notes-music

Things about Don’t Wanna Cry that make me emotional
  • Vernon’s super-soft singing at the beginning like wow his rapping voice is usually scratchy (?) and teenager-y but he did a whole 180 with this
  • Also the really subtle choreography while he sings
  • When the instrumental builds up and Woozi starts singing angelically while dancing like he’s a literal river
  • Seokmin’s last note and the music fading out right before the chorus
  • THE BEAT DROP
  • JUN AND DINO GET TO SHINE IN THE CHORUS
  • The walking-under-street-lamps choreography
  • Joshua hitting higher notes than ever before with really cool choreography with arms and stuff that I still don’t understand how they did
  • Seungkwan’s emotional somewhat husky voice <3
  • THE8′S PURE SWEET SINGING. IN THE CHORUS. AFTER HE FLIPS
  • That entire emotional build-up of the bridge that end’s with Wonwoo’s deep voice literally gives me goosebumps every single time
  • S.Coups’s last line when he sings “When we see each other again” which is pleasant and unexpected deviation from the repetitive “Don’t wanna cry” and his voice and the way he sings it makes me want to sob for some reason??? Idk but it does???
  • Saddest dab in history finale
🌊 Types of Mermaids 🌊

please be respectful of cultural boundaries when working with mermaids from various cultures and traditions, and be mindful not to intrude.

🌊 Rusalkas - slavic in origin, disturbed spirits of the “unclean dead”, ghosts of women who died violent deaths, with a penchant for drowning young men. they live only in rivers and lakes, and are known to have green hair like aquatic plants, only appearing in the night. 

🌊 Melusina - a mermaid that walks among humans, but returns to their two-tailed form during baths and when they bathe their children. often a water spirit of a nearby lake or river. french origin. 

🌊 Siren - greek mythology. servants and companions of persephone, whom searched for her when she was abducted. they are known to sometimes have the body of a bird, and for their song, which lured sailors to their doom. cannibalism implied folklore. have the power of prophecy. 

🌊 Merrow - irish mermaid. known to have green hair and webbed fingers. particular noted love of music and their red cap, which when stolen, they will live with the thief until they find it, and then return to the water, leaving even a whole family behind. 

🌊 Ben-varrey - from the isle of man, known to bless those that are kind to them with prosperity, gifts, and even the location of treasure. 

🌊 Aicaya -  Caribbean mermaid, humans who become mermaids when they are shunned from their community and go to live in the sea. 

🌊 Amabie - japanese merpeople, with birdlike torsos and three legs and scales. they are gifted with prophecy, usually foretelling abundant harvests or epidemics 

🌊 Ningyo - “human faced fish” known to have golden scales, that brings bad weather and misfortune when caught, but when their flesh is eaten the consumer is granted youth and beauty, even agelessness. 

🌊 Finman / Finwife - magical shapeshifters that disguise themselves as sea creatures or plants to lure humans, unlike most mermaids they kidnap people from the shores to be their spouses or servants. they have a greed for jewelry and coins, particularly silver, and prefer humans over other finfolk. 

🌊 Sirena Chilota - considered the more friendly mermaids, caring for all fish life and rescuing drowned sailors to restore life to them. known for their human-like beauty and youth, according to legend they are the child of a human and a “king of seas”, tears are a powerful substance. from chilote mythology. 

🌊 Cecealia - sometimes known as “sea witches”, they are half human and half octopus. origins in native american and japanese mythology. 

🌊 Sirena / Siyokoy - the philippine version of mermaid and merman respectively. also called “magindara”, they are known to protect the waters from raiders, and protect the boy moon from sea monsters. Siyokoys can sometimes have legs however, covered with scales and webbed feet

🌊 Sea Mither - scottish/orcadian mythology, a spirit that personifies the sea during spring and summer, battles along scottish isles using storms to bring the summer about. a mother figure to all aquatic life. 

🌊 Ceasg - a fresh-water mermaid, specifically half-salmon, said to grant three wishes if captured. sometimes called maighdean na tuinne (maid of the wave) or maighdean mhara (maid of the sea). scottish. 

🌊 Selkie - though somewhat different from the typical mermaid, as they are not cold-blooded, have the body of a seal in the water and are human on land. in legends their skins are often stolen and they are kept by fishermen as spouses, or become lovers to fishermen’s wives who shed tears into the sea.  

The Ballad of Star Butterfly
Brian H. Kim & Patrick Stump
The Ballad of Star Butterfly

From Star vs. the Forces of Evil - Face the Music.

*** (NOTE - THE SONG LYRICS HAVE SPOILERS.) ***

I was fortunate enough to get involved really early in the process for this musical number, and I wrote the first pass of the song to the episode’s black-and-white storyboards. @arythusa and @amelia-lorenz, who boarded this two-parter and wrote all the lyrics to the songs, are endless fountains of creativity. 

