one of my favorite disney villains


Black and Red Surcoat Evil Queen Custom Funko

This is a complicated repaint and partial resculpting of the Maeve funko from Westward into one of my favorite EQ looks.  I’ve carved away her skirt and added some clay shoulder details.  Repainted her face and took the pink flowers in her hair and made them into black and white pearl flowers.  Also for some reason this funko was tippy because the legs weren’t even so I gave one foot a clay lift to make it so she’d actually stand.  The back of her skirt is gloss black while the top of her coat is done with black glitter.  The wine goblet is original to the funko but I think works for the EQ.

I will take commissions to replicate this funko, please contact privately to discuss price as the market for the figures in which I make these out of can change wildly.  Ask me about my etsy shop.  


Okay, you see this? These are jacket cover/inside cover of a book called “The Beast Within” written by Serena Valentino, who wrote other Disney books that are so amazing. I purchased her first Disney book in the Germany Pavilion in Epcot a few years ago and have bought every other book of hers since. But lemme tell you why this one is my favorite:

Not only is “Beauty and the Beast” one of my favorite films of all time, but the Beast is one of my favorite characters in any film. And this book makes him seem so much more understandable. It’s written in his perspective and there’s literally a scene where he’s so close to being an actual monster that he goes out to kill Belle after she runs away from him.

Did you hear me?


Of course, he fights the wolves that attack her because in his mind, he’s like “wait I can redeem my human status still” while the beast side is literally chanting “RIP THE FLESH OPEN AND SPILL HER BLOOD EVERYWHERE ALL OVER THE SNOW COVERED GROUND”.

Let me tell you, this book is so good. And it gives more backstory to Gaston (who is, as you guessed, one of my favorite Disney villains).

If you enjoyed the 2017 version of “Beauty and the Beast”, you’ll enjoy this book. It’s different than the film, but just as good, in my opinion.

Okay so I know there has been a lot of buzz around the internet about the subject of LaFou, sexuality, and queer representation lately and now that I’ve seen the movie, I want to put in my two cents. 

If you’ve been living under a rock for the last few weeks, many people have been talking about LeFou being gay and getting a “gay moment” at the end of the film. Vanity Fair put out an article calling the character “ a touching tribute” to Howard Ashman” Many of us LGBT+ folks are obviously not happy with this character, who is literally “the fool” being a bone that’s thrown to us. Many, including myself, where infuriated by the article because not only was Ashman the man who saved Disney from bankruptcy with hits like The Little Mermaid and Beauty and the beast and the formula he created is still successfully used by Disney today, he was a gay man who died of AIDS. So you can see why many of us think calling a villainous side character a “touching tribute” is a gross cop out on Disney’s part.  On the flip side, some christian parenting groups are made because our existence is acknowledged in anyway, even if the representation is bad. A theater in Alabama even refused to carry the film. Needless to say, many people had lots of opinions. 

All that being said, I’m not here to preach to the choir, nor am I here to argue with anyone about whether of not LGBT+ people are are “appropriate” for a disney movie( hint hint we are) I really want to talk straight people who don’t get why LGBT+ people are upset. I need to share my personal experience with the movie to maybe help some people understand. I know I can only speak for myself, but here it is.

I’ll start off by saying, overall, I enjoyed the shit out of this movie. Beauty and the Beast was one of my favorite films as a child. I knew all the songs, I was Belle for multiple halloweens. I loved the over the top, Rogers -and -Hammerstien esque feel of the remake, i liked the bright colors, the songs and grumpy clock Ian McKellan. I want to get lost in how much I loved it. But every time LaFou came on screen, he was like a fly in the ointment, the irritating itch that kept me from enjoying this ridiculous spectacle for exactly what it was, because every LaFou scene was a gay joke.His mannerisms were carefully an explicitly coded to be recognized as those of a gay man, which are not a bad thing on their own but they were played for laughs and combined with a comic, pining-induced subservience to Gaston. He’s hangs on Gaston’s every word, he tells the girls no to waste their breath, he soothes Gaston’s temper. He’s a joke, one we have seen many times before, a weasely ,queer-coded villain. It’s supposed to be funny to us because we know this silly gay man is NEVER going to have his affections returned and all his work if for not.( ie he’s making a fool of himself, so he’s aptly named)  It’s something you get used to when you’re queer and grow up watching Disney films though, so for the most part, I rolled my eyes and tried to enjoy the scenery. 

