none of you know who she is

Romeo and Juliet - Cole Fluff

Request: Can u do one where Cole is so shy boy and he’s in love with also shy girl. One day he comes to her to tell her about it but her mom says she’s not home so he goes under her window and throws a stone in it. When she open the window he start recite Shakspeare. U know.. “But soft! What light through yonder window breaks?It is the east, and Juliet is the sun.” etc. Ily and I’m so sorry for my English and repetition.. Greetings from Poland ♥

Warnings: None :)

Notes: None :)

Tag List: @xbobaaa @superoriginalteenwolf @jbrhs-princess   @kindfloweroflove

*COLE’S P.O.V*

I nervously knock on Y/n’s door, hands shaking and heart pounding in my chest. I took a few deep breaths before the door opened. 

“And who must you be?”, a woman asked. 

“I’m Y/n’s friend, Cole”, I smile warmly at her. She raises an eyebrow, crossing her arms as she eyes me. 

“And what are you doing here?”

“I came to see Y/n, if that’s alright”, my heart pounding even harder and my voice was shaky. 

“She’s not home”, the woman says bluntly before slamming the door in my face. I stared at the door in astonishment, before shaking my head and sneaking into the backyard. I noticed a stone and picked it up, throwing it at Y/n’s window, sighing in relief that it didn’t break it. A few seconds later, Y/n opens the window, sticking her head out. 

“Pst!”. She looks down at me and smiles warmly. 

“What are you doing here?”, she nervously laughs, with a confused expression plastered on her face. 

But, soft! what light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou her maid art far more fair than she:
Be not her maid, since she is envious;
Her vestal livery is but sick and green
And none but fools do wear it; cast it off.
It is my lady, O, it is my love!
O, that she knew she were!
She speaks yet she says nothing: what of that?
Her eye discourses; I will answer it.
I am too bold, ‘tis not to me she speaks:
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
 What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars,
As daylight doth a lamp; her eyes in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See, how she leans her cheek upon her hand!
O, that I were a glove upon that hand,
That I might touch that cheek!
”, I recited from Shakespeare’s ‘Romeo and Juliet’. 

O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name; Or, if thou wilt not, be but sworn my love, And I’ll no longer be a Capulet.”, she laughs as she recites back. 

“Is that what you came here to do? recite Romeo and Juliet”, she laughs again. I nervously laugh back again;

“No, I ugh – I came here to ask if you wanted to go out with me?”

Originally posted by 2017blackmagic

“Oh, Cole. I would be honoured”, she says as she smiles down at me. 

anonymous asked:

Excuse me, but what does Isayama say about the character of Ymir? This confirms that she is dead since he said. "When i was doing the manga i had a lot of fun writing Ymir.I can't wait to see how she fares in this season." It will have another meaning the truth do not mean that with this you could say, although my interpretation is that it goes to the middle of the season just like Reiner and Berthold. Could you explain me please

I have absolutely no idea what Isayama says about Ymir, because I am an absurd killjoy who has been following none of the interviews.

I do know that it can be a lot of fun to watch a story play out the way you intended, and especially for the parts through 50, Isayama clearly put a great deal of care into Ymir’s role in the story. It’s probably really exciting to come back to that and see it live and in color.

We might get to see even more of her than in the manga thanks to anime filler, too.

-shrugs- I don’t think anything in season two is going to shed light on Ymir’s current manga position. That could be cool and all, but whatever the conclusion of her story is, forty chapters after the obvious season midpoint, we still don’t have the complete picture.

The anime’s probably going to gift us with a lot, but major story developments are likely still getting stuck with the monthly wait.

The Perfect Storm The Final Chapter (Jensen x Reader)

Originally posted by whoeveryoulovethemost

Title: The Perfect Storm The Final Chapter

Summary: Jensen Ackles just wanted his ex wife to sign the divorce papers before he married Danneel. He didn’t want roped back into the storm chaser life. But once a storm chaser, always a storm chaser. Based off the movie Twister (RIP Bill Paxton)

Warnings: None

AN: I have enjoyed writing this fic. Thank you for everyone who read it! If you have any ideas for another based off a movie fic, just let me know!