Lessons learned about Patrick Stump: 1) he is very, very funny; 2) he is a freaking pro in the studio. Before we recorded each chunk of the song, he would listen to my temp vocal and then slowly pace around the live room and work everything out in his head, make a few tweaks so that the melody would best suit his voice, run those changes by us, and then we’d be off. 

And then later, I brought in my good friend Michael Kohl (who has a particularly wonderful YouTube channel with his band Extra Lives) to re-record the guitar parts and add some sick solo lines.

This whole process, from top to bottom, has been my favorite of my whole SVTFOE experience thus far, and I hope you enjoy it as much as we enjoyed making it.

FRENCH MUSIC RECOMMENDATIONS

Note: Some of these artsits are not from France, but are Belgian, Canadaian, even Austrian. What I mean by ‘French music’ is that it is sung in the French language.


THE NATIONAL ANTHEMS OF THE FRANCOPHONE COUNTRIES:

France - La Marseillaise
Belgium -  La Brabançonne
Canada - Oh, Canada!



POP AND JAZZ

It would be fair to start off with one of the most successful and famous French singers - ZAZ. Her genres are jazz and acoustic, some songs you should definitely check out are: Je veux | On ira | Les passants | La vie en rose |  Si jamais j'oublie;
Another obvious one is Lara Fabian. Some of her songs are: Je t’aime | Je suis malade | J’ai besoin de parler | Ma vie dans la tienne | J’y crois encore;
Céline Dion Pour que tu m’aimes encore | Je sais pas | On ne change pas
Parler à mon père | Encore un soir;
Desireless Voyage, voyage;
Indila Dernière danse | S.O.S. | Tourner dans le vide | Feuille d’automne
Amir Haddad (my personal favourite) J’ai cherché | On dirait | Au cœur de moi | Oasis;
Alma Requiem | La chute est lente | Ma peau aime;
Tal Le passé | Le sens de la vie | Rien n’est parfait | Je prends le large
Vianney Je m’en vais | Moi aimer toi | Dumbo | Sans le dire
Zoë Loin d’ici | Mon ange | Adieu | La nuit des merveilles
Le coeur de pirate Comme des enfants | Crier tout bas;
Christophe Maé Il est où le bonheur | La parisienne | On s’atache | Belle demoiselle;
Jean-Jacques Goldman 4 mots sur un piano | J’irai où tu iras | Sarbacane;

RAP AND HIP-HOP

Stromae 

Papaoutai | Alors on danse | Formidable | Tous Les Mêmes | Ta fête | Carmen |  Quand c’est;
Maître Gims J’me tire | Est-ce que tu m'aimes? | Bella |Habibi | Sapés comme jamais | Laissez passer
Columbine Les Prélis | Dom Périgon
Suprême NTM Ma benz | That’s my people | Seine-Saint-Denis Style | Métèque;
Diam’s Jeune demoiselle | Car Tu Portes Mon Nom | Par Amour | Coeur de bombe
Booba Validée | Tombé pour elle | Scarface | Comme une étoile | Ma couleur | Au bout des reves
Nekfeu Mauvaise graine | Tempête | Egérie | On verra | Ma dope;
SCH Allo maman | Fusil | Champs-Élysées | A7;
Lacrim Grand Armée | Colonel Carrillo | Gustava Gaviria | Poutine | Brasse au max;

ROCK - classic, alternative, indie, folk

Kyo Dernière danse | Le chemin | Le Graal | Je cours | Je saigne encore | L’équilibre;
Indochine J’ai demandé à la lune | L’avanturier | Trois nuits par semaine | 3ème sexe;
Noir désir Le vent nous portera | L’homme pressé | Un jour en France | Comme elle vient;  
Izia La vague | Les ennuis;
Images Les démons de minuit | Corps à corps;
Rita Mitsouko C’est comme ça | Marcia Baila;
My diet pill L’air de rien;
Luke La sentinelle | Soledad | La terre ferme | Le reste du monde | Se taire | Stella
Sortilège D’ailleurs | Metaporphose | Rock city;

