obviously the right thing to do is to make so many things in one night

What we really need is an adaptation of the original 1740 The Beauty and the Beast

So were you aware that the The Beauty and the Beast story we all know is a heavily abridged and rewritten version of a much longer novella by Gabrielle-Suzanne Barbot de Villeneuve?  And that a lot of the plot holes existing in the current versions exist because the 1756 rewrite cut out the second half of the novella, which consisted entirely of the elaborate backstory that explains all the weird shit that happened before?  And that the elaborate backstory is presented in a way that’s kind of boring because the novel had only just been invented in 1740 and no one knew how they worked yet, but contains a bazillion awesome ideas that beg for a modern retelling?  And that you are probably not aware that the modern world needs this story like air but the modern world absolutely needs this story like air?  Allow me to explain:

The totally awesome elaborate backstory that explains Beauty and the Beast

  • Once upon a time there was a king, a queen, and their only son
  • But while the prince was still in his infancy, in a neat reversal of how these fairy tales usually go, the king tragically died, leaving his wife to act as Regent until their son reaches maturity
  • Unfortunately, the rulers of all the lands surrounding them go, “Hmm, the kingdom is ruled by a woman now, it must be weak, time for an invasion!”
  • And the Queen goes, “Well, if I let some general fight all these battles for me, he’ll totally amass enough fame and power to make a bid for the throne; if I want to protect my son’s crown, I have no choice but to take up arms and lead the troops myself!
  • (Btw, I want to stress that this woman is not Eowyn or Boudica and nothing in the way her story is presented suggests that she had any interest martial exploits before or in any way came to enjoy them during these battles.  This is a perfectly ordinary court lady who would much rather be embroidering altar covers for the royal chapel and playing with her child until necessity made her go, “Oh no, this sucks, I guess I have to become a Warrior Queen now” and she just happened to kick ass at it anyway.)
  • And the Queen totally kicked ass, but the whole “twice as good for half the credit” thing meant that no matter how many battles she won, potential enemies refused to take her and her army seriously until she had defeated them so no sooner would she fend off one invasion than another one would pop up on a different border.
  • So she spent the majority of her young son’s life away from the castle leading armies, but it was OK because she left him in the care of her two best friends, who just happen to be fairies!  This was an awesome idea because a) fairies have magic, and therefore are like the best people to protect the prince from any threats and b) fairies consider themselves to be so above humanity that the lowest fairy outranks the highest mortal, so they’d have no interest in taking a human throne.  Good thing they were both good fairies instead of one good and one evil one!
  • (Spoiler:  they were not both good fairies.)
  • So the two fairies basically take turns raising the prince until he’s old enough to rule.  And on the eve of his twenty-first birthday, the evil older one comes into the prince’s bedroom.
  • “So listen, kid.  You’re about to become king, your mother’s on her way home from the war to see you crowned, and I have a third piece of good news for you!  You see, I’ve actually been spending so much time here lately because Fairyland’s become a bit too hot to hold me for reasons totally not related to me being secretly evil.  And if I have to hang in the human world, I might as well reside in the upper echelons of it, so even though as a powerful fairy I completely eclipse your puny human status in a staggeringly unimaginable way, since you’re about to be king and since my premonition that I should stick this whole guardianship thing out because you would be hot one day has totally proved accurate (go me), I will graciously lower myself to allowing you to marry me.  Please feel free to grovel at my feet in gratitude.  (Btw, we can totally start the wedding night now, we’ll tell your mother about it when she arrives tomorrow.)”

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so, to be blunt, the clique sucks. not all of you, no, but a majority of the clique sucks. a lot of us lack respect, not only for tyler and josh, but for other artists, bands, and their fanbase, such as melanie martinez and the crybabies. (the melanie hate was very very strong on the clique amino app)

i know i’m not being any better than they are now, by ranting about all this, but i NEED to get it off my chest.

let’s start off with the whole fake fan thing. there is no such thing as a ‘fake fan’! only NEW fans! if you meet someone who only knows the radio hits, introduce them to more songs! back when i first got into tøp, i bought a blurryface shirt with lane boy lyrics on it, despite only listening to the song a few times and i hadn’t memorized EVERY word. i wore it to church one night and a clique member ran up to me and busted out rapping the whole song and i got pretty freaked out! i told her that i’d only listened to the song maybe three times and she rolled her eyes, called me a fake fan, and left me alone with my little emo eyeliner and my little emo self. it hurt me, because she was degrading me in the fanbase for not knowing all the words to lane boy.

next let’s talk about faking suicide. that’s OBVIOUSLY not okay. suicide is a very, very serious thing that shouldn’t be joked about. i see it happen within the clique all the time, both real suicides and fake, and both hurt me very badly. but in different ways. do you realize how many people you’re hurting by faking your own death, all for attention? tyler isn’t going to write a song about you, you know, because you “died”.

now the address leaking, ah, the address leaking. that’s tyler and jenna’s personal life and their privacy. they had JUST moved into this new house! they must have felt so unsafe in their own home, which is supposed to be a place of comfort and protection from all you crazy, rabid fans trying to rip his clothes and steal his shoes. how safe would you feel if someone leaked your address online for the whole world to see?

next we have the crashed wedding. that whole thing was so, so disrespectful. that was josh’s friend’s wedding. if you were famous, and went to your friend’s big special day, and a fan decided to break in in the middle of it just to get a picture with you, would you feel annoyed or upset? because in the picture the girls took with him, josh looked pretty pissed. and josh has the right to say “no” to anybody who wants a picture with him. he doesn’t have to do whatever you say, your wish isn’t his command, and that goes for tyler too. ever wonder why they walk fast in public, and why tyler started hearing hoods and baseball caps to cover his face lately? to hide from us.

the crap with the crybabies. it’s nuts. y'all are making nasty comments about melanie’s appearance, and personally, i think mel is a very beautiful young woman. the real ugly people are the ones who made fun of her and her fans, they’re ugly on the inside. it isn’t right. i know that you would all feel awful if someone told you that your tooth gap was the 8th wonder of the world or made rude comments on your eyebrows. mel is a human being, and so are all of her fans, so start treating them with respect. because EVERY human deserves respect.

i understand why the clique is so hated. we’re mostly made up of awful people. i feel bad for tyler and josh because they deserve better fans than us. they deserve respectful, thoughtful people that wait patiently for new music instead of rabid, rude kids who spam their social media accounts, pretty much harassing them and pressuring them into releasing new music, commenting “i love you” constantly on their posts, and invading their personal lives and their privacy.

that’s it. that’s all i have to say. the clique sucks and i’m pretty ashamed that i even called myself a clique member. until you all clean up your act, i’m not one of you. i’m not a part of the clique anymore, i’m simply someone who listens to tøp. i’m just a fan. i refuse to identify as part of this madhouse called the skeleton clique. feel free to rb and rant about it yourself. i’m done

Jealousy Games 01

Description: You decide to play a game of push and pull with your ex Jungkook, bringing Jimin along for the ride. 

Pairing: JungkookxReaderxJimin

Genre: Smut (M)

Word Count: 8.4k

Index: 01, 02, 03

Warnings: breath play, dom!Jimin, lots and lots of filth.

A/N: This is chapter one of… well, I don’t know. @ellieljade and I just keep brainstorming more and more for this sucker. To the point of us joking about finishing this when we’re in our 90′s….. Anyway. I hope you enjoy. I’ll be working on part two for Room for Dessert and The Guest House soon.

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20 Mistakes To Avoid When Writing Young Adult Fiction/Romance

Originally posted by kallieburgers

YA Fiction is an incredibly popular genre of literature, and most people have picked one up and devoured it in less than a day, but there is a trend in the genre where in certain instances, people forfeit quality for a cheesy dramatic plot. A lot of these stories are just regurgitated cliches with vaguely interesting characters and just enough drama, fluff, and mildly (or extremely) sexual content to keep the reader paying attention. (No shade to the authors, because obviously, any author who writes and publishes a book works hard, no matter the end product.) 

There are a lot of aspects of YA Fiction that repeatedly rear their ugly heads and annoy readers or flat out scream dangerous messages to the young people that indulge in them. I thought I’d put the spotlight on a few in the hopes that it will help clean up the genre’s reputation as new and more awakened authors contribute content to it. 

Below you will read about some common mistakes that YA Fiction/Romance writers make that either ruin the story, promote dangerous messages, or unrealistically portray teenagers.


Making A Good Story

These are some things you should avoid doing when writing YA fiction/romance in order to make a generally enjoyable and enticing story.

Forgetting The Supporting Characters

The supporting characters are an important part of any story, even if the main plot revolves around two people. Supporting characters provide subplots, information to the reader, and more opportunities for your audience to connect and relate to your story. It’s always good to give your supporting characters love and attention when creating and writing them. Sometimes they end up carrying the story.

A mistake that a lot of authors make is that they give the reader a couple defining characteristics, a name, a relationship to the main character, and then just make that character pop into the reader’s view whenever the main plot needs them to. No backstory. No life of their own. Just support to the plot, and that’s a huge waste of potential. You don’t want your readers to put down your book and either forget the supporting characters existed at all, or believe that they were extra pieces of a puzzle.

Using Slang Badly

Writers should not feel the need to include current slang in order to make their story more relatable or popular amongst their targeted demographic. Slang is constantly changing, evolving, and most importantly, dying. Not to say that you should only write in traditional terms or put “thy” and “thee” everywhere, but using standard English and avoiding the trendy but temporary slang words is key. 

If you must use slang, try to use the bare minimum and only in fitting circumstances. If your character is the type to say “OMG her dat boi memes are on fleek” then, by all means, go right ahead, but you probably cringed when you read that. That would have been totally normal 2 years ago, but every bit of that sentence has died over time, and no matter how much you think a slang word will stick, don’t risk it.

Sympathy and Envy Mongering

Two emotions that YA Fiction and Romance always try to invoke in their readers are sympathy and envy. The author either wants the reader to feel bad for one or many of the characters, or they want them to be jealous of the awesome (and usually unrealistic) lives the characters have. Don’t be one of these. It’s tired and boring and not original in the slightest.

Are sympathy and empathy both totally okay emotions?

Yes. 

Are they all you need to write a good story?

Nope. Not at all.

The reader needs and wants to feel more than jealous of and sad for the characters in the story. The best stories are the ones that trigger a complex whirlwind of emotion. Sympathy and envy are the easy way out, and you get out of those emotions what you put into them. 

Unrealistically Portraying Teenagers & Teenage Life

Teenagers look up to and compare themselves and their lives to the characters and lives of the characters in your story. Keeping in mind that your audience is young and impressionable is essential for authors of the genre.

Love At First Sight

Love-at-first-sight does not happen. Infatuation, maybe, but love is more complicated than that. Writing a plot based on “love at first sight” can leave a bad taste in your readers’ mouths from the start, and that is something you should avoid at all costs. On top of that, love-at-first-sight is a very easy-way-out move and if you’re dedicated to your characters and your story, there’s a good to fair chance that you can come up with a more satisfying build up.

Unrealistic Romantic Situations

If you’ve ever opened a YA Romance, chances are you’ve read a scene in which the protagonist and the love interest end up in a stunningly beautiful place and the love interest sweeps the protagonist off their feet prior to riding into the sunset. This, unfortunately, does not happen very often, especially in teenage relationships. The most romance you’re going to get (usually) is the love interest offering to pay for the protagonist’s bag of skittles with the leftover money from their paycheck they earned at McDonald’s.

Just because teenagers don’t really go to great lengths to rent an entire ice-skating rink in the middle of the night so they and their crush can skate to Ellie Goulding music doesn’t mean there can’t be cute and memorable moments. Great doesn’t always equal grand and that’s important to remember. A lot of the time, teenagers appreciate fantasizing about things that are actually possible.

Happy Endings

Not all stories have to end happily, and you’ve definitely been told this before, but nobody ever takes into account how stories about teenagers have so much potential when it comes to endings. Teenagers read books about teenagers and unfortunately, this means that a lot of them will take what you’re writing about and try to change their own lives to match. Be honest in your depiction about what actually happens when you leave high school. 

The majority of the time, high school sweethearts won’t stay together. Long distance won’t work, they’ll find someone else, the spark will die out, their personalities will undergo drastic changes, and their goals and plans for the future will turn out differently than they expected. “And they lived happily ever after” is criticized harshly for a reason, especially in YA and YA Romance. Most stories don’t end happily, but there is more than one story in a person’s life and giving a person their happy ending as they graduate high school is a great injustice, to your character and your readers.