Until Gaston’s song started.

Now let me start by saying, that has ALWAYS been my favorite song in the film. I have a very naturally loud voice that carries and as a kid I loved to belt the shit out of it when it came on our Disney’s greatest hits CD. It drove my sister crazy on car trips. It’s so silly and it’s poking fun at this hyper masculine douche bag you’re not supposed to like. Luke Evans had been killing it up to that point and I was so jazzed about it. 

And then, we get LaFou, lounging on Gaston’s chair, gazing at him longingly. Gaston looks at him and asks why the girls to love him and LaFou sighs dramatically, like the comedic stereotype they have set him up to be, and says he hears he’s been clingy.

And everyone in the theater laughs. 

Everyone but me. 

Because in that moment, everything snaps into alarming clarity. I am no longer immersed in the nostalgic euphoria of an actor I love about to preform a cherished piece of my childhood. 

I am a joke and everyone it laughing at me. 

Because that’s what it feels like, when you see someone like you splashed on the screen and their feelings being the thing that makes them laughable. When there mannerism that are directly coded to read GAY PEOPLE are the joke. You see the thing about sterotypes is, some of use have those traits. I am clingy as hell, a joke often made about wlw, which I am. I know effeminate gay men. I know people who have fallen in love with straight people. None of those things are inherently bad or make you a bad or shallow person  but somewhere along the way, straight people decided they made us wrong and decided to use those things against us and turn it into a joke. People in the theater were laughing about LaFou’s pining for Gaston, while I had lost friends because I was queer and some women don’t want to be friends with you if they think you’re going to fall in love with them. The rub of knowing this was a conscious choice on the part of the filmmakers. Why not have Cogsworth rush into the arms of a long lost husband, instead of Mrs. Potts? You can’t tell me Sir Ian wouldn’t have been all for that. You had two promient gay actors in this film, which was scored by a gay man and the best you could come up with the villain’s side kick who’s name means fool? Really?

And adding insult to injury, it wasn’t LaFou as a person that was the fool, his gayness MADE him the fool in the context of the film. It was his pining for Gaston, to try and impress him, that was played to make him look foolish. Do you know what that says to people? That being gay makes you a fool, it makes you a joke. I’m 27, I’ve learned how to pack that shit up and process later, but what if I had been 16? 10? What does that say to gay parents, sitting in the audience watching their child laugh because social cues tell them this thing is funny and you should laugh? What LaFou really says to LGBT+ people, to gay men especially, is that you are good enough to put in the labor, to make this beautiful thing(Ian McKellan and Luke Evans did great work as Cogsworth and Gaston and without Howard Ashman, there would be no beauty and the Beast.), but you are not good enough to be well represented in it. 

So straight Disney fans, before you feel the need to tell us why we are “making something out of nothing” or that we should be “glad” for what we get, or that his half assed “redemption” arc or a single moment of him touching another man made it all better,  I need you to imagine sitting in a theater, and knowing everyone is laughing at you. Laughing at who you are, at the struggles you deal with. Imagine the things that have shaped you being watered down and played for comedy before you tell me what is or isn’t good queer representation. 

Disney Villain Apologist

I like to explore ethics and the nature of good and evil. I love “origin of evil” stories, and retellings from the villain’s perspective. When I watch movies/read books, I generally empathize with the villain. 

I watch horror movies and cheer for the monster. Which, makes sense because I’m one of the creatures humans like to cast as the monster. I’m a proper faerie tale villain.

So, I’m gonna go down a list of well known Disney villains, and justify their actions.

Snow White:

So we start out of the gate with a tough one. Not because her actions are difficult to justify, but because we know nothing about Queen Grimhilde. The story starts in the middle.

Where did she come from? How did she come to be Snow White’s step mother? Is vanity really the only reason she hates Snow White? I doubt it.

She’s a two dimensional character who must have a story, and we have no right to judge her until we know what it is. 

Besides, Snow was kind of insufferable. This is a movie with eleven characters. Only two are women. One is a perennial victim with no agency over her own situation, and the other is painted as the villain. There’s something fishy here.


