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In Conversation with Mikael Owunna, Founder of Limit(less) Africans, A Photo Documentary Project Highlighting Queer African Experiences in the Diaspora.

No stranger to hyphenated identities, and a globe trotter himself, photographer, writer, blogger, podcast host, Fulbright Scholar and activist Mikael Owunna is a man of many talents. He’s also the mind behind Limit(less), a multimedia project focused on documenting the multi-faceted experiences of first and second generation LGBTQ* Africans living in the Diaspora. The result is the creation of a highly empowering platform that is a stream of incredibly necessary visual and narrated representations of LGBTQ* Africans.

Can you tell us a little about yourself and how the Limit(less) project came about, including the significance behind the name and its grammatical structure?

My name is Mikael Owunna and I also go by my Igbo name Chukwuma or “Chuks” for short. I am queer, Nigerian, Swedish and American and grew up in Pittsburgh, Pennsylvania. I am a photographer and artist. Limit(less) was born first and foremost out of my own journey to understand and accept my own queer and Igbo identities. For much of my life I’ve felt varying degrees of shame over these aspects of my identity and also felt like I could not be “both” African and queer. The virulent homophobia I experienced growing up from other Africans and members of my own family in particular reinforced this for me in incredibly damaging ways. After being “outted” to my parents by another family member I was put through a series of exorcisms on two occasions when I visited Nigeria for Christmas. The shame I felt about my sexuality escalated to another level at that point along with my own feelings of being “pushed away” from all things Nigeria and Nigerian. I rejected all opportunities to learn Igbo. Rejected offers of traditional clothing and more. Living in diaspora exacerbated my rejection of my Igbo identity and all things related to the continent further.

It’s only now, years later that I’m starting to come to terms with all of these aspects of my identity. Limit(less) is a part of this process. Not only has it helped me realize that I am not alone as a queer African immigrant, but it has also shown me how other LGBTQ Africans so boldly live in their truths and synthesize these aspects of their identities which I’ve struggled so much with.

The name of the project is connected to this. There are ostensible “limits” placed on us and our lives as LGBTQ Africans due to the homophobia and transphobia we face both inside and outside of African communities. Despite this, many of us find “limitless” ways to express ourselves and live out full lives. Seeing how the participants in the project do this is a source of personal inspiration for me as I seek out what being “Limitless,” queer and African looks like for me as well.

Being both Queer and African, you are personally connected to this project, beyond it being your work. How important is representation to you in this way?

I feel personally very invested in the project for exactly the reason you have stated. Representation is just so crucial and I launched this project shortly after I came across Zanele Muholi’s Faces and Phases project at the Carnegie Museum of Art when I was back in Pittsburgh. Seeing that exhibit almost immediately reduced me to tears, as I had not seen any work on queer Africans up until that point in my life. There is so much power in seeing a mirror of yourself or someone similar to you, especially if you think you have felt alone for so long.

As I did research for my project I found more work by queer African photographers and artists, but very little focusing on our experiences in diaspora. I hope that Limit(less) can help fill some of that representational void so that other LGBTQ African immigrants don’t grow up feeling alone like I did.

Limit(less) focuses on the Queer African diaspora. In what ways, if any, do you feel that this project connects with continental Africa and the emerging and expanding global narratives coming from Africans around the world who are similarly seeking to redefine their identities and experiences (through art)?

Our experiences as LGBTQ Africans in diaspora are definitely different (depending on where we live, we have, for example, far more legal protections and rights than in many countries on the African continent) but are also inextricably connected to the experiences on the continent. Homophobia and transphobia in African immigrant communities can be just as bad as in their home countries, especially among first generation immigrants and older people. These communities also have influence “back home” if you will, sending remittances home and more, so we are all connected in one way or another. The work being done by LGBTQ activists on the continent and our work here are similarly connected. Redefining colonial notions of “Africanness” for ourselves and confronting homophobia and transphobia in the global community; all of this is crucial work in the ongoing struggle to decolonize the continent and African communities across the world.

