not sure if this set looks good though

The Boxer

Pairing: Y/N and Harry

Word Count: 10k


“You’re supposed to be in the hospital gown, it’s why we laid it out for you,” Y/N stated, pointing the pen in her hand at the white gown by his feet.

“I’m not wearing that paper shit,” Harry grumbled, “and I’m perfectly fine to leave.”

“That cut says otherwise,” Y/N says.

Harry watches as she sets down the clipboard and turns on the sink to wash her hands, she’s cute. She’s nothing like the kind Harry would go for. His usual prey would be at the bar, lonely, maybe going through a breakup, but he knew for sure that by the end of the night she would be in his bed. Y/N on the other hand looked like too pure for him, and he hated that look.

From his experience Harry had learned that girls like Y/N believed that they were too good for a guy like him. Girls like Y/N, with an innocent smile, soft skin, and soft voices, tended to only use him for one thing, to make their parents upset. Harry had seen it time and time again, it was only a matter of weeks before the girl would crush his heart and move on to someone better.

“I don’t feel anything,” Harry stated.

Harry had grown numb to just about everything. He couldn’t feel the punches thrown at him, he couldn’t feel his emotions, it all just seemed gone to him. He didn’t mind though, no emotions meant he couldn’t get hurt, and no pain meant he was unstoppable.


Boxer Harry Styles highers, incredibly perky Y/N as his on-call nurse.

“I hate the graveyard shift,” Y/N stated, slumping into the chair.

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nursey being a good boyfriend looks like: sprinting across campus with a pair of protective goggles in his hands because dex forgot he had chem lab today, standing outside a lecture hall at 9pm because dex had a test at 8pm and he didn’t want him to have to walk home alone, a thread of texts between nursey and dex’s brother coordinating what they’re getting dex for his birthday, packing a bag of two sandwiches, two gatorades, and two bananas for the bus because dex always forgets to bring bus snacks for himself

dex being a good boyfriend looks like: a well-stocked first aid kit in the side pocket of his hockey bag (and his book bag) in case nursey wipes out, checking the weather app before nursey leaves for class to make sure he has enough layers on and snow boots or an umbrella if he needs it, an alarm on his phone set for 7am bc he doesn’t have class until 9:30 but sometimes nursey sleeps through his alarm for his 8am, cans of diet pepsi in his mini-fridge even though he’s a coke guy bc nursey loves pepsi

gospel around his fingers

Dex slams the door shut and presses against the wood, leaning his head back and sucking in a deep breath. He stares blindly up at the ceiling and–

“Nurse, I dare you to kiss the prettiest person in the room. Not counting me.” Lardo pretends to flip a lock of hair over her shoulder. “We all know I’d smoke you bitches,” she adds, grinning. Her teeth flash in the low lighting, and she knocks back the last of her drink as the gather group lets out joking boos.

They all “ooh” at Nursey as he raises a challenging eyebrow and smirks at Lardo. He makes a show of looking around the room, leering slightly at the other players of spin the bottle – Holster, Dex, Tango, Ollie, Wicks, and a few members of the volleyball and soccer teams. Bitty is grinning from his spot on the floor next to Lardo and Dex, watching as Nursey catches the eye of each person.

“Dex!” The memory is abruptly interrupted as Chowder’s voice comes from beyond the door. “Come on, man!” Dex tries to straighten up, but his legs refuse to work. He sinks down to the floor, back still pressed against the door, trying to suck in deep breaths of air. He drops his head between his knees, squeezing his eyes shut and–

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Good -Jungkook- *smut*

Originally posted by nnochu

Title: Good
Pairing: Jungkook + Reader

Plot: Giving Jungkook, heir to the Jeon Empire, the ‘best orgasm of his life’ (and him paying you back ofc he isn’t evil)
Warning: Oral, Jungkook gets blown in front of his dad who doesn’t realise, swearing, petnames, gang au, disapproving dad
A/N: Not requested but controlled by my Jungkook thirst

Namjoon in the gif is me @ life

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Summary: Bucky Barnes is a superstar actor in Hollywood, and the reader works as a photographer for an upscale fashion and pop culture magazine. One day, she is assigned to take photographs of Bucky to promote his upcoming movie, but her schoolgirl crush on Mr. Barnes proves to be a problem.

Pairing: Bucky Barnes x Reader

Words: 3,547

Warnings: Smut (a little bit of D/S undertones, unprotected sex. Don’t get pregnant or catch STI’s,kids). Also some fluff, it’s not 100% smut.

A/N: This is my submission for Kait’s (@bionic-buckyb) 5k AU challenge! My prompt was “Model/Photographer”. Hope you enjoy! (also if anyone can guess what reference I’m making with the fake movie title I put in this fic, you get brownie points!)

Originally posted by little--batman

Another day, another photoshoot in the studio with some rude celebrity who thinks they’re better than you.

You sigh, shuffling over to the strobe to make sure it’s synced properly to your camera. With a quick press of your shutter button, the light goes off, and you’re satisfied that everything is set up perfectly for today’s shoot. Your contentment doesn’t last long, though; the thought of having to deal with another snobby subject clouds your brain. Sure, the concept of meeting celebrities every day at your job seemed cool, but once you got used to it, you realized that they’re all just regular people. There was hardly anything special about anyone you met, aside from the few who were very nice and complimented how good you made them look with your camera.