Avoiding The Dark Parts Of Teenage Life

Teenagers, despite what a lot of the media claims, go through some really serious and stressful and damaging things. Teenagers suffer from mental illness and deal with the intense pressure of the education system and hold their heads high in the face of stigma over every little detail about them. They suffer from eating disorders and body dysmorphia and self-harm tendencies, and that doesn’t even bring into account the bullying and family issues and the stress of constantly learning and feeling things for the very first time with little to no guidance or assurance or resources to ask for help. It is hard being a teenager. Do not forget that, and don’t leave the actual teenagers reading your story feeling underrepresented and/or abnormal because they aren’t as stress-free as the characters they look up to.

Exaggerating How Teenagers Interact With Each Other

A lot of teenage interactions are short, awkward, and uneventful. Teenagers aren’t super eloquent and socially apt, but YA Fiction seems to believe they are. It’s quite rare that a teenager will just walk up to someone they like, say “wanna go to dinner on Saturday?” and all will be fine and dandy. It’s quite rare that a teenager will saunter up to someone who talked about them behind their back, say something super clever and damaging to their enemy’s ego, and saunter off like the king/queen of the world. Those interactions look great in our heads, but they usually contain a few stuttered words and “um”s and blushing. Confidence is usually a trait that people develop later in life, so try not to push it if you’re trying to be realistic.

Maturity of Teenagers

Teenagers are underdeveloped human beings with minimal experience in most areas of life. They do not have it all figured out. A lot of YA books revolve around characters that are extremely intelligent, disciplined and ambitious at a level of maturity a 25-year-old be on. This is not accurate. Making characters “awkward” or “childish” does not have anything to do with how mature they seem to readers. There is a distinct difference between an awkward girl with childlike innocence and a girl who makes mistakes, does not have her life figured out, and is not yet comfortable with casual social interaction. The latter things I mentioned are pretty universal when it comes to teenagers. 

Unfitting Aspirations

There are more than two paths in life. It seems that in YA you’re either going to graduate, get married, pop out a couple kids and live the rest of your life in the suburbs, or you’re going to leave home, go to college, travel for 20 years and settle in some random country in Europe writing poetry until the end of your days. There is no in between, which sucks. There are a lot of interesting things you can do in life, not to say that either of the two life paths I mentioned are uninteresting. You could take a gap year and travel the world, go to college, move back home for a couple years then maybe get a job that has you traveling and exploring new things for the rest of your life. You could meet the love of your life in college and have some kids but put them in online school so you could travel with them. You could live your whole life in an awesome cabin in the forest casting spells and adopting wild squirrels. There are so many ways life can be and restricting it to opposite extremes takes the imagination out of the future. 

Not All Teenagers Think Their Relationships Will Last Forever

This one is pretty self explanatory, so long story short, not every relationship a teenager enters into is with the end goal of staying together forever, or even more than a few months. Most teenage relationships are pretty short and not very meaningful, and portraying every single couple in your stories as “we’ve been going strong for 2 years and plan on getting married right after graduation” is inaccurate and will probably cause your readers some disappointment in the future.

Relationships Aren’t A Teenager’s Only Concern

Most teenagers are more concerned about the F they got on a History test than they are about who they’re going to stare at next period. Everyone has more than just their crush to worry about. Some teenagers have to worry about where they’re going to get their next meal or how they’re going to get a ride home from school or even how they can apologize to a friend they’ve hurt. It’s not all about relationships for teenagers, in fact, relationships are a pretty small part of teenage life. If all your character has to think about is the hottie they sit next to in Biology, perhaps you should work a little more on character development.

Unnatural Appearances

Most teenagers are not model-level attractive. All teenagers have break-outs and leave the house late with greasy hair or with their shirt on inside out. No teenager shows up at school every day looking absolutely flawless, as if they’re about to walk down the runway. Please keep that in mind, because portraying teenagers accurately, especially when it comes to physical aspects such as weight, acne, etc. is super important. In YA and YA Romance, you must keep in mind that the teenagers you are trying to appeal to should not feel like a piece of trash because they aren’t as perfect as your characters. Yes, YA Fiction is Fiction, but just because you know that it’s unrealistic doesn’t mean your readers do. Readers of YA Fiction compare themselves to the characters in your books whether you like it or not. It is not hard to realistically portray physical appearances of teenagers. 

Avoiding Dangerous Messages

A common problem found in YA Fiction is the lacing of dangerous messages found in the smaller details. You may miss them the first couple times you read a story, but if you go looking for them, you will find them, and perhaps you will find the source of a lot of mistakes you’ve made. YA has a bad habit of endorsing mindsets that lead to bad decisions. Some of them, however, can be avoided in your own writing.

The Need To Change The “Flawed” One

Nobody in this world is perfect. Expecting the person you supposedly love to be flawless all the time is not realistic. People make mistakes. People are not always happy and bubbly and confident about themselves. People do not always act the same one day as they did the day before. Human beings are flawed and should be portrayed as such, especially in the stage of their life which is the most confusing and scary. Teenagers are underdeveloped human beings, and for some reason, teenager girls in YA Romance expect teenage boys to be charming and loving and never ever make a mistake, which is ridiculous. Creating love interests that appear flawless and can make no mistakes is detrimental to your audience. It raises your readers’ expectations to an unattainable level which causes them disappointment and might cause their future partners unrepairable damage to their self-esteem because they’ll think that in order to find a partner, they cannot be flawed and cannot make mistakes. 

Glorification Of Illegal Activity

It’s not “cool” or “edgy” to pump yourself full of deadly and mind-altering substances you know absolutely nothing about. It doesn’t make you “badass” and it isn’t a personality trait unless that trait is stupid. Whatever your position is on drugs or alcohol or whatever, there is no excuse for putting the idea in the heads of young readers that doing things that are illegal and addictive and that might even get you killed is ok. Not only because most of your readers are younger than 21, but because it will always be dangerous to take drugs, commit crimes, and drink. Your choices are your choices. Don’t impose your habits and excuses on kids who don’t know any better.

Slut Shaming

News flash: it’s 2017, people. Nobody cares who you’re kissing or dating or having sex with. People are finally getting used to the idea that maybe, just maybe, it’s not the end of the world if you do whatever you want, as long as you’re not hurting yourself or anyone else. This recurring theme of “I hate this person because they do what they want with their body” is getting old and annoying. Believe what you will regarding religion and morals and what is right or wrong or whatever you want to believe in, but the second you start turning your story into a commentary on the decisions and beliefs of other people, you’re in the wrong. There are other, more creative reasons to make your characters hate each other than their sexual activity. 

Forgetting The First Times

One of the most exciting parts of being a teenager is that everything you’re experiencing, you’re experiencing for the first time. Everything is confusing and exciting and 10x more painful or memorable or enjoyable, and that’s neglected all the time in YA. I don’t mean the common trope of the first kiss or the losing of virginity. I mean love and infatuation and loss and heartbreak; it’s all happening to them for the first time in their lives, and these events make up their memories that they will carry with them forever. Teenage years are incredibly heavy times for people. It is, after all, the years in which they learn the most and the fastest and where the majority of their brain development takes place. These moments that you’re writing, the first kiss, the first time having sex, the first time your character loses someone they love, they’re all going to determine how your character will develop in the future. Treat them that way. Teach young readers that it’s normal and perfectly okay to be scared and inexperienced and lost. That’s the bitter-sweet part of youth and it’s beautiful.

Bad Boys And Boring Girls

Bad Boys are, in reality, bad news. The real “bad boys” in this world are slimy, manipulative jerks who trick girls (usually more than one at a time) into thinking they have feelings for them, using them for things like sex or money, and then either end up controlling their entire lives, introducing drugs and problems, or breaking their hearts. It’s sad, but it’s reality. Yes, there’s always a cause for this behavior, and sometimes these bad boys grow out of it, but that’s not always the case. Portraying these bad boys as “changeable” is not only dangerous for the female readers but also the men in their future. If you make girls think that they can change whomever they’re with to be the perfect prince charming, they will never be satisfied with someone who is flawed (spoiler alert: everyone is flawed) and they may destroy the self-esteem of whoever they’re with by making them think they need to change to be lovable.

Boring Girls are, sort of, connected to bad boys in this sense. They show up in every story, which makes sense financially because authors who make more relatable main characters sell more books. It’s just demographics. But at the same time, this stretch for a wider audience can end up influencing girls’ expectations of themselves and their love lives. If you make every protagonist completely boring, compliant, and devoid of strong, defining traits, girls will take that as advice. They will learn that all a girl has to do to make people fall in love with them is sit quietly and be pretty, which is horrible, in case you hadn’t noticed. Teach girls to look up to strong characters with rich personalities. Nowadays, that counts as an original idea.

Generalization

Portraying every aspect of teenage life and teenagers themselves as if you opened a book full of cliches, closed your eyes and pointed at something is not ok. High schools and families and personalities are different wherever you go, and making blind generalizations about aspects of teenage life can not only change how your reader interprets their own lives, but how adult readers assume teenage life is when they’re not around. It is important to not reinforce the assumption that there is always a popular clique and mean jocks and awkward nerds and dead-beat stoners because these stereotypes are a way for people to justify their snap-judgements, and not only does that say a lot about you as an author, but that will breed a whole new generation of judgmental, close-minded people.

Glorification Of Unhealthy Relationship Behaviors

I’m gonna say this once: It is not “hot” to have the love interest constantly putting restrictions on their supposed loved one. It’s not okay to borderline stalk someone and use “I love you” as an excuse, even if the person reciprocates your feelings. It is unhealthy to ignore someone when they say “no, no, not now” or “no, stop, not here” when you’re in the middle of initiating sex or even just kissing. It is disgusting when romance, especially YA Romance, which has mostly young, impressionable readers taking in your messages, promotes these behaviors like they’re something to strive for. Like it or not, your writing is going to alter the way they imagine a “perfect” relationship. If you aren’t willing to take that responsibility seriously, you should not be writing YA, and especially not YA Romance.


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why is ‘tyren’ pr?

I’ve had a few asks about why Ty and Lauren are PR. If you can’t see it after this post, I’ll pay for your eyes testing. Just a heads up, i’ll apologise in advance for all the ‘tumblr:camrenexposed’ through out, it seems certain accounts on Twitter have a thing about copying my posts and not crediting me. Sorry guys!

With that being said…

First off let’s talk about Ty, known for his blatant misogynistic attitudes towards women across the industry. That’s a title to be proud of, not. When I hear grown men belittling, demeaning and degrading women in the way he does, I always wonder how they would feel if their female family members were being spoken about in such a disrespectful manner. They’d find it incredibly inappropriate right? So, what then gives these men the right to say those things about someonelse’s mother/sister/daughter etc? The answer simply is, it doesn’t.

Then we’ve got Lauren. You literally couldn’t get more opposite personalities if you tried. Lauren passionately campaigns for our fundamental human rights, engaging in social and political activism whenever she can. She generously donates thousands of dollars to fans with ill health and those who need it most. She’s the first to defend herself and who she is, confidently allowing fans to realise that no matter what, everything will be okay. Regardless of who we are, what we look like tumblr:camrenexposed and who we love she teaches us to embrace what makes us ‘different’ and be proud of who we are. My problem is the negatives hit the headlines before all these incredible things she does make them. She always seems to been labelled the “bitchy” one of the group, but for what? For showing passion? For speaking out against the fucked up political state of our global society? If that makes you a bitch, sign me up. 

So, for starters and most obviously; we’ve got the collaboration between the two. As I predicted a few weeks back, this would be on Ty’s album and released as a single. If I’m correct, there’s a video in the works for ‘In Your Phone’. So statistically, this is the THIRD solo track Lauren has released outside the group. ‘In Your Phone’, ‘Back to Me’ ‘Strangers’ AND we’ve got the Steve Aoki collab dropping any time soon. Now let’s quickly bring Camila into this. Whist in the group, Camila was granted special release of her tracks to mainstream media. She released 2 tracks whilst in the group; ‘IKWYDLS’ and ‘Bad Things’. That’s two individual projects, right? Now let’s look back at Lauren tumblr:camrenexposed In total, considering when the Aoki collab is released, that’s FOUR solo project’s she’s been granted release. Four. That’s double Camila’s. So you’re probably asking, why the fuck is this relevant? Here’s why, After Camila’s departure, Lauren is golden girl. The label and management are pushing her to the front, because as they unfairly did with Camila, they’re seeing the most potential in Lauren as a solo artist. It makes complete sense she’s the only one from the remaining members of the group partnered up with another artist in the industry. This is when the PR comes to light. Do you guys know how much it costs to keep relationship afloat between 2 well known artists in the music industry? Thousands and thousands of dollars. Why? Because they must make sure that reputation isn’t tarnished or ruined in the process. So you’re probably asking why invest money into a PR? Look how many fans Lauren is gaining on Ty’s behalf and vice versa. It’s actually very very clever. I’ll get into that later on.