Okay so Lady Tremaine was awful (and she dies in the original faerie tale) but the step sisters are just as much victims as Cinderella herself. Their mother was abusive to all three of them. She was just worse to Cinderella. That’s often the case with abusive parents. They are emotionally abusive and neglectful to all their children, but they pick one to be their preferred target.

The step sisters became awful out of self defense. In some other versions of the tale, one or both of them actually apologize to Cinderella, and mean it. It doesn’t get them out of well deserved punishment for being terrible to her, but it redeems them a little.

Alice in Wonderland:

The Queen of Hearts has some kind of undiagnosed and untreated mental illness. It’s illuminated in the book that the King quietly pardons people behind her back, they show back up at court the next day, and she doesn’t even notice, because she’s delusional and they’re doing their best to cope with it. As the Cheshire Cat said, everyone’s mad here. There are no therapists to take her to.

Peter Pan:

This one has some deep symbolism, and it’s kinda cool. Captain Hook represents old age and inevitable mortality. That’s what everyone’s afraid of, but it’s not something to be feared, it’s just part of the process. Peter’s refusal to grow up, and influencing others to follow in his footsteps, was holding them back from their potential. The protagonists went home because they realized it was actually a pretty toxic environment.

An alternate fan interpretation (which was not the intention of the original author) is that the Lost Boys are dead, and Peter is a spirit keeping them from moving on, and Hook is Death itself. Wendy and her brothers had a near death experience and went to Neverland.

Sleeping Beauty:

Ah, here’s my favorite Disney villain. This one requires some knowledge of politics. It wasn’t just a party. This was 14th century Europe. I think the tale is French, specifically. The Christening of a royal child was a major political event. It Mattered who was and was not invited.

If you had two neighbors, and they weren’t on the best of terms, and you invited one but not the other, you were picking sides in a potential war.

Which is what King Stephan did. He sided with the Seelie court over the Unseelie. The “good faeries” weren’t actually good. They were Seelie. Which means they look pretty, but they’re just as dangerous and just as unpredictable.

This was a slight that would have risked war if he’d done it to a human. Faeries take those things far more seriously, and he knew that. He should have known that failing to invite her was going to lead to trouble.

Maleficent even gave him an opportunity to apologize. She was prepared to pretend she thought it was a mistake and allow him to save face. He threw it back at her and insulted her. And she cursed the kid when she could have cursed them all and destroyed the entire kingdom, and by fae standards would have been totally justified.

Stephan was a moron. If he’d invited her, or even just apologized and moved on, the faeries would have given the most awesome gifts they could in an attempt to one up each other, as opposed to the party favors Aurora wound up with.

I find Maleficent very relatable. Fae witch with a corvid companion who has fun with curses, references infernal contacts, and is secretly a dragon. I like.

The Sword In The Stone:

Madam Mim was just playing a little game. Merlin was an insufferable pompous jerk to her. Clearly they have a history of him being that way. It’s no wonder she wanted to break his toys.

The Little Mermaid:

This one’s actually really really easy.

So, the bit about how Ursula has her little garden… She casts spells for people. Magic has a price, which someone has to pay. She has to give something up to work her magic for people, and they sign a contract about payment. It’s not her fault if they fail to fulfill their end and complete the contract. They are responsible for the consequences of their decisions, and blaming her is a cop out.

As for her specific arrangement with Ariel, which required Ariel to find something (true love’s kiss) to seal the spell and bind her to the human world, Ursula was totally justified. Her plan from the first moment was for Ariel to fail, and then trade her for her father.

She had good reason. She’s Triton’s sister. That’s canon, it’s in a scene they cut for time. She’s the rightful queen and he stole the throne. Of course she’s bitter.


Jafar spent his entire life serving an incompetent boob who’s running the state into the ground. He went a little nuts, and went a little over the top, but if you think about it, he never actually hurt anyone but the abusive royal family and an apparent kidnapper turned imposter prince.

The Lion King:

There’s canon somewhere that Scar got the scar when he saved Mufasa from a wildebeest stampede when they were kids. He could have let Mufasa die then and he would have been king, but he was maimed in a selfless act, and they named him after the mark he got for his troubles. Mufasa was an arrogant jerk. Having saved the king’s life, Scar was relegated to a little alcove off by himself on the edge of the pride. No wonder he wound up bitter.