“Oh, wonderful, you’re all set up!” Michael, the fashion consultant and your bosses’ assistant, bursts through the studio doors. “James will be here in a second. I want you to make him look SO sexy in these photos, got it, Y/N? Carol needs to be proud of our work when she’s back from vacation.”

You shake your head and give him the slightest pathetic smile you can. “I can’t make someone sexy if they already have an ugly face, Michael. Now which James are we talking about?”

“James Barnes?” Michael looks shocked, his eyes widening as he says the name. “For his new movie, ‘Farewell, Atlantis’?”

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hi friends!! so a few months ago i started printing out my headers because i really like how it makes my notes look uniformed and i love how it saves so much time compared to when i hand-letter my notes (i take rly long when i letter because im a perfectionist lmao). lately a lot have been asking me about how i print my headers so here’s a step by step tutorial!!(side note: this is only how i do it though, so however you guys do it will vary on how exactly how you want your headers to look like, the size of your paper, etc!! i use muji b5 paper) **i’m really not that good at givin instructions btw so if u have any more questions just hit me up fam. this is my first tutorial/tips post pls forgive me if im kinda confusin lolz

this is a tutorial using google docs!! i don’t really use word but im sure there’s a setting similar like this for microsoft?? not sure tho ok

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Great Comet Experience Part Two

I had to split this up because it’s stupidly long. We’re talking like 10k words. You’ll never find a more indepth description anywhere.


·       Act two commences with another air siren. I love this song. And got so into it when listing to the recording.

·       Everyone enters the same door which is the only time this happens. Most of them are in their regular costumes. Hélène is back in her black based with green underskirts dress, Mary has on her shapeless frock again. But Marya (while having on the same blouse as usual, and similar patterned skirt has something different. The skirt is one of those that’s really more of a wrap and it’s completely open in the front. She’s got on these tight leather pants (same Marya shoes as always), and wow.

·       Okay so, the company takes their places sitting on the stairs, and facing the audience directly. So I made direct eye contact with Alex Gibson during one show for like a full thirty seconds. And at one point I like raised my eyebrow and he mimicked me and we both just spend a good time smirking at each other. I played it cool, but during another showing when I had eye contact with Grace McLean and she looked at me seductively I’m pretty sure I was close to swooning. Gods, I’m so gay.

·       I never got a letter though and I’m so sad. Because during one point, everyone in the company gives the audience letters, and apparently one of the ensemble members (Heath if I’m not mistaken) always writes a different, innuendo laden letter.

·       Pierre is so set on killing Napoleon. Dude chill.

·       Dolokhov looks so smug when he says he composed the love letter.

·       Also while the company is singing the whole “A love letter” they’re all seated and bopping along so well. Marya takes on a lot of Hélène’s manerisms I’ve noticed. She’s so seductive, and drapes herself across the stairs much like Hélène does. Also her (really long and very leather clad) legs are everywhere.

·       So when Natasha passes her letter off to Hélène to give to Anatole they both look so excited.

·       And the whole audience participation when the letter is passed down the line til the last person gets on stage to give it to Natasha is so cute. Hélène enthusiastically directs it down, and Natasha looks to excited to receive it. During one show, a man didn’t want to get onstage, so the girl in the next row, leapt up and practically flew up stage.

·       So, Mary’s letter to Natasha is so full of affection and love. Mary is so in love with Natasha, and in the books they’re like attached at the hip and kiss and hug each other and go out together. It’s so much better than the tense dislike from before.

·       Side note: while I love the Natasha/Mary pairing, I’m a huge fan of Sonya/Mary because not only is it a nod to Ghost Quartet (where Brittain Ashford and Gelsey Bell play lovers at one point and it’s so adorably dark) but also both these characters need love and affection and this is way better than what actually happens where Sonya is left alone forever.

·       So during the whole “say yes” bit, Anatole gets down on his knee, and asks Natasha like three times, and keeps pulling her closer by her waist (which like, creepy dude), and she looks so confused and conflicted, but in the end gives in.

Sonya & Natasha: (Side note: they really love their ampersands)

·       So Natasha is asleep on the stairs and Sonya enters and snatches the letter. Reading in horror.

·       Lemme just say, Sonya is so much more sassy live than the recording leads you to believe.

·       During the entire song, Sonya is just following Natasha around rolling her eyes, and looking so exasperated by everything Natasha says.

·       Other than what the song suggests, there really aren’t any other actions that you can’t figure out from the words. But Sonya just runs off at the end when Natasha yells at her.

·       So, this is the point Sonya stops looking exasperated and looks just so heartbroken. This is her best friend, and she’s just screamed that she hates her. This is the part you start crying.

Sonya Alone:

·       So wow Brittain Ashford fuck me up. The real and raw emotions are just so mesmerizing. This is the point I wish I was at the final performance because I know this would be the most emotional of them all.

·       She starts off conflicted about what to do. Like, does she let her best friend follow her heart, or does she help?

