out and about disney

Why Ducktales is important

At least…If you like Disney Television Animation.  

Which I do.  Oh so much.  

If you’re a fan of Gravity Falls, or Star vs. The Forces of Evil, or Wander Over Yonder, or Kim Possible, or Gargoyles, or any Disney Television show, then gather ‘round because I’m about to teach you some history.  

“Never forget, that it all started with a Mouse,”~~Walt Disney.

Great things come from humble origins.  Never forget that Disney TV…All started with a Duck.  

It was the 1980s.  Disney Television Animation was a new department at Walt Disney Studios.  And Disney was suffering.  These days it’s easy to think of Disney as a mega-giant, but back then, Disney was suffering.  Movies were being produced on shoestring budgets, and animators (such as Don Bluth) were jumping ship to find work at studios that were paying better and producing better content.  The Little Mermaid hadn’t yet hit theaters, sparking the Disney Renaissance.  The fledgeling animation department had produced two shows prior, “The Wuzzles” and “The Adventures of Gummy Bears”.  

Disney was in dire straights from Walt’s passing in 1966 left the studio suffering up until the 80s, when they started to take a few risks.  Risks that paid off.  The studio gambled on the idea that investing more money into quality animation would pay off in the long run if the show went into syndication.  It was something that worked well with live action, but had yet to be done with animation to that degree.  Cheap animation with tons of shortcuts could be syndicated, but something high-quality had never been done before.  

Ducktales was the first show that attempted this, and it paid off handsomely.  Not only was the show a hit with audiences (and a merchandising cash-cow) but it changed the game.  It set the stage for the Disney Afternoon a few years down the road, and paved the path for every show I mentioned at the beginning.  Without Ducktales, there would be no Gargoyles, no Star vs. The Forces of Evil, no Gravity Falls.  

Heck, I take it even one step beyond that…Without the inspiration of proof-of-concept, I’d wager that even OTHER studios cartoon creations wouldn’t exist.  No Animaniacs, No Adventure Time, no Steven Universe (and don’t think I missed the shout-out to Ducktales in “Onion Trade”) 

Ducktales was important because it raised the craft of animation to another level, combining storytelling with good, non-repetitive animation to produce quality TV.  For a time, Ducktales was Disney’s Flagship TV series, waving the banner and representing the company in the realm of television animation. 

And even today, the classic Ducktales series holds up rather nicely.  Sure, some things are a little dated, but at the end of the day, I enjoy watching Ducktales without reservations.  That’s why I own the DVD sets.  

 And it’s why I’m so happy about this reboot.  

This isn’t just a revamp of an old show.  This is Disney returning to its roots, reclaiming a bit of it’s history and polishing it off for the next generation.  I’m a little misty eyed.  I had some initial misgivings when this was announced, but the cast announcement melted those fears away, and now, seeing the trailer that dropped less than 24 hours ago…I don’t think I’ve ever been this excited for a TV series ever.  

Breaking down this trailer, we finally hear David Tennant as Scrooge McDuck.  I’ve actually been aware of Tennant’s presence in the voiceover scene for a few years now (Most notably, he plays bit parts in the How To Train Your Dragon franchise from Dreamworks) But hearing him as Scrooge…I really feel it works.  He’s got a certain quality the echos the late, great Alan Young, and I feel like he couldn’t have been better cast without some of that good old fashioned Disney Necromancy (And as we know, they used up their allotment of Necromancy on Peter Cushing for Rogue One) 

I love that the Nephews are getting unique characterization and personality. I loved Russi Taylor’s performance way back when, but one Nephew was really interchangeable with another.  Dani Pudi, Ben Schwartz, and Chris Moynihan really bring an awesome chemistry to their roles, just from the trailer.

And then there’s Webbigail.  Oh my God, I love how they’ve rebooted Webby.  She was always the annoying load back in the classic series.   Making her a Donald Duck fangirl is freaking GENIUS (and Kate Micucci is perfect for this role too) Bonus points given for Webby’s infamous “Quacky-Patch Doll”  being used for dart practice in the background of her room.  Webby has gone from outright “The Load” territory, to one of the most fun-seeming characters present in the reboot.  

And all of this from one minute and a half trailer.  I can’t wait for this series, even though I know I must.  I know it’s gonna be something special, I can feel it.  Maybe even Disney’s Flagship show, once again.  Stay tuned to my Tumblr, for much, much more.