Keep reading

more "aliens being surprised by humans" stuff

our ability to belt out one entire three to five minute long song if we’re familiar with it like. suvi starts singing “hallelujah” to fill the quiet and is answered by liam all across the room in a p decent harmony. cora walks past and starts humming it enthusiastically even tho she can’t stay very long. gil joins in for the third refrain. ryder finishes it off with a passionate solo.

when they look around every alien is staring at them. vetra blinks and knocks her hands together. “that’s what you’re supposed to do when humans make those sounds right?” she asks kallo beside her, who mirrors her. everyone is a little stunned at the coordination and emotion in the performance and they all look equally moved. jaal might be crying. none of them know what a ‘hallelujah’ is, but they feel like they’ve come to understand it through this melody

they’re all extremely confused when all of the humans still continue on on their tasks without pause

edit; other songs include but are not limited to: bohemian rhapsody, mr. brightside, single ladies, no scrubs, and i will always love you

Chill guys

Okay so as many of you are aware Elise recently came out as bisexual. I know it means a lot for us (I’m so happy and proud of her!) BUT just because she came out doesn’t mean there’s the free right of start asking who she is dating, that’s none of our business. So yeah celebrate and be happy that she identify as Bisexual but respect the boundaries and don’t start asking other blogs or her ( which is worse!) who she is dating.
There’s already a lot of people who send inappropriate stuff about dating some co-star (or are losing their shit, in a bad way, for her last tweet) so please I beg you to be smart and just be happy for her okay? Don’t try to ‘discover’ things that are not your business, she deserves privacy and respect

GUYS

everyone is complaining that tara shouldn’t have gotten her own episode. 

the ONE TIME a gay character has been the main focus of an episode, everyone complains about it.  (Denise’s episode was accompanied by two other main characters, and she died at the end, Aaron and Eric haven’t gotten their own episode, and Tara’s first on-screen girlfriend was killed before we could even get to know her) 

I get it. You want more Richonne. More Carl. More Sasha and Maggie. I do too!!

But a canon lesbian character just got a full episode to herself!! on the walking dead for the first time!! this is big for the lgbt+ part of the walking dead fandom. please stop complaining about it. show it some love because if this episode does poorly, who knows when they’re gonna center more episodes around lgbt+ characters!  even if you say “she shouldn’t have gotten her own episode because she’s not in the main cast” NONE of the gay characters on the show are in the ‘main cast’ and none of them will get the chance to be if we shoot them down when they get their own episodes. You all didn’t even complain this much when the Governor got a full episode. The Governor. 

I'm lost....

Niggas love intelligent girls but when I bring up social injustice and misogyny in the media and in real life, they look lost asf. Can’t discuss political views cause the only person they know running is Donald Trump. Can’t discuss music cause the main ones on here arguing that young thug is a lyrical rapper as we speak. Can’t discuss art, they don’t look at it. Can’t discuss literature or debate history or theories cause niggas don’t read. So how Tf you want an intelligent girl when the only conversation you can hold is about sexual shit or dumb shit. And if none of that is your definition of an intelligent woman then please give me yours….Because an intelligent woman to me is a woman that’s aware and cultural. Who can spit knowledge on anything because she keeps up on it. A woman that knows but also loves to know more and thrives off of stimulating conversation. And witty banter. Or maybe I’m wrong.

It’s election day. Please vote for Hillary. I have never been so nervous about an election. These two candidates are polar opposites and to say they’re both equally bad is false and dangerous. Trump and his VP want to strip away basic human rights for everyone who isn’t a cisgender straight white man. Say goodbye to safe abortions, marriage equality, and any future progress we would make by having a blue supreme court. Even if you don’t like Hillary, if she wins, the supreme court will go blue for the first time in decades. That’s HUGE. Human rights will move forward at an exponential rate. Hillary is qualified. She has done amazing things despite the GOP smear campaigns saying she hasn’t. 

I know none of my followers are voting for Trump, but a lot of you want to vote third party. Please do not split the vote. If you are liberal and you do not vote for Hillary, you are splitting the vote, and ultimately helping Trump win. This is dangerous. This is scary. This is real. This whole election reminds me of the rise of Hitler. 

Please, if you can, just vote.