Also, The Lion King is Hamlet with animals and he can’t help that Shakespeare wrote him as a villain.


Ugh. They butchered my pantheon, and Hades is the only one who isn’t totally absurd.


Within the narrative of the story, the background is Zeus tricked and/or forced Hades into the Underworld while the other gods got to party it up on Olympus.

The fact that there’s no actual mythology for this and Haides isn’t unhappy with his kingdom not withstanding, the movie character has every right to be pissed.

There are a lot more of these I could do, but these are some of my favorite highlights, so I’ll leave it at that. Hope you enjoy, and I’d love to hear additions or counter arguments anyone wants to make.

anonymous asked:

2p's at Disney World (you know you want to answer this question, hehehehe~)


2P Italy: how the fuck did anyone manage to get this guy to Disney World?? anyway, he’d dress up as some villain from a Disney movie and go around scaring poor innocent children until the Disney worker people heard about it and called the cops

2P Germany: rides every single roller coaster, flirts with all the Disney workers dressed as princesses……possibly buys himself a Cinderella dress, puts it on, and runs around wearing only one shoe

2P Japan: again, how the fuck did anyone get this guy to agree to go to Disney World??? well I guess he’d ride only the scariest rollercoasters, but mostly he’d sit down on a bench somewhere and stare at shit on his phone until he could leave

2P Romano: yeah this guy legit walks into the Disney princess dress store and buys himself a Sleeping Beauty dress (“I liked the style of the Belle dress, but yellow is just not my color”), then runs into a bathroom somewhere to change into the dress and put on makeup. A lot of kids mistake him for one of the Disney workers dressed as princesses so he ends up letting like 34189374 people take pictures with him

2P Prussia: best day of his entire fucking life, I swear to god—- he feels so at peace as he sees all the happy families hanging around and he ends up riding all the roller coasters and staying at night to see the fireworks (omg he’s the only one who does normal Disney stuff while he’s there)

2P France: tbh he probably stays in the hotel room and watches porn. He might go to the dress store and buy himself a tiara, for some reason??

2P America: eats a bunch of food and then goes on a roller coaster, vomits all over a bunch of kids, ends up being escorted off the premises

2P Canada: wanders around aimlessly until he just goes in a bathroom and sits on a toilet while he watches Grey’s Anatomy on his phone

2P England: gets himself a tiara and a magic wand (also known as an overpriced stick with a star on one end), then runs around gently hitting kids on the head with the wand and saying “bippity boppity boo”

2P China: after he smokes weed in a bathroom, he goes on the same rollercoaster 6 times, buys himself an inordinate number of stuffed animals, and throws his entire wallet into a fountain while saying “dis better be enough to make mah wish come true muthafucka”

2P Russia: accidentally scares a bunch of kids by looking too serious, ends up sitting on a bench alone, feels pretty sad until one kid runs up to him and starts talking about how they want to grow up to be big like him one day awh

favorite disney songs

In this particular order:

reflection, mulan
hellfire, hunchback of notre dame
if i never knew you, pocahontas
in the dark of the night, anastasia
savages, pocahontas
poor unfortunate souls, the little mermaid
god help the outcasts, hunchback of notre dame
be prepared, the lion king
once upon a december, anastasia

Never noticed how many villain songs I enjoyed until I typed this out. Don’t get me wrong, I love all disney songs. But these ones are my jams.


Two clients approached me about an amazing project they had in mind, and the commissioned piece turned out to be one of my favorite projects yet! We turned one client’s daughter Addison into a character similar to the heroines and princesses we all grew up with in classic movies and stories!

I am so excited and hopeful to do more pieces like this, for anyone, any age, any story! You can always be the hero (or villain???) the world needs; and maybe it starts with simply daydreaming about it?

Message me if you’re interested in similar work!