·       And as the song goes on she gets more and more sure of what she wants to do. Yes, it is on her, and no she will not let Natasha go to ruin. This is her family, her best friend. And Sonya is completely and utterly devoted to her. She’d give up everything to make sure Natasha doesn’t go to ruin.

·       I’ve got a friend like Sonya, and it makes things so much more heartbreaking.


·       Mood whiplash in three, two, one.

·       Anatole enters Pierre’s office circle with a carpet bag and Pierre is dead drunk. I saw Josh Groben such a long time ago, that I just remember Dave’s performance better, but Dave does drunk word slurring so well.

·       He hands Anatole fifty rubles, but Anatole reaches over and snatches the rest of the wad of cash like an ass. Really. Then he goes to the mirror and starts to do his shaving routine.

·       So Dolokhov launches into his patter verse. And it is a bop. When he says Natasha and Sonya’s names they are lit up by spotlights. Hélène enters and hands him a cup of tea before going to Anatole. She also laces up her “Abduction vest” thing.

·       During this song, Dolokhov grabs hold of Anatole and pins him against the railing to try to talk some sense into him. Then follows him around groaning, and glaring. While Anatole is doing his part of the song, Nick Choksi is off-mic screaming “no no no” in such a done voice.


·       So, Balaga begins and everyone bursts onto stage. There are egg shakers and I’ve now got two and I’m so happy. Everyone is dancing, audience included and it’s such a wonderful moment.

·       There’s so much twirling. And everything.

·       Hélène starts out playing the drum on the top layer. She plays so deadpan (imitation of her total girlfriend Marya D. anyone???) and her eyebrows are quirked up in such a haughty way. Then when the beat kicks up, she hands the sticks off to Marya.

·       And Marya is having the time of her life up there. She swings the sticks down on the drum, and waves around, kicking her legs up. It’s great.

·       So Balaga is pretty much everywhere during this. He goes from the main stage to the mezzanine, to the main stage again. And I don’t even know how he gets there so fast.

·       When he does his “and I never ask for rubles” the company roars their love for him, and when they sing “and we like balaga too” they all practically lurch to him. Marya flings her arm at him and points with her drum stick.

·       The whole “woah” parts everyone just gets into position for the real fun. And my favorite part is coming up soon. Also Anatole is doing his twirly routine.

The Abduction:

·       Everyone, (and sometimes they encourage the audience to sing this part too) does the “goodbye my g*psy lovers” part and the word is actually a slur, so I’m conflicted. Dave Malloy wrote a really long explanation for why he did this, and it’s logical, but like slurs. So I sometimes like to replace G*psy with either tipsy or pretty. Sometimes I get so into it I forget though.

·       Okay so everyone raises their glasses (audience members included) and at one point Grace McLean shouts to her section that “I don’t care if your drinking or you’re not. Raise em up!” and it’s the growl again. I’m hooked. Actually though.

·       When Anatole sings goodbye to Matryosha it’s Katrina who passes by with her accordion. We all sway and shake our shakers. It’s the best.

·       Then the chaos begins. And you’ve got to see it to believe it. I notice something new every time. (Though I admit I miss most of it because I’m staring at Marya and Hélène, but can you blame a baby dyke?)

·       Everyone is screaming and dancing all over the place, there’s some organized dancing, like the circle line. Nick Choksi shoves his guitar at an audience member at one point and screams to hold it because “I gotta go dance” and they do the circle thing. I really love that because the joy of everyone is so visible.

·       Then the music gets deliberate, and Alex Gibson and another male ensemble member in the mezzanine have this dance off and they mirror each other and it’s awesome.

·       Then comes the real chaos. The music becomes jerky, and everyone just goes wild. Mary is up in the mezzanine flailing about looking so overjoyed. Sonya is backed into a corner by Pearl Rhein with her bow string as a weapon. Heath Saunders just rips his hair out of its bun and starts swinging it wildly. Pages of War and Peace rain down from the mezzanine. There’s a fist fight between Andrey and an ensemble member (Azudi Onyejekwe).

·       And of course, my favorite moment. The kiss between Marya D. and Hélène. While everyone else is running about chaotically, they just jump each other. It’s basically a contest to see who can smear their lipstick on the other’s face more. During it, Hélène hoists Marya’s leg around her hip (holy shit she’s got such long legs) and they just rut against each other. Hands are groping everywhere it’s the best And during the second to last show (the last one I saw) they were so into the kissing and grinding that they could find a balance, and they couldn’t get Marya’s leg up long enough.

·       Apparently this part of the chaos was entirely Grace and Amber’s idea and they wouldn’t take no for an answer, so I formally thank them for their existence.

·       Then, the end of the chaos comes and everyone just collapses where they stand. Ashley Perez Flanagan is seated on an audience member’s lap, Mary is down for the count. Lauren Zakrin is splayed out on the floor. And Marya and Hélène just cling to each other with lipstick everywhere. Even the orchestra just collapses back into their chairs.

