

It’s weird, it’s wild, it’s unstructured, creative, and once the dream mixes with reality it stops making sense all together despite the best efforts of the (two) protagonist(s), if even it was making any sense to begin with.

That’s why this movie is so good. Satoshi Kon might be one of the few filmmakers that embraces the surreal nature of dreams. The ease with which he plays with the concept and the animation is joyous, and it makes for one Earth-shattering, eye-opening ride of a movie that I think anybody who loves cinema and wants to see its artistic potential should watch.

And now, if you excuse me, I should wake up. I’ve been asleep for I have no idea how long