FOLK/ CHANSON FRANÇAISE

Jacques Brel Ne me quitte pas | Quand on n’a que l’aimour | La chanson des vieux amants;
Renaud Toujours debout | J’ai embrassé un flic | Mistral gagnat;
Bénabar Le diner | L’effer papillon | A la campagne | Politiquement correct | Dis lui oui
Fréro Delavega Ton visage | Le coeur éléphant | Mon petit pays |Autour de moi;
LouanAvenir | Jour 1 | Jeune (j’ai envie) | Nos secrets | Rester seule;
Edith Piaf Non, je ne regrette rien | La vie en rose | La foule | La boheme;
Claudio Capéo Un homme debout | Ca va ça va | Riche;
Kendji Girac Andalouse | Cool | Conmigo | Elle m’a aimé | No Me Mirès Màs | Les yeux de la mama;
Léo Ferré Avec le temps | C’est extra | La solitude | La mémoire et la mer;
Mes Aïeux Dégénérations | La différence | Ça va mal | Train de vie

EDM/ ELECTRONIC 

WoraklsToi | Salzburg | Bleu;
N’to Trauma | Time | Minuit Caféine | Sur les berges | Flash;


INDIE POP/ INDIE ELECTRONIC

Le couleur L’amour le jour | Jukebox | Voyage amoureux;
Bagarre Mourir du club | Le gouffre | Claque-le | Ris pas;
Les Pirouettes L’escalier | Je nous vois | Dernier métro
Poom Les voiles | Toi et moi | Qui es-tu?;
Aline Je bois et puis je danse | Elle m’oubliera | La vie électrique;
Fishbach Un autre que moi | Béton mouillé | Y crois-tu;
Lescop La forêt | La nuit américaine | Le vent | Le mal mon ange;
Juniore Panique | A la plage | La fin du monde;
Frànçois & The Atlas Mountains La Fille Aux Cheveux de Soie | La vérité Grand Dérèglement;

cold coffee. (m)

pairing: jungkook | reader

genre: smut

word count: 4,564

description: “I wasn’t referring to verbal truth. I was referring to,” and then there was a brief pause that was followed by a light press to the center of your stomach. Your back laid flat against the wooden bench before the predatory loom of his figure appeared overhead, “Candor of the body. Which you, my love, are the absolute queen of.”

cr.


With an exchanged swipe, taste forthcoming as the two of you had intended. Too sweet, muttered against your lips – lips that curved into ones of amusement at his feigned disfavor for your particular arrangement of the poison. Too bitter, slipped past your teeth in retort, the air of the syllables brushing against his breath; a dance of icy exhales in a burning winter night. His mouth twitched at that, following your suit into similar enjoyment of the playful critique.

“Maybe not my coffee, but sweet in other aspects, no?” He spoke in a devilish dialect of insinuation and lust; one that, before encountering him, was unfamiliar to you. Adoration, it managed to claw at your chest with great vigor each and every time he glanced down at you through darkened tufts of raven hair. His words wrapping their way around you entirely until they sounded of music. The notes gliding across your bones as his voice conducted your motions.

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4

[5.03.2017]
26/100 days of productivity
This is probably cheating, but sometimes it’s hard to take pictures every single day when I’m doing the same thing… but I was productive, kind of. My motivation recently has been very low but I’m doing my best, my first essay is done and submitted, I’m working on the second one, but the thought of coming exams and deadlines doesn’t really motivate me. Also, I’m loving my mildliners!

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Some Highlights from “The Music of Rogue One” Panel at SWCO17 (aka the panel that blew my mind)

So since I can’t find any filmed version of the “Music of Rogue One” panel with David W. Collins I’ll post some of the highlights here. I’m a music theory nerd myself but I was surrounded by people who have never paid attention to music analysis and were still moved to tears so I encourage everyone to check this out (and watch the panel please if it’s ever made available.)