·       During this point, everyone’s panting and dying, and Dave Malloy has to gasp every time before he launches into his “here’s to happiness freedom and life” part. And at that point everyone launches back up with astounding energy. There’s even more dancing and skirt flinging, and really there’s no reason for Marya and Hélène to be so into each other if they’re not actually dating so Marya/Hélène is real fite me!

·       Then balaga is like “let’s get out of here” and they all dash up the steps towards the big doors. At this point, Gelsey, Brittain, and Marya slip out to costume change. And the whole wait sit down bit is so necessary. During the shut the doors part, Balaga is off-mic saying “doors what doors? Oh wow, those are big doors” and it’s so funny.

·       Sitting in banquette seating you can see every cast member. Everyone is panting heavily and look like they’re gonna pass out. Sweat is just everywhere. And it would be gross, but it’s just so impressive. Lucas Steele sits down next to an audience member and slings his arm around them.

·       Then they’re just about to get up and go when Dolokhov is all like wait a fucking minute here. And Balaga groans and is all like what now?

·       But the fur cloak routine is fantastic. So Pearl is wrapped up in it, and I only noticed in the last show I saw that the cloak also has like a gauzy salmon colored part of it in addition to just the fur. But during this part, Dolokhov steals her bow and she plays the fiddle with her fingers, while he plays her. There’s that fiddle symbol thing painted on her stomach, and its such a great detail. She delivers the cloak to Anatole who kisses her (c’mon man not the time!)

·       Then they finally head out. Everyone is so excited and ready. Anatole dashes up the stairs towards the big doors (I got hit by the flapping coat), the maidservant (Gelsey Bell you beast) does this amazing Operaesque line. And the doors open, there’s red colored smoke and everything.

·       But it’s not Natasha. It’s Marya D. and shit’s about to get real. She just glares at Anatole and the audience goes crazy. If looks could kill…

·       So sometimes she starts out with restrained anger during the “you will not enter…” and the growl comes out during “my house, scoundrel” but the last time I saw it she just scream/growls the entire thing and either way I am very turned on and very afraid at the same time.

·       Anatole sprints away with a look of terror on his face, and really that’s the only sensible thing he’s ever done.

In My House:

·       Okay so while the Prologue is my favorite song, this is the best one.

·       So Marya starts off restrained. Scoffing, and smirking with disbelief and rage. When she calls Natasha a hussy, Natasha looks shocked, and Sonya reaches for her from across stage.

·       Then she sings “now you listen to me when I speak to you,” twice the first time is calm, and then she fucking screams it and terrifies everyone.

·       During the line “do you hear what I’m saying or not” she holds out the last word so much longer live and the t ending is so sharp.

·       Sonya just sounds horrified and devastated. Like she wants nothing more than to hug Natasha and never let go.

·       Grace McLean deserves a fucking tony like jesus Christ.

·       Everything is very pantomime, but at one point when Marya calls Anatole a scoundrel and a rat she grabs Natasha’s chin and Natasha shoves her arm away. Marya stares at her arm in shock, before turning away scoffing like a mother when her kid does something really wrong. Like “oh you think you’re going to act like this, think again bitch”

·       But then Natasha screams that they all hate and despise her, and Marya looks so horrified and hurt. She knows she fucked up with how angry she was, and runs over to her. She has to rein in all this anger and shock because it’s definitely not what Natasha needs.

·       She screams “Natasha” with such desperation that my heart just snapped. She tells us what she does to comfort her goddaughter and looks just so horrified and heartbroken.

·       While Natasha sings what she does, Marya is sitting among the tables writing her letter to Pierre. She sends it off with a grandiose gesture.

A Call to Pierre:

·       The servant wakes Pierre from his drunken stupor and Dave Malloy really plays a great drunk.

·       He heads off to the Dimetrievna household, and Marya starts off restrained but quickly grows desperate. She pleaded with him and explains, with such urgency that I felt my anxiety welling up. And all that rage that she tempered down comes back with a vengeance.

·       Holy shit, so this role is usually a very low voice part, with a lot of that glorious growling. But this song has full on high belting and Grace McLean slays it every time. When she screams “Anatole Kuragin” you know that man is a dead man if Marya D. ever gets her hands on him.

·       And when Pierre reveals that Anatole is a married man (gasp! it’s mentioned earlier during the Duel but there’s so much going on that many people miss that moment), Marya is just blown away. During one performance she was like “I fucking knew something was up with this bastard” and during another she was shocked and horrified like “oh shit we are all so fucked”

·       And when she orders Pierre to find Anatole, wow. It’s basically the last thing Marya says, and Grace McLean never fails to go out with a bang.

Find Anatole:

·       The music turns urgent, and Pierre does more running around than he has ever done before. He goes to the club, and the ensemble are in the mezzanine and on the stairs just gossiping. When Pierre assures them nothing is wrong they all look so disappointed. These people love their gossip.

·       So Anatole enters the Bezukhov house stumbling in, and looking completely distraught. Hélène rushes to him, devastated.

·       Back at Marya’s house, Marya and Sonya break the news that Anatole is married, and the sheer pain, and anguish on Natasha’s face could make anyone sob. Her denial that he just can’t be married is the moment she realizes the true gravity of the situation.

