or this scene in particular

#potterweekprompts2017, day 7: yer a wizard, harry

(on twitter)

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Noctis lets us know through dialogue in game that summoning any of the Six takes a lot of out of him. He never talks about how terrifying it is to confront a God in any capacity, even when they’re coming to his aid, but the fucking spectacular animation in these scenes gets the message across just as well.

Color Reference Guide to Recognize & Avoid Whitewashing

I’ve made a tutorial on how to color adjust to fix washed out coloringsbut I noticed people aren’t always sure when their coloring needs fixing in the first place. So I’ve made a bunch of colorings you can use to compare your own to. It’s designed to help avoid whitewashing, but also help avoid over-correction.

If you’re not a content creator, you can also use this guide for reblogging as well. :)

Using the Guide

  • Each set comes in three: cool, neutral, and warm. If your coloring is bluer/whiter than the cool tone, consider readjusting.
  • Examples of what might be too pale/bright are beneath each set
  • There are various categories (daytime, night scenes, etc) for each type of scene you might encounter
  • Each coloring has a color palette beneath for the highlights, midtones, and shadows of the character’s face. If you’re having trouble eyeballing it, use the eyedropper tool to double check.

NOTES
1) For the sake of simplicity, I’ve used one character per category, but characters of color are not interchangeable. Identify the skin tone for the character you’re coloring and work with that. This is only meant to give a frame of reference for what is and isn’t whitewashing

2) If any of the colorings look different than what they’ve been stated as (i.e. the cool tones look too warm or some look way too dark to be visible) calibrate your monitor. It means your screen color and gamma needs readjustment.

Guide itself is under the read more!