I’ll set you all a painful task, log on twitter go to Ty’s likes and look at how many posts he has liked with icons of either pictures of Lauren or the other 4 girls. It’s the merging of the fanbases which is why the whole thing this was created in the first place. Lauren’s voice is perfectly suited for R&B. She’s said countless times how much she “hates cheesy pop” which unfortunately some of the groups music falls under. Her solo work and ambition is to get as far away from that as possible. As much as we dislike him, Ty has a lot of connections with major R&B artists across the industry. His attitudes and behaviours are disgusting, but for some reason he’s well regarded across that specific genre. The Label tumblr:camrenexposed is trying to disassociate Lauren from her younger fans, and set her up with a more mature and developed fandom. Hence pairing her up with someone like Ty. They’re doing the tumblr:camrenexposed opposite with Camila. Camila’s team are encouraging that all age fan base and it’s well working. The thing with Lauren is, only ‘Fifth Harmony’ fans KNOW who she is and what she stands for. People outside our fan base don’t have a clue. Therefore, the media is buying and promoting it, because they don’t see any wrong in Lauren, but we see her as going against what she’s preached to us all for the past 5 years.

 Interactions between the two are blatantly staged. When one uploads a picture, the other has to evidence fans that they are together. So the Lauren update accounts, and the Tyren accounts then confirm this to fans. It gets people talking and speculating. Now, by all means correct me if I’m wrong, but if you’re the private person we all know that Lauren is, there’s no way she would be uploading videos/pictures of her and her respectful partner all over tumblr:camrenexposed social media. These pictures are HQ and the same picture is being posted on both accounts, just hours apart. Where’s all the cute/candid shit that real couples post on social media? There isn’t because it isn’t real. Where’s the intimacy and romance in these pictures? They’re clearly faked. At his album release party the other night, he had his back to her half the time and when they interacted it was forced and cringey as fuck. There’s no “love” in their eyes, just a contract.

Yes, Lauren is to blame for her social media presence and who she’s presenting herself as lately BUT she’s doing it for a reason. We’ve got to look at why this reason is, and that’s her unhappiness. From January, we’ve seen her behaviour tumblr:camrenexposed deteriorate to the point where we are at now. Half of me thinks this has A LOT to do with Camila’s departure the other thinks it’s Ty’s influence. What we can’t deny is the time Lauren and Ty spend together for this PR to work. Now, whilst she’s in his company, she has to fit in. Unfortunately, his circle is drug and alcohol fuelled. It’s no secret she’s been using weed for a while, but there’s no doubt in my mind that when she is around Ty and his circle, she’s taking something stronger. In half the pictures, the pair take, they both look completely drugged up. But she’s literally contractually bound to him, she’s giving in to the situation because there’s nothing she can do. That’s fucking sad.

Another point to make, is why have these rumours speculated for months, yet it’s taken the album release for Ty to “confirm” the two being together? It fucking screams PR. He said himself in an interview, he was a private person when it comes to his relationships. If that was the case, why has he mentioned Lauren in tumblr:camrenexposed EVERY SINGLE interview since his album release? Why dos Laurens activity on Instagram undertone her longing and sadness for someone, yet he seems to think they’re “king and queen” of the music industry? It’s so wrong that it’s laughable.

Also, remember when Ty tweeted out this:

 And now he’s tweeting things like this:

His team are using Lauren in the process to try and clean up his image so he’s more appealing to younger/more mainstream fans. In the process of Lauren losing fans, she’s gaining more in the genre and route she wants to take her music down. Because mainstream charts are where all the awards are, remember that. And also remember, awards are competition.

Laurens image is only really damaging within our small fandom, the media see no difference in her. We know Lauren better than we all think. We’ve studied her behaviour and watched her grow for 5 years. We know this isn’t her. If we can’t see this is PR, we’re letting her down and letting the label win. As a strategy, we’re gonna have to ignore it because it’s only gonna get worse. We as fans have predicted things between the two that have come true and been shown. Her mind is her strongest asset, yet it’s her weakest. Let’s not be a part of that weakness.

Most recently today, we’ve got Ty supporting one of Lauren’s close friends Shawn, who has just brought out his first single. Why didn’t he take a picture with Shawn when they’ve met on countless occasions at Label/Award show after parties and gigs? He’s never promoted him before so why now after Lauren posted about him? 

A few more pointers:

  • Why hasn’t Ty helped promote Dinah’s individual song with French Montana and Daddy Yankee? 
  • Why didn’t Ty promote Ally’s solo song with Lost Kings?
  • Why didn’t Ty promote any of Camila’s solo music, regardless of her leaving the group, he still did a song with her?
  • Why didn’t Ty promote Lauren’s interview with OUT magazine, where she addressed her sexuality?
  • Why is Ty’s acknowledgement of the group through Lauren and not directly to the girls?
  • Why didn’t Ty promote or support Lauren and Halsey’s ‘Strangers’ performance on GMA?

Final thought. If this was a genuine relationship, do you really think we’d predict their next move? 

Unfollow, but never unstan. 

Driving Miss Daisy

Star Wars’s Daisy Ridley and Adam Driver dish on the epic franchise and beyond in V Magazine.

“I had no sense of what I was getting into. No sense of what was really going to happen,” confesses Daisy Ridley of her first-ever role as Rey in 2015’s Star Wars: The Force Awakens. Currently, Ridley is on location in a remote forest a few hours outside of Montreal for Chaos Walking, a 2019 sci-fi release costarring Tom Holland. But it’s this December’s Star Wars: The Last Jedi, the follow-up to The Force Awakens, that is shining a blinding light-saber-tinged spotlight on Ridley. The Force Awakens was the first movie since 1997’s Titanic to sell more than 100 million tickets in the U.S. 

It isn’t typical for a young actress’s breakthrough film to have the biggest domestic opening weekend in history, raking in $238 million, but Ridley isn’t all that typical herself. As the face of the nearly $10 billion franchise, Ridley has ushered in a new era of Star Wars. Following Carrie Fisher’s untimely passing last year, Ridley’s character, a fiercely independent heroine, serves as a particularly strong female voice in a galaxy far, far away. However, a far- flung galaxy isn’t Ridley’s only on-screen locale this season. 

In November, Ridley appears opposite Johnny Depp and an all-star cast in Kenneth Branagh’s Murder on the Orient Express. The suspenseful tale follows 13 passengers, played by the likes of Penélope Cruz, Judi Dench, and Willem Dafoe, stranded on an opulent passenger train with a murderer on the loose. Aside from blockbuster films, Ridley also produced and narrated the documentary The Eagle Huntress, which follows a teenage girl in the mountains of Mongolia as she becomes the first female eagle huntress in the sport’s 2,000-year history. 

Ahead of The Last Jedi’s release, Ridley catches up with her Star Wars costar (and “bestie”), Adam Driver. 


Daisy Ridley Hey Adam, it’s been so long.

Adam Driver Hey Daisy, how are you? When is the last time that I saw you?

DR Well, I don’t know because you don’t come to all the fun things that I go to. [laughs] Last July? It’s been like a year!

AD Oh, yeah, I guess. I’m much taller now.

DR How has your life changed? [laughs]

AD Oh, just in little ways. So, where are you now?

DR I’m in Canada, two hours outside of Montreal in these creepy woods. We feel like we’re going to be killed at any moment in this cabin. We’re shooting a film, Chaos Walking, with Doug Liman, Tom Holland, and Demián Bichir. It’s fucking cool.

AD Did you guys have time to meet each other before? Or did you just kind of jump right in?

DR I had met Tom Holland twice very briefly—for, like, 30 seconds—and I had met Doug Liman once and we spoke a bit, but it was very much feet first, it was super quick.

AD So, is it hard for you to meet people and just kind of go? Or do you prefer it?

DR [laughs] I mean, as we discovered, Adam, we became besties last year, but we had met some years before. It really takes me a while to relax with people. I don’t think I’m very good at meeting people: I feel awfully uncomfortable. So, I find meeting people very stressful. But it gets easier, and I think I’m getting better at being okay with that, you know?

AD Yeah, you always seemed very open, but I feel the same as you. When I meet people, I don’t know how to small talk very well, so it’s always like two back-and-forths of like, “Hey, how are you? How’s the weather?” And then five seconds later, I’m like, “So, what’s your relationship like with your mother?” It always goes really deep really quickly.

DR [laughs] I think you’re really good at it.

AD Oh, thank you. So, this is about Star Wars: If Rey was a color…I’m kidding.

DR No, oh my God. [laughs]

AD What were your initial conversations with J.J. [Abrams] about your character? Did you know the character’s name was Rey?

Keep reading

MORNING AFTER WITH BTS || Friends version

waking up next to your best friend after a drunk one night stand can’t be good… right?

Seokjin:

★you and jin had shared a bed many times

★so waking up next to you wasn’t something that bothered him

★he was used to waking up with a dead arm because you were laid on it

★what did bother him was that the two of you were naked

★he’d scrunch up his face trying to piece the small bits of memory he had together

★the panic would rise slightly as he tried to remember if he was protected

★that would soon be quashed when he saw the foil wrapper on the bedside drawers

★he’d then begin to panic over what would happen when you woke up

★would you leave and never talk to him again?

★over something the two of you couldn’t even remember?

★he decided to just treat it like any other time you two wake up together

★he carefully moved you from his arm and onto a pillow

★pulled on a pair of pyjamas

★and went to cook breakfast for the two of you

★when you finally woke and went to find him in the kitchen he’d offer you a small smile

★’you’re making omelette?’

★’it’s your favourite’

★’no egg pun with that?’

★’my egg puns aren’t craking today’

★’oh thank god. i thought you were going to be off with me’

★’why would i do that?’

★’you might see me different after last night’

★’i do see you different’

★’oh’

★’i see you as a god/goddess. now sit down and have your breakfast’

★the two of you ate while talking about the last thing you remember from last night

★'it isn’t as bad as they make it look in movies. we haven’t screamed at eachother, nor do we regret it’

★’you don’t regret it?’

★’i got to sleep with the most handsome man in the world, what’s to regret?’

★’you’re such an idiot’



Yoongi:

★more like afternoon after 

★you woke before him

★and decided it would be best to let the poor guy try get as much sleep as possible

★when you move to get off the bed to dress and leave, he’ll groan as his sleep was disturbed

★he’d watch you pull on your clothes then clear his throat

★’so that’s it? you’re not even going to tell me how i was?’

★’how do you not know how you were?’

★’i was drunk’

★’so was i’

★’well we’re just gonna have to do it again’

★when you threw a piece of clothing at him he’d laugh and sit up

★’you want to go get breakfast?’

★’it’s two in the afternoon’ 

★’we’re breaking the fast, Y/N. therefore it’s breakfast’

★’here’s me thinking i would have breakfast made for me’

★’i’m just as disgusted about last night i deserve compensation in the form of food also’

★when you frowned at his words, he’ll reach to pull you back onto the bed

★’it’s called a joke, love’

★he’d wrap the covers around you along with his arms

★he’d nuzzle his face into you

★and his hands would come to rest on your stomach under your shirt

★’i was serious about the doing it again thing. i’d like to do it again many times’ 

★’is that your way of asking me to be your friend with benefits?”

★’no, that was my way of asking if you’d be my girlfriend/boyfriend’

★’will i get breakfast in bed?’

★’no’

★’then it’s a no from me’

★’you little shit’

★you’d both stay laid in bed until your stomach growled

★he’d order food from his phone

★’i could cook’

★’it would require you getting out of bed’

★’we can’t stay in bed forever’

★’not with that attitude you can’t’

★he really loves to play with your hands???

★he’ll trace shapes, lyrics, his shopping list

★when it’s time for you to leave, he’ll kinda just stretch out on the bed 

★and pout

★’take me up on my offer of going out with me’

★’why should i?’

★’because i never want to wake up without you again’


Hoseok:

★softest gentleman to ever live

★when he got out of bed, he’d wrap the covers over you so none of you was exposed

★he’d go and start breakfast and make you both coffee

★when he returned to the room to see you waking up he’d turn to mush

★’breakfast is cooking. do you want to join me for a quick shower?’  

★’that would be lovely’

★’i’ve only got shower gel for me, so you’ll have to smell like me for a while’

★he’d help you out of bed and walk you to the bathroom  

★when under the water, he’ll massage your shoulders and back 

★’i could get used to this’ 

★he’d laugh and pull you back to him 

★’do you want to get used to it?’

