out of field

anonymous asked:

Wait it was shyshyshy that made twice blow up? I've always wondered what made twice so famous so fast. i love them to pieces, but it really did come out of left field

they were pretty known to the public bc of sixteen, but their popularity was chill, loa didn’t even win in music show smh- shyshyshy BANGED and the entirety of south korea was chanting it and it took off from there- nobody saw it coming 

anonymous asked:

Young Jesse has a tendency to hoard and steal food like keeping it under his bed and grabbing stuff at night and Gabe notices and starts leaving food in his room before going up to him and making it clear that he doesn't have to worry about having food to eat or people taking it away from him

please 😭😭😭 Jesse mouths off to gabe constantly but he’s actually scared that he’s gonna get I trouble and like… be starved?! it takes him a hot minute to really adjust and know that he’s //safe// which gabe tries to help him with… I think he’d do it anyways but he tells Jesse he can eat whenever he wants and he takes him out places to get food or go shopping because he needs essentials anyways and I rlly do feel like Gabe can see what a hurt kid Jesse is?? and like he wants Jesse to have that feeling of self worth and he makes sure Jesse knows all that stuff before he EVER goes out into the field.

okay but how funny would it be if, after all this build up, Sam is the one to use the grenade launcher

so in let’s play minecraft - most dangerous game x, ryan mentions that michael usually cleans the office, which leads me to this:

vicious, poster-boy-for-anger-issues, famous criminal michael jones who cleans up after everyone else in the crew in his typical angry way: by picking up their trash, storming into their various rooms, and throwing it about while yelling at them about “fucking being CLEAN, like fucking human beings, and not leaving shit everywhere like it’s fucking spring break in fucking florida or some shit, i don’t give a fuck, this shit’s been here for a WEEK because NO ONE FUCKING FEELS LIKE PICKING UP THE FUCKING LIVING ROOM ONCE IN A FUCKING BLUE ASSHOLE, NO, IT’S GOTTA BE FUCKING MICHAEL TO ACTUALLY DO SHIT WHILE EVERYONE SITS ON THEIR FUCKING ASSES AND SHITS ALL OVER THE FLOOR

gavin is the biggest offender when it comes to leaving a trash trail everywhere he goes, and squawks the loudest when michael is emptying the trash can out on his bed.

ray doesn’t give a shit, and usually lets michael rage around his room with red bull cans while he continues to play tetris on his phone.

everyone call tell when hurricane michael hits geoff’s room, because of the audible “oh, COME ON” and the various aborted attempts to reason with the lad as various gold-plated and pink-colored objects are smothered in fast-food wrappers.

as jeremy is rarely in his room — he can rarely sit still for long, preferring to be out and about, tinkering with the cars, or working out — he often has the unique opportunity to watch the hurricane building as michael plows through shared spaces, muttering to himself at increasing volumes, and as such usually slips out the door before michael has the chance to go off on him. ( mama dooley didn’t raise no bitch, but she certainly didn’t raise no fool. ) sometimes, he even plays the instigator before making his escape, sidling up to a murderous michael and asking with barely hidden glee, “whatcha doin’ there, buddy?” when the storm breaks — after jeremy’s out the door — michael just throws some shit into his room with an angry “not even FUCKING HERE” and moves on.

in stark contrast to the first few times this happened — during which she got just about as pissed as michael and would yell back at him — jack is utterly calm about it, and usually the last stop on michael’s route, because a) he’s usually almost out of trash at that point, and b) she just sits there with her arms folded and stares him down until he runs out of steam, and can always be counted on to help him pick up whatever’s left and follow up michael’s tantrum with stern warnings to the boys.

ryan is the only person who does not get affected by cleaning day, because he keeps fairly clean and michael knows it. this is not to say he’s immaculate: there are staggering amounts of diet coke cans left on the kitchen counter every day. but they aren’t left lying all around the house, and that’s what michael cares about. ( plus, every saturday morning, ryan washes out the soda cans and puts them in a bag for recycling, drives them out to a “can man” who weighs the bag and gives him money for the cans, and then donates the cash however he sees fit, usually to an animal shelter or buying a homeless person a meal. so the cans don’t remain in the kitchen for very long. he’s crazy, not heartless. ) and while his room is untidy as all get out — that’s where all the cans are strewn about — ryan tends to keep his mess contained and out of the general living space.

the one time michael did try to include him in the tempest, the can he was attempting to chuck at ryan’s head was suddenly impaled by a throwing knife. it was extremely sobering.

i may have lied. ryan’s not the only person to be safe from michael’s wrath on cleaning day. nobody pulls that shit on lindsay and lives.

I like how Alberto says “get ready for some unexpected hookups” when:
Malec: already canon
Climon: ew and canon (for now)
Clace: been set up since episode 1
Sizzy: been set up since episode 1
Mimon: almost canon
Rizzy: ew x2
So the only ones left are Clizzy, Saphael, and Jimon, and honestly I am open to all of them

anonymous asked:

Like if emily has a twin or was evil i would actually be so shook. Shook to the end of time. Shooker than when ezra turned round in ravenshood. More like ravensSHOOK. I feel the shookness in my bones just thinking about it

It’s always been the eyes. Always been the smile. The deception behind them is something she’s concealed very well. She needs to play the victim all while being the mastermind behind the scenes. Everyone she hurt, controlled, killed where just pawns to get to Alison.

It all started when they were young teens without a care in the world. Emily had a little crush on Alison but it just grew past infatuation. Alison truly had something about her that made Emily nervous but also intrigued.