Keep reading

things I love about Steve Trevor
  • He makes sure he actually thanks Diana for pulling him out of the water
  • The only time he ever expresses doubt to Diana about any of her beliefs is when he’s trying to convince her not to jeopardize the mission by killing Ludendorff, and even then it’s a hypothetical (“what if”)
    • He also does after she kills Ludendorff but that’s after her belief is shattered so I don’t really count it
  • He is so duty-bound I love him so much no wonder he and Diana got along so well
  • He just. Wants the people around him to be happy? The scene after they rescue Veld always kills me, and two parts in particular: 
    • When Charlie starts playing piano and singing and Steve says “I haven’t heard him sing in years…” and his face is all soft and you can see the shadow of a smile tugging at his lips but you can also see all the sadness in his eyes from those years of him not singing
    • And when he’s dancing with Diana and it starts to snow and she looks up and is so confused and delighted and he’s like “it’s snow… go on, touch it” and she does (also she has to let go of his hand to do it and he still encourages her to? such a small thing but oh man my heart) and he looks at her with such heart eyes
    • Honestly Chris Pine played him so well, so much complex emotion depicted even when he’s not speaking, like jfc well done
  • I love the boat scene, partly because it’s just fucking hilarious but mostly because their conversation is so respectful. She tells him she was sculpted from clay and brought to life by the breath of Zeus and his reaction is just to raise his eyebrows and say “Well, that’s neat.” 
    • I know that could read as sarcastic but it doesn’t to me at all. It’s funny, sure, but he isn’t making fun of her. It’s genuine and kind, even when what she’s saying is fairly unbelievable.
    • Just the entire way they speak in this scene… He never adopts that Mansplaining Tone™ that is so common, even when he’s actually explaining things. He talks because he wants to share information. It’s a cultural exchange, and I loved it.
  • After Veld, when they’re sitting and watching the villagers dance, he just quietly says, “You did this.” and she’s the one who smiles at him and says, “We did this.” He has so much respect for her and it kills me inside because it’s not “We did this” originally (which could be him pointing out that they’re a good team, him saying they have things in common, or a thousand other things), it’s just “You did this,” because he just wants her happy. He wants her to recognize how goddamn impressive she is. There is no agenda to what he said and it fucks me up
  • The entire scene with the kiss. Like, I’m gay as hell, usually I hate this kind of thing because it feels so unnecessary, but this was so well done I’m genuinely glad it was included
    • When he escorts her up to a room he then starts to leave. Even with all of that tension he doesn’t want to assume that she wants anything to happen. 
    • So he has his hand on the door and he starts to back out of the room and he hesitates just long enough for her to turn around and meet his gaze. And even then he’s reading that as a sign that she wants him in the room so he steps forward and closes the door behind her and then looks up again to confirm that’s what she wanted. And even after that, he crosses over to her so slowly and lets her be the one to actually initiate the kiss. 
    • He gives her a thousand and one chances to change her mind, to give him a small indication that she’s uncomfortable or doesn’t want it to happen, and it’s only once she lets all of those chances pass that they kiss. 
    • Consent-based relationships, man. Fuck me up.
  • Speaking of consent… the scene after Diana returns to Veld and sees the gas has killed everyone fucks me up
    • Steve’s followed her there and is clearly freaked the fuck out because she’s just gone and he physically can’t go in to try to find her because of the gas
    • So when she comes out he’s so visibly relieved and he goes forward and puts his hands around her face, clearly wanting to kiss her, and she shoves him away and says “stay away from me.” and he does.
    • He lets her be furious and devastated and overwhelmed because he knows what it’s like to feel powerless and I think he is genuinely sorry he contributed to her feeling this much pain. He lets her say she’s angry, he lets her blame him, he lets her grieve and doesn’t stop her when she leaves him there.
    • Not only does he not stop her, he sees the smoke from Chief’s fire and yells to her to follow it because he had followed Ludendorff. Their argument from the ballroom still isn’t resolved - she wants to just kill him and be done with it, Steve wants that to wait so they can focus on stopping the gas - but he recognizes that this is her choice and even after she’s basically just blamed an entire village’s deaths on him (and on herself) he tries to help her carry it out.
  • So after Diana’s killed Ludendorff and the war is still going on and Steve runs up to find her, he’s so visibly relieved that she’s alive and (like after Veld) goes to kiss her but backs away without her doing anything because he realizes the “stay away from me” thing has never been explicitly lifted. She might still want nothing to do with him and he respects that.
    • He does touch her a couple times after this but it’s always brief, I think it continues only because she didn’t react negatively the first time, and like they’re in the middle of a fucking war and I think Steve’s about 900% convinced that they’re all going to die so I’m gonna cut him a little slack here.
  • They have that “argument” again, where Diana says “this should have stopped, I killed him, why is this still going on” and instead of saying I told you so Steve just tries to get her to move on and help him save other people.
    • When he says “maybe it’s us! maybe we’re to blame!” (meaning not Ares) and she says that (obviously) she isn’t to blame, he doesn’t hesitate, he just says “but maybe I am.” He’s willing to put that on himself. Also, the qualifier through this scene - but maybe it’s us - is so important to me, because he’s still not saying “you’re wrong.” it’s a maybe.
    • When she refuses to go with him he’s clearly frustrated (again I’m giving him a pass here because he’s frustrated because he knows he won’t be able to save as many people without her) but he still doesn’t try to force her to go with him. He doesn’t guilt-trip her, doesn’t yell at her for not helping. He just gives that desperate shrug and says “I have to go. I’m sorry, I have to go.”
    • And when Charlie and Sam and Chief show up and ask where Diana is, all he says is “we’re on our own.” Not “she wouldn’t fucking help us” - which frankly is probably what I would have said in this situation - just that statement and nothing more.
  • In their final scene, when she’s hurt and dazed and temporarily hard of hearing, he breaks his “no touching” rule, but he breaks it because he’s helping her stand up and then because, well… even if she doesn’t, he knows he’s never going to see her again. 
    • It’s also super important to me that he doesn’t try to kiss her in this scene, because god knows he must have wanted to. He sees that she is in no shape to consent to anything like that and he doesn’t even come close to pushing it.
    • I’m not even gonna get into the “I can save today” part because I’m still too emotionally fraught
    • He says is “I wish we had more time.” before he tells her he loves her and literally runs to his death. That’s it. Nothing that could possibly make her feel guilty, nothing that could have seemed like he regretted anything. Not “I wish we hadn’t gone to the front.” Just “I wish we had more time.”
    • And he then, metaphorically and literally, gives her more time. Because he knows his clock has run out, but that doesn’t mean hers has to… So he runs and saves today and gives her his watch. Gives her time.
  • Anyway I’m seventeen thousand levels of fucked up from this movie, please feel free to add because Steve is amazing and a genuinely good, complex, respectful male character like this should be celebrated

