not as sketchy as the last dragon


“Fenris! We’re finally reunited!”

“It would have happened sooner if someone gave clear directions to this place.”

“Eh? But I wrote it out in my last letter: Let’s meet at A Non-Descript Tavern on the road to Ostwick!


;’) A very sketchy sequel to this.

Deep Roads Overlay Map

So, back in one of the earlier books of Dances in Darkness, I mentioned I had taken awhile writing because I was trying to work out all the locations of the Thaigs and Deep Roads relative to the surface. We know that the dwarven empire once spanned almost all of Thedas. Most of it has been lost. Only Orzammar survives. 

During the Paragon of Her Kind quest in Dragon Age: Origins, we are given a “map” by whichever person you choose to support, which is ultimately a rough work-up of what their team has discovered so far. We know it’s maybe a little inaccurate. It’s absolutely not even remotely complete, and yet it has a lot of information there for us. The Warden uses it to reach the Anvil of the Void and yay, all is happy.

This is the longest portion of the bloody game, and tedious in parts. You visit a lot of locations, and have to fight your way through some fairly large areas. I have no idea if my timescale is correct for Dances in Darkness, but I use Dagna’s two weeks from Orzammar to the Circle Tower as a guide, so all my times in story come from that generalized figure (I count this as two weeks walking or slow riding). I guess it takes about as long to Redcliffe, and contrary to people saying you can sail to Kinloch Hold from Redcliffe in 2 days (one there, one back) in game, I’m not sure how that’s really possible unless you account for boats being amazing, and Templars not being angry at people sailing directly from Redcliffe to their Tower. I feel like there’s maybe something weird with that. 

Ultimately the endeavour to work out the Deep Roads then actually came from a need to get my timescale right. In Dances, they’re on a very limited time schedule to work in, and I needed to know just how limited and if the time constraints set were even possible. So I needed to know how that Deep Roads map relates to the actual Thedas map of Ferelden to compare Dagna’s two weeks measurement (let’s trust her on that; she’s obsessed with the place and would probably know specifics like measurements given she’s a smith’s daughter who loves learning).

Looking at the basic Deep Roads map, we get this:

Now, at first glance, you look at this thinking right, compass rose there in the lower corner, so the Anvil of the Void and Bownammar are west, probably into Orlais, and Cadash Thaig is down south, and Orzammar is there in the north-east corner. Except this is not actually correct. We have several pieces of evidence that point to the fact that this map is not currently correctly angled.

1. This is a mock-up by Bhelen/Harrowmont men trying to find Branka. It was made by dwarves who have never been to the surface and navigate using stone sense (which is probably linked to lyrium and not to an actual magnetic direction). Therefore, there is no reason why dwarves would use north/south/east/west anyway.

2. It deliberately says on the map in the top right corner “to Frostback Mountains”. Since the Frostbacks are an entire mountain range, let’s assume this means to the mountain range itself, and that arrow up there is pointing to the range. The range therefore runs somewhat along the entire top edge of the map.

3. We enter Orzammar from the surface from a door that is facing South. The door leads into the Commons directly across from the Provings. The door into the Deep Roads is actually then off to the right in the level, meaning that the map should be showing the Deep Roads exit/entrance to Orzammar. And it does. If we angle the map again, we find that the map is angled incorrectly.

4. In one of the books (I think Stolen Throne?) Maric and Loghain and Rowan are fighting in the Battle of West HIlls (located up near Highever and Waking Sea and the Storm Coast). This battle goes spectacularly badly. Maric, Loghain, and Rowan only escape the battle by fleeing into the Deep Roads, where they end up somewhere in or around Ortan Thaig. They then travel through the Deep Roads to Gwaren to emerge, by which time everyone thinks Maric is dead, and this is some spectacular resurrection or something. It’s because of this previous journey that the Grey Wardens later try to get King Maric to help them navigate the Deep Roads after Rowan’s death (The Calling, I believe). This is the whole Fiona/Maric and Duncan and the Architect story here. The Architect is doing something sketchy in a Thaig called Kul’Baras, and he later emerges very close to or under Kinloch Hold itself. This information actually gives us locations of not one but three different Thaigs on the map. Kul’Baras is somewhere under Lake Calenhad. Gwaren is under Gwaren. And Ortan Thaig is under West Hills. Only one of these is specifically listed on the map, but we also know where Orzammar is too, so then it just becomes a matter of lining it up.