One thing I know for certain that I’m going to do when the pilot for this airs…A side by side comparison of the Classic Pilot and the new one.  

Peace out, 

Disney Wizard

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So this is love, so this is what makes life divine…

he’s the beauty; she’s the beast

so i’m sure the remake of a timeless classic that disney is about to roll out is going to be great and all

but here’s another way we could do things:

he’s the beauty

she’s the beast

for a movie who’s central theme is inner beauty, it doesn’t really do anything to support that, you know? so how about this: adam, our prince turned beast, isn’t an inhospitable monster. because this back story doesn’t make any sense – why is the young prince of this land alone, in a castle, only to be caught unaware by a witch?

so how about this – this is pseudo france, right, so these royals do what their real life counterparts did. they flee. the cruel, greedy king and queen flee and leave their young son behind with their staff. their son who is kind and soft hearted and totally unfit to rule any kingdom (never mind that they’re literally running away from their own people). not only that – they trade their son for their freedom, trade their kingdom for their freedom. to the witch.

so the witch comes, and she doesn’t disguise herself as a crone, goes to him looking as lovely and young as her magic keeps her. but our prince adam has a talent, one many cast-aside, neglected children have developed – the ability to see people for who they really are, and he knows this is no kind young woman in need of his help. he refuses to let her in – and there’s this little twist to the magic, that she can only enter the palace grounds and claim her prize if she’s welcomed in a as a guest, and he, the young master of this castle, won’t let her in.

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  • me: idrc about all the disney remakes coming out like.. if you look past the nostalgia they all seem kinda mediocre imo ://
  • nickelodeon executives, busting through my door using the tied together corpses of my family: TAKE YUOR FUCKIGN SHIT ALIEN MOVIE GARBAEG YOUG OTH FUCK, WE OWN YOYUR MIDDLE SCHOOL SOUL
  • me, in a gir shirt and already handing over the entire contents of my wallet: waffles ex-dee

Disney dumps PewDiePie over anti-Semitism

  • Disney has cut ties with Swedish YouTube mega star Felix Kjellberg, better known as PewDiePie. Kjellberg has 53 million subscribers.
  • The split came after he posted a series of videos that contained anti-Semitic images, the Wall Street Journal reported Tuesday.
  • Disney’s decision to part ways came after the Journal reached out to Disney to inquire about nine troubling clips from Kjellberg’s videos dating back to August 2016.
  • The Journal noted that in one since-removed video, Kjellberg shows a man dressed as Jesus and saying “Hitler did absolutely nothing wrong.”
  • But it’s the video wherein Kjellberg hired two Indian men to hold up a sign that reads “Death to all Jews” that reportedly prompted Disney to pull the plug. Read more (2/14/17 10 AM)

follow @the-future-now

Someone should really talk to Disney about this. Especially because Hollywood has yet to turn out a prominent movie about Atlantis, Disney would be a fool to not take advantage of this fact. Even though it would be a remake of the animated film, they could build upon it and reimagine it as a massive, spectacular epic with mind blowing effects almost like Avatar. I would pay hella money to watch that shit.

I can not express how important Inside Out is.

Because it’s a movie aimed primarily as kids that has awesomely diverse female representation when it comes to personalities, as well as beautiful animation, explains minds and emotions and memories and all that stuff in a way children can easily understand, passes the Bechdel test in like the first ten minutes, and stresses the importance of your own personal mental and emotional health.

This is a movie with a female protagonist (who enjoys both rainbow unicorns and hockey) that tells kids that if they’re feeling out of sorts, if they’re feeling sad or angry or afraid or disgusted, that’s okay. That’s normal. And it’s telling them to speak up, to tell someone, to express what they feel, because bottling up your emotions - putting on a brave face when you really need to cry - only leads to more pain.

Inside Out teaches kids that it’s okay to feel and that is so, so, so important.

Draco vs The Beast
  • Draco: What is Granger doing on that horse?
  • Harry: It's just a movie, Draco.
  • Draco: And what is she wearing? Blue is not her colour!
  • Harry: It's not real.
  • Draco: No, Granger, don't go inside the castle!
  • Harry: Draco, will you just-
  • Draco: Noooo! *covers his eyes*
  • *1 hour later*
  • Draco: Wow, Granger really has horrible taste in men. Does Weasley even know his girlfriend is getting it on with that... thing?
  • Harry: ... Why am I even trying?

