nyc-new-museum

Looking back

“If I could tell a 15‑year‑old self something, it’d be to try not to care about your appearance. Besides that, I think to always hold on to that sense of childhood wonder, that excitement. I always try to make sure I remember to put that back into my work, to remember that from doing it because I love it, and it’s not just a job, and doing it for play. As an artist, I think it’s incredibly important to hold on to the fearlessness that you have as a child. It helps you take risks in your art.”

In honor of International Women’s Day this week, we are posting quotes from our latest Creative New York interview with Petra Collins, highlighting important issues relating to body image, openness and collaboration, and health care access as an artist. Read the entire interview at nyc.moma.org.

Join us on 3/18 for PopRally’s Petra Collins: In Search of Us, an evening of performance, music, and digital art conceived and developed by Collins and artist Madelyne Beckles. Tickets and more info at mo.ma/poprallyxpetra

[Portrait of Petra Collins by Nguan]

“This series of animations was inspired by finding solace in celebrating traditionally dismissed feminine objects, the act of creating a world that mirrors my desires, and Eiichi Yamamoto’s dark psychedelic fantasy tale ‘Belladonna of Sadness’ (1973).”  - Grace Miceli

For PopRally Presents Petra Collins: In Search of Us, artists Madelyne Beckles, Aleia Murawski, and Grace Miceli have created a series of original, short artist videos, conceived with Petra Collins, that re-examine the canonical representation of the female body. This contemporary take on the 19th-century Salon des Indépendants has been released over the course of the week on our Instagram account, in advance of Saturday’s PopRally event, where a site-specific, live tableau will confront these very notions IRL. The event is sold out, but tune in to Instagram on Saturday night for live posts from the event. More information at mo.ma/PopRallyxPetra

Worries [Germany - present-day France, Strasbourg, 1280-1300]

Although the head certainly belonged to a column figure, it is unknown whether it was part of the sculptural program of Strasbourg Cathedral or of another church in that city.

© Marie V Vollmer aka Lulette  ||  The Cloisters, Fort Tryon, Manhattan, New York City, 23 février 2011