★he’d sway with you in his arms

★’we should go eat’

★helps you get dried 

★let’s you wear something from his wardrobe

★gushes over it

★is a big ball of mush for you

★sits you on the sofa and spoon feeds you breakfast



Namjoon:

★he’d warm with joy when he wakes up to see your naked form curled into him

★though his smile would quickly fade when he saw the bruises that decorated your skin

★his fingers would run over one slowly

★you’d give a groan in response and he’d move away quickly

★’why did you stop?’ 

★you moved to look up at him

★a frown of your own on your face when you saw his expression

★’do you want me to leave?’

★’no! no, it’s just that I made a mess of you’

★you’d look down to your chest and giggle at the purple spots you now adorned

★’it’s not funny! you should’ve stopped me!’

★’why? it obviously felt good’

★’it looks painful’

★’i think it looks pretty. a souvenir, if you will’

★his mood would lift back up at your laughing 

★he’d move to hover over you and kiss all over the marks  

★he’d help you get dressed 

★would try his best to brush you hair

★but ends up getting the brush stuck

★so he gives up and lets you take over

★this poor pup can’t cook for his life so out to mcdonalds you go

★he’d wrap his arm around you while you walked 

everything happens for a reason, you know’

★‘yeah, it was always destined for you to take me to mcdonalds for lunch’



Jimin:

★jimin took good care of you as your friend

★but after you’d been intimate hot damn be prepared to be treated like royalty

★you’d wake up on your own

★but a few seconds after you’d see him walk through the door with a tray in his hands

★’you’re not leaving until I’ve fed you’

★’who said i was planning on leaving?”

★you’d both giggle alot

★after eating breakfast together in bed, you’d flop next to him and sigh

★’tell me how much you liked it~’ 

★’it was alright’

★’alright? alright wouldn’t have made you moan like that’

★’how do you remember that?’

★’you don’t forget the most beautiful thing you’ve ever heard’

★’shut up’ 

★he’d lay over you to stop you from getting up

★’are we still friends?’

★'you wanna be friends after i had you a quivering mess beneath me? i don’t think so. we’re walking away at least friends with benefits. but me being your boyfriend would be ideal’

★soft bub would turn red when you agreed to the whole dating thing

★he’d move to pin your arms on the bed and straddle your stomach

★’tell me you love me’

★’i don’t’

★’then why’d you say yes?’

★’you got a nice butt’

★would attack you with kisses



Taehyung:

★if you think you could sneak out of bed think again

★he’d have his limbs wrapped around you so tight while you slept

★so when you woke up, you’d try to shimmy out of his grip

★but gave up shortly after 

★so you just laid and waiting for him to wake up

★and when he did you’d be smothered in kisses

★he’d be so happy that you’re still here

★’you didn’t leave?”

★’how could i leave when you’ve got me in a death grip?’

★’oh, sorry’

★he’d free you from the cage his limbs made 

★so you can finally stretch

★upon stretching you finally feel the numbness in your lower half

★b/c my boy goes h a r d 

★when he hears you wince, he frowns and pulls you close to him

★probably says ‘sorry’ 2343223 times

★will run a bath for you to ease some of the throbbing

★but ends up joining you 

★hums while washing your hair

★when you’re dried and dressed he’ll cook for you

★and by cook i mean make toast for you

★he’d sit opposite you, watching you eat

★’is there something on my face?’

★’you’re glowing’

★he’d giggle as your cheeks turned red

★’you look very pretty in the morning’

★’you’re very greasy in the morning’

★he wouldn’t let you out of his sight

★for some reason he thinks you’re ten times more fragile after sex

if another member comes near you he’ll wrap you close to him


Jungkook:

★one huge misunderstanding

★you’d had to leave for whatever reason

★so when he woke up to find your side empty he frown

★and kinda just lay there

★trying to remember as much from last night as possible

★he thought you regretted it because you left

★so he wouldn’t text you

★he didn’t want to feel uncomfortable

★and you thought he didn’t text you beause he was ashamed 

★the two of you would just mope around

★the other members would be upset by the shift of mood

★they’d plan to lock you in a room until you sorted things out and things could go back to normal 

★’so’

★’so’

★’you alright?’

★’missed you a bit, but i’m good’

★’you missed me?’

★’yeah, not having you to talk to is awful’

★’i thought you were ashamed’

★’and i thought you were embarrased’

★’we didn’t speak for two weeks because of a misunderstanding?’ 

★’well when we’re done here you’re coming to the dorms and staying until further notice. I have two weeks to catch up on’ 

I don’t even know. I was taking a walk today and this idea popped into my head. I swear I’m still writing the bookstore AU, too. Also, *pops confetti*, I hit 2k followers today! Who ARE all you guys? Anyway, this fluff/ridiculousness is for you. ~1.6k words, rated G. Sterek, of course.

now also on AO3

The whole thing starts with Stiles really, really craving a meatball sub from the place across the street.

“God, someone shut him up,” Erica groans. They’re all kind of at their breaking point by now; they’ve been camped out in this meeting room all day, brainstorming. “He’s been talking about the same goddamn sandwich for seven and a half minutes now, and it’s making me hungry.”

“If only our ad campaign were about sandwiches, Stilinski would have it in the bag and we could all go home,” Isaac sighs.

From across the table, Derek rises abruptly to his feet and storms out. (Or maybe it’s just that Stiles always interprets everything Derek does as stormy. With those eyebrows, it’s hard not to.)

Stiles assumes he’s just gotten so fed up with them all that it’s either storm out or kill someone, and he’s just grateful Derek chose Door Number 1. It’s a good day not to get killed by Derek Hale.

Only, fifteen minutes later he comes back in. With a paper bag from the deli.

As soon as he gets within grabbing distance, Stiles practically collapses across the table in his haste to reach for it. “Oh my god, is that what I think it is?”

Derek holds it up over his head. “Who says this is for you? Maybe all your talk inspired me to go get a meatball sub of my own.”

“Oh, please. Like anyone with your abs eats meatball subs.” Stiles leaps to his feet on his swivel chair—because screw safety, Derek will catch him if he starts to topple over—and snatches the bag out of Derek’s grip. Derek doesn’t fight him for it very hard.

“Why don’t I get a meatball sub?” Erica whines, thumping her head down on her notebook. “Doesn’t anyone love me?”

Derek shrugs and takes his seat again. “You didn’t ask.”

“You just like Stilinski better,” she grumbles, and Derek just shrugs again.

Meanwhile, Stiles rips into the bag and takes a huge bite out of the gloriousness that is this sandwich. He can’t help throwing in a few theatrical moans just to taunt Erica, and she suitably rewards him with a glare of death across the table.

“Mmm,” Stiles says. “Derek, I love you so much, dude. Marry me.”

Instead of the grumpy eyebrows he expects, Derek meets his eye, leans back smugly in his chair, and says, “Okay.”

Keep reading

“JUNHUI SENT A VIDEO” ੭ JUNHUI

Contains :  bestfriend!junhui, SMUT !  

Group : SEVENTEEN

Member : Jun/Wen Junhui

Words : + 2,8k

Summary : Junhui was a cocky guy, that was for sure, but you never thought that he was that cocky, as you glare at your phone screen, a shaky finger pressing on the imagine of his smooth torso, his hand wrapped around his cock.

Originally posted by indigyu

A/N : For all my babies suffering from the lack of seventeen smut, there you go ! + I’m writing this now instead of after my exams because I was revising and my friend sent me the video of Jun dancing to Who and yeah I couldn’t.
+ someone told me it was similar to other smuts and yes it is, I red other writings with the same plot so this smut is inspired by them


[11:06] you : jun, leave me alone

A sigh left your lips as you placed your phone beside you, trying to focus on the papers all over your desk. Fingertips rubbing your temples, you closed your eyes, trying to remember the things you were reading a few moments before. You hated it, you hated having to learn things by heart, just to recite everything like a robot in front of a teacher, as if it would prove that you were intelligent or something.

On top of that, your best friend was texting you non stop. You were already a pretty distracted person, but with him making your phone buzz every minute, it was even worst. He was a year above you, and didn’t have to pass any exams. His school year was over, and he was celebrating it tonight, in a party thrown by someone from his class.

But apparently, the party wasn’t that amazing, since it seemed like he wasn’t leaving his phone to go grind on some girl.

 [11:07] junhui : talk to meeeee :(
[11:07] you : omg jun why are you like this, leave me alone
[11:08] junhui : its boring without you :(

A laugh escaped your lips, he was probably at least a bit tipsy. See, Jun was your best friend, but you both had this thing were you acted like you hated each other. But when alcohol was running in his system, Jun was the first to spill his feelings, and it was always so rewarding to see his face the day after when you red him his drunk texts.

[11:08] you : you know i have my last test soon
[11:08] you : are you already drunk ? its not even midnight omg
[11:09] junhui : no shit i fucking know you have a test
[11:09] junhui : i cant believe you left me like that

You rolled your eyes at his text, before typing. Yeah, you could understand him. You two were ready to leave, because you were supposed to go with him, but you decided to stay at the last minute, quickly leaving your tight dress for your large pyjama shirt.
Jun had tried to convince you to go with him, after all, the test was only in a week, but you didn’t want to waste time partying while you could use this time to work.

[11:10] you : dont be like this, you know its an important test
[11:10] you : go dance or something, we’ll have all summer to party together
[11:11] junhui : i dont want to dance :( :( :(
[11:11] you : yOU’RE SO ANNOYING JUGNDHGU
[11:11] you : im gonna study byyye

For a moment, the boy stopped texting you, and you thought that maybe he was finally dancing and having some fun. Going back to your notes, you tried to memorize everything, repeating the important points to yourself.
A tired smile stretched your lips when you finally got everything right, moving to the next text. Rolling your eyes, you groaned, seeing how long the plan you had to memorize was, and how depressing the text was, talking about how Humans were damned no matter what.

You took a deep breath, sitting comfortably before starting reading every point, then, your phone buzzed again.

[11:25] junhui : hi
[11:26] junhui : answer me
[11:27] junhui : y/n
[11:27] junhui : :(
[11:28] junhui : i wont stop until you answer
[11:29] junhui : thats the worst party ive ever seen
[11:30] junhui : and i cant even leave because mingyu is the one driving
[11:30] junhui : plus im kind of drunk
[11:30] junhui : wow i cant believe you did this to me
[11:31] you : omg wen junhui ill kill you

You sighed, he wasn’t going to leave you alone, you had to navigate between answering him and revising, rolling your eyes, maybe going to the party was a better idea.

[11:31] junhui : i like when you call me by my full name thats hot
[11:31] you : wtf you have weird kinks
[11:32] junhui : wow cant believe my best friend is shaming me for my kinks !
[11:33] you : find mingyu, maybe he will drive you home
[11:33] junhui : nah i saw him going upstairs with some random girl
[11:34] you : gross
[11:34] junhui : i cant believe u did this to me
[11:35] you : omfg junhui how many times are you going to say that ?
[11:35] junhui : until you apologize ???
[11:36] you : fuck you this exam is more important than an obviously shitty party

You breathed, all your focus now on the coversation with your best friend. He would distract you anyway, and you wouldn’t be able to get any work done, so what was the point. Giving a last look at the pile of paper, you moved from your desk to your bed, trying to find a decently cold spot.

[11:37] junhui : ohmy god your test is in a fucking week
[11:38] you : fuck its just a party why are you getting mad about it ?
[11:38] junhui : because
[11:39] you : you’re a child
[11:39] junhui : whatever
[11:40] you : omg

You growned, dropping your phone on your side, your arm resting on your eyes. He didn’t respond, and it was for the best, when Jun was drunk, he could either be super whiny for nothing, or super angry for nothing, and you would rather stop talking to him for the night than have a conversation with an angry stubborn guy.

The summer night was growing hotter, your shirt starting to stick to your body. Tugging at it to let some air hit your skin, you thought for a moment that Jun finally gave up, maybe finding someone to drive him home.

[11:55] junhui : im in the bathroom
[11:57] you : k
[11:57] junhui : i have a boner
[11:58] you : dID I ASK

You couldn’t help but roll your eyes, drunk Jun could be either way super whiny, super angry or super horny, yeah you forgot about that.
See, another thing in your friendship was how comfortable both of you were when it came to sex. Junhui was already super comfortable talking about it, and so, you grew more and more confident talking about it with him. That was one of the few things you were grateful for.

[11:59] you : go get some girl to grind on i’m studying

You lied, hoping and praying god that you couldn’t have to deal with a drunk and horny Junhui.
A few moments passed, and again, you thought that he was out of the bathroom dancing on some girl, because you knew that a lot of them were willing to do it. It wasn’t news that Junhui was pretty popular, his delicate features and sweet voice were enough for a lot of girls, but he also had amazing hands, and those thighs, god, the result of years of dancing.
In addition to all of this, the way his hips moved was sinful. You remember seeing him dancing to one the songs he made with his friends, his hips moving slowly, his hand resting on his thigh, so close to his crotch.

