Now on view: Tony Oursler’s Imponderable, a supernatural “5-D” cinematic environment utilizing a contemporary form of Pepper’s ghost—a 19th-century phantasmagoric device—and a range of sensory effects (scents, vibrations, etc.).
I think of the area of magic as a metaphor for the homosexual situation. You know, magic which is banned and dangerous, difficult and mysterious. I can see that use of magic in the Cocteau films, in Kenneth Anger and very much in Eisenstein. Maybe it is an uncomfortable, banned area which is disruptive, and maybe it is a metaphor for the gay situation.