·       Pierre returns home to find Anatole (and really he could have avoided all the running, if he just went home).

·       He yells at Hélène and tells her how repulsed he is by her. And holy shit. Okay so let’s dissect this for a minute. Before Hélène mostly spoke and looked at Pierre with a mocking or dismissive tone, but here she looks absolutely terrified of him. When he comes closer, she shrinks back against Anatole. I could see her visibly trembling. She rushes down the stairs and throws herself over one of the banquette booths.

·       When Pierre crosses her to get to Anatole she physically recoils and lifts her hand to shield herself from her husband. And maybe this is just a reaction to the visceral rage Pierre gives off, but you can’t tell me Pierre hasn’t or won’t in the future raise his hand to her. She just looks so terrified, and no one ever seems to notice this. And I just want to take her away from that home right now because she’s not safe. She’s not safe at all.

Pierre & Anatole:

·       So this is the big fight scene.

·       Pierre starts out like Marya. Restrained. But as Anatole gets more and more cocky, Pierre just grabs him and it’s truly glorious.

·       Anatole is practically shaking. But quickly recovers when Pierre realizes he’s gone too far. Side note: why the fuck can Pierre back down to Anatole and forgive him when he can’t even do that with his own wife, who is totally way less at fault here. Fucking misogyny that’s what it is.

·       So when he is all like “amuse yourself with women like my wife” Helene bolts up from where’s she’s been hunched over on the floor. The look she gives him, part terror, part rage, part disbelief like “how dare you say me or any other woman should have to go through this?” Hélène deserves better. Someone bring her to Marya’s house so they can kiss and make up.

·       During this, Natasha crosses to the middle of the stage with a glass of water. She holds it above her head and pours the arsenic into the cup. It’s such a devastating moment. And if you don’t know what’s going to happen you think she’s actually going to die. First she hunches over retching. Then after several beats, she shrieks in horror when she realizes what she’s just done. Somewhere in this, both Marya and Sonya spring up from where they’ve been waiting. Sonya looks devastated and disbelieving and as she runs after Natasha, she’s off-mic just saying no no no over and over. And Marya? Oh gods. Marya looks like she’s going to start sobbing. When she jumps up, she reaches out to Natasha desperately. Just her facial expression. Grace McLean Fuck me up.

·       Anatole takes off to Petersburg and the note he hits at the end. It’s truly a fascinating moment.

·       Hélène stares at him leaving and her heart is just shattered. She turns to Pierre as though pleading, but he just gives her this horrible glare, and she turns to lean over the banister, clinging to it to stay upright. Someone give this woman a tony for fuck’s sake.

Natasha Very Ill:

·       The song begins with sirens. Sonya crosses Marya’s path and for the first time there’s a moment of true affection between them. They’re united in their love for Natasha. Sonya looks at Marya with such devastation, and Marya reaches out to comfort her and assure her as best she can, but it’s not very effective when Marya looks as lost as she does.

·       Pierre enters the house, and leads Marya into a chair. Marya knows what to do, she always knows what to do, but now she just looks so small and helpless. There are tears pouring down her face, and just wow.

·       On the opposite side Hélène is seated. Hunched over and looking horrified and devastated over Natasha. I think Hélène, even if she wanted to shake things up, genuinely cares for Natasha (after all she is the goddaughter of her girlfriend).

·       When Sonya sings that Andrey is to return, the doors open, and the bright light once again illuminates the person coming out. When this happens, the entire cast shields their eyes, looking at him with such a variety of emotions. Marya is anxiously waiting for the axe to come, Hélène looks terrified, Sonya dreads everything. Only Pierre looks somewhat happy to see his best friend, even if it’s heaving mixed with sadness.

Pierre & Andrey:

·       So both Nicholas and Blaine deliver the “there’s a war going on” line differently. Nicholas says it with sorrow and exhaustion. Blaine says it angrily like “do you all know what’s happening? And I have to come back for this?”

·       He slaps the letters into Pierre’s hand.

·       So I’ve got some thoughts about the whole “but I didn’t say I could forgive” because on one hand if Andrey had asked Natasha to marry him again, they’d never be able to move past this. It would always be a sore spot in their life, and it probably would be a terrible marriage. But on the other hand, you fucking hypocrite. I understand where you’re coming from, but c’mon.

·       But the clincher is when Andrey returns home. It’s this exchange between him and his sister that condemns him forever for me. Mary is waiting for her brother in her father’s chair. And when she sees him she knows things are bad, but she’s just so happy to see her brother home from war and alive. She rushes to embrace him but he just shoves past her and slumps into his father’s chair. Mary’s face though. Frightened just like she was with her father, and you just know she knows the cycle is going to start up again. Because he is her father’s son. She’s completely defeated, and slumps back onto the floor at the foot of the chair. And you can’t help but wonder if she’s thinking it’s all her fault. Because that’s the kind of person Mary is… and if she had just been nicer, if she hadn’t driven Natasha away that first time…

Pierre & Natasha:

·       Natasha comes out in this shapeless shift, and I was just struck by how thin and helpless she looked.

