oh what a mess

3

George Bush trying to put on a rain Mac was the only part of the Inauguration worth watching

quick draw of a fluffy russian ice pal

8

I get the chills when each player raises the cup #greatestsport

8

clique six dynamics (as ranked by my followers): #2 - isadora smackle & riley matthews

you do always look for the good in people, riley. // isadora, i don’t think there’s anybody we respect more than you. 

A super-powered version of the FAHC is an awful, unstoppable thing. Powered humans are rare, sure, but not unheard of; the Fake’s aren’t the only group out there defying reality in broad daylight. What makes them so remarkable, so formidable and distressingly hard to combat, is the way they use those powers. The way each member has taken their gift and twisted it, pulled and torn and stretched it to unforeseen territory, used their powers in ways no one else has even dreamed. Ways most could only imagine in their worst nightmares.

Ryan might be the most obvious example, the clearest illustration of the perversion of abilities, power turned on its head and used against its intention. He’s inspired them all, one way or another, to push their powers to the limits, into shapes they don’t belong in, powerful and strange and noticeably tarnished. On anyone else Ryan’s gift would be one of healing, of hope and restoration, empathetic and inherently altruistic. Its not a power most would associate with a life of crime, outside perhaps a medic, definitely not one most would pick for a mercenary, for the infamously deadly Vagabond. Ryan though, he’s never been one to let a little thing like reason set him back, never felt constrained by expectation, and he wasn’t about to let his powers derail his goals. Ryan has taken the ability to heal and broken it down into stages, approached inexplicable magic like a scientist, methodically identifying how to extract the exact elements he was after. He has the power to heal, yes, but what can be healed may also decay, that which can be stitched back together may just as easily be disassembled; it is no more difficult to displace blood than it is to correctly route it. With a touch Ryan can stop hearts, can rend tissue and implode organs. He can push natural reactions into overdrive, can encourage minor ailments into unstoppable disease, convince various systems to shut down without exposure to extreme circumstance. The only limit is Ryan’s own bountiful creativity, and while it might not be what people expect from the Vagabond he wouldn’t swap his abilities for anything.

Jeremy can change his density at will. Becoming immensely dense has some obvious uses in their world; bullets literally bouncing off his skin and fists that can shatter bones with a single punch, but becoming unnaturally light has just as many applications. Jeremy can change his weight mid-jump to achieve inhuman distance, can fall from great heights without a parachute, can climb sheer walls and hold his entire body up on the tip of a finger. There is no weight Jeremy cannot lift, no wall or door that can keep him out, let alone cuffs or bars to contain him. If Jeremy does not want to move there is physically no way to make him, and if he sets his sights on destroying something little can be done to stop him.

Geoff can communicate telepathically. This comes in handy when getting a hold of his crew, so long as they are within his range he can speak to them comms or no, but they are not the only ones he can speak to. All it takes is some connection, long term emotional links allow for greater distance but as long as Geoff is looking at someone he can get into their mind. Can sneer at police officers, whisper threats to rivals, force unsuspecting strangers to have the most peculiar thoughts and terrify anyone who tries to stand in his way. While Geoff can only really scrape through the top level of someones mind, more emotion and direct thoughts than any deep secrets, it is no great difficulty to convince people that he sees a lot more. Let them feel him poking around, quote a few stray thoughts back at them and suddenly not only do his victims believe he sees all but they are much more likely to think loudly about the very things they hope he doesn’t notice. Geoff can push images as easily as word, useful when sharing a story but even more so as a form of torture; he can fill minds with his darkest thoughts, plague dreams with images from his nastiest nightmares, provide a personalised hell that is impossible to escape from.