Yeah, these were one of these days where you asked yourself, how the fuck do I even contain myself. 

After moving his hips, you remember his eyes finding yours before he started body rolling, his shoulders broad, toned stomach moving.
And it wasn’t all, the choregraphy continued again until his hands made contact with the floor, supporting himself as he fucking grinded on the floor, powerful thrusts over the floor, and you cursed under your breath.

You couldn’t admit it to yourself, but you couldn’t stop thinking about how his body moved, and you blamed it on sexual frustration, yeah that was it.

But more and more, your breath strated inching everytime he got closer, or when his hands got too adventurous, because he also wasn’t helping it.
But soon, you convinced yourself that you couldn’t think about your best friend in such ways, it was weird. You were making it weird at least.

[00:05] junhui : sent a video

Your thoughts got cut by the sound of your phone, your hand grabbing it before tracing your password, and your fucking mind went blank.

Your eyes stayed glued to your screen, blinking a few times, before checking again the name of the contact, yeah that was Jun.
Your troath was dry, and you tried to swallow the built of saliva.

The thumbnail was enough to leave you breathless, and even more sweaty.

Fuck, what was that for ?

You unconsciously licked your lips, your eyes fixed on the image.

Jun’s was sitting in what looked like a bathroom, his black jeans tugged to the middle of his muscular thighs, his black shirt riding up, revealing a parcel of his skin. His hand was wrapped around his cock, tip already red, several rings hugging his fingers. You couldn’t see his face, the image cut to his sweaty neck, but you could understand that his head was thrown back.

You cursed under your breath, a shaky finger pressing on the message, the image filling your screen before starting.
And it started right away, the boy’s hand slowly pumping up and down, his thumb stopping to collect the drop of precum. Touching his sensitive head, you heard a hiss, your mouth falling agape, waiting for more, and it stopped.

Your eyes widen, still locked on the screen, before catching the small three dots on your phone.

[00:06] junhui : fuck, im so hard
[00:06] junhui : help me

You looked up from your screen, as if someone would suddently appear at the end of your bed to help you in this situation.
Your heart was pounding, what the fuck were you supposed to do ? He sent it like it was the most normal thing to do.

And fuck, you wanted to run away from your phone and hide, but on the other hand, your eyes were still glued to the small picture, your mind replaying the faint hiss.

[00:07] junhui : y/n
[00:08] you : you can’t send things like that omg
[00:08] junhui : omfg its okay youre my best friend
[00:08] junhui : just help me
[00:08] junhui : please

“Best friends”, was that a common thing to send nudes to your best friend ? You took a deep breath, before typing again, what the fuck were you getting yourself into.

[00:09] you : what the fuck do you want me to do
[00:09] you : you have a fucking boner its not my fault youre a horny fuck
[00:10] junhui : sent a vocal

You rolled your eyes, taking your headphones before playing the audio, and your heart sank. It started with a clear, deep moan, you could hear that he was trying to stay quiet, before muffling it, the sound of his hand moving in the background was faint, and he started talking. God, his voice was raspy, low, breathless, “What do you mean it’s not your fault ? I have a fucking boner because of you, fuck- That dress looked so good on you.”

Your breath grew uneven, catching your lip between your teeth. A breathy moan fell from his lips, probably picturing you in the dress you were wearing earlier, “And fuck- d-did you really have to start taking it off in front of me ?” You couldn’t help but smile as you remembered taking the straps off in front of him, letting him see a bit of your bra, but you couldn’t imagine that it had such and effect on him.

“God, please, send something, a picture, anything, I don’t care.”, he moaned, before ending the audio. You eyes widen, a picture ? Fuck, you wanted to continue whatever was going on, feeling the familiar discomfort between your legs but you really didn’t know how to take it.

Eventually, you moved your phone, stretching your arm above your head, opening the camera. Your moved to lay on your back, bending your knee up as your other hand tugged your shirt upwards, enough to show the right of your bra and your panties.

It was the exact same bra that Jun saw as you took your dress off earlier, the lacy black bra un panties hugging your body. You quickly took the picture, cutting it after your lips, your lower lip rosy after biting it, and you sent it.

[00:14] you : sent a picture

Biting your lip, you waited for his responce.

[00:15] junhui : fuck, you look so good
[00:16] junhui : sent a video

And this time, you didn’t hesitate to open the video, your breath stopping. Fuck, if he was touching himself while looking at a picture of you, you could to that too, right ? Your hand traveled down your stomach, letting your finger press on your clit, a gasp leaving your lips.
Keeping your eyes open, you watched as the video opened on your phone, Jun’s hand moving faster this time, and holy shit, he looked so big.
His tip was red, a groan coming from his chest as he moved the phone and,

“Oh my god.”, you cursed under your breath as you took your panties off, your digit spreading your wetness. You gasped as Jun moved the phone so you were able to fully see his hand pumping his cock and his face, and god, he look amazing.

His lower lip between his teeth, looking straight at his camera through the locks of his back hair. His mouth suddently fell open with a silent moan as his head fell backwards, letting you see his Adam’s Apple bobbing and the video ended.

Fuck, you were keeping those videos, for scientific reasons.

[00:18] junhui : are you touching yourself ?

Your finger started rubbing your clit, trying your best to reply, but you didn’t even know how, so you took another picture. Quickly opening the camera, you took another one in the same position, your hand clearly visible in the shot.

[00:18] you : sent a picture
[00:19] junhui : i knew it
[00:19] junhui : fuck, i wish you were here

And then, out of nowhere, your phone rang.

You didn’t hesitate long before you accepted the call, placing your phone on your pillow beside your head.

“Y/N.”, he breathed as your finger started to work faster.

“Jun.”, you wanted your voice to be as quiet as his, but it came out in a moan.

“Fuck, why did you have to stay home.”, he gasped, breathless.

“Why did you have to go to this party.”, you replied.

“Whatever, be fucking prepared when I come home.”, a broken moan fell from his lips as you cursed under your breath, your imagination running wild. You allowed a finger to enter your heat, your digit easily sliding in. You moaned, your other hand gripping your sheet.

“God, I couldn’t stop thinking about you in that dress.”, the sound of skin clapping grew quicker as he continued, “I wish I could feel your lips around me.”, he gasped, before continuing, “You’re going to let me fuck your mouth when I come home, won’t you ?”

You moaned, his words hitting your core, but he wasn’t having it, his cocky self coming back. “Words.”

You opened your mouth, breathing heavely before answering, “Yes.”

“Yeah.”, and he laughed out of pleasure, the sound ringing in your ears, adding another finger.

“I’ll make you feel so good.”, he purred, a long moan tumbling from his lips. “You’re touching yourself, right babygirl ? Fuck yourself with your fingers, curl them, imagine my fingers instand of yours.”, he rasped, clearly reaching his climax as he was finding it hard to talk.

And you did, curling your fingers and moving faster, picturing your best friend between your legs, your hips bucking against your hand.
Your moans grew higher, more and more frequent as you moved your hips.

“Are you gonna cum ?”, he asked, breathless, groaning as he tried to wait for you.

“Jun.”, you moaned, unable to give him an answer, feeling the knot in your stomach ready to explode.

“God, I can’t wait to be inside you.”, he cooed, a broken moan filling your ears. “Come for me.”

And that’s all you needed, moaned, your back arching, a clear layer of sweat near your collarbones. Collapsing, you tried to catch your breath, closing your eyes, trying to focus on what was going on on the other side.

A series of curse words mixed with your name tumbled from his lips, before he came on a long moan, gasping every now and then.

“Fuck, fuck.”, he cursed, trying to process everything, before letting a long sigh.

Both of you stayed silent for a moment, before Jun moved the phone, before speaking in a breathless voice.

“Wait for me, I’ll be here soon.”

Hey guys! I’ve told you before that I’m a writer so this is a hella long post because it’s track-by-track. Unapologetically so. Hope you guys enjoy x 

TRACK 1: “… READY FOR IT?

 This song is a battlecry. The thumping bass brings to mind the heavy thud of wolves paws as they race towards their prey, seeking the trail left by a girl who used to leave her heart open and on her sleeve, ready to be snatched at any moment in a snap of their jaws. But no more. From the moment she clears her throat, we learn this battle will be on Taylor’s terms. It is her fight to win.

This is the first love song she’s released and had complete artistic ownership of in three years. It is no coincidence then that there’s reference to the tortured passions of Elizabeth Taylor and Richard Burton. They were a couple hopelessly and dangerously in love with many scars carved on their hearts by the other’s knife. This reference is a throwaway to the long list of ex lovers the girl who bathes in diamonds has had but also a reference to the flickers of hope Taylor feels for longevity no matter what with Joe. Their road may be complicated at times but they will get  there because the game is hers. The constant question of ready for it and in response baby let the games begin is so obviously a call of warning to Joe for what lies ahead but perhaps more subtly it is the call of Taylor’s inner voices and heart to her razor sharp self awareness. Is she ready for the games to begin? Is she ready to open her heart and give Joe a chance to be a better man?

TRACK 2: “END GAME” ft. Ed Sheeran & Future:

This song starts off with Taylor’s declaration that she wants to find a forever. It sounds sincere, gentle, wearied, the tone of the too often heartbroken. But then it shifts, it’s like the rose coloured glasses have come off and she’s reminded of her reputation. Then it’s all tongue in cheek sarcastic satire to keep the smile in place so that we don’t see how much it hurts. She has to weigh up every interaction in the context of her reputation. The addition of Ed & Future speaks volumes; one is a time trusted friend who has finally found a bright love of his own but that was not without heartbreak and the other gives her an edgier attitude that makes her self awareness all the more powerful.

There has been a further loss of innocence in this sharpening of her self awareness, gone are the wistful days of “say you’ll remember me”, that’s all I want. Now it’s all “I don’t wanna touch you, I don’t wanna be just another ex love you don’t wanna see.” She can see the fall right from the start but this time she opts out and says unless I’m your end game… because I don’t want to pick up any more pieces of my broken heart.

Also: Shoutout to Ed for his Cherry inspired verse. It made me feel many emotions too. SWEERAN THRIVES.

TRACK 3: “I DID SOMETHING BAD.”

The girl with the long list of ex lovers is back. However with the casually explicit twist, this narrative seems layered with perceptions and recognition of self-worth, “If a man talks shit, I owe him nothing.” This is drip-feeding the media exactly what they want, she’s stoking the fire herself. But in feeding the fire herself, she’s sending the burning embers back at them. Did you really think the girl who you used as an international rod for slut shaming would stay quiet forever? Nope. She doesn’t care if you burn her like a witch at the stake because she’s already done it. She’s burnt away all of the misplaced guilt and is now revelling in how good they felt in the moment. In fact, watch out she’s blazing with all the fire of a phoenix reborn and you might just get turned to ash.

TRACK 4: “DON’T BLAME ME.”

This & “I Did Something Bad” sound like sister tracks. The girl who jetsets around the world collecting men isn’t quite finished with her tale yet. She reminds us that defining her relationships by their headlines and paparazzi shots is a foolish move because those things are  one-dimensional. Taylor believes in love and this is her way of reminding us that there was love in every escapade of her heart up until now, at least at some point. She’s talking about the heady rushes head spinning intoxication of first glances and hands on skin and it doesn’t matter what the media says about the way she handles relationships because they forget love and that makes you crazy. Maybe in their minds the drug she refers to is not a singular identity but a collective “baby” and to them love will always be something she “uses”. But the heart wants what it wants and Taylor knows that so it doesn’t really matter.

TRACK 5: “DELICATE.”

This is the kind of song that happens when you cut the cord that is the boy crazy perception of yourself. You step back into the shadows and disappear so that they can’t find you. You close your heart, lock your doors and rebuild. And then he shows up. This is a cautionary songpp because Taylor can obviously feel sparks but… she’s just started to rebuild and if they find out the wolf hunt begins again. With delicate disbelieving vocals, we see Taylor start to realise that he can’t possibly want to gain anything from her reputation because it’s so bad… The wheels turn in her head. I imagine the realisation, “Wait so he must like me for me?” With the beat drop comes hope. Details are slowly given and then he stays. He doesn’t run so Taylor gives him pieces of herself; confessions thoughts and then her brain catches up with her mouth and the wheels come to a grinding halt: Her inner monologue screams it was too much too fast. We’ve all been there. It’s too delicate. No going back now. It’ll break and I’ll be left alone. Maybe one day I’ll find someone who doesn’t walk away, one day too.

TRACK 6: “LOOK WHAT YOU MADE ME DO.”