The result is something like this:

As you can see, by lining up Orzammar, the arrow pointing to the Frostbacks, and Ortan Thaig, some very interesting things happen. Some of those symbols on the original Deep Roads map start to line up in some very interesting places. Gwaren down there was only a smidge off Gwaren itself. And that dog symbol comes up right by Denerim. Large pockets of spaces, which before I had assumed were simply twists and turns, actually appear to be Thaigs themselves. There’s only one big blob of Deep Roads map under Lake Calenhad, so I assume that is Kul’Baras where the Architect first worked. We have some very interesting symbols and roads skimming off in the northern portion of the map. That little tower symbol from the Deep Roads map falls right near Kirkwall in the Vimmark Mountain Range. I don’t know, but that symbol looks suspiciously like this to me:

This, for those who don’t know or don’t recognize it, is the base of Corypheus’s prison from the Deep Roads level. We know it’s connected to the Deep Roads, because Varric’s ancestor got stuck there and died. If ever they were going to mark something on a map it would be the tower underground that you really don’t want to go anywhere near unless you get stuck.

Also interesting is to note the location of the Anvil of the Void, far south in the Korcari Wilds. The chasm where we first meet the Archdemon in DA:O is there too, and happens to run from Ostagar all the way to Denerim. Which, coincidentally is exactly where we happen to see the Archdemon and the horde: Ostagar, the chasm, and Denerim.

Obviously some of this then becomes guesswork. We can tell by some of our map locations which Thaigs are which, or at least the general locations. We know Kal’Hirol lies under Amaranthine, and Cadash Thaig from our maps appears to be west of that under Soldier’s Peak or thereabouts. Take it further and we see parts of the Deep Roads extend even under oceans, which is fully understandable as Cadash Thaig is a flooded mess, and what would stop them digging under the ocean? They’re dwarves. They must have passages under that way to connect to everywhere else in Thedas.

A few educated guesses and some map locations comparisons from Inquisition give us the locations of a few more places, like Valammar (best guess), and Daerwen’s Mouth on the Storm Coast. Since we know the location of Crestwood from the game map, it’s not hard to work out which of the Deep Roads blobs is the old crossroad. And once we do, we get another point as well. Gundaar. The crossroads under Crestwood was created to commemorate a paragon (see codex information for this) and was located directly halfway between Aeducan Thaig and Gundaar. The best guess I have is that dog symbol near Denerim, and since Gundaar was a fairly large location it makes some sense it would have its own symbol or whatever.

A few other locations are done by a basic search on the Dragon Age wiki for what we know about Thaigs. Two thaigs lie somewhere south of Kal’Hirol: Varen and Kal Barosh. These are best guesses based on where the blobs are in the map and based on that general statement, and are probably the most sketchy of the locations.

That golem symbol…I don’t know what that is. But if I had to venture a guess, my best guess is the location of Amgarrak Thaig where they tried to recreate golem work. Also this is a very sketchy guess. I’ve got nothing further to suggest that’s it.

And the last interesting point of note: there is a path leading under the ocean parallel to the coast alongside Kirkwall. Is this the path towards the Primeval Thaig? Maybe? I don’t know…

Anyway, it took me a bloody long time to do this, and this is the best guess I have. The same map in raw form is actually all of Thedas, but without more Deep Roads maps I cannot expand it as the only other point I know is Kal Repartha located in the Hissing Wastes on the surface. I did take some time to work out the general locations of the Archdemons, and where they struck, but what that tells us is only that with the exception of Urthemiel, and a number of attacks located along the southern edge of Lake Celestine at Montsimmard, it appears that everything south of the Waking Sea has never before experienced Blights, or at least has never experienced the massive attack. In fact, the area that seems to suffer the most is in fact the Silent Plains where Dumat was finally slain.

So I’ll leave it at that for now. Hope you guys enjoy the maps and find the information intriguing. It may all be wrong, but I hope maybe some of it is at least right, cuz I like to think that there’s a bit of the poetic in the way the Blights played out.



The first book released for Advanced Dungeons & Dragons was the Monster Manual (I’d have published the Player’s Handbook, first, but what do I know). Written entirely by Gary Gygax, the book is a compendium of, as the back cover says, over 350 monsters, compiling statistics, detailed descriptions and, in most cases, a now-iconic illustrations.

It wasn’t the first RPG bestiary – Chaosium released two volumes of its primitive All the World’s Monsters earlier in 1977, but those books don’t have the polish or detail of the Monster Manual. It was the first hard cover RPG supplement, but what makes the Monster Manual special is, as is so often the case with early TSR publication, that it set the mold for others to follow. Even now, decades later. I have piles of books dedicated to RPG monsters. Out of the Pit, Malleus Monstrorum, Creatures of Barsaive, The Gloranthan Bestiary, Galaxy Guide 4: Alien Races – all following in the standard created by Gygax. Monsters got me into the hobby and they’ve remained a strong interest. I mean, who doesn’t love monsters? I’ve gotten rid of most of my Third and Fourth Edition books, but I kept all the Monster Manuals.