Photography in Africa and the visual documentation of African lives began as something that was constructed through a colonial lens. Photography, visual representation and aesthetics are central to Limit(less). How did these themes and the multimedia documentation formats you make use of become the tools you chose to adopt for this project? Why photography?

Well the answer here may be more simple than one might think. Why photography? Because I’m an artist and photography is my primary medium that I’ve been working in for 6 years now. I do think that there is a special magic to photography, though, which is central to this project. For decades there has been this narrative that being LGBTQ is somehow “un-African,” and this is a legacy of damaging colonial conceptions of black African bodies. For me being able to create a visual that depicts LGBTQ Africans living boldly in their truths and synthesizing their African and LGBTQ identities in a single frame is a source of power that can help debunk this myth. The visual, coupled with the interview responses of the participants, is a powerful way of speaking truth to power against these empty, hateful remarks which erase our lived experiences as LGBTQ Africans.

What are some of the greatest triumphs, challenges or defining moments you’ve had so far during this project? How has Limit(less) evolved since you began?

I’ve been working on this project off and on for over a year and a half and it has been quite the journey. The first few months my biggest challenge was just “finding” people to participate. Up until that point I only knew one other LGBTQ African, my dear friend Odera who was one of the first participants in the project, so finding others took months of work. But once you find some LGBTQ Africans, you realize that the community is absolutely massive. In the US alone, there are at least 30,000 1st and 2nd generation LGBTQ African immigrants, so I was eventually able to overcome this hurdle and do 1-2 hour preliminary interviews with over 30 LGBTQ African immigrants. I learned so much from those conversations and felt community being built in each one as well which was very moving. After that my challenge was fighting myself. I kept telling myself that I “wasn’t ready,” that I “wasn’t good enough” to do this alone, that I need professional collaborators or it would be a disappointment. Self-doubt put the project in a holding pattern for a year. I kept reaching out to other people to help me make the project happen, and collaboration attempt after attempt fell through.

Eventually I realized that I needed to believe in my own talent and work if this was ever going to happen. I started shooting in May and just getting out there, believing in myself and creating has been exhilarating. After years of doubt and denial, I am finally embracing myself as a photographer and artist and my creative output is now the highest it has ever been in my life. Sometimes fighting yourself can be the hardest fight of all when doing an independent project and that was definitely been the case for me.

Defining moments? After a shoot when a participant told me that the shots captured exactly who she saw herself as and becoming in her life. That told me that I was doing something right with the project.

In terms of evolution, the project has changed so incredibly much. Originally I saw it being a sad, depressing video documentary about our tragic experiences that catered to the white gaze. Then I saw it as focusing on our relationships with our families and parents through photos, hand written notes and more. Then I saw it as being a literacy through photography project where I would give each participant a polaroid camera to document their lives. Eventually through my conversations with participants and other photographers I decided to focus the project on each participant themselves and their visual aesthetics in particular. Each shoot pushes my photography and has made me more intentional about storytelling as well. I’m excited to see where the project goes as it is still changing and evolving.

Currently, your project documents queer Africans living in the US. Are there any future plans to expand the project to other parts of the diaspora?

The project documents not just queer Africans but gender non-conforming and trans ones as well, but yep! I am leaving for Trinidad tomorrow actually to shoot 2 LGBTQ Africans there. I am hoping that the project will continue to grow and expand geographically as well. I would really love to shoot in Europe especially given how large the community is there especially in the UK, France, Netherlands and Germany. The project has been completely self funded to date, though, which is a major limiting factor on the geographic scope. Hopefully a big funder drops from the sky and funds a European expansion of the project! ;)

Are there any other Queer African artists whose work you’d recommend people familiarize themselves with?

Yep! There are lots of great Queer African artists who I’d recommend. Photographers and videographers include: Zanele Muholi, Selly Thiam, Sabelo Mlangeni and Rotimi Fani-Kayode. For illustrators, Odera Igbokwe is great and is a friend and participant in Limit(less). Also for great creative writing check out Davina Owombre who writes incredible short stories about queer African life.