I commissioned a modern Tarzan and Jane from the incredibly talented @punziella and here’s the final result!! I couldn’t be happier with it, it’s absolutely perfect and I just love it so so much I can’t stop staring at it, thank you so much Pauline!!

picture this: 

you’re me. you’re in the theatre, watching moana for the first time. you’re already kind of overwhelmed by emotion after “we know the way” because damn, you could almost feel the ocean wind blowing on your face. maui is a lot of fun and although you’re more than a little concerned about accurate polynesian representation (you’ll be sure to look up discourse later, surely there’s plenty of it), you’re still having a good time.

then the crab shows up. oh, okay. he seems like a typical goofy villain who’ll be easily defeated by a show of wits on moana’s part, the comical relief. he loves to talk about himself? who’d have guessed, he’s completely decked out in bling. oh, he’s gonna do it in song form? that’s fine, another musical number is always g-

then he starts singing, and then you realize. 

shit. he has a really goddamn nice voice.

now this is entirely unfair, because the song itself is built to sound a bit seductive in the first place. later you’ll find out after an obsessive googling session that it was a david bowie homage, which will lessen your shame a little bit, but only a little bit. for now you’re sitting there utterly and completely confused because why is this happening, this sparkling crab motherfucker has no business sounding so… so… your brain refuses to choke out the word as the song continues in its glorious splendor, then comes to a halt as maui grabs his hook off the crab’s back. no, no, no! that was too short, even just for a quick musical number! that can’t be the full song, can it…? but maui’s struggling to revert back to his bird form, moana’s in trouble, tamatoa’s looming over maui with a grin on his face–

then,

“well, well, well;

little maui’s having trouble with his look,

you little semi-demi-minigod…

your heart gives a leap into your throat. was that a growl you detected in his voice? why are you reacting to this????? you’re just happy that there’s more song, right??? oh my god, is the crab actually throwing maui around??? look at maui, he’s being demolished, someone please help him, oh holy god, this is so dark, why am i enjoying this, now the crab is a neon disco ball and his face is a glowing pattern like dr facilier, he’s going to eat maui and moana, why is his voice so low and- and- wh-

by now your heart is hammering out a steady 120 bpm and even when the song is over, none of it fades from your mind. for the rest of the film an image is imprinted in the back of your head, and it’s one of the crab dragging maui across the floor in time with the music. you know you’re going to look up clips of this song for hours afterward. you don’t know who the voice actor is yet, but you sure as shit are going to find out. and even as you exit the theatre there’s a heavy heat in your face emanating from the shame you’re feeling that you can’t bring yourself to explain. that was weird. really, really weird. you haven’t felt this excited and shaken since you were a kid and just had your first rollercoaster ride. except that rollercoaster didn’t make you feel like a goddamn filthy sinner afterward.

at some point in the future, like now, when you’re on tumblr after your first class and figure there’s nothing left to lose anymore, you will admit not just to yourself but to your 1700-odd followers that maybe, just maybe, you were attracted to tamatoa the crab (thanks to the splendid work of jemaine clement, who you now follow on twitter because reasons). there’s no real point in denying it anyway. besides, this is the internet. you know you’re not alone in this at all.

My Princess

My Princess (m)

Word count: 3.8k

Genre: smut

I probably went a little too far with this, oh well. Although, this was probably one of my favorites i’ve written so far. Anyway, his was a request from an anon, hope you enjoy :)


Your boyfriend of one year, Jimin, decided for your anniversary he was going to take you to your favorite place, Disneyland. You two loved watching Disney movies together. You especially loved Beauty and the Beast and pretty much any princess movie. Jimin decide to even called you his princess. For your anniversary he made sure to get some time off so you two could spend a long weekend together.

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Belle and the Prince bond over Shakespeare and that’s nice, but I’m all for Gaston borrowing from the Bard (albeit unintentionally) in The Mob Song. 

“Screw your courage to the sticking place!” he yells, rallying the villagers, using the same expression that Lady Macbeth uses in Act 1, Scene 7 from the Scottish Play. 

My, what a guy. 

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WITH THE POWER OF PROCRASTINATION I have created this way too damn extensive sketchdump of me trying to figure out how to draw Loki Disney-style xD I still haven’t quite got it right :l but I also have 6 deadlines left to go, so ye xD