otp: i'm with you. always

4

|| 3x12 

Imagine Person A beginning to doze off while Person B is holding them. Person B whispers “I’ll protect you” and Person A tiredly mumbles “From what?” Person B thinks for a moment and says “I don’t know. Anything.”

DANCE MAJORS AU Part 1 (Part 1.5Part 2, Part 2.5, Part 3 finale) Hip-hop dancer Keith in a ponytail. Everyone is just so mesmerized when he dances on stage or even just during practice. Outside the dance studio, he’s a huge space nerd who’s got a secret crush on the contemporary ballet dancer next door who he may or may have not thought of asking out… next week or next month.

Redbubble Shop

8

I was lost in the darkness. I couldn’t find my way. As I stumbled through the dark, I started forgetting things - my friends, who I was. The darkness almost swallowed me. But then I heard a voice - your voice. You brought me back.

I didn’t want to just forget about you, Sora. I couldn’t.

I have nothing better to do than split hairs about sherlolly. Forgive me, it’s just that I’m still rewatching that amazing scene and I can’t really help myself.

So who loves you?

John suggests Irene Adler, because of the obvious attraction. But sex doesn’t equal love, and Sherlock does not associate Irene with love, he associates Molly. And it’s not just the natural ending of his deduction about the victim’s practicality about dead; Irene has lovers but she is a woman full of secrets so she is rather alone, and she’s far from innocent, I wouldn’t put past her amurder or two actually. Irene is a woman that will tell him I want you, like a new pet or a toy, she’s fascinated with him but in her brutal straightforwardness she would never speak of love, nor feel it in the selfless way it’s supposed to be felt. Don’t be ridiculous, he says to John, because John thought of her after the I love you, implying that she does love him, but SHerlock knows that hers is not love. He might be still quite dense on some things but he knows the difference between desire and sentiment.

He doesn’t espect for Irene to come to him when he calls or when he needs it, but he expects Molly to do it. It never occurred to him that she has not the strenght to provide whatever supports he needs because she’s always there, which is why he is upset that she ignores his call - But it’s me calling, and she can ignore someone else but she could never ignore him, and it hurts his pride. In the middle of a crisis, with her apartament less than 3 minutes away from blowing up he is upset that she would, for any reason, consciously decide to pass up on a chance to speak to him. I think ti throws him off his game a bit, later, when she answer his call, because she did something he did not predict. And when she tells him quickly then he still has trouble finding the words, because Sherlock does not want to speak about love with her, in fact Eurus must push him with a tick-tock from Moriarty. Sherlock needs for her to say the words, but at the same time a part of him knows he’s possibly doing something he won’t be able to undo, and doesn’t want to hear her say the words, he is not ready for that. If it was Irene speaking about love he would be  deducing how much of a lie that is and what’s her motive, what plan she has, where is the trick, but with Molly, if she says the words, even out of a script, there will still be love in it, because Molly is always painfully open.

I really loved when he says “No, I know you’re not an experiment. You’re my friend” with that hushing tone, like he wants to soothe her pain, because he’s truly sorry that he’s hurting her, because he knows she never valued her place in his life. He really didn’t give her much reason to, for a long time. Molly thought of herself as the one that doesn’t count, the one that is being John when he’s not around, but now she is important.

You know why - No I don’t know why. Really? He deduced that a long time ago at the Christmas party, and later her fiance was the bad copy of him, he can’t not know, he’s just refusing to see it because it scares him, It’s something bigger than he is, it’s something he doesn’t know how to handle or begin to deserve, so he’d rather not know. If she doesn’t love him he has no choice to make, no other way for him, no pother possible life to consider.

After she said it, he turns the switch and concentrate on the little girl again, interrupting Mycroft that is worried about him. Sherlock, however hard that was- that was a 3 minutes phone call and there’s no reason it should be hard on Sherlock unless Mycroft thinks that there was truth in his words. The fact that Sherlock ignores him and speaks to Eurus and concentrate on the next task is  the equivalent of him trying to hide himself from what has just happened. He’s saved Molly’s life, and maybe he’s hurt her but it’s nothing irreparable, there’s no reason why he should feel like hiding himself away unless what he said was true. I won, I won, was basically him rubbing in Eurus face that he’s fine, that forcing him into that concersation did not upset him, but You didn’t win, you lost. Look what you did to her. Look what you did to yourself, all those complicated little emotions, I lost count. Emotional context, it destroys you, every time. Now please, pull yourself together, I need you at the peek of efficency, the next one isn’t going to be so easy. Today they are soldiers, five people died in front of him and he’s been lucid up to this moment, even while she spoke he stayed immobile and apparently calm but she knows the damage she’s done, the walls she tore down, which is why she says pull yourself together. She had fun pushing the one button that could send Sherlock into a turmoil and then told him to pull yourself together. She kicked someone that was on the ground and then asked them what were they doing crawling on the floor.