The world tore a girl to shreds, made her play the fool on tilted stages. She retreated and rebuilt. Now the fool is dead. From here on out, she only trusts her army. With high heeled boots, red lips and words as sharp as daggers, she’s cutting herself a path. She is taking no prisoners and she’s accompanied by a savage snake because she and her army will always be better at the game. When she’s finished hunting down your asses, she’ll sit back on her throne with a high pitched giggle and say, “oh look what you made me do.”

TRACK 7:  “SO IT GOES…”

When people are watching, you have to be careful. Cover your tracks. Taylor doesn’t leave her heart open or on display anymore. But then they leave. The door shuts. You lock it with a key and the crashing chemistry you’ve been trying to deny slams into your ribs, knocking the breath out of you. It’s stolen kisses, careless touches, reckless chasing of the high. Body language is a fluency all its own. But a quick reminder before you unlock the door and venture out again; wash the lipstick off your face. *clears throat* you got a little caught up in the moment and you don’t want to blow your cover!

TRACK 8: “GORGEOUS.”

 The childish proclamation of the title to begin this next glimpse into Reputation  is hinting at the satirical inner monologue that this song is , reminiscent of the times you write your crush’s  last name instead of your own to see how it fits. It’s all giggles and late night phone calls, the kind Taylor most likely had with Abigail where they talked real slow because it was late and their mamas didn’t know (: However, it could also serve as a projection of the runaway daydream that fills Taylor’s mind from that very first night when she stumbles home alone to her cats, of what a possible future might look like (with kids one day) The lazy liquor loosened rhythms of Taylor’s thoughts tell us things she hasn’t admitted fully yet but will soon on nights at 4am staring at her reflection  in the bathroom mirror, telling herself the bravest thing she ever did was run - that this gorgeous  swoonworthy British boy with his careless touches and drawling accent has awakened the possibility of something better. This realisation rattles Taylor as she contemplates the gaps in her current relationship. *cue wistful sighs of frustration and enchantment, set to the dialogue of every teenage movie where the girl thinks the boy is just too good looking, how unfair is that?

TRACK 9: “GETAWAY CAR.”

The thing about any movie that has a getaway car scene is that they inevitably crash…. And that’s exactly what happens here. Except, the carnage is human hearts. She was running. There was a person she crashed into. It gets all blurred and tangled, she thinks she’s free but the thing about those movies is that the thing you ran from in the getaway car catches up to you particularly if there’s a track you can follow. Oceans of distance weren’t enough, darling. You needed to disappear. And I think she realises that  but she tries to pretend innocence and will the sunset closer. Unfortunately  the only real  way to untangle yourself is to disappear crying in the back of a getaway car in the dead of night. Without a word. That must have hurt a lot.

TRACK 10: “KING OF MY HEART.”

This song happens in tandem with Delicate. She’d sworn off love. Joe turned up. The British boy with the heart of gold who made his American queen believe. He made behind closed doors a paradise of rooftop nights. Before she knows it, he is every love story Taylor has ever daydreamed of. The line “is this the end to all the endings” made my heart swell because it’s clear Taylor hopes he’s the one. Please let there be no more heartbreak.

TRACK 11: “DANCING WITH OUR HANDS TIED.”

Dancing is supposed to be a joyous thing and maybe it was in the beginning. You can reassure with every beat. Sometimes your gut instinct shouldn’t be ignored though  because it does raise red flags. The door only needs to be fractionally ajar for the hunters to find a way in and set your paradise aflame. It sometimes doesn’t matter how much you dance to escape the flames, they will catch you. You will get tired. Dancing is a bliss that is euphoria swimmimg through your veins if the beat enters your bloodstream in the right moment; you feel like you could live forever. And in the end no matter how much it might hurt to walk away again, you would still dance for just another kick of that rush.

TRACK 12: “DRESS.”

Taylor’s caught up in the chemical rush. Every syllable drips with lust and the glory of the high when your hearts crash into each other, slamming the breath from between your ribs. It’s hands in hair and I don’t care what they think. It’s seeing the worst (hi bleachella) and still wanting. It’s realising you made mistakes before this and why didn’t you just do this from the beginning because it feels so good now you can’t ever have imagined wanting anything else. But every mistake is a marker in the roadmap and you woke up just in time to find where you needed to be.

TRACK 13: “THIS IS WHY WE CAN’T HAVE NICE THINGS.”

I think everyone’s been in this situation, right? Someone burns you and it hurts but in the fun of a party, you click and connect again and it all starts to feel like water under the bridge. Maybe there was over-reacting happening. You throw them a second chance. Redemption. You’re the nice girl and you make excuses. But then they do it again, maybe it takes a couple of things and suddenly it’s too much. You lock the gate for your own safety. But they still expect you not to care. To flash a smile and forgive. I’m sorry. That’s not happening. You get hurt when I push back. I guess I should forgive you because we both threw stones. But… that would require me to mean it. Whoops, *laughs manaically* I can’t even say it with a straight face!!!

PS: It’s not too obvious I have personal experience with this song is it? Thanks KS x.

TRACK 14: “CALL IT WHAT YOU WANT.”

This song is difficult for me to process because I never thought it would actually happen. I seem to remember somewhere along the way, a couple of years back, Taylor expressing frustration that she couldn’t seem to write happy songs about being in love like Ed Sheeran could. Well, I wish you could go back Taylor and tell yourself what you know now.

This song is a three minute ode to happy love. It’s smiles so wide you might split your face in half at the thought of that person. It’s blushing and shy giggles and bursts of song and twirls and all caps texts from your girls as they collectively lose their minds over how happy you are. This is every love story and fairytale Taylor has ever wanted but the wolves are always waiting, not so easy to outrun. 

Taylor says it herself in the  opening lines. She was done. The castle had crumbled. The bricks left bruises blooming on her exposed skin. People were tearing her down and she was hurting. Her heart had been shattered but so had her soul, again and again, relentlessly. And then she retreated, went silent and rebuilt. What she didn’t count on was love. A man who saw all the bruises and broken pieces and said it’s OK, I can still find the real you under all that. Taylor like so many of us looked in the mirror and saw all the danger for herself and for Joe, tried to push him away, keep him safe. That’s a very noble action but breaking your own heart so it doesn’t hurt as much when you feel like the other shoe is going to drop requires apathy from the other person. And Joe, god bless you, you didn’t let her push you away. You broke down her walls and showed you that starlight love does still exist. You loved her for Taylor. The person. You got her to give love a chance when she swore never again so thank you so much for that. I can’t really express how much that means to all of us. 

 This is an anthem of hope for every person who has ever been broken and is in the process of putting pieces back together. It can be done. We will find love. We will be radiantly happy again. We will be the strongest we’ve ever been. 

PS: *leans over to whisper in Taylor’s ear*

I think you’re finally clean…

TRACK 15: “NEW YEARS DAY.”

Piano on the final track… This is an ode of pure hope and happiness, a fitting final chapter to a remarkable story. Everyone wants the glory of the midnights and the lover who will be in their bloodstream like the party. But what we all hope for is someone who stays long enough to help us clean up the bottles on New Years Day. Someone who makes us feel like the messy unfiltered parts look like a highlight reel. Good times and bad times and all in between. They won’t leave. You found him. Forever.

This album is fucking brilliant Taylor. I love you. Proud x.

@taylorswift @taylornation @brian-mansfield

anonymous asked:

What do you have against Bex? (Can u also provide evidence thanks 💜)

When I first got this ask, I was tempted to play it off as a joke and say “the fact she exists,” and leave it at that. But I feel like it’s important to stay informed. And if you genuinely don’t know, I’ll give you the complete rundown. It’s long, it’s messy, and it’s nasty, so bear with me.

First, and introduction. When I talk about Bex, I’m referring to the actress Bex Taylor-Klaus, who is the voice actor (or VA) of the character Pidge in the show Voltron Legendary Defender on Netflix.

It all began a while ago when Bex liked a comment of a picture. The picture involved a ship called Shei//th. I censored the name so it doesn’t show up in the tags of that on tumblr. But essentially it’s a ship between two characters, Takashi Shirogane, a 25 year old pilot who is the leader of the team, and Keith Kogane, one of the other “paladins” or fighters on the team. People like me find this ship to be distasteful, since Shiro is an adult, and the others are teens (it’s actually a bit messier than that, since an official Voltron source listed Keith as 18, but the producers of the show, Lauren Montgomery and Joaquim Dos Santos, said they were not consulted on the book so there’s some question as to whether it’s canon or not). Either way, the consensus by most reasonable people is that it’s probably not a healthy thing to depict in children’s media, when you consider the considerable age difference, the power imbalance (leader, senior officer with someone they are in charge of), and finally, the iconic line by the character of Keith himself when he defines their relationship as a familial one.

Nonetheless, the ship persists, as nasty things on tumblr are wont to do. There’s a lot of shipping discourse on tumblr between two distinct groups which can be labelled as “antis”–people who are not in favor of any Shiro/paladin ships, or what has become to be known as “shaladins”–people who ship any variation of Shiro with the paladins.

Here is where Bex got involved. On Instagram there was a picture of a black shoe and a red shoe together and the joke was about the shoes being a prophecy that Shei//th would be canon. A joke, mostly, considering all the evidence above. But here’s where Bex got herself in trouble. She liked a comment on the picture where someone said “Keith is a power bottom confirmed.”

Obviously, this caused a bit of an uproar within the fanbase, especially between the discourse between antis and shaladins. Shaladins were celebrating that an Official Voltron Source liked their ship, and antis were angry about that acknowledgement of the ship at all by official sources, and the sexualization of a kid’s show (more on this later.)

So of course this sparked the discourse on tumblr. One user, @lancehunks, who was receiving asks about Bex, tagged her in the replies.They were definitely unfavorable. 

and 

and a few more. 

Bex, being the big strong, adult, woman she is, decided that she could not take this obviously grievous insult to her name [sarcasm], and decided to reblog them all and respond to them. Keep in mind, that @lancehunks was just 13 years old. And Bex (22) decided that these were appropriate responses:

Yep, you read that right. Not only an adult but employed on a kid’s show! To a 13 year old! The target audience of the very show she’s a part of! (Oh, the hypocrisy). But wait, there’s more:

Just in case you’re confused, let me tell you the many, many reasons why this is unacceptable. 

  1.  Bex is an adult. You’d think she’d be a little more mature by now just in general. It’s the internet and there are trolls.
  2. The person she was addressing was 13!!!! Do I think it was mature to tag Bex in all those posts? No. But it’s… behavior that you can expect from 13 year old’s on the internet. If we swore at and tore down every single one of them every time they did something dumb, we would need a lot more therapists for teens in the world. Plus it’s really disingenuous to pretend that we wouldn’t have done something similar when we were younger if we were in that position.
  3. Bex is famous. While she’s certainly not on the caliber of massive A-List stars like Tom Holland or Zendaya, she has a fanbase that exceeds the normal person’s friend group. Just because she’s been on TV before, she has groupies that will support her no matter what, who will troll for her, who uncritically and unconditionally worship her. I’m not a Bex fan, nor do I really care to know her well enough to know just exactly how many fans she has, to be certain she does have them. When she publicly reblogged those words, that “motherfucker,” those fighting words, she weaponized her fanbase. What I mean when I say that is her behavior gave her groupies permission to behave the same way. By targeting someone who didn’t like her (a thirteen year old!!!!!), she opened the gates to her fans and groupies doing the same thing, to a kid.

This lead to some terrible things happening. The 13 year old was getting death threats, sexual violence threats, and nsfw content, all because Bex just couldn’t let it go. 

What does this mean? Finish it? Finish the kid? If you’re so sick of the fighting, then why did you even respond in the first place? Bex is the one who escalated the situation. Bex is the one who caused the fighting in the first place (by that I mean the fighting between the two that night, the fighting between antis and shaladins has been going on for as long as the show).

There we go. Now he have something resembling dignity. But unfortunately the damage was done, and user @lancehunks deleted their blog. As a direct response to Bex’s actions. Bex caused a 13 year old to leave tumblr. 

When hearing this news, Bex offered a half-assed apology:

This is the most insincere apology I have ever seen. “The internet has Bad things on it and it’s YOUR fault for seeing them” is not an apology. The best part is that she’s a big fat hypocrite. “Sometimes, when it’s harmless, the best thing I can do is shake my head and keep scrolling.” So why didn’t you Bex? Why didn’t you keep scrolling instead of targeting a 13 year old?

In light of recent political events, though there’s one thing that stands out to me: 

Sound like anybody you know? The esteemed President, perhaps?