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Have you seen the shaming videos, some of children holding signs as punishment or having their hair cut in embarrassing ways? Some children just stare with that blank look, others clinch their teeth in defiance. Some children have taken their own lives! Please help us petition Facebook to prohibit the public shaming of a minor so that our internet community cannot be used to hurt children. It is simple.

Sign the PETITION and share! stopshamingkids.com

somebodycall999 asked:

I'm super scared for my first band camp in a couple of weeks, any and all advice? Thanks!!

Okay time for a band camp crash course

what you will need:


A hella big water bottle 

Tennis shoes that are well broken with good solid soles


light weight clothing (cotton tee shirts, athletic clothing, no denim)

Your instrument

Here’s what to expect:

It’s gonna be hot so make sure to drink plenty of water, at camp and when you’re at home, staying hydrated is key and helps your body cool down by letting you sweat

with heat also comes sun so use that sunscreen like it’s some kind of immortality cream because  band camp is bad enough, sunburn makes it literal he’ll

Also use a hat or sunglasses to protect your eyes. Hats are good cause they also protect your face from the sun as well, so best is to use both

be sure to put on deodorant because no one wants to smell you after hours of sweating in the sun

practice alot, maybe even outside to help get used to lots of playing. Outside practice is ideal because your face sweats and sometimes you must adjust how you hold your instrument to keep it on your face

If you play brass, keep your mouthpiece with you at all times because you don’t want to burn your lips (plus mouthpiece stealing is a thing)

If you’re a woodwind, especially flute, always have something under your instrument to keep it from getting to hot

be respectful of your section leaders and student leaders in general, they are in that position for a reason if they have advice or correct something you do wrong, listen 

I hope that helped!! 

anonymous asked:

I just wanted to tell you that I find your blog very refreshing and fun! (Especially the Mary appreciation. Can never find good blogs that like Mary instead of trying to shove her into a horrid villainous character mold that she doesn't fit into.) I was curious-- you post a bunch of ships (which is really nice, btw. I don't ship anything too vehemently in general, but it's fun to see it once in awhile, especially with some variation!), do you have a preferred one?

Thank you, nonny!  (and btw, if you’re not already following them, the-sign-of-tea and consultingpiskies are great for Mary-positive posts.)

My preferred ship…  that’s a great question.  

The short answer is basically Sherlock + Anyone and Everyone and No One and inanimate objects and abstractions and pretty much anything else you can think of.  :)

I love it all – I’m compelled by every single interpretation of Sherlock’s sexuality or lackthereof.

And the longer version…  get ready…

Keep reading

the signs as kunessi attributes

Aries the fact that Messi wrote the foreword to Kun’s autobiography

Taurus when Argentina’s fitness coach suggested that all the players should get single rooms and Messi insisted that he and Kun stay together

Gemini when Messi followed Manchester City on instagram, supposedly for updates on Kun

Cancer when they spent Valentine’s Day weekend together

Leo that time they pretty much just did their own thing during training

Virgo this tweet from Kun

Libra how they steal each others shirts

Scorpio this picture (nsfw? idk)

Sagittarius when Kun first met Messi and could only recognise his boots and the other players made fun of him for it

Capricorn when they won the U20 World Cup with Argentina

Aquarius when they scored hattricks on the same day

Pisces how Kun can never stop smiling when he talks about Messi


-They are literally everywhere and it’s impossible to get away from them.

-They can’t even talk.

-They teach no lesson what-so-ever to children

 -They were part of a good movie then they decide that they need a whole annoying movie for themselves??

-They’re super sexist (note: an actual female minions has never been seen)

-Minions are literally just for people to make money.

-They’re not even original enough to make them all different, like yeah a little, but they’re all little yellow tick tacs.