·       This whole exchange between them is heartbreaking. Like when Pierre asks her if she loved that bad man, Natasha raises her voice telling him not to call Anatole bad. And people have said this before, but she’s just thinking that if he’s a bad man, what does that make her to fall for him?

·       When Natasha doubles over and starts to sob, your entire person feels her pain. In the last performance I saw, she sobbed even louder than I’d heard before. Because the show was ending tomorrow, and emotions were high. And I’m still not okay after that.

·       And when Pierre does his spoken line, the entire theater is dead quiet. No music, no nothing. (Side note: during my last show, the woman next to me – who kept snottily telling me that they’d take my phone away if I was using it or recording (and I wasn’t thank you very much) – her phone vibrated at this exact moment, and I can’t tell you how satisfied I was with that. I only regret that she didn’t see the amazing side eye I was giving her. And then during the next song she starts trying to make a call. Like fucks sake!!!)

The Great Comet of 1812:

·       So during this song I couldn’t help but think Dave Malloy looked a bit maniacal. His shoulders were hunched, and he had his head tilted into one of them. And he had this stupid little grin on his face. All in all, so Pierre.

·       Natasha is the comet, pass it on.

·       When the entire cast joins him, it crescendos into this beautiful, and devastating melody.

·       I was watching Grace (no surprise there) and she was physically struggling to hold it together. She kept wiping her nose and dabbing at her eyes with the handkerchief. And when the song ended she had to pull herself up and together to finish the bows. I know I’d be a sobbing mess, so she’s just that good!


·       So the non-instrument playing ensemble comes to the circle around Pierre’s office, and they all take turns with their bows. Then the instrument people come and circle around. The fiddles get their spotlight, and the clarinet, and the accordions. The opera dancers get a spotlight too.

·       Then, almost in reverse order from the Prologue intros, the main cast comes out. First Balaga dances around. Mary and Andrey/Bolkonsky do their thing. Everyone is still in character because Mary is so sweet, and thankful, and when the actor for Andrey/Bolkonsky switches between roles, he turns puts on the glasses and shakes.

·       Dolokhov does this fantastic air guitar motion, and everyone cheers.

·       Then the music changes to something so joyful and upbeat with this rockesque feel. Hélène saunters around (and I forgot to mention her costume from Find Anatole to now is just this super extra dressing down, a corset, her stockings, and undergarments. It’s really something. I want one). During this Marya is just like, “ugh please” but it’s with this exasperated affection (for her girlfriend!)

·       The music changes again and Marya spins around bowing. I just really love Grace McLean.

·       She then hands it off to Sonya. And then we go to Anatole and yeah he always gets a cheer. Like Lucas Steele totally deserves it, and probably that tony as well. But like Anatole, what a fuckboy.

·       Then from the big doors, Natasha and Pierre emerge. There’s a shitton of cheering, and once they’ve acknowledged the orchestra (who all have their own costumes too!) it’s ended.

·       And we must say goodbye to our lovers once last time.

Final Thoughts:

·       Dave Malloy is a genius who deserves better. The whole cast deserves better honestly, but they’re going on to great things.

·       Ghost Quartet is going to be coming to off-broadway for a month, and I want to go so badly.

·       Gelsey Bell isn’t real. She’s some otherworldly being with a voice of an angel.

·       Brittain Ashford is so pure, and good.

·       Denee Benton captures Natasha so well, and I’ve never seen such beauty.

·       Amber Gray? More like Amber Gay, amirite? Seriously though, I could listen to this woman all day long. Her voice could melt glaciers. And Hadestown better bring back Amber Gray because I need to hear her sing those songs.

·       If I could write an entire thing on how much I adore Grace McLean we’d be here for the rest of time. So I’ll just say that we don’t deserve this woman in our lives. She is amazing and talented, and beautiful, and is both life and wife goals.

·       But that, is all I am permitted to say.

anonymous asked:

How about some sin? (͡° ͜ʖ ͡°) How about Reaper, Hanzo, Genji, and Roadhog getting tired of being teased by their needy s/o decides to pin their s/o down and over-stimulate the crap out of them

oh man oH MAN it’s been so long since i’ve written dirty shit g o o d b y e

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Double Shot

Characters - Steve x Reader, OFC Tesla (@bovaria ), Phil Coulson

Word Count - 1034

Warnings - Language

AU - Coffee Shop

A/N - I only have a few parts of this done. So far, it’s a slow burn and will have some twists and turns. There are OFCs, but it’s people that ya’ll should know by now.

Double Shot Masterlist

Originally posted by butteryplanet

5:30 am wasn’t your friend. In fact, 5:30 am was the mortal enemy that you rose from the dead to fight on almost a daily basis. With your alarm blaring throughout your room, you rolled over in your bed with a heavily annoyed groan. Normal people would just push themselves up, go have a cup of coffee, and start getting ready for their day. You weren’t one of those people, considering that coffee was basically your life’s work by now.

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Harry Styles - #SoloHarry Interview Imagine

[I too am in love with shy, bumbling Harry. I’m in love with any and all Harry’s there are, though honestly. Enjoy!]