Hellfire is so easily one of the best villain songs of all time like it starts off almost beautiful, and then so quickly devolves into this dark and terrifying looked into this absolutely FUCKED up guy.  The first line is him condescendingly talking up his own purity, and in the next hes damning almost everyone else.  And it just goes from there. And its scary. not just because of what he might DO, but because you realize what hes LIKE. That hes the type of person who is desperately trying to convince himself hes righteous.  You see how hateful and cruel he is, and how unwilling he is to see any flaws in himself, how dead set he is in preserving his own holy perception of himself, even if it means burning the world to the ground. Which is what makes him such a scary, realistic, believable villain.  And it sounds. AMAZING. 

The visuals are amazing and add so much to it. 

Like its so fuckin scary as a concept when you break it down.  And its so effective.  Bc rather than this guy boasting about what hes going to and his evil plans, its watching this man dig himself deeper and deeper into his own awful ideals to protect himself from guilt, becoming even more disgusting and awful than he already was somehow.  I’m fine with an evil boast song, some of them are fuckin great.  But this one stands out for showing the villain at his absolute lowest point, and digging deeper. And you hate him. You see him struggling but there is no sympathy. You see he is conflicted, but hes vile. 

Frollo is not a fun villain. Hes not a “Love to hate” villain. And I usually love those kinds of villains. Charismatic, stylish, funny villains usually are my favorites.  But Frollo is easily my favorite Disney villain despite being none of that bc hes so easily the most real to me. Hes let to be scary bc of his beliefs and what hes willing to do. WHY hes willing to do what he does. Its fucking chilling and it is still so relevant and so real. 

I’ve started a new exercise where I turn Disney Villains into Good Guys. My goal is to change their look without changing who they are as characters, leaving in as much of their original designs while still making adjustments to give them a good guy feel. If you want a detailed description of what changes I made and their new role in their movie feel free to click the Keep Reading.

Disney Villains as Good Guys part 1/??

Keep reading

I don’t know if you guys caught last Friday’s episode of Elena of Avalor, but it had one of my favorite characters that I designed in it. 

I love villains… And the episode came out really well, so I just couldn’t resist doing a little painting of Fiero.


So as a big Hades fan (as you can see from my Hades pin collection) I was super excited to try the Sorcerers of the Magic Kingdom at Walt Disney World, which is an interactive game visitors can play at the part with cards that can active windows and make a portal appear (sort of like the Harry Potter World with wands) with starts an animation where you can battle villains with the cards.

What is cool is it stars Hades as the one who wants to take over the Kingdom and has him recruit different Disney villains. It makes sense that since a lot of villains died in their various movies he would have access to them, like offering Maleficent a “Get Out of the Underworld Free” card or finding Ursula in the Styx River. My favorite is when they portray him in different art styles (like the Lion King and Sleeping Beauty style) and under a different identity that relates to the movie he is recruiting the villain from, like to Yzma he appears as the Incan God of Death, to Dr. Facilier as his “Friend on the Other Side,” to Ratcliffe as the Lord of the East Underworld Trade company, or an “underworld” crime boss to Cruella DeVille. Really love that they blended Hades into the mythologies of the Disney movies. I would love to see them release the animations as a mini-movie or something.


I love all his covers, but my favorites include Shiny, In the Dark of the Night, Strike Back, and Be Prepared. He’s a little too good at villain songs


Disney Villains Week: Day 2 (Favorite Villain Song)

  Poor Unfortunate Souls - Ursula (The Little Mermaid)

Poor unfortunate souls. In pain, in need. This one longing to be thinner; that one wants to get the girl, and do I help them? Yes, indeed. Those poor unfortunate souls. So sad, so true. They come flocking to my cauldron crying, “Spells, Ursula, please!” and I help them! Yes I do.

The Best Kind of Villain to Write

And Why it’s the Least Popular

AKA Humanityinahandbag Gives Writing Advice… Again… (and why I’m totally not qualified to)

Someone asked me how to write villains. And I was going to go on a whole rant on how to create the traditional “bad-guy”. What elements are needed to form together a classic body of evil that we’ve all come to know and love. Whether its Disney or Pixar, we can all point to a screen and name our most favorite of antagonists that we simply love to hate.

And maybe one day I will write about them. Because, believe me, they are fun to put down onto a page.

But right now I’m going to talk about one that isn’t as talked about, but is, in my opinion, the most superior of the villain tropes. 

And that is what I like to call the Tragic Shaw.

Keep reading