*disclaimer* I am in no way claiming that Bex is a Trump supporter. I don’t know enough about her–and I don’t want to know enough about her–to know where she leans politically. I’m just drawing the attention to the similarities in moral equivalency going on, here.*

Sure you targeted a 13 year old and weaponized your fanbase, but someone tagging you in a snarky post is just as bad, right? (Wrong.)

You’d think that would be the end. You’d think that Bex would be capable of living and learning, or maybe even just taking her own advice, and keep scrolling. But here we go again.

The next bit of drama started when the possibly canon guide book was released, stating Keith’s age as 18. There was a big celebration on the shaladin side because technically, that would make it “legal” for Keith and Shiro to have sex. Besides the fact that legal  ≠ moral, again, Voltron is a kid’s show. But on tumblr this time, Bex posted this.

This time, the discourse surrounding Bex was a little different., This time, the discourse mostly focused on the fact that even if Shiro and Keith disregarded canon and morals and the fact that it’s a kid’s show ever did get in a relationship, the only thing that matters is how they like to have sex.

This is a problem for a lot of reasons. There’s a culture, pretty prominent on tumblr of women, mostly white, who are obsessed with gay sex. They write fanfiction and p*rn solely for their own personal gratification. This, of course, is a gross misinterpretation to wanting LGBT+ representation. If you aren’t a mlm (an acronym for men-loving-man, that includes many sexualities) then writing p*rn about is sexualizing them, using them as a tool to get yourself off, and not like complex human people. Mlm are more than how they like to have sex. In fact, that shouldn’t be a part of a discussion for anybody except between willing partners. This also feeds into the popular and damaging stereotype that gay men are predatory by nature.

So, as a whole, not good. 

And again, we have a whole situation escalated by Bex. The worst part is, to people who tried to explain this to her, the only response they were given was a gif:

So once again, a minor dared to express their distaste for Bex on tumblr. But this time, they didn’t tag her. This time, they censored her name. But Bex found it anyway. And she decided to do the exact same thing that led to a minor leaving the website, and to stop watching the show. 

Have no fear, this time though. This time, Bex is going after a 14 year old, at least she’s not going after kids anymore, right? [sarcasm]

Some final notes. 

Bex claims to be an LGBT+ rights activist. I’m also pretty sure she’s a lesbian herself (again, I already know too much about her, I’m not looking to get to know her better.) So, you’d think, as someone who wants equality for LGBT+ people and communities, she’d have the wherewithal to listen to specific subsets of that group when they say something about themselves, like, for example, young mlm who don’t appreciate being sexualized by a white woman. So I couldn’t help but laugh out loud when I saw this on her blog:

Now, I happen to agree with the above statement, but it’s so ironic, so hypocritical that Bex is talking about the sexualization of anything. Because kid’s shows aren’t safe from her sexualization and mlm certainly aren’t. How can one person be so incredibly oblivious? A mystery that I don’t have any interest in solving. 

I also want to address something a little more devious and a little more dark. I personally know of at least 12 different people who sent Bex asks, politely explaining some of the things I’ve talked about here, or relaying how her words hurt them personally. Bex never answered any of them. But she did answer this:

Just to be perfectly clear, I do not condone or encourage hatemail. Do not send people anything wishing them death or harm in any way. I have never sent nor do plan on sending hatemail, and you should be ashamed of yourself if you do.

However, this is incredibly nefarious. Bex doesn’t answer any of the many asks she got that were polite, but proved her wrong. She didn’t answer any of the young mlm who gave her their personal stories and who weren’t anonymous. Instead, she publishes this. And she did this on purpose, to make her look innocent, to make her look like she’s the one being attacked. I get hatemail every single day too. Things along similar lines to this. I block the user. Delete them, One, because I don’t want to expose my followers to that kind of negativity on a daily basis, two, a mature person knows that deleting them is the best kind of revenge because the user will be constantly looking for a response and they will know they had no effect on me and three, because if you do that, eventually they stop. This is intentional on Bex’s part to make the people who don’t like her look bad. I don’t like Bex at all, and I certainly do not support that message. Any reasonable person wouldn’t. Also the fact that it’s an anonymous message adds a certain air of doubt as to who sent it. 

The point is, Bex is purposely ignoring polite and well-meaning people and posted this to “prove” she’s the one on the “good” side because no good person would send that message.

This is also worth noting: 

This was posted after the lancehunks debate but before the power bottom comment she made. In this post, Bex admits that a relationship between Shiro and any of the paladins is predatory in nature. She said that. Her words. And then after that she said that Keith was a power bottom. 

The last thing I want to say, is that Voltron is a kid’s show. It’s rated US-TV-Y7. Which means for years 7 and older. Regardless of the ship, there should be no sexual content, be it fanart, of fanfiction of Voltron characters at all. We are all collectively responsible for keeping content age-appropriate for the target audience. So, stop it. All and any ships. 

For minors, this is my advice to you:
Bex is a predator, a hypocrite, and a liar. Do not engage with her. Block her. Do not tag her in any of your posts. She has a history of targeting minors. Protect yourself. Do not engage.

Joseph is not a bad person

Yeah, I said it, the thing that so many people in this fandom are not happy to admit. Joseph is not a bad person, not by a long shot. Hell, there are far more issues with Robert than there are with Joseph - the only real moral difference between the two is that Robert gets a happy ending, and Joseph does not. That is literally it.

“But Joseph cheated-” Yes, yes he did. Joseph cheated on Mary with Robert, and he cheats on Mary with the MC. However, there is clearly a lot more to the Joseph/Robert story than we know, so there’s nothing that we can glean from it other than speculation. Somehow, a lot of people like to speculate that Joseph is the bad person because…Robert said so? Why on Earth would we believe one person? Even Mary doesn’t say her husband is a bad man, and she has every right to do so as his wife. Robert is not reliable. Then, when Joseph cheats on Mary with the MC, the two of them are actively about to get a divorce.

That’s it. Those three things, the two instances of cheating and Robert saying that Joseph isn’t a good person is literally all we have to say that Joseph is a bad person. That is it. The cult ending is still not in the game, and literally everything else is entirely speculation. There is no other evidence saying Joseph is a bad person.

“He lost track of his kids-” At a park, in the morning, in a safe neighborhood. Yeah sure it’s a little squiffy, but if we’re going to get on Joseph’s case for that then we should also be yelling at Mary for not only losing track of Crish, but completely disregarding her husband’s concern for the toddler.

Joseph actively gets upset if you lie on his route, Joseph actively tries his best to make sure that his youth party goes well, that his children are happy. He encourages his children’s weird behaviors and appears to have a good understanding of his autistic son as well. He spends time to create a man cave for him and the MC to relax and joke in, he supports Damien and all the other dads despite their gender and sexual alignment. He actively tries to help Hugo with Ernest and doesn’t lose his temper at the clearly troubled kid. There is so much good to this man, and this fandom is reducing him to an abusive manipulator based on no evidence other than “Robert said so”. The devs themselves have said before that you can’t take everything in this game at face value, and Robert is friends with Mary. I go into this more on another one of my posts, but Robert only ever sees Mary upset, so he only ever hears that Joseph is at fault. Is it so hard to imagine that maybe Robert is over reacting because he’s being over defensive of his friend? Is it really?

And as for Mary - again, Mary never says her husband is a bad man and, honestly, she’s more at fault for the shitty place their marriage is in than Joseph. That might be a touchy subject for some, but I’m serious. Mary goes out drinking most nights, she flirts with almost every man she meets, staying out until God knows when having ‘fun’ with Robert. Neil and Robert may insist that she isn’t cheating, but uh, flirting is still cheating. It is still 100% cheating on your partner to go out and flirt endlessly with another person. It is not okay, and will never be okay. She also lowkey makes fun of his religion, is obviously super flippant about caring for her children (she let her kids watch an R rated movie, and didn’t seem to care one lick about Crish), and is incredibly passive aggressive. Hell, at some points in the game, she is just aggressive towards the MC and Robert has to tell her to back off.

Mary is not a bad person, nor is Robert, but that’s kind of my point. None of these people are bad people, but somehow this fandom has turned Mary and Robert into pure cinnamon rolls and Joseph into a literal demon because…I don’t know. I really don’t know. There’s even a comic going around that keeps getting reblogged with tags like “yeah, fuck Joseph!” “Joseph is so cruel to Mary” “I wish Robert and Mary would get together and leave Joseph”. These tags are incredibly upsetting because of how short minded these people are. The comic has Mary coming home late at night with Robert practically shouting a song at the top of their lungs. People somehow see this as harmless fun and Joseph is totally just ruining it by being a bad husband…But seriously?

First of all, walking around incredibly drunk and screaming songs in the middle of the night is public indecency and you could have the cops called on you for disturbing the peace. Would you be happy if your drunk neighbor woke you up at night? What if you had a baby, like Craig?

And, secondly…How on Earth is Joseph the bad one in the situation for ‘stopping their fun’? Humor me for just a second if you’re having trouble understanding me. For just one second, imagine Mary is a man. We’ll say his name is Marty. Marty has a wife named Josephine. Marty goes out most nights to get incredibly drunk with his female friend, Robin. Josephine knows and has seen how Marty gets when he’s drunk, she knows how Marty flirts with the girls at the bar, sitting next to them, wrapping his arm around them, getting them to buy him drinks with a wink and a smile. Josephine has to put the four kids to bed each night - the autistic one, the hyper ones, and the toddler. Josephine waits up for her husband to come home, nervous for her safety, and nervous that…What if tonight was the night she brought another woman home? Or, came back in the morning smelling of another woman’s perfume? Then, she hears the tell tale singing of Marty and Robin on the way home, followed shortly after by the Crish’s cry and a light across the street turning on…

Does any of that sound even remotely okay? Could you imagine if the situation where truly reversed like that, with a husband getting hopelessly drunk most nights, flirting with women, and coming home late? Do you still think that he is totally at fault for being angry that his wife came home drunk? Honestly, there is no difference between the people telling Joseph to go fuck himself for ruining his wife’s ‘fun’ and the men I’ve seen my father hang around with joking about how my own mother was his ‘ball and chain’ for the exact same reason. There is a good reason my mom and dad are not together anymore.

Mary is clearly an alcoholic. Even if she’s not an angry drunk, I’ve known plenty of people and read plenty of stories of children who were raised with drunk parents. You usually only hear about the father, so again if you’re having trouble understanding why Mary’s alcoholism is an issue then imagine she’s Marty. Imagine Marty as a father who is constantly drunk or with a drink in hand, a father who accidentally lets you watch movies that you know you shouldn’t watch, a father who just waves you away and ignores you, a father who disappears every night…Why is mommy the only one home at night? Why are they fighting? Is it your fault?

That got a little heavy, but at this point I just want this to stop. I am so tired of going into the Joseph tag and finding nothing but hate post after hate post after hate post. I am so tired of seeing posts blaming Joseph for Mary’s alcoholism and Robert’s…Issues when we all know damn well that can’t possibly be the reason. Robert was a terrible person in his past and he’s upset about it, and we really don’t know what’s going on with Mary. We don’t, sans speculation. End of story. There is no way we can reliably blame Joseph for everything, and it’s even getting to the point where the anti-Joseph posts are actually becoming abusive to Joseph using Mary AND Robert as the assailants.

tl;dr: Joseph is not a bad man, Mary and Robert are not flawless, the way Mary acts is seriously problematic, and some of stuff you guys are posting is actually kinda hurtful. Can we reel a back a little?

Call Me Daddy

Summary: Phil asks Dan what his kink is, but Dan doesn’t feel so inclined to tell him.

Word Count: 3.1k

Genre: smut (specifically: daddy kink smut oh man)

happy birthday @mangothatismelancholy !! i know im a few hours early but i won’t have much time to post it tomorrow morning ahaha. i hope you like this and i hope i remembered correctly that daddy kink was your favorite (?). also i hope you have a great birthday dude!!! 

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PSA about women walking alone at night

Hey, everyone! I was walking home late last night and I just felt like I needed to say some stuff. Yes, it is inspired by true events.

Dudes, let me give you some advice on how to interact with women walking alone late at night. This advice is intended to help you make them feel comfortable and safe from…yeah, you. And also for you to avoid getting your dick kicked into your chest cavity. My females, I’m putting out some tips that I learned from my daddy (who was a cop) that have helped make me feel safer while walking home. (Obviously subject to editing if people have some reliable source they’d like to share that contradicts what I’ve said. It’s about being safe, after all).