The question I get the most is, ‘Do you want [Iris] to have powers?’ And while I would say, ‘Yes, I would love to strap some leather on for an episode’, I love that she provides this human quality to this very superhuman show. It’s something that our audience can all identify with. None of us are probably gonna get struck by lightning tomorrow and end up being the fastest man alive, I mean it could happen. But this show reminds us, you know, if you did get struck by lightning tomorrow, are you Barry Allen, or are you a villain? Who are you today, and what kind of person are you? So, it’s really fun for me to get to play this really human element on our show. I think [Iris] is extraordinarily important to Barry’s superhero narrative.
—  Candice Patton

Karen Page is so important like really

  • In the comics her character is the worst example of “fridging”, which is where a female character is put through trauma to cause angst for the male hero
  • Karen goes through plenty of trauma in the series however none of it is to facilitate Matt’s angst (he doesn’t even know about most of it???) it’s all to make Karen grow as a character and build her up as a hero
  • The kind of trauma Karen goes through is not the sort of shit you typically see a love interest endure
  • Literally: Karen goes through so much shit and it never even goes near rape-territory. She is proof that you can write a strong female character who goes through horrible things without having to sexualize her trauma 
  • On that note, there is this stereotypical scene in films where after a female character is raped, you see her washing off the shame in the shower. It’s a cliche, and it has sexist connotations because it implies that women should feel dirty after they are raped. Meanwhile, men will get this washing off shame in the shower scene after they do something terrible, like kill someone: they’re washing off the literal or metaphorical blood.
  • KAREN GETS A (NON-SEXUAL TOO!) SHOWER SCENE WHERE SHE WASHES OFF THE METAPHORICAL BLOOD AFTER KILLING A MAN. 
  • She definitely cannot be replaced by a sexy lamp - much of the plot is actually instigated by her investigating.
  • Which is really important? Because Matt has an actual legal parter who the writer’s could have chosen to push the non-Daredevil side of the plot forward and have him doing the investigating with Karen occasionally helping him out, but instead the writers decided to make Karen be the instigator
  • And they do it in such a way that they somehow avoid the “stupid nosy girl who gets in over her head and the hero has to save her from her own messes” cliche. Karen’s investigations are never portrayed as her being nosy, but rather her being tenacious and driven. Plus she gets herself out of her own messes.
  • Again: she kills a man. By shooting him. Several times. In a self-defense yet morally ambiguous way.
  • She’s morally ambiguous in a way women are often not allowed to be in fiction without being painted as a “femme fatal”, yet is still one of the most moral characters on the show.
  • There’s this roundtable that Emma Thompson was on where she said she wouldn’t do roles where the woman says to the man “don’t do that brave stupid thing.” Which is something you see in comics all the time. Yet in Daredevil, we often see the reverse of Matt telling Karen “don’t do that brave stupid thing.”
  • She is a strong character without being written with only qualities that are typically reserved for men. One of her most important qualities is her compassion, something that usually is shown as a weakness but in Karen it drives not only her plot line forward, but the entire plot line of the show.
  • It needs to be reiterated: WITHOUT KAREN PAGE THERE IS NO PLOT. Fisk would have razed Hell’s Kitchen with little to no problems  if Karen hadn’t investigated him and given Matt the information he needed to go after Fisk both legally and as Daredevil
  • Usually when a woman develops a sympathetic relationship toward a serial killing man, it’s because she falls in love with him. But Karen’s odd friendship with Frank was a result of her empathetic abilities and the fact that she killed a man and was projecting her guilty conscience onto him. Which is so much more interesting and compelling, and  typically the sort of well thought-out writing reserved for relationships between two men.
  • And Finally: 
    • “I believe in protecting women”
    • *dryly* “Thanks. From all of us.”
  • So in summation, Marvel movies need to take some serious pointers from Marvel netflix shows about how to write women. 
  • Also Karen Page is fucking incredible.
Let’s talk Diana.

People get so riled up over their Best Girls and here I am just shoving more fire into the fire. Gyahahaha!

But that’s not really what this is about. Let’s talk Diana. Because I want to talk Diana.

Her type is always set up to be the haughty snob at first glance.

That’s so fucking good and you know why?

So they can take your first impressions and slap you across the face with them.

