one sony

LADIES AND GENTLEMEN!! THE MOST WONDERFUL TIME OF THE YEAR IS BACK AGAIN!

TIME FOR MULTI-MILLION DOLLAR COMPANIES TO FIGHT FOR OUR WALLETS!

TIME FOR A BUNCH OF CLUELESS SUITS TO PRETEND THEY’VE ALWAYS CARED ABOUT US!

TIME FOR UBISOFT TO DO MORE CRINGY MEME HUMOR WITH THAT UNFUNNY HOST!

TIME TO PRAY TO THE GODS ABOVE WE GET A KH3 RELEASE DATE!

TIME FOR EA TO PRETEND NO ONE HATES THEM!

TIME TO SEE IF OUR FAVORITE UNDERDOG NINTENDO CAN COME OUT ON TOP!

TIME FOR HOUR LONG VIDEOS PICKING APART 2 MINUTE TRAILERS!

TIME FOR PRE-RENDERED TRAILERS!

TIME FOR DOCTORED SCREENSHOTS!

TIME FOR SWEET SUCCULENT PRE-ORDER BONUSES!

TIME TO SEE IF SONY IS GIVING UP ON VR ALREADY!

IT IS TIME

ONCE AGAIN

FOR E3!!

10

PS One Combo (W/ LCD Screen) [NTSC SCPH-141]

(PS1/US/January 23, 2002)

I never had this one growing up! We already had a PS2 in my house and I definitely wasn’t looking back at the time. After picking up a PS One in Osaka over a year ago I had been looking for the LCD attachment for a good price since then. I’m so happy to have the US Combo version boxed now! I plan on keeping this unit in the car for road trips later on!

More PS1 || More Consoles & Handhelds
Fandom Manipulation

I was talking with @parodiesofuktabloids about the allegedly unnamed band and thinking about that recent post about the Sony guy being SO PROUD of how they manipulate fans for marketing purposes. And how that post ended up with the very true statement that we play into their hands more often than not.

But while Sony thinks they understand us (and they do get that the more we think our boys are the underdogs, the harder we go in support of them), what they do not get is that because we perceive Sony/Syco as treating them like dogs for years on end (and rightfully so), we will not blindly support any other act that they try to push on us. 

The unnamed band, James Arthur, Cheryl, and even Little Mix only got widespread fandom support after Zayn and Perrie split because they overplayed that hand so hard that no one could stomach it. The only real exception is Steve because he’s a wonderful guy that honestly loves Louis and was complimentary of the band long before he met them.

So while yeah, we do play into their hands with our overly enthusiastic support of 1D based on our perception of their situation, they ended up playing themselves.  Because if we thought they were a good team, we’d be a fantastic marketing base for other artists, but as it stands, we’re actively hostile to anyone they try to foist on us.

We can be manipulated, but we’re aware of it, and we only will play along so far. Then we start fighting back.

yaknow I really wonder if what eventually became The Emoji Movie was in development before movies like Wreck-It Ralph and The Lego Movie came out, or maybe an animator at Sony saw WIR and thought “Man this is so inspiring, I’d love to make a film sort of like this. What kind of story could I tell about the characters that might live inside some more modern technology?”

optimistic about this idea they pitch it to their bosses, after all the studio’s been hitting it out of the park with Genndy Tartakovsky and his Hotel Transylvania movies lately. it gets the greenlight and starts development when suddenly The Lego Movie comes out and their bosses demand they make their lead female character like Wyldestyle. our animator friend tries to make a slightly similar character but each time it gets sent in for review the higher ups keep insisting to make her more and more similar, to the point where she becomes a little too similar, and there’s no arguing with orders from the top.

oh well, our animator friend thinks, maybe it won’t turn out so bad. after all the executives here are finally letting us make Smurfs: The Lost Village instead of those live action atrocities. they’ve definitely realized by now copying and trying to cash in on other popular movies like the live action Alvin and the Chipmunks is a bad idea right?

and then Inside Out comes out

and some corporate goon struts into our animator friend’s office and proudly proclaims “good news, buddy! your movie is now about emojis!” “um… emojis, sir?” “yes, emojis! yaknow those little face things when you send texts? I shouldn’t have to explain it to you you’re a millennial.” “I’m 32.” “right, right. anyway we got a lot of sponsorship tied up in this thing now… candy crush, facebook, dropbox… gotta say, great idea setting a film inside a smartphone! incredibly marketable!” “actually I wanted it to be inside a computer, kind of like this TV show I grew up with called ReBoot but modernized and–” “phone, computer, same thing these days right? they’ve all got apps and more importantly, in-app purchases! anyway you’ll have plenty of time to work on it now that we canceled Popeye!” “you WHAT?”

and so our poor dear animator friend resigned to their fate, dreading the day the critics’ screenings began, seeing their worst fears inevitably realized when the film just narrowly escaped 0% on rotten tomatoes. should this tragic tale indeed be true, let us hope with all our hearts that this animator eventually finds their way to pixar, disney or dreamworks instead, so they can take The Emoji Movie off their resume and put what must have been a traumatic and miserable time in their life behind them

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“You really wanna head back out there, huh?”