opera ballet school

Madame Bigottini (1785–1858), as a Bacchante

Jacques Antoine Vallin (c.1760–after 1831)

The artist depicts the great pre-Romantic ballerina, Emilie Bigottini, assuming the role of a Bacchante with grapes in her hair and a leopard skin loosely draped over the shoulders.  Emilie Bigottini studied at the Paris Opera Ballet School and joined the Paris Opera in 1801.

The Bowes Museum

etoiles (chapter one)

chapter title: Cinderella
words: 7.5k
story summary: By day, Marinette Dupain-Cheng and Adrien Agreste are the newest rising stars at the Paris Opera Ballet, dealing with the pressures of life as professional dancers and the blossoming feelings they have for each other. But by night, they become Ladybug and Chat Noir, the dynamic dancing duo who must fight to save the people of Paris from the illusions of the maestro of emotions, Hawk Moth.

AO3 | FF

a/n: It’s here!!!! My ballet AU, two months in the making, is finally here! I’m so excited to finally be sharing this with all of you, it’s been a long time coming and there’s a long road ahead, but I think it’s going to be a lot of fun!

Shout out to all the folks who inspired me to write this, created beautiful art, spread the word, kept me excited, motivated me and listened to me rant! I hope it lives up to your expectations! ♥ @gabzilla-z @syrva @min-xie @sarahcada @miraculer  @metawohoo @brettanomycroft @starrycove @matchaball @clairelutra @buglad @korrawr 


Les petits rats, they called the ballet students affectionately—the little rats of the Paris Opera Ballet School, for the rapid pitter-patter of their feet on the rehearsal dance floor. Days started early for the little rats, waking up at 6:45 am and continuing, nonstop, until 9pm, when it was lights out.

It was a strict and disciplined lifestyle, fiercely competitive and only kind to those rare few who possessed both natural talent and mental perseverance in spades.

Marinette Dupain-Cheng was one such dancer.

By the age of six, it was clear to everyone in her family that she was destined to be a ballerina, and when she was accepted to the Paris Opera Ballet School at the age of eight, everyone was elated.

For the past nine years, she had worked harder than everyone else in her cohort combined, landing soloist roles in each of the annual showcases, working through every injury and sore muscle with a combination of sheer will and grit. It was her dream to become an Etoile at the Paris Opera Ballet, and she was convinced that with enough hard work, someday, she would get there. 

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