Yes, she’s arrogant, self-righteous, a bit pompous and can be quite condescending to those who are less adept than she is. But that’s exactly what makes her so interesting because none of those negative traits can be called shallow and the events in this episode back that up.

Also, it’s pretty clear that she doesn’t exist solely to antagonize the MC over trivial things (for example, elite status) and can definitely hold her own story without being an outright nemesis to the heroine.

That’s what makes her worthy of attention but in a different way than how the central focus is on Akko and her friends.

Already we can blatantly see her flaws which only serve to highlight how complex she is and foretell the character development she will probably undergo throughout the course of the show. Those qualities don’t really harm her or make her intolerable but rather point to the depth and potential expansion of her character.

I mean, firstly, all that composure and confidence had to come from somewhere and voila, they tell us from the get-go.

Diana is descended from a long (damn, 1,500 years long!) line of witches. That means she inherits a big legacy of magical discipline and prestige. Considering the fact that even adult witches sometimes have trouble with certain magic, Diana has even more expectations to live up to because she comes from a highly esteemed family that’s been practicing and improving magic for many, many generations.

Not to mention, she’s been proclaimed in the community as being the “greatest witch since the founding of Luna Nova” so no doubt it’ll be an even greater challenge for her to go beyond what those before her had accomplished.

And not only does she step up to this very daunting task, displaying her skill and talent again and again by casting high level spells here and there and proving that she really is as brilliant as they say she is…

…but she does so without needing anyone’s validation.

As much as her posse endlessly praise her for how awesome and amazing she is, Diana doesn’t need those extra words because she knows she’s perfectly capable of handling anything that comes her way.

That’s not to say she doesn’t let their attention get to her head (c’mon, this definitely happened at one point and is likely still happening, albeit in controlled amounts, as we speak) but Diana is deserving of her pride because she worked hard to cultivate her powers, not because she is a genius.

She’s not good because it’s a “miracle”. She’s good because she earned it.

And there’s no shame in showing that.

However, it’s true that Diana still needs to learn what it means to be humble and realize that she hasn’t mastered everything there is to know about magic yet.

I mean, it’s apparent that she overestimates her own abilities but that’s fine because like I said earlier, she’s set up for that kind of development in the future.

At the very least, even though she’s smug, she isn’t crass. Not like her two “friends” who like to put others down to get the pleasure of feeling superior. That’s probably the biggest reason why they hang around Diana and it just makes me like Diana even more because a person like her would never need to stoop down to their level.

Adding to that, this scene here further proves that Diana is, in fact, not a jerk.

Snooty, yes. But a bitch? Mmm, no, I don’t think so. Not from what we’ve seen of her so far anyway.

It’d be so easy for the writers to turn Diana into a Draco Malfoy-like adversary to oppose Akko but they didn’t. Which is why I love Trigger tremendously for how they presented her character and why I sometimes refer to Diana as the “Draco I always wanted”.

That Diana approached Akko to correct her views on what magic is, not harshly but in a matter-of-factly and politely manner. That she didn’t care whether Akko knew who she was or not but actually remembered that Akko was the new student. That she even took up the offer of referring to Akko by her nickname despite not being friends with her (though that might be due to the concept of keigo getting lost in transition to a non-Japanese environment).

All this is more than enough evidence to crush any ideas that she’s out to bully Akko. It tells us that even if Diana may not be the most amiable person in the world, she is a decent one.

I mean, yea, she was slightly cruel here for disparaging Akko’s idol right in front of her (and hypocritical since Diana was also a fan when she was younger) but it’s not like what she said isn’t true.

Chariot was mostly known for her flashy performances but that seemed to be the extent of her influence in both the witch and human realms. Then she upped one day and vanished.

Chariot did give Akko a dream but it was a kid’s dream and that is not practical in the reality of magic, which entails a lot more complicated topics and study if you are to become a successful witch. Even Chariot had to have gone through tons of practice in order to be as good as she was on stage.

Point is, Diana was trying to warn Akko for her own good even though she didn’t go about the best way of doing it.

It’s certainly one thing for Chariot to do impressive magic but it’s another thing entirely for Akko to attempt to do the same.

Because unlike most of the other students there, Akko has no magical background. She entered the academy with the hopes of living out her fantasies. How is someone who has a low affinity for magic and so impatient to start shooting shiny spells left and right going to fare if she doesn’t learn to apply the basics first?