After Ali’s death, Emily was rocked the hardest. She had written a front to back letter to Alison before she died, telling her how much she hurt her whenever she would make advances and Alison would shut her down. She regretted every word she wrote. That’s why she started everything out of denial…that was gradually turning into delusion. That’s also why every girl she’s been with either was like Alison in a way or had something to do with Alison. And with each girl, she had a look. The moment she realized how there were traits of Alison within them. The moment knew she wanted them.

Maya marched to the beat of her own drum and was daring like Alison.

Paige was a victim of Alison’s bullying. In a way, being with Paige, she was still tied in to Alison in her mind.

Samara and Sabrina, both small blondes like Alison, Samara having blue eyes like Alison as well

Talia, lowkey, bold, and unavailable just like Alison.

When Emily finally had Alison, it was like a dream come true. Everything she’s worked for payed off. Right off the bat, Emily left Paige for her. Not only did she have sex with her almost immediately but the song playing during that scene was incredibly telling as to how Emily feels towards Alison. Think about it….out of every love song they could have put for their first time, it’s a song referring to an obsession.

Since you’ve gone I’ve been lost without a trace.
I dream at night, I can only see your face.
I look around but it’s you I can’t replace.
I feel so cold, and I long for your embrace.
I keep crying baby, baby, please…

Oh can’t you see
You belong to me?
How my poor heart aches with every step you take.

Every breath you take
Every move you make
Every bond you break
Every step you take
I’ll be watching you.

Every single day
Every word you say
Every game you play
Every night you stay
I’ll be watching you. 

This even showed the next night when Alison stayed over. From night all until school the next morning, Emily stayed up and watched Alison sleep. It didn’t even bother her that she had zero sleep to function for the next day. She was locked in such a trance in Alison’s presence, time passed by as if the hours turned into seconds.

“Every breath you take, every move you make, I’ll be watching you….”  

But then it didn’t take long until things fell apart. She separated from Alison because she wasn’t fitting the role that she’s created for her in her head all those years she’s been away. She wanted Alison to 100% depend on her so she can be her savior. But with Alison being sketchy, she disbanded from her. 

And that’s when Sara came along. The biggest Alison replacement of all.

Emily saw the Alison she wanted within Sara. That’s why she clung onto her with a hawk grip, not letting anyone get close or be with her without her there. She refused to let anyone change Sara or take her away. Sara hadn’t seen her mother since she was brought back into society - Emily pushed her to get EMANCIPATED right away. In order to do so, you have to prove to the courts you have a place to live and source of income. Emily told her she can stay with her and got her a job with Caleb. This way, Sara would have no choice but to depend on Emily. Exactly how she wanted it. Exactly how she wished Alison would do to her. 

When Sara betrayed Emily, she felt like her own creation turned against her. Her rage at this very thought is what caused her to physically knock Sara flat out. All these years of Alison toying with her, Alison dying and she being in denial, being with Maya and her being taken away similar to Ali, trying to find other girls to fit the Alison void in her heart but failing, being with Alison herself but not even her fitting the mold, and now Sara hurting her like this, all that pent up aggression came in the form of a violent right hook.

When Emily left for college, she was finally going to purge herself of all that Alison drama by being far away. And she was doing well until her father died. Then, as she told Toby, she felt there was no point to anything. She drowned spent all of her father’s money, leaving the country, drowning in alcohol and women but she still was hurting. She wished she had someone, anyone to lean on and take care of her during this hard time.

Then, a letter from Alison appears and everything she tried to disassociate herself from came rushing back all over again. 

She came back to Rosewood via Alison’s plea and even went as far as doing the things that she asked of her. When Charlotte died, Emily realized how Alison was changing. She was vulnerable. Just like how she’s always wanted Alison to be towards her. Just so she can be the knight in shining amour in her story.

That feeling Emily got from that…it was like a high. She wanted Alison to be like that towards her all the time. When Alison checked into Welby, Emily knew this would be the perfect way to create this kind of dependency. If Alison is warped in the mind, she’ll need someone to take care of her. That’s where Emily can step in. When Emily visited Alison in Welby, how Alison was begging her not to leave her, it not only fueled Emily inside but she knew her plan was working. Why else would Emily so easily leave when Alison was crying out for her? She needed to build up that dependency. And when Alison got out and needed someone, who was there for her?

This was exactly what Emily needed. She needed to be Alison’s savior. The eggs, as being played into now, was a plan she came up with while Alison was held up. It was her ultimate go to. By the time Alison comes out and falls into her arms, if she ever got the idea to leave her, she would not. Why? Because now a baby is forever their bond now. That’s why she was “behind” Alison’s decision to abort until Alison finally realized the baby was Emily’s. Now all of a sudden, Emily is telling her to keep it. And Alison did.

Everything she’s ever wanted, being with Alison since a young teen, is finally coming together……Even if she had to force a hand in making it happen.

Talk about being SHOOK.

And even though you said today you felt better,
and it is so late in this poem, is it okay to be clear,
            to say, I don’t feel good,

to ask you to tell me a story
about the sweet grass you planted—and tell it again
            or again—

until I can smell its sweet smoke,
            leave this thrashed field, and be smooth.

Natalie Diaz, from “From the Desire Field,” published in Academy of American Poets’ Poem-A-Day

  • Me: We're gonna write today
  • Brain: OK
  • Brain: [Warms up]
  • Brain: [Starts whirring]
  • Brain: [Arranging words] -
  • Me: Wait! No! I mean we're gonna write the thing we were planning on writing. Not a new thing. I don't recognise this new thing. I need to write the old thing.
  • Brain:
  • Me:
  • Brain: Well, you should have said, shouldn't you?