Michael controls heat. It’s a power people tend to fear, think it synonymous with mastery over fire, imagine sparking fingers and raging infernos. Which, to be fair, isn’t wholly inaccurate, but is hardly the extent of Michael’s power. He can create fire sure, can raise the temperature to extremes in pinpointed locations to ignite a room, but he doesn’t need to. Michael can press heat straight into a body, can warm someone up or cook them from the inside out, can burn slowly or kill in an instant. His powers extend to objects too, he can melt metals, boil water, absorb and deflect heat, and set off explosives. While people don’t associate it with him the way the do fiery rage, what can go up can of course also go down. Michael can drop the temperature, can produce dangerous frost and sharp ice shards, freeze someone in water and induce frostbite with a simple touch. Michael is completely unbothered by extreme temperatures, can render himself undetectable on thermal imaging cameras and change the temperature of objects so suddenly they shatter. Even those who flee aren’t safe; careening into danger as roads are  suddenly coated in black ice or bubble and melt beneath flaming tires.

Ray can multiply himself, a series of duplicates capable of drawing fire and completing simple tasks. They were once mere mindless echoes of his actual self, near translucent and noticeably different if you looked closely enough, quickly giving birth to the term Ghost Ray when describing them. They didn’t stay that way though, Ray quietly practising and practising until they not only solidified but he could split his conciousness between them, could act as all bodies simultaneously and be in half a dozen places at once. It’s disconcerting, the way they all look real now. The way they all are Ray now, will fade away like they were never there when Ray lets them go, or when they die, but until then he can be in any and all of them at once. It bears thinking about, considering some die. Considering one stays. Considering the way Ray doesn’t like to talk about it, practises late at night and sends his selves off on private missions, laughs and deflects and fades away.

Jack can manipulate the wind; her jets are always boosted and her cars caught and righted before they can ever spin out, while any who pursue her find themselves shoved off the roads. She can deflect bullets, catch plummeting bodies and stir up various weather phenomena. As though this was not enough Jack’s power over the air allows her to create small vacuums, granting her the ability to suck oxygen from a room. To steal it right out of lungs, suffocating her opponents without lifting a finger to touch them. Alone she is more than dangerous, but Jack has always worked best with others. Her powers are particularly effective when combined with Michael or Jeremy; catching Jeremy up and hurling him like a canon ball and taking ice or flame and whirling them into deadly tornadoes. She can, just as effectively, force them all to calm down when things start getting out of hand; wind separating fights, extinguishing fires, airless pockets keeping anyone from storming away in a huff, and being sudden drenched by rain provides a wholly undignified end to any petty squabbles.

Gavin’s power is all about luck. It’s not the most exciting power at first glance; he can see probabilities, split-second calculations that manifest in inexplicable feelings, knowing just when to duck, when to take a detour, when to blow off a meeting and stay home instead. It’s not a power most people would associate with violent crime, rather imagine lotto winnings and effortless celebrity, but most people aren’t Gavin. It was simple intuition at first; shoot now, trust him, buy the ticket, check your phone. But Gavin, being Gavin, pressed for more. Worked out how to manipulate his own luck instead of relying on chance, concentrating on what he wants so his powers bend around him, gift evolving from simple suggestions into something else all together. When Gavin assures himself that all he needs in the world is to shoot his way out of a situation there is no way he will be unlucky enough have a gun run empty, when he needs to make a purchase he will never have the misfortune of running out of money, when he settles himself as the frontman of the FAHC none will be lucky enough to resist his charms. Now that he knows how to push, the limits of Gavin’s power are completely unknown – the least visibly impressive and yet the possibilities are as astounding as they are impossible. He needed a worthy crew, so he found one; they desired power, so they got it; it would be unlucky to die, so they don’t.

3

he’s weak

Tears On Our Tongues

The ride home after the woods

A SnowBaz fic for the Carry On Countdown


Simon

When we get back to the car, we both sit in an extremely awkward silence.  Neither of us seems to know what to do.  After all, that was possibly the most pivotal moment of both of our lives.  Where do we go from here.?

           Lips and tears and heat and fire.

           When I turn to nervously look at Baz, he’s staring straight ahead, his jaw set and his brow heavy.  He’s gripping the steering wheel with both hands, but doesn’t make a move to actually start the car.  Rain is beginning to dot the windshield, and I can see my own breath whisper into the air.