I just want to talk about this. I see So Many backhanded compliments to The New Crystal Gems saying like, “it’s nice to have some realistic Lapis and Peridot interaction without Lauren Zuke’s shitty writing cramming the ship down our throat” or something like that, and, like, it was not bad writing?? It was not out of character or anything. As somebody trying to recover from depression, I found that one of the best things you can do for yourself is to surround yourself with positivity and go through the motions, and even if you don’t feel anything, you don’t feel bad, and you start to get better, and that is very clearly what Lapis is trying to do. She’s just riding the wave of Peridot’s genuine excitement of exploring every intellectual inch of life she never even knew existed before and, sort of hoping that if she plays along, some of that happiness may rub off on her. She’s watching her Earth show, making meep morps with her, helping her decorate the barn, even making music with her, and she smiles. There are moments where Lapis just smiles, and that’s her trying. I love the toilet meep morp scene in particular, because during this scene, the same dark ominous music that always plays when Lapis uses her water abilities plays, but what she’s using them for isn’t something out of rage or desperation, she’s funneling that same power she only ever associated with negative things into something silly and pointless that Peridot thinks is beautiful and makes her excited. This is Lapis healing. Peridot is the medium by which Lapis is healing herself, and that is beautiful writing.

ok, so i was watching escape from beta traz a few days ago. and i realized something. Lance never misses.

here he is, shooting the warden. if those metal arms weren’t there, the shots would be hitting him right in the face. it’s already impressive that every shot is hitting its target, but it’s ALSO implied that for most of those shots, lance was running and aiming simultaneously

and then there is THIS scene. i think lance was overshadowed by shiro here because shiro does some pretty crazy shit! but lance does some pretty crazy shit too.

theres this little screencap, which i love, because it shows lance being serious and concentrating which isnt something we get to see very much.

the two sentries in this photo were taken down by lance in the first few seconds of the conflict. Shiro does some cool fighting shit, using his environment to his advantage, it looks really cool. He then takes down a sentry that Lance, admittedly, DID have. I’m not bitter about it, but Lance is, and that’s why I mention it.

also look at laika shes so cute

but anyway. at this point, the warden and pidge both show up. the REAL fight begins.

lance takes on the big guy asap. again, if not for those metal arms, the warden would be toast. but it doesnt stop there, no. to avoid one of the wardens attacks, lance propels himself in the air and continues to shoot.

and still doesnt miss!! what a badass!!

and, of course, we have the sharpshooter scene. but thats been analyzed already, so i wont go into it.

“but how can you know that this is intentional?”

easy. everything in animation has to be intentional. both keith and hunk also operate guns in the series at some point. hunk, who has little experiencce with guns, has sporadic shots that sometimes do not meet their targets, or take multiple shots in order to do so. In season 2, episode 12, keith shoots at some galra sentries. but not all of his shots hit them either.

These are some screen shots of that particular scene. Keith hits the walls too, not just the sentries. Meanwhile, Lance is making the target with every shot. And I’ve only examined this one episode, so who knows how much i’ve missed.

Anyways, it’s intentional. Super intentional.


TL;DR: Lance is an expert marksman and sharpshooting is his thing. The others just haven’t realized it yet because his talent isn’t as flashy or as obvious as the others and often gets overshadowed

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Supernatural S13E01 “Lost and Found”

Favourite and understated Jensen Ackles acting moment: As he’s preparing Castiel’s body for the funeral pyre, Dean almost breaks down from emotion, closing his eyes and hanging his head. His entire body language screams defeat, despair and grief. He then visibly has to pull himself back together in order to keep going.