Badly. Akko or someone else can get seriously hurt if she meddles in things she doesn’t truly comprehend.

That’s why Diana flat out laid this caution onto her. Because magic isn’t all fun and games and lights in the sky. Magic, in the witches’ world, is serious business. And if Akko doesn’t get that through her head to fit somewhere among her fervent adoration for Chariot, then her dream of learning magic will end in vain, the Shiny Rod reacting to her “shinjiru kokoro” be damned.

And that’s… oddly thoughtful of Diana? And responsible as an advanced student as well?

In the same sort of roundabout way she helped plucked that plant off of Akko’s head while trying to show her how magic is actually done in their world. So that Akko is aware, like really aware, of what she’s invested herself in and what the consequences are if she neglects the rules.

Clearly, they’re going to continue to clash over the interpretation of magic but when it comes down to what are established foundations and such, I’m always going to be more inclined towards Diana’s side of the argument.

Because it’s always more reliable to work off of sound theories that have been tested and tested again and provided actual results… than to wait for something that may or may not happen because you went about it based on a whim.

I’m not saying it’s wrong for Akko to believe. I’m just saying this isn’t a mahou shoujo anime. :P

Ah, I strayed off a bit so back to the rest of what I wanted to say.

If the scene in the courtyard wasn’t enough to convince you that Diana isn’t just showing off her magical prowess (because admittedly, yes, she is a bit of a show-off, too, there’s no denying that) then the issue with the Memorial Tree should.

Like any dedicated honors student, it’s expected that Diana would be very involved in the workings of the school. Because the academy is part of her lineage as much as any other witch’s out there so even if nobody asked her to help, she’d still try to find a way to solve the problems the school faces.

Because responsibility.

Diana has been gifted with talent and intellect. If there is anytime to use those, it’s now. Otherwise, it’d be wasted on her.

It’s no wonder why she’s so admired in the witch community. Because she does useful stuff with her magic. And efficiently, too.

Unlike Akko who doesn’t have any particular or specific goals regarding what she wants to do with magic atm, Diana actually has a purpose for hers.

And really, we don’t need to say anymore than that. If you’re good at something, then do something with it. That’s the lesson here. It’s just that simple.

Moving along, what happened after Diana’s spell was cast only further supports just how responsible she is.

Her magic unearthed the parasites so what does she do? Act immediately to counter the new problem.

I really, really like that about her. How she takes magic so seriously, especially when her own magic added to the dilemma. Most people would wait for a teacher to come to fix it. Lesser people would run away because they don’t want to be held accountable.

Not Diana. She’s the one that caused it, even if it was out of the best intentions, so she has to own up to it.

Again, responsibility.

And then there’s this part.

A reminder that nobody (besides Ursula) could’ve known that those were Papillodya chrysalises (well duh, no one has seen one because they only appear every 120 years after all) and it was just a very plot-convenient coincidence that Akko happened to guess correctly at what they are right after relooking through her collectable cards that day.

That aside, nobody is in the wrong here. Diana was pressed for time so it wasn’t like she had the leisure of hearing Akko out. Honestly, who would in that sort of situation? Moreover, who would really believe her?

But she still expressed shock and worry when Akko took the brunt of her spell. Even though it was Akko’s own fault for not thinking first and jumping out to block the hit, Diana obviously feels bad that her magic still hurt her.

Again, proof that Diana is not a jerk. She does care because she is a decent person.

And when it came down to using the right spell, Diana took a step back to let Akko handle it.

What’s more is that she aided Akko in the proper pronunciation of the spell and Akko thanked Diana.

Quite often you’d expect the prideful characters to want to do everything themselves. Try to butt out their rivals and prove they’re better that sort of thing because that’s the pattern of behavior for those kind of archetypes.

Except that didn’t happen here. Like not even the tiniest suggestion that it could’ve gone that way.

Diana’s got her priorities straight. She’s not thinking of wanting to claim credit or how it will affect her sense of worth if she allowed Akko to resolve this issue. She’s not thinking of questioning whether the Shiny Rod will actually work. That’s not important. What’s important is to prevent this mess from becoming any bigger than it is right then.