           Baz is so tense, like he’s only just fully realizing what has happened.

           Lips and tears and heat and fire.  His lips on mine.

           “Um,” I murmur, breaking the silence, “do you want me to drive?”

           He blinks like he’s snapped out of a daze and takes a breath.  “No,” he says without looking at me, “it’s fine.”  He turns the key in the ignition, and I notice his hands shaking.

           “Baz,” I reach out and touch his arm without thinking. “I’d really prefer if I drove.”

           He doesn’t flinch at my touch like I expect him to.  He just stares at my hand on his skin with an odd expression, like he’s trying to figure out something complicated.  Like he’s thinking how did that get there?

           It’s not looking like he’s going to move, so I open my door and walk around to the driver’s side, and only then does he actually get out of the car.  He doesn’t look at me as he passes, barely brushing me with his coat on the way.

           When we’re both in our seats, I start the car and turn us around, heading back the way we came.  I turn on the heat because it’s freezing in here, but not the music. As much as I want to break the silence, I can’t ignore the fact that this isn’t just the normal we-kissed-what-now kind of awkward.  This is the you-almost-killed-yourself-and-as-a-result-we-kissed kind of awkward, which is slightly heavier than the normal awkward.

           Lips and tears and heat and fire.  His lips on mine.  Tears on our tongues.

           I sneak a glance at him.  He gazes at the window.  Not out, just at.  

           “You okay?”  I know it’s a stupid question, of course he’s not, but I have to ask.

           He shrugs and very slightly shakes his head.

           “I know it sounds dumb,” I say quietly, “but it’ll be alright.  You’ll be okay.”

           He doesn’t look at me.  I’m starting to wonder if he ever will again.

Baz

I nearly killed us. I nearly sent us both up in flames and then had him against a tree snogging the life out of him.  And here he is asking if I’m okay.

           Point for him though, because I’m not.  Of course not.

           Lips and tears and heat and fire.  His lips on mine.  Tears on our tongues.  His mouth, so full of heat.

           I’m not okay, and now I’ve let him see in graphic detail exactly how not-okay I am.  I could not have made myself more vulnerable in front of him, and the thought makes me want to curl into a ball, erase the whole thing, make it never happen.

           Except for the kissing.  That part can stay.

           Even though I have no idea if he meant it.  It might have been a final attempt to pull me out of my suicidal funk.  Even the kisses after the fire was out were probably just pity kisses, albeit very desperate pity kisses.

           “Baz,” he says quietly, and I feel him glance at me, “how long… um, how long had you wanted… that?”

           “Forever.”  It comes out without a thought.

           “Oh.”

           “Since fifth year.”  Both are true.

           Simon thinks for a moment.  “Why didn’t you say anything?”

           “You had enough reason to hate me.”

           “I don’t hate you.”

           “You did.”

           “I always thought you hated me.”

           “I did,” I nod, “until I loved you.”  His head whips to face me and I scrunch my eyes shut.  I can’t believe I just said that.  “Until I didn’t hate you anymore,” I try to fix it, but I know it’s too late.  It’s out, it’s in the air between us, and it’s going to stay there forever, taunting me with how he’ll never say it back.

           “Baz -”

           “Please,” I grit through my teeth, a tear squeezing out of my eye, “I can’t.”  The tear makes its way down my cheek until it drips into my mouth, and the taste is like Simon.  I will probably forever associate the taste of tears with kissing Simon.

           “Okay,” he whispers, and we’re quiet for the rest of the drive.  I try to keep my sobs silent, but I’m sure he’s hearing them,

           I could have killed him.  If he’d died, it would have been my fault.

           Tears on our tongues.

           When we finally pull into my driveway, I climb out of the car as soon as we’ve stopped.  I hear him call after me, but I don’t pause.  I slam the car door and start stalking towards the house.  It’s so over for me.  I thought I was ready to die in the woods?  I hadn’t been kissed by the boy I love who will never love me. How am I supposed to live with that?