There are a lot of great artists in the first Monster Manual, but David C. Sutherland III steals the show with his cover and his two full-page illustrations. DCS isn’t my favorite early TSR artist, but the amateurishness of the cover is endearing (Except the manticore. Manticore’s don’t have wings). His interiors tend to be sketchy and stiff for my taste, but the battle against the kobolds is kind of magical (A web spell! That roman-looking dude! Why is there an ant on his shield? That is awesome!). The fighter advancing on the mob is maybe my favorite illustration by DCS – detailed, well-drafted, entirely surreal.

One last thing worth noting: the Monster Manual, with its devils, demons and exposed breasts, is one of the key books that would eventually get TSR in trouble with conservative Christians, so I guess it was trendsetting in that regard, too.

I’ve been wanting to replay Dragon Age Inquisition for a while now - same canon inquisitor as last time, but slightly different decisions that I wanted to fix for my canon playthrough. So keep in mind i haven’t booted up this game since like Trespasser, so that’s like what? October 2015?

I fucking started crying.

That title screen. The music. The atmosphere. Just being reintroduced to this world and the characters, knowing I’ll be able to fall in love with them all over again. The hidden subtleties I didn’t notice before (Solas is actually super sketchy in the beginning when you already know he caused this shit and it is brilliant.) Knowing I am going to lose myself for hundreds of hours in a world I care so much about. (My first playthrough totaled at 192 hours).

Like say what you want about Bioware, but no game par maybe Skyrim has ever managed to get such an emotional response out of me.

Like, it feels like coming home.

Keep in mind that this is still just a rough sketch, it has a long way to go before it looks good XD but I figured it was decent enough to share

My own Aku dragon design concept inspired by this

And before anyone asks, yes I got @birdantlers permission before drawing it :) Thanks for letting me! I had fun with this one ^^

He looks a little confused here… Probably wondering why he had to have so many fur/fire tufts XD or why I decided to make his pupils slits

Anywho, this literally took, like, 5 maybe 6 minutes to draw - again, it still needs some work (mainly the feet lol) but I hope it’s alright for now

Also… HEART-SHAPED NOSE <3 Boop the snoot

Probably going to wanna’ draw more of him like this later, so enjoy this sketchy sketch for now X3

Samurai Jack © Genndy Tartakovsky

This doodled by me


x x x x x

The wonderful @trashwarden tagged me to post 5 pieces of my own art I like the most. 

The first three are pretty old, but I still love them. Skylar, my own Fallout 4 OC, and some Inquisitors I did as a giveaway prize. I was really proud of these three portraits and I still really like them (though there’s a lot I would change). 

Took an art hiatus of sorts and since I’ve been back at it I’ve been trying more full bodies, half bodies and backgrounds, line art and simple colouring. Number 4 is my fave from Dorianmance week, sketchy but I love Dorian’s expression, it’s my cell phone background still. 

Last one is my most recent finished piece, a tarot card design for my Hawke. I am really proud of how it turned out, if only because it really stretched me to the limits! I designed it around the original cards symbolism rather than the Dragon Age Tarot  from Inquisition, and I’m proud of that too! I learned a lot with it. 

What do you think folks, fav?

Not sure who to tag so if you haven’t participated yet consider yourself invited!

anyone read this series? bright prison by inukai nono, illustrated by aya, currently 6 volumes but 7th vol coming out 11/2.

just finished vol 1 last night, will start vol 2 maybe tonight? ooooh maaaan this series is craaaayyyy yo. insert dis crazy asf religious organization and school system where you don’t even know your true name or identity or family origin or anything, a (perverted) dragon god who can only be summoned by the chosen few during intercourse with a medium, lots of sketchiness, amusing side charas, shittons of shady ass secrets goin on in the bg, and an amazeball main CP.

oh. and incest between this CP :D (dif mamas)

the plot is wooooo but i enjoyed this way, waaaay too much bc dramaaaa and bc shou the uke is my bae of the year x3 tokiwa is hnnngggggg a seme older than me thank you. the tokiwa x shou pair man, i love it. the fact that sensei wrote that vol 2 is dem as “koibito toshite” makes me wanna cry so hard. yessss. tokiwa, protect my bae at all cost or imma fight u (false i ain’t fighten no one)