And the coffin’s lid it’s been bothering so much, in a good way, because it was such a beautiful scene and I got why he smashed the coffin, but the exact reason for closing the coffin before doing so just escaped me, until I connected the dots too. I know Smith’s words were true and applied perfectly to the phone call but I did not realize it applied to this moment too. You can’t take it back, you can’t un-say it. Once you’ve opened your heart you can’t close it again. That’s what Sherlock is trying to do, he’s trying to get over the inner turmoil, the words she made him say have made come to light things he’d rather not know so he’s trying to phisically close his heart. Mycroft knows that something snapped inside Sherlock, which is why he stands still on the door and just watched him close the coffin without trying to make him follow as John does.

So many days unlived, so many words unspoken, etcetera, etcetera, etcetera. So Eurus forced them to say the so many words unspoken, and if one of them should die that day at least they have been honest with each other, said those words that they would have regretted. In a tortuos way it was thoughtful of her, wasn’t it?

This isn’t torture, this is vivisection - Eurus has cut him open to see what there was on the inside. And there was Molly.

10

#watchfuturama meme [7/10 scenes]: Fry and Leela’s first (actual) kiss

“Then I am the most important person in the universe.”

8

I thought I was gonna die.
Not while I’m around.

6

                                                         For myself I am too heavy,
                                                             and for
You too light.

She Should Be
  • **221B Baker Street. Sherlock and Archie are sitting on the couch, with his laptop on the coffee table in front of them. Rosie is dozing in her Moses basket next to Sherlock.**
  • Archie: *browses through crime scene photos* Is Dr Hooper coming over?
  • Sherlock: *on his phone* Yes. *glances at Archie with a smile* Molly's promised to bring a heart after work. We're experimenting on it once your parents pick you up.
  • Archie: *nods* My mum watches this show called 'Murdoch Mysteries'. It's about Detective Murdoch, who's like you if you were a Canadian copper in the old-timey era.
  • Sherlock: What kind of 'old-timey' era? Regency? Victorian? Edwardian?
  • Archie: Victorian, I think.
  • Sherlock: *types on his phone* What about this Murdoch character?
  • Archie: He uses new, scientific methods to solve murders, just like on 'CSI'. But his methods are only called that cos they're in the Victorian era and his boss prefers old-school ways of solving murders.
  • Sherlock: *puts his phone down next to his laptop* What does that have to do with Molly coming over later?
  • Archie: Detective Murdoch has a girlfriend. She looks at the corpses at crime scenes and works on them at the morgue to find out what killed them and stuff. They get along great as friends. She supports him all the time, and he trusts her skills and knowledge. She helps him out a lot too. Dr Ogden's like Dr Hooper. That's why she's your girlfriend!
  • Sherlock: *stares at Archie* Molly isn't my girlfriend!
  • Archie: *turns to Sherlock* She's not?! *stares at the photo of a severed head* *frowns* Oh. *glances at Sherlock and shrugs* She should be.
  • Molly: *walks in carrying a small cooler* Hello, boys! *looks sheepish when Rosie starts to fuss* Whoops! *goes over to the basket to pick up the crying baby* Sorry, Rosie!
  • Sherlock: *stands up* *takes the cooler from Molly* She'll need feeding soon, so I'll go warm her bottle.
  • Sherlock & Molly: *work together to change Rosie's nappies, feed her, and put her back to sleep*
  • Archie: *opens folder of more gruesome photos* *mumbles to himself* Yep, she's his girlfriend.
  • **Later, after the Watsons and Archie's parents pick up the kids.**
  • Sherlock: *gathers Molly in his arms and kisses her*
  • Molly: *kisses him back after a moment* *gives him a shocked look when they come up for air* Wh-what was that for?!
  • Sherlock: *smirks* Archie helped me realise something.
  • Molly: Realise what?
  • Sherlock: That you should be my girlfriend. Or wife, if you pref––Mmmmmmmph!
  • Molly: *snogs the daylights out of him*
7

I will love you when you are a hurricane.

happy birthday, @laurivcr!

“You’re a store clerk and oh shit I just spotted my ex please let me hide behind your desk-thing” AU

I saw this prompt earlier and I HAD to do it for Zutara!


The thing about hearing your name being called out is that it’s almost automatic to look around, even if - like Katara - you knew the voice calling it and didn’t want to. The thing about having a name like Katara’s was that ignoring it wasn’t much of an option, either - how many other Kataras were likely to be walking around? The shock of dark brown hair heading her way was, even from this distance, unmistakeable.

Crap,” she hissed, jerking her head back around and quickening her pace, even as she knew it would do no good - Jet was on the track team. This isn’t hiding, she thought to herself as she slipped into the nearest store, some tiny teashop. This is a tactical retreat.

The empty shop was small and quaint and - most importantly - completely devoid of places to hide: it was all tiny tables and squashy chairs. The only possible place was the desk at the back where the cash register was, and she hurried across to it, ducking under the door flap to find, to her dismay, a mess of cardboard boxes on the floor behind the desk. It seemed there was only room for one person to stand, so, grimacing, she started clearing the boxes away when she heard someone clear his throat.

“Is this… a robbery?” asked the guy looking at her, who must have just emerged from a door she hadn’t noticed before - a store room, probably. “Because if it is, it’s a really bad one. I could hear you all the way from the back.”

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