           His footsteps on the driveway are quick like he’s running after me.  I keep moving, tears blurring my vision.

           He catches up to me at the doorstep, throwing himself between me and the door, blocking my entry.

           “Get out of the way, Snow,” I mutter, looking down. We’re under the porch light now, he’ll be able to see what a mess I am, and I can’t look at his expression.

           “Baz, please.”

           “Please what?” I snap.  “What do you want?”

           I make the mistake of glancing at his face and I find tears running down his cheeks.

           “I want you to know that you’ll be okay,” he sobs, “and that I want you to be okay.”

           “I nearly killed you, Snow,” I say, shuddering, “how can you possibly want me to be okay?”

           Lips and tears and heat and fire.  His lips on mine.  Tears on our tongues.  His mouth, so full of heat.  Flames licking at my vision.

           “You wouldn’t have,” he shakes his head, “you were going to spell me away, and for some reason, that’s more upsetting than if you’d tried to kill both of us.”

           “What makes you think I would have saved you?”

           “It was in your eyes.”

           Right now his eyes are full of something I don’t recognize.

           He takes my hand tentatively.  “I need you to know something,” he tells me through his sobs, “because you probably think that it was a sympathy kiss.”

           That’s exactly what I’m thinking.

           “Please never think that.  Never think that the first kiss, or any kisses after that were out of sympathy.  I kissed you because I wanted to, a lot more than I realized.”  He sniffles, his eyes pleading.  “I’d kiss you again right now, and tomorrow morning, and every day after that and none of it would be out of sympathy, and I need you to understand that.”

           I’m shaking like a leaf.  Because I’m tense, because I’m cold, because I’m in some kind of shock, because of Simon’s words.

           “You’d kiss me again?” I choke, unable to believe what I’m hearing.

           He goes pink and he’s smiling and crying and laughing all at once, and I finally recognize what’s in his eyes because it’s exactly the same thing as what’s in mine.

           He doesn’t answer with words.  He stands on tiptoe and takes me by the lapels of my ruined suit, pressing his mouth into mine and it fits like we’ve been doing this forever, like it’s second nature.  His lips taste like tears again and I’m certain that the taste of tears will always be bittersweet to me now, a reminder that no matter how bad it gets, Simon Snow kissed me because he wanted to.

           And he would again.  He is right now.

           And he would tomorrow morning, and every day after that.

3

                      We all are living in a dream,
                      But life ain’t what it seems
                      Oh everything’s a mess
                      And all these sorrows I have seen
                      They lead me to believe
                      That everything’s a mess

                                         (x)

After the reveals

Marinette: *working on something in class but messes up* Oh, darn!

Adrien: What’s bugging you?

Alya: Yeah, you seem pawsitively aggravated.

Chloe: You must still bee as clumsy as ever.

Marinette: …

Marinette: I hate you guys so much.

Nino: *sitting by Adrien and watching them, confused * what is going on.

steve & his gf’s wisdom teeth removal - headcanons

this dope ass idea was requested by @greasers-with-glitter - thank u & i hope u like them!! anything for ma boy steve.