Like…wow. It shouldn’t be extraordinary for someone to behave so rationally and cooperatively but it is a little for me because the works I go through often has that bad tendency to go in a crazier direction over some very dumb, contrived reason when it’d be easier to do it the straightforward way.

Anyways, to finish this off, after the matter is settled, Diana tries to protest that the removal of the chrysalises were her doing.

Again, a much lesser person would be tempted to lie and save their own reputation but Diana’s troubled reaction to the staff’s insistence that nobody else but her could’ve done it illustrates that she’s not like that. She knows that it was thanks to Akko that the tree was revitalized and therefore, can’t possibly accept acknowledgement that doesn’t belong to her.

Diana is a person of integrity and if I didn’t love her before, I certainly do now because I value integrity so much that it probably ranks at the top on my list of virtues.

So as you can see, it’s because Diana is such a mixture of so many traits including pride, dignity, responsibility, seriousness, honesty (to name a few) that they all come to nicely clash and conflict inside her, pushing her towards the changes we can anticipate for her.

And this is a sure sign as anything that the development process has already begun.

She saw with her own eyes the effectiveness of the Shiny Rod, which disproves her statement that there never was any significance behind Chariot’s magic. However, that doesn’t mean she’s ready to accept it. Not after all that training she must have gone through to drill those childish thoughts out of her head so that she can fully set out to become a proper witch. Which is why she’s hesitant to mention Akko despite what the professors say about her being the “pride of Luna Nova”.

That is sooooo good, this introduction of doubt. Question it, Diana. Continue to ask as many times as it will take because it can only lead you to becoming a better witch and above all, develop into an even greater character.

With that, I suspect Diana won’t be making any major appearances for a while since Akko’s team has a little more world exploring to do and the plot around Chariot needs the time for more exposition.

But I just want others to, well, not really know but rather discuss with me that Diana isn’t so much a rival to Akko (right now) as she is her foil and vice versa. And I think that contrast between them is far more interesting than a direct competitive relationship. They can still argue, they don’t have to be friends but they don’t have to hate each other to contribute to each other’s growth. Akko can benefit from actually studying magical theory and progressing towards her goal that way while Diana can gradually relax her stiff posture to look beyond her scientific, analytical methods and realize even more potential in herself.

At least that’s what I hope will happen.

Tl;dr: I lied. This is about Best Girl. Diana is Best Girl. Fight me. (ง'̀-‘́)ง

New One - Enoch O'Connor imagine (request)

a/n: omg this picture so does not fit with this post whyyyyyyyyy i love finlay tho :)

storyline: the reader has telekinesis and her parents send her to cairnholm, wales with hope that she’ll be safe somewhere. the reader is very confused, in tears when they send her into the time loop and she doesn’t know where to go. emma and bronwyn find her and bring her to mis peregrine. she’s all confused. she notices this enoch guy who’s closed off and sharp towards everyone, but somehow he later softens towards the reader.

characters: peculiar children minus jacob portman

warnings: none! :) [based on the movie’s environment, only the characters’ (except enoch’s, he’s as old as he is in the movie)ages are accurate, aka, as they are in the books]


“we have to go now, honey, you’ll be okay here.” y/n’s mom said, leading her daughter into a cave, tears brimming her eyes. she stopped her daughter and turned to face her. 

“but i don’t want to… mom, are you leaving me here?” y/n cried. 

“yes, it’s the best for you and for me and your father.” her mom said. “i have to go now, you’ll be fine. you will be with people like you.” the woman sobbed and kissed y/n on the cheek before vanishing back where she came from. y/n took a step back into the cave for a second and felt her hearing lower, but only for a moment. 

she came out of the cave to see where her mother had gone, but there was no sign of her in the huge meadow or on the small paths down the small mountain. but the grass looked different to y/n, it looked brighter, fuller of life than before. 

y/n took her two bags from the cave and turned around to walk back to the city, but she gasped and stopped in her tracks instead. there were two girls standing before y/n, both smiling. one of them, who looked about the same age as y/n, was blonde, in a blue dress and with gloves on her hands.

the other looked like a few years younger than the blonde and y/n and she had brown hair and an adorable dress on. y/n blinked a few times to make sure she wasn’t dreaming, but the girls still stood there.

“wh-who are you?” y/n asked, tears spilling down her face.