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Squeaky Clean

The Request: The reader is a member of Rick’s group and is there when Negan comes back with Carl. While he waits, he looks around the area and decides he wants to take a bath in one of the homes. While he’s taking a bath the reader is there helping him with whatever he wants & Carl is in another room. The reader sees Negan lounging in the bathtub & decides to have her way with him. Smut it up! I’d love for it to get down & dirty!!!

Characters: Negan, Reader (OC), Carl

Rating: Mature 

Warnings: Swearing & Smut

AO3 Link:

Originally posted by rikkisixx

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ART TIP: blinging up doodles

So in case you are like me with art, meaning rather lazy and procrastinating a lot when it comes to most work. And you also feel like posting same-level of doodle art lot of the time is getting boring and it looks very same-y, not very impressive etc etc …

Here’s a few simple ways to bling up a doodle to make it look bit better and virile that every new or moderate artist should at least try, so we can all fake like we have some actual quality in our art. 

30% of the time, these work everytime.

1) White lines - very simple and widely used. When one needs to make borders pop out more or when there is need to differentiate between objects/characters in the piece, like here, as the colorpalette on two characters is very similar.

2) Hues - just adding simple hue or gradient level on top of the colors makes it a lot cooler. Used with Overlay-layer setting, though you are free to test out others- Don’t overdo the hue, as that is very easy to do.

(color hues and gradients are also good way to give certain air to the piece. Certain emotion or atmosphere, depending on colors you use.)

3) Actually 2 combined. Lightsource and colored lines. Giving the piece a very simple lightsource with just airbrush and add - layer setting makes it look very nice.

Also throwing some color to certain parts of the lineart makes it look more live as well. If you’re not sure what strategic places to add it on, the most basic rule is to color lines inside outlines. Meaning that, all linework that is in straight contact with background color remain black, while lines inside it (like clothes lines) can be colored.

anonymous asked:

have you ever written anything about Alec and Magnus getting ready for and going to Pandemonium?

i’ve written about them at pandemonium several times but never getting ready so here we are

there was something hazy about the night, the sunset still green at the horizon outside behind the glittering skyline of new york. it was worse inside and alec hadn’t had anything to drink yet but he found himself feeling a little bit tipsy. maybe it had been the kisses, his body pressed against magnus’s in the doorway, the feeling of magnus’s tongue in his mouth and his hands on his hips still making his head spin. or maybe it was just the way he felt as he stood in front of the full length mirror, slowly buttoning a shirt up over dark swirls of chest hair and the edges of his dark black runes.

there was something warm and slow about this evening and about the night he knew was to come. and it got even more so as he stopped buttoning just short of his throat as magnus emerged from the bathroom. he was wearing a burgundy shirt that was hugging his arms in a way that caught every bit of alec’s attention. it was buttoned all the way up to magnus’s adam’s apple, silver necklaces spilling down over his chest, and that always made it a thousand time worse, didn’t it.

and of course magnus knew, he always knew, their eyes catching in the mirror as he walked up behind alec, pressing close enough that the warmth of his body made alec’s eyelids droop.

“it looks good on you.” magnus murmured, and he was close enough that alec could feel his breath on his neck, a shiver shooting down his spine as warm palms pressed into his arms. alec found himself powerless against the urge to lean back into magnus’s chest. he stared at him in the mirror for a second, half lidded eyes and then he glanced back, their faces almost close enough that he could have kissed him.

“that’s because you picked it out.” alec replied, his voice low and a grin pulling at his lips.

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Table for Three pt. 8

Prompt: You know there are two women. In fact, you’re both aware he has options. It’s just a matter of who he chooses. (Reader, Natasha, Bucky love triangle in shorter words.)

Pairings: Bucky Barnes x Reader, Bucky Barnes x Natasha Romanoff

Word Count: 1985

Warnings: love triangle, angst, language

A/N: well here we go. another part. happy reading everyone! (:
reminder: TAGS ARE CLOSED.

Part 7


You bit your lip as Natasha took a seat on your bed. Your heart was racing, pounding. You took a cautious step towards her but then took it back. She brushed her red hair behind her shoulders and took a deep breath. A few moments passed as you watched her gear up for the conversation. She shifted a few times in her seated position and you could tell she was nervous. You were equally just as nervous. You’d let your guard down for a few moments, believing the honeyed words that Bucky had fed you. If you found out everything he said was a lie… You balled your fists before taking a deep breath.

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Jaller, Captain of the Deep Seas

Made for the 2017 Bio-cup.

The theme was revamping a set so it was a good excuse to make another Mahri revamp to go with my Hahli.

You might notice that the upper leg design is very similar to Hahli’s which was intentional right from the start, I tried to keep a lot of design aspects from my Hahli moc to make it look like they could be part of a Toa team.

I’m not sure why I though making Jaller a pirate captain-esque figure but the more I though about it the more it made sense; underwater theme, head of the toa team, looking for a mystical gold treasure. Makes sense I guess.

ColdFlash Earth-X Tragedy

I had this idea the other day of the portal in STAR Labs opening up, calling down the team to see who’s coming through it, and out walks Captain Cold holding a little girl, only this is clearly a different Cold than theirs from the design of his costume and the earnest expression on his face. 

