operation cobra collection

What happens when i write essays while listening to Sara Bareilles


He lives his dreary days bedroom floor chased by his own crush on the shadow at the liquor store, but at night he forgets why she came here observes the “enchanted metropolitan twilight” sleep my whole life away which illuminates the alienating me from dreaming darkness (Fitzgerald 56). The thrum of the next best thing “taxicabs, bound for the theater district” meet me at midnight contains a joyous “flicker of” cut it myself if people could climb hair “outlined” by their i should believe in  “lighted cigarettes,” enjoying each other’s handsome in hindsight company (Fitzgerald 56-57).


Carraway’s brief introduction to the novel reveals oh uncharted the tension between upper-crust snobbery and the fear jumpstart my kaleidoscope heart of descending i’m going down from that perch into the realms of the follow if you wanna brute populace.

Gonna Get Over You

In fact, his relationships with women in general i'ma gonna get over you, which are most thoroughly i’ll be alright explored in this just not tonight very passage, veer from the theme of isolation it’s a vicious little word and suggest Carraway that could slay has little interest in more no more no more fulfilling relationships once i find the other side.

Let the Rain

However, there are occasional Wish I were pretty moments of brave lucidity in which—for a terrified flicker of time our only city —Daisy seems cognizantof her own powerlessness that’s what i wish i’d do. When she realizes that she has no choice in marrying Tom she throws away yeah-eh yeah-eh yeah-eh the pearls, the sign of her commodification change my mind, drinks be in love, and cries until the end of time (76). There is, after all, little else she can come down do tonight


From this perspective you could turn a phrase, Carraway’s asexual and mostly a-romantic experiences with women somebody’s lack of love is affected by a repressed attraction say what you wanna say to men. The “interior rules that act as brakes on my desires” and let the words fall out would prevent him from pursuing stared down by the enemy fulfilling relationships don’t run with stop holding your tongue men (Fitzgerald 58), an inhibition that reflects his isolation in terms of how big your brave is repressed identity.

Bright Lights and Cityscapes

In reality, he is “in the dusk” with his fellow clerks, hold my breath and i’ll count to ten “wasting the most poignant moments of night and life” and you’re the pen in solitude (Fitzgerald 57). His yearning for you are permanent companionship and honest human contact is thus reflected in bright lights and cityscapes his desire to bask in the light cupcakes, perhaps even warmed by i’m gonna love you the metaphorical light of you never have to ask another.