  • for the first 5 minutes after surgery, you’re so quiet, like you’re not even talking 
    • “WHAT DID U DO TO HER”
    • “IS SHE OK”
    • “WHA T  HAPPEN D
  • and then u fucking lose it ???
    • u star screAMING AND YELLING AND LAUGHING AND DROOLING
    • AND STEVE GETS SO TENSE LIKE 
    • “WHAT DID U DO TO HER I SWEAR TO GOD ILL SHOVE MY FOOT SO FAR UP UR ASS IF U DONT TEL-“
    • “steve, she’s on laughing gas. it might last for a while.”
    • and then u can see the tension leave his face while a lil mischevious smirk sets in and he’s just like
    • “oh.”
    • ;)
  • he totally just wants to mess around w u now
    • “WHAT. IS. MY. NAME.”
    • “stheebe”
    • and he’s being an ASS SO HE CAN HEAR U FUCK HIS NAME UP AGAIN
    • “wAIT WHAT DID U SAY I COULDNT HEAR”
  • HE FINDS IT SO FUNNY SOMEONE HELP HIM
    • but after a while it gets annoying lmao
    • like in the car on the ride back home, he’ll be driving and you’ll be like
    • “STHEEBE, STHEEBE, LOOK STHEEBE”
    • & you’ll have him glance ur way while he drIVES & stick the middle finger all up in his face
    • “Y/N IM TRYING TO DRIVE”
    • and you tRY AND TAKE HOLD OF THE WHEEL & STEVE WILL TRY AND PRY UR FINGERS OFF OF IT
    • “Y/N WHAT R U DOIN UR GOING TO KILL US”
  • u stick ur head out the window while he’s driving and he is conceRned
    • u open ur mouth while ur out the window (??) and one of the gauze things flY OUT
    • “STHEEBE! MY TONGU E”
    • “IT FELL OUT”
    • “GET UR HEAD BACK INSIDE THE CAR, Y/N, YOURE NOT IN THE RIGHT STATE OF MIND RN”
    • “NO, WE’RE STILL IN OKLAHOMA”
  • but when u get ur head back inside, u yawn cause now you’re tired for some reason ???
    • AND THE OTHER GAUZE FALLS OUT UR MOUTH
    • “AH”
    • “MY OTHER TONGUE STHEEBE HELP”
  • you’re sporadically falling asleep
    • like even in the middle of you talking
    • “WHEN YOU CANT SNEETHE”
    • “DOES THAT MEAN THE SNEETHE CRAWLED BACK UP YOUR NOTHE”
    • “OR THAT IT WAS TOO SCARED TO CRAWL OU-”
    • aaaand ur sleeping
  • steve brings u to the Curtis house bc he cant do this by himself
    • “IDK HOW SHES GONNA B LIKE THIS FOR MUCH LONGER I NEED HE LP”
    • ^^ *voice crack*
  • except the gang really isnt of much help cause they all wanna do is mess with u
    • “Y/N THE FUZZ IS CHASING aFTER U” (dally)
    • “dallY NO” (steve)
    • “i swEAR IM INNOCENT” (u)
    • “BUT THE BLOOD” (dally)
    • “STHEEBE WHO DID I KILL OH MY GOD MY PARENTS ARE GONNA KILL ME” (u)
    • cue the waterworks!!
  • soda & two are trying way too hard not to laugh
    • but two is deadass walking off into the kitchen cackling LIKE A FUCKING WITCH
    • SODA’S PRACTICALLY CRYING BC ITS SO FUNNY
    • DAL HAS A FEW CHUCKLES
    • DARRY'S THE ONE TO GRAB TWO BY THE SHOULDERS AND TAKE HIM INTO THE KITCHEN BC NEITHER OF THEM CAN STOP LAUGHING
  • johnny, pony and steve are the only ones concerned for u, like they’re trying to help u stop crying
    • johnny and pony got u tissues and steve got u ice cream but u start crying more
    • “why cant you eat the ice cream????” (my man is stressed rn)
    • “i loST MY TONGUES U KNOW THIS STEVE”
  • steve is so spent lmfao he needs a nap
3

Sailor Uranus & Sailor Neptune in Amour Eternal Visual Book
scanned by me - please do not repost

Instruments as sayings from our band director
  • Flute: if I kill you, will you be more in tune?
  • Clarinet: If I had a dollar for every time the second chair clarinet squeaks in rehearsal, I would be God
  • Saxophone: Do you know what a C# is? I feel like I'm talking to a hedgehog
  • Trombone: Oh, you messed up that chord. What if I messed up your grade for this class?
  • Trumpet: If only our band was as big as a trumpet's ego
  • French Horn: Why can't you just pay attention? I'm a pretty person, that should be enough
  • Percussion: I could replace you with monkeys and I would get the same quality of music, but more entertainment
  • Guitar: You belong in a baguette shop