  • the Panel began with Collins discussing the legacy of John Williams and the Star Wars main theme specifically. He discussed how it was originally meant to be Luke Skywalker’s theme, and how that interpretation can still hold true considering Star Wars is the Skywalker Saga
  • The coolest thing pointed out re the main theme is that it’s musical construction mirrors the structure of the Hero’s Journey, the monomyth structure that all of Star Wars revolves around. It rises suddenly with the call to adventure, then builds with the journey, drops during the abyss, is reborn with another musical rise, then returns to the beginning. Collins emphasized that Williams is without a doubt a musical genius and that Michael Giacchino had a big challenge in making a score that lived up to William’s legacy while standing on it’s own. This was a challenge he more than met, as this panel made clear.
  • Now moving on to Rogue One, Collin’s discussed the title theme “Hope.” This theme is clearly heard over the title of the film, during Jyn’s big speech to the Rebellion, and throughout the film.
  • Collins pointed out that, like the main Star Wars theme, “Hope” echos the structure of the film itself. There are heroic major key moments in the theme, but it ends in a melancholy way that almost sounds unfinished. It represents the sacrifice at the center of the film. This is a story of incredible heroism that merely paves the way for others to finish the journey. 
  • Collins moved on to discuss the musical themes for each character in Rogue One, with a lot of focus on Jyn’s theme. Jyn’s theme is the most frequently heard piece along with “Hope” in the film. In fact, we hear it three times in the film’s prologue alone.
  • The fascinating thing Collins pointed out is Giacchino’s use of Dies Irae throughout the score. Dies Irae, or Day of Wrath, is the medieval hym describing the end of the world. It is sung during funeral masses and musically is quoted widely to represent death
  • EVERY CHARACTER THEME IN ROGUE ONE IS STRUCTURED AROUND DIES IRAE. Jyn, Chirrut, Baze, even Krennic, ALL OF THEM
  • Giacchino was signaling from the beginning that this is a story about death. He wrote the sacrifice of these characters right into their themes.
  • A notable use of Dies Irae beyond character themes is it’s repetition as Cassian and Jyn begin to climb the tower in the archive during the climax. The first two notes of Dies Irae are repeated as they do so. When Krennic walks down the hallway with his Death Troopers, all three notes play (death literally chasing them). And when Jyn almost drops, than catches the data tapes, Dies Irae is replaced by “Hope”
  • Jyn’s theme in particular is a melancholy theme centered on Dies Irae, but with a lovely, lullaby like feeling. It tells you from the beginning that Jyn’s is a story of hope and inspiration but also death and sacrifice.
  • An interesting use of Jyn’s theme and “Hope” together is during Jyn’s speech to the Rebellion. First we here “Hope” swell as Jyn speaks to the Rebels. Then when her speech is shot down, the theme drops, replaced by Jyn’s theme. This represents that it is Jyn herself who inspires the sacrifice that will eventually bring on the Hope. Jyn is the hope.
  • Another mind blowing moment was a musical parallel that Collins pointed out with the character of Bodhi Rook. In the scene where he recalls his mission, repeating “I’m the pilot, I brought the message,” listen for the flutes. That exact same flute theme plays in A New Hope when Luke discovers Leia’s message hidden in R2. By doing this,  Giacchino is directly mapping the journey of “the message.” Bodhi receives the message of the Death Star and how it can be destroyed from Galen, he brings it to Jyn, who with Rogue One, transmit the message, which ends up in the hands of Leia, then to R2, then to Luke, who must return it to the Rebellion. Those flutes represent the origin of the message with Bodhi through to A New Hope.
  • This panel was full of mind blowing moments, but the most mind blowing moment by far was another musical connection to A New Hope. After we had become very familiar with Jyn’s theme over the course of the panel, Collin’s played a scene from A New Hope for us. It was the moment when Obi-Wan asks Luke to come with him to Alderaan and Luke resists. When Obi-Wan says he’s getting too old for this sort of thing, Jyn’s theme plays clearly under Luke’s hesitation. In the original context, a hint of Dies Irae was WIlliam’s way of foreshadowing Obi-Wan’s death, but after Giacchino used that musical queue to build Jyn’s theme, it suddenly has deeper meaning. It’s Jyn’s sacrifice calling to Luke, compelling him to be the hope she fought for. And it is connecting Obi-Wan’s eventual sacrifice with that of Jyn and her comrades.  
  • Collins also highlighted how Giacchino’s score for the final moments of the film, from Jyn’s confrontation with Krennic through the arrival of Vader and the death of Jyn and Cassian, is unconventional and incredibly effective. Jyn’s confrontation with Krennic is silent, no music, unexpected for such a key moment. Only when Cassian appears does the music return. And throughout the final sequence, as we witness horrifying destruction, death. the arrival of the Death Star and Vader’s Star Destroyer, the score stays distant, gentle, melancholy. It does not highlight the horror. It steps back and mourns over it, like the eyes of history or the Force itself, honoring the sacrifice. 
  • So yeah Giacchino’s score for Rogue One is brilliant, Williams’ music for Star Wars is brilliant, this panel was brilliant, and I can never get enough of analyzing Star Wars scores.
Shivers

Group: BTS

Pairing: SUGA X READER

Summary: When you’re angry Yoongi turns the air conditioner up so you cuddle up to him.

Genre: fluff

Length: 0.8k

A/N: i don’t feel the cold so this wouldn’t effect me

Originally posted by bangtannoonas

“Don’t look at me like that,” you sighed crossing your arms over your chest as you sat on the sofa, moving as far away from Yoongi as possible. He let out a heavy sigh before he stood and walked away, as you called after him, “bye asshole.”

He scoffed head peeking out from the kitchen, black fringe splayed across his head as he pushed it back, “Love you too princess.” Your heart fluttered before you forced your face back into a scowl as you stared at the movie that was playing, vibrant colours throwing shadows on your face as Yoongi leant against the doorframe watching you with a small smile on his face. As he looked at your profile and knew what he had to do to get you to forgive him.

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