My dudes…

If you see a woman walking alone late at night, don’t walk behind her. If you’re going the same way as her, try crossing to the other side of the street, or making it really clear you are not paying any attention to her. If she looks back at you, politely say that you are keeping your distance and wish her a good night. If she stops to let you walk by her, it’s not an insult. It’s for her safety, because she has been trained not to trust men late at night. She is protecting her six, and if you’re a decent guy, you will let her. Don’t ask a woman you see walking late at night for a cigarette, a dollar, or to use her phone. Don’t say shit to her unless it’s to tell her to have a good night and be safe. If you see a woman being harassed, loudly offer to call the police, or just go ahead and do so. Don’t offer to walk her home, because that’s a familiar line and will put her instantly on the defensive. Instead, ask her if you can call her a taxi or contact a friend. If a woman gives you a dirty look when she’s walking home at 2 AM, please don’t call her a bitch. She’s protecting herself, and if you think she has that right, then just take it with an understanding nod, instead of acting like a fucking baby. If you’re a professional driver, don’t follow beside her slowly, like you’re casing her. If she needs a cab, she will make that obvious. If you’re a bouncer, and she is leaving your protection, give her advice on the safest ways to walk. If a woman asks for your help, and you consent to giving it to her, please be respectful of boundaries and make it clear you are not helping her for any reason other than to make sure she is safe.

Women…

Firstly, I know how fucking obnoxious it is to have to tailor your entire life to the sexual urges of predators. I know you just want to say “Screw this” sometimes and go out for a walk because why should you have to stay cooped up? I also know that sometimes, you can’t help it. Sometimes your ride ditches you and you don’t have cab fare. i am not going to lecture you, because you know what you’re doing.

So maybe instead I can give you some things you maybe haven’t thought of before.

1) Take off your high heels. If that grosses you out and you don’t want to carry spare shoes, carry a pair of socks in your purse (or your bra. Come on, they make great hoists) and wear them over your bare feet. I’ve seen those little rubber shoe things too, that look like flats…those are dope.

2) Avoid dark places. Even if it means you have to walk a little out of the way. You need to be able to see everything around your for at least a hundred feet, because a man can clear 100 feet at a dead run, very quickly.

3) Always look around, constantly. Predators want an easy mark, and if you’re paying attention, you cannot be an easy mark.

4) Pass by as many ATM’s as possible and look directly at them. They have continual activity on their cameras, so if you are snatched, the police can document your movements.

5) Only carry cards. If the place you’re going only takes cash, then have a specific amount and no more than that. The idea is to minimize incentives to rob you. If a man approaches you to rob you, and you have nothing to give him, he will likely leave at once, because he is usually nervous and doesn’t want to be identified, so be prepared to empty that bag out on the road and show him you have no valuables.

6) Should you have a weapon? Only if you know how to use them and are willing to do so, otherwise they end up being taken from you and used on you. Long range weapons like pepper spray are better.

7) Don’t talk on your cellphone in the standard way. I know you think that it’s a good idea, but the fact is, it distracts you and holding it can block your line of sight. A man can grab you and smash it and no one can track you. Instead, put it on speaker, tuck it in a pocket, and give constant location updates, if you feel threatened. Or prearrange a text appointment with someone who can call authorities if you don’t reply.

8) No music. Do not be that girl, walking in the dark, with her phone on a loud song to take her mind off the scariness of it. Music draws attention to you and distracts you. It can also mask noises of a confrontation.

9) If a man walks behind you, you have two options. You can put your back to a wall and allow him to pass by you, or you can cross the street. If he follows, find a public place immediately. If this isn’t possible, the fact is, he’s a threat. If it were me, I’d look him right in the eye and make sure he can see that I’m willing to kill. Don’t ignore a threat, and ladies, walking alone at 2 am means every man is a potential threat. Run, if you feel threatened. Who the fuck cares if he isn’t “actually a bad guy” or thinks it’s weird? Just ask yourself, “What if he is a bad guy?”

10) Be willing to drop everything in your hands. If there’s something you don’t want to leave in the street, shove it in your bra or your pocket.

11) There’s a lot of debate about how to deal with an attacker if it does happen. Some say to do what you’re told, and some say to fight like hell. I can’t make that decision for you, but you have to be aware, and try and understand the attacker. Ask questions. If you think they aren’t listening…it’s up to you. Personally, a guy better not try to put his dick in my mouth, because I will bite it the fuck off and see what happens, but thats me. Don’t go with him. If he has a weapon, then he is willing to kill you. So make the choice. If you go with him, you stand a much higher risk of never coming back, because in solitude, with no threat of discovery, he can do whatever he wants. If he wants you to leave where you are, it means that place is safer, so stay in that place.

12) Do learn self defense. If a man can hit you once, he can win. Learn how not to get hit. Learn how to get out of suppression holds. Learn what to do if grabbed from behind.

13) Minimize physical risk. Take off all jewelry, Ponytails are just convenient handles. (I had a friend get grabbed from behind by her ponytail and lifted off the ground, with a knife to her throat. She couldn’t get free because he had all her hair in one hand. Hair is VERY strong. So take your hair down, because if he can only get a handful, you can usually tear free, but if he has all of it, you can’t go anywhere.) Same with loose clothing or clothes with strings. Keys are weapons, rings are weapons. High heeled shoes can kill a man.

14) The cops will not be angry with you if you call them because you feel threatened, and it turns out nothing is wrong. They just won’t. In fact, I can think of at least ten famous cases where a woman called the cops because she was being followed and it turned out the guy was like some horrible rapist or murderer they finally caught.

15) You have the right to defend yourself. Better to be alive and dealing with assault charges than dead in a gutter.

One time I flipped a jogger upside down because he came up behind me really fast while I was walking home from work at midnight. He laid on his back looking up at me like “WTF DID I DO” and I just said to him, “Hey man, I am really sorry, but you scared the shit outta me.” And helped him up. 

And you know what? He was totally cool about it. Said he completely understood and asked me what martial art that was. I told him it was Aikido and then offered to pay his cleaning or medical later if he needed it. He shook his head and goes, “No, ma’am, we’re good.” and jogged on. 

I’m not telling you that so that you kick every man you see at night in the balls. Men have to walk home at night sometimes, same as us. I’m telling you that because women have been taught they have no right to be fierce. And they absolutely do. It’s better to defend yourself first and ask questions later, to run first and feel silly later, to strip down or button up first and let loose later.

Be safe. Women, be smart. And dudes…don’t take this personally. If you agree that women should be equals, then treat them with respect.

They’ve come back from a case, Rosie long-asleep in the upstairs bedroom where there’s just enough room for her cot and John’s bed, and Sherlock is ranting.

Stupid,” he spits out, pacing to and fro in the living room, his hands in his hair. “Why was she so stupid? Why kill them in the first place, when she knows she’s the best suspect?”

“Well, she loved him,” John offers, even though he knows Sherlock doesn’t really want his opinion.

Sherlock scoffs.

“Don’t be ridiculous,” he snaps, not even looking at John. “She didn’t love him.”

“What?” John sits up from where he’s been lazing on his chair. “Of course she did. Listen, I know you like to dismiss ‘sentiment,’ Sherlock, but love makes people do crazy things, so-”

“That,” Sherlock says and his voice is flat and angry at the same time, “was not love. That was possession, that was ownership, it may even have been jealousy, but it was definitely not love.” He infuses the word with such contempt that it makes John flinch, but Sherlock is moving again, glaring at the world as though it had personally offended him. “If she loved him, she’d have let him go. She’d have done everything in her power to make sure that he was happy, even if that meant he was with someone else. She’d have killed - she’d have died herself - if it meant that he would have one millimetre more happiness in his life than otherwise. She would have protected his lover with her life, she’d have done absolutely anything in her power to give him anything he wanted. Instead, she killed them both in a fit of jealous rage, because she never really loved him, she loved owning him. Like a favourite pair of shoes, or a pretty picture.”

John is still trying to absorb that rant when Sherlock crosses the room and slams his bedroom door behind him.

John sits in silence for a few moments before heading to bed.

He wakes up an hour later and John Watson has never actually experienced an epiphany before, never experienced that moment Sherlock is always chasing where all the pieces come together and your brain dissolves into fireworks and you know everything but he’s pretty sure that he just had one.

Before he can even think, he’s downstairs, pushing open Sherlock’s door and standing there like a fool.

Sherlock sits up, sleep-mussed and soft, and says “John, what’s wrong? Is it Watson?”

John licks his lips and tries to speak and…nothing.

Tries again.

“You…you love me,” he manages, and it’s a bare whisper, all he can force past the weight in his chest, of ten years of unsaid words. “Sherlock?”

Sherlock is looking at him with horror in his eyes.

“I-I” Sherlock says, and John interrupts him.

“Please say I’m wrong, Sherlock, please say I’m wrong,” and he’s speaking quickly now, tears running down his face unchecked, and his leg gives out and he finds himself on his knees by Sherlock’s bed, a ragged penitent in old pyjamas, prostrating himself before a saint. “Please say I haven’t been wrong all this time, haven’t wasted all these years, please, Sherlock, please…”

He hides his face in Sherlock’s bed, so that he can’t see Sherlock’s eyes, his beloved face creased in confusion.

“John?” Sherlock asks. “I don’t…I don’t understand.”

But John is sobbing too hard to answer, great heaving sobs, and Sherlock puts a hand on the back of his neck that burns like a brand because of course Sherlock would try to comfort him, even though he doesn’t understand what John is on about, even though John has hurt him so terribly so many times.

“I love you,” John gasps into the bed. Sherlock’s hand stills for a moment and then, cautiously, resumes its smooth comforting stroking.

“John, you’re upset,” he begins, but John cuts him off mid-sentence.

“Years, Sherlock, years,” he gasps. It’s becoming easier to speak, the weight on his chest becoming less with every word. “I’ve loved you for years. Since Angelo’s that first night, I think, since the cabbie, since the first time I saw you sleep-soft in morning light. I loved you in Dartmoor and I loved you at the pool - God, how I loved you in that moment, I would have fallen to my knees and worshipped at your feet for the rest of my life and I would have been content. I loved you on the roof of Bart’s and on the pavement a moment later. I loved you every moment of every day you were gone, and I loved you every time I stood in front of your grave and begged you for one more miracle, and I loved you when I punched your face because it was that or kiss you, and I loved you when you were bleeding out in Magnussen’s office. I loved you on Magnussen’s porch and I loved you on the tarmac, and I loved you in the morgue and in the hospital and in the prison and the well and I’ve loved you every moment since the day I met you, I love you I love you I love you.”

He doesn’t stop so much as run out of breath, chanting those three words - three words he’d never thought he’d be able to say - like prayer, John is a monk and this is his religion now, this is his faith, this only thing he knows for sure.

“John,” Sherlock breathes. “Why didn’t you…”

“I thought,” and John is trying to think of a way to say this right, a way to really explain, “I thought that you didn’t…I didn’t think you didn’t love me, but I thought you wanted me as a friend, just a friend, and so I tried to be the best friend anyone could ever have, but obviously I’m pretty shit at it, but I tried and I hid it, and hid it, and I married Mary because I thought…I thought I’d break apart from missing you and later I thought I’d die from wanting you, and I couldn’t bear to lose you but I was losing you anyway, but the surest way to lose you was to tell you, you didn’t feel the same, you didn’t want the same things, and that’s the best way to kill a friendship, and if friendship was all I could-”

And John shuts up, because Sherlock has slithered out of his bed and fallen to his knees in front of John, and stopped his panicked babbling with his mouth.

When Sherlock finally pulls back, John stares at him, shocked into silence.

“So many years,” Sherlock says, stroking a thumb over John’s lips. “We could have had so many years, John. If only we hadn’t been…”

“Afraid,” John supplies. Sherlock nods, and he’s so close that his nose rubs against John’s when he does, and it’s unbearably intimate. “We could…” And John has to stop for a moment to breathe, to lick his lips and gather his courage in his hands. “We could still have years,” he says. “If I’m not too late. If you still-”

And Sherlock doesn’t say anything with words, but when he kisses John, he writes eloquent poetry in this new language they are building together.

Yes, he says as he licks into John’s mouth

I want, he says, as he sucks a bruise into John’s neck.

I still, he whispers into the curve of John’s ear. I still love you. I will always love you.

Bygones of the Sun | 03 (M)

Originally posted by hobismole

Genre: Angst/fluff/(future)smut || dance captain!hoseok, bad boy!au, uni!au

Pairing: Reader x Hoseok

Length: 7.8k

Summary: Jung Hoseok was once the sweetheart of the school, the dance captain whom every girl, including you, can’t help but fall head over heels for. But like the force of the ever-glowing sun, everything that rises must also set. A year of inactivity later and he’s now the school’s resident bad boy. You’re a firm believer of allowing the past be the past, and yet you can’t help but wonder where the risen sun has gone into hiding—because perhaps its shadows have out-shined its own radiance.

01 | 02 | 03 | 04

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