“I wrote my way out of h e l l. I wrote my way to revolution, I was louder than the crack in the bell. I wrote Eliza love letters until she fell, I wrote about the Constitution and defended it well. And in the face of ignorance and resistance, I wrote financial systems into existence. And when my prayers to God were met with indifference, I picked up a pen, I wrote my own deliverance.”
“Two Virginians and an immigrant walk into a room, diametrically opposed, foes. They emerge with a compromise, having opened doors that were previously closed, bros. The immigrant emerges with unprecedented financial power, a system that he can shape however he wants. The Virginians emerge with the nation’s capital, and here’s the pièce de résistance: no one else was in the room where it h a p p e n e d.”
What if Carmilla occasionally transforms into her panther form at night because it helps her fall asleep?
All I imagine is that on occasion Carmilla gets restless and can’t go to sleep. So, she gets up and walks to find somewhere else to rest (since transforming into a panther while Laura is sleeping next to her would surely wake her up- plus her panther would take up most of the room).
So she goes out into the living room and curls up on a chaise lounge. And Laura, feeling the absence of Carmilla, wakes up and notices her gone. So she groggily pulls herself out of bed and goes down to the living room to notice a giant panther napping.
Laura then walks over to grab a blanket off the couch and goes over to lay it on Carmilla before slowly snuggling into the side of her on the lounge (just barely fitting). And the cat’s eyes barely open when she feels this before closing them again and going back to sleep.
And this entire thing has become an occasional routine for them but something they never really speak about. It just happens.
my aesthetic is people who portray dark, stoic and broody characters on screen and when you see them off screen in interviews and whatnot they’re like the personification of sunshine, cupcakes and kittens
So at the end of every volume of NANA, Ai Yazawa has a brief paragraph about the manga or just some introspection about her life. They give great insight into the series and I think only a few are found on the scans of NANA online, so I thought I’d share them all!
The creator, Ai Yazawa, told us, “I created this story so that it could be enjoyed as a stand-alone and, at the same time, have a complete ending that could be connected to an ongoing series. I hope you’ll look forward to the future of the two Nanas!”
A note from Ai Yazawa: “I had thought that if the two Nanas met each other, they would probably be constantly fighting, but they seem oddly friendly. What’s up with that?! It’s one of me (not so) seven wonders (ha-ha).”
Since childhood, the artists I’ve looked up to haven’t been writers and illustrators, but mostly musicians. Music provides me the most emotional effect and excitement. If there was no music, I don’t think my creative juices would boil. Music is that important to my life.
- Ai Yazawa
I realized one day that there are hit songs with the same names as the main female characters, NANA, JUNKO, and SACHIKO (the kanji for JUNKO is different, though). It’s not that big a deal, but I sometimes just hum the melodies longingly.
- Ai Yazawa
In the initial drafts, Nana’s band was a rockabilly band like the Stray Cats. But due to various circumstances, I didn’t keep it that way. But if they were rockabilly, Ren, Nobu and Shin would have had pompadours. And Yasu too?
- Ai Yazawa
When I was a child, I used to take piano lessons. Even after I stopped taking lessons, I bought sheet music I liked and continued playing. I’ve had my hands full for several years now, but one of these days I’d like to learn how to play jazz piano, which I’ve wanted to do for years now.
- Ai Yazawa
I had an opportunity to interview a group of professional musicians. I showered them with questions, but they answered willingly, and it was very helpful. I was having problems balancing the fictional world of manga-like simplicity and gorgeousness with a sense of reality. But I realized again that what’s important is the humanity of the characters.
- Ai Yazawa
When I was in high school, there was a cool girl in my class who was a lone wolf. I was really into a foreign New Romantic-type band then, and when she asked me one day, “Do you want to go to their concert together?” I was overwhelmed. My heart fluttered more than when I was with my boyfriend (☺). Have you had a Hachiko experience like that? - Ai Yazawa
“I hadn’t slept in a week, I was weak, I was awake. You’ve never seen a bastard orphan more in need of a break. Longing for Angelica, missing my wife, that’s when Miss Maria Reynolds walked into my l i f e.”
Based off of an amazing wedding planner/florist au fanfic by @ingthing! Ever since Makkachin has been mentioned, I can’t help but imagine them meeting! This fanfic is so cute and amazing! Go check it out!
I loved how last month everyone got into paying tribute to ‘If-Then-Else’ with me so I thought I would give you all a heads up that I plan on doing something similar this coming Tuesday (February 21) to celebrate the anniversary of the first time our favorite compact Persian sociopath graced our screens. (‘Relevance’ aired on February 21, 2013)
I’ll be posting my favorite stills of Shaw all day as well as Shaw-centric posts on my other blog. I’d love to make a day of reveling in all her badass glory.
So dig up your favorite Shaw posts or make some new ones!