-I’m probably going to lose followers over minions, and that makes me hate them. Most of it isn’t  really even my opinion, it’s the truth and people just won’t accept it.

-Why do all kids like them? They can’t even understand them. 

-They’re really annoying.

-They’re all over the place.

-Can you even name a reason why you like minions?

-middle-aged mom quotes are on minions and kids are reading this stuff and now my 10 y/o cousin thinks drinking wine is cool.

-There is minion porn.

-People actually get aroused by these nonhuman animated creatures.

-How can anyone get aroused by something like that and them take them seriously.

-The bright yellow gives me a head ache, which wouldn’t be a problem if I didn’t have to see them EVERY TIME I LEAVE MY HOUSE.

-What am I supposed to eat? All the food at the store is contaminated with minions.

-They are completely overrated. 

-Everyone is expected to like them.

-They don’t even have a story or a background or anything. They just showed up and took over.

-They’re not interesting.

-They don’t serve a purpose.

-They’re not as funny as everyone makes them seem.

-Minions are basically developing their own culture. A unneeded culture with no meaning.

-Minions are only liked for their looks.

-They. are. on. everything.

-I wouldn’t be able to get away from them if I tried.

-It’s not a fandom anymore, it’s taken over. 

-They’re really not that cute, and not a lot of time was spent on animating them.

-Why do some of them have one eye and some have two? Like, you only have one if you’re deformed from birth or got in an accident (which is fine,) but there are so many of them (AND the eye is in the middle of their head, so that’s not possible.) What’s wrong with them? Are they okay? Why does that happen to them? Does it hurt?

-They are Gru’s slaves. Slaves. They started out as slaves and no one had a problem with that. 

-Why do they all wear the same clothes? They wear costumes a lot, but when not in costume, they all wear the same clothes. What’s with that? Are they not allowed to have individuality?

-It is impossible to tell them apart. Yeah, some of them are different, but if you go to the store, they sell the same exact minion under different names. ((JUST FOR MONEY. DOT BUY MINION MERCHANDISE, ITS JUST FOR THE MONEY.))

-They were background characters. Why do they have a whole movie?

-Minions are basically the movie form of menists.

-They were kinda cool at first, but now they are literally everywhere and there is just too much. We don’t even know much about them. How are we supposed to like them if we don’t know anything about them and they can’t talk??

-”Why hate minions when you can hate *insert celebrity*?” Well, because the person you are hating on is an actual person with an actual life, while minions aren’t real and are just annoying af. 

-Cartoons are to low-key teach kids important stuff, but the minions don’t. They have no meaning and don’t help in anyway. In fact, minions teach kids to dress the same and not stand out. They show that conformity is the way to go. They want to create a generation of sameness. 

-Minions have trading cards. Why? They all look the same!!

-What’s the point of them?

-Give me a valid reason of why you actually like them. Go on.

I just signed a petition at iPetitions.com. Please join me in supporting this important cause!

Okay you all know i’m super bitter that my actual husband Charles Vane (from Assassin’s Creed 4) never got an action figure. We made a petition to try and change that.

This petition is also asking for a figure for Anne Bonny, Mary Read, and Calico Jack as well!

I would really, really appreciate it if you would sign this petition because it means a whole lot to me! I would really appreciate it if you could reblog this post as well and spread the word!

Please and thank you so much!


Minions are everywhere. Literally everywhere. 

You want to buy a box of Twinkies? Too bad!

They’re on every box!!

Have a sweet tooth? Better think twice.

Breakfast time! Want to enjoy a nice bowl of cereal?

Go gurt, yum. 

Okay, maybe the yogurt will be safe.

You know what, I’ll just have a pp&j.

I need a towel to clean these minion germs off me.

Never mind, I’ll go eat at Mc Donalds. They should be safe.

((and they talk))

As I said, they are E V E R Y W H E R E 


Car stickers!!! Those are terrible in the first place, but now minions? And look at how many are gone!!!!

((some of the pictures are blurry bc i just couldn’t stand looking at them any longer))