Hollywood Is Getting Outsized Credit For Seriously Small Moments Of LGBT Inclusivity
Power Rangers has gotten attention for featuring the "first queer superhero," and Beauty and the Beast was heralded for its "exclusively gay moment." But these scenes feel so sl...
So, here’s how the sequence actually goes: Trini and the other Rangers are sharing personal stories around a fire, and Trini explains how she’s preferred to keep her family out of her day-to-day life and her relationships. “Boyfriend trouble?” Black Ranger Zack (Ludi Lin) asks. “Yeah, boyfriend trouble,” Trini says — maybe sarcastically? It’s hard to tell, as Becky G delivers 99% of her lines with a sardonic lilt. Zack squints, then asks, “Girlfriend trouble?” Trini doesn’t respond.
Beauty and the Beast:
The Gaston-adoring sidekick LeFou (Josh Gad) shares a two-second dance with another man in the movie’s finale. It’s a scene, as Pop Culture Happy Hour panelist Glen Weldon put it when he tweeted, that’s “exactly the kind of throwaway gay joke Hollywood’s always churned out.” It wasn’t the only one either — LeFou’s dance partner is a character who, in an earlier scene, is shown being unexpectedly pleased with the women’s clothing he’d been forcefully clad in by a combative Madame Garderobe.
And Star Trek Beyond:
Then there was last year’s Star Trek Beyond, which, also before its release, made the reveal — one treated as a bigger deal in interviews than it ended up being onscreen — that its incarnation of Lt. Hikaru Sulu (John Cho) was gay. It did this by introducing a never-named-on-screen husband, played by screenwriter Doug Jung, who Sulu was shown pulling into an affectionate but not especially nonplatonic embrace during a visit as they strolled away with their daughter. “If you blinked, you missed it,” said George Takei, who played Sulu on the original Star Trek television show. “There are others who are dealing with LGBT issues much more profoundly.”
All three studios made a big deal out of making LGBT characters textual, but they still assume their audiences are just as narrow-minded as they are.
In a world in which How to Get Away With Murder plunked a scene of implied rimming between Jack Falahee and Conrad Ricamora onto primetime network TV two years ago, it seems particularly eyerolly to give a studio movie a pat on the back for including a shot of two men with their arms around each other, in a totally gay way, they swear.