He’s looking for asylum, for help, because terrible villains have been wreaking havoc in his world and his Flash is dead. 

He sets the little girl down, who’s been hiding her face in his shoulder, and when she peeks out and sees Barry, she runs to him, “Daddy!”

Barry allows her to hug him, frozen, unsure what to do. The others all stare. 

“Papa said they killed you,” she sniffles into his chest. 

“Nora,” Snart calls to her, walking over slowly, voice tender and patient, though his face shows how stricken he is. “That’s not Daddy. Remember, I told you the people here would look like the ones we know, but they’re not them. I’m sure he’s just as good of a man as Daddy…but he’s not him.”

He extracts the girl from Barry. She’s crying but she looks at him with understanding. “You’re The Flash like Daddy was?”

“Yeah…I am.”

“Then you can help us?”

Barry can’t possibly say no.

Club Soda and Whiskey

Characters:  Dean x reader, Sam

Summary:  Dean meets reader at a rock show.

Word Count:  3317

Warnings:  Language, sex, slightly angsty 

As aways, feedback is welcomed and appreciated. Tags are at the bottom. There is still room on my new Forever Tag list! Add yourself here

Originally posted by bringmesomepie56

Club Soda and Whiskey

Sipping your drink, you sit on the stool at the bar. As far as venues go, this one isn’t too bad. It smells of beer, but not in a funky, sweaty man and stale cigarette kind of way. It’s not smoky and the crowd seems cool. The band has played in far worse conditions. Like that time at that dive bar in LA. That was a night that you’d never forget. A biker gang had decided the middle of the set would be the perfect time for an all out brawl. One thing was for sure, there was never a dull moment to be had.

You fiddle with the slice of lime garnishing the rim of your glass while you watch the crowd. A tall, handsome man threads his way through the crowd. He’s rugged and sexy, broad shouldered. You notice by his gait that he’s bow-legged. He sidles up next to you at the bar and gives you a broad grin. Damn, he’s one good-looking son of a bitch. Probably a total douche, though. Most of the guys you meet in these clubs are.

Lifting a finger to the bartender, the man says smoothly, “I’ll have whatever she’s having.”

You stifle a giggle as the bartender replies, “You want a club soda?”

The light catches his eyes as his lips turn up into a grin. They are a brilliant shade of green. He chuckles, “Scratch that. I’ll take a whiskey.”

The bartender nods and turns to pull a bottle off the glass shelf. Tall-and-handsome turns to you, extending his hand. “Hi there, I’m Dean.”

“Hey,” you respond, taking his hand and grasping firmly. Christ, he’s strong. “I’m (Y/N).”

“Have you seen this band before?” he asks casually.

“Yeah, I’ve been to all their shows.”

“Wow, that’s dedication! I’m just in town for a few days and thought I’d catch a show. I’d never heard of them until today.”

“Well, Dean, you are in for a treat,” you say, smiling up at him. Dean looks just past your shoulder and you turn to see the hulking form behind you. It’s Clint, head of security for the band. Clint is big and looks menacing, but he’s a teddy bear at heart. Clint leans and whispers in your ear and you nod in response.

“Sorry, Dean, that’s my cue. I have to get going”

“Wait…are you with the band?” Dean asks.

“Uh, yeah…I’m the tour manager,” you reply.

“Really? Awesome!”

You give him a wave and start to follow after Clint, before turning back to Dean. “Hey, what do you say to a backstage pass?”

“For real?” The expression on his face is like a kid in a candy store. “Man, I’d love that. But I’m here with my brother…”

“What’s his name?”


“Okay, when you find your brother, go talk to Clint. He’ll be to the left of the stage. Give him your names and he’ll bring you backstage.”

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Imagine Bangtan: Tattoo Artist & Piercer! Jeon Jungkook

Hey guys! So, this is going to be a different profession AU! for all of Bangtan~

I hope you enjoy it!!! 

Imagine Bangtan (Different Profession AU!): Min Yoongi | Kim Taehyung | Park Jimin | Jung Hoseok | Kim Seokjin | Kim Namjoon

Originally posted by jeony

Okay so, this is how I see it going

  • After you’re done with your exams and shit, you made this plan to fulfill your dream of getting a tattoo and extra ear piercings
  • So you ask around for a good place to go to and book an appointment with the best guy there
  • After a couple of drinks and some encouraging pep talks from your friends, you decide to head out a bit early, just to make sure you aren’t late
  • And you’re sitting in the waiting room when you see him
  • He’s got the most beautiful tattoos all over his right hand, covering the length of it and his piercings shine under the lighting, making you blush furiously
  • Because how the actual fuck can a guy look that hot?!?!!? I know this is a cringe line but someone needs to arrest him for being so hot like wtaf
  • This had by far got to be the most handsome man you’ve ever seen in your life and you’re practically drooling
  • And then he gives you a heart attack by walking towards you
  • You’re internally freaking out like ‘why is a hot guy walking towards me???’
  • And he’s like, “Y/N?” leaving you super confused but you nod your head yes and he smiles softly at you before being all swag like, “Okay hon, let’s get you pierced and tattooed up, shall we?”

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