“i’m bronwyn,” said the brunette, “and she’s emma. we’re here to bring you to mis peregrine and her home.”

“our home.” emma corrected. “let’s go, y/n.”

“how do you know my name?” y/n was in nothing other than utter shock. 

“we’ll explain things later.” emma said as bronwyn took y/n’s hand and dragged her out of the cave. although, to y/n seemed like the girl was doing it without any effort, it seemed easy for her to drag someone after her. how was she that strong?

while emma and bronwyn, along with y/n, made their way through the forest to reach mis peregrine’s place, y/n kept crying and pestering the two girls with questions. she was so confused about all of this, the tears kept coming even if she wanted to stop them.

“girls! finally you’re here.” mis peregrine smiled at the girls in front of her. “y/n, we’ve been waiting for you. come in, come in.” she ushered and y/n followed emma and bronwyn inside the gothic-looking house.

y/n had no time to look around the place as she was too tired and confused. why were the people around her dressed in clothes from the last century? how did the girls appear in the cave so quickly? how did they know her name? how did the lady know her name? why did she say ‘we’ve been waiting for you’? what was happening?

“oh, joy, there’s someone new.” a dark haired boy said. he was standing at the top of the stairs in the house. “after 68 years of waiting, someone appears.” he said. but he doesn’t look a year or two older than me. what’s going on here?

“enoch!” the lady scolded. “don’t be such a pessimist about everything.”

“i’m not.” the boy replied, but then groaned. “every time i say something positive, everyone thinks it’s pessimistic. might as well not be here!” enoch shouted and stomped up the stairs, vanishing out of y/n’s sight.

“don’t mind him.” the lady said. “he’s always like that.” she smiled. “anyway, this all must be very overwhelming for you. shall we drink some tea while i explain everything to you?”

y/n nodded, wiping her tears and followed the lady, referred to as mis peregrine, further into the house.

after drinking tea and mis peregrine talking, y/n finally understood what was happening. because the girl had peculiarities, her parents sent her here, to cairnholm. apparently she was at mis peregrine’s children home, but the children weren’t ordinary, no. they were like y/n - with special powers. they were called 'peculiar’. 

for example, mis peregrine herself was peculiar, she was an ymbryne - her peculiarity was that she could manipulate time and turn into a bird, a peregrine falcon. bronwyn, who y/n had met, was stronger than all the children and mis peregrine together. emma had gloves because she could make fire with her hands. and enoch, the moody teen, had the power to make the dead living again.

and, mis peregrine of course, told y/n why it looks like this here. they were stuck in a time loop forever. she also explained to the girl what were loops and why they were for. 

it was a lot for y/n to take in, so mis peregrine left her alone in the garden. she gathered the children so they could take their daily walk. of course, mis peregrine wasn’t irresponsible and had someone to stay at the house - enoch.

enoch rarely went with the others on the daily walk, so it was easy for him to stay at the house. 

y/n sat down on one of the pond’s rocks and hugged her knees to her chest, resting her head sideways on her knee tops. she sighed.

she was away from her parents and she didn’t know for how long. were they leaving her here forever? will she never see them again? did they not love her? did they want to leave her here? was she that bad of a daughter?

y/n felt a few tears slid down her face and she sighed again. she was about to cry her heart out when she got the feeling of someone watching her. she looked right and noticed a figure standing in the corner of her eye. y/n turned completely around, wiping her tears and saw the enoch boy standing there, his eyes wondering around, meeting anything but y/n’s eyes.

“what-what are you doing here?” she asked in a weak voice.

“mis peregrine left me to look after you.” enoch said. “so here i am.”

“how long have you been there?”

“n-not long.” he was lying and embarrassed.

“sure.”

“i really was!”

“okay, sure.” y/n said. “don’t just stand there, come sit by me.” 

“no, i’m fine here.”

“so you’re gonna stand there all while the others are gone?” 

“well, maybe we could go inside.”

“i’m fine here.” she said, indirecting that he sat with her.

enoch groaned, but gave in. he hesitantly walked over to y/n and sat down next to her, stretching his legs out before him. y/n sniffled and enoch turned his head.

“were i interrupting something?” he asked, ready to leave.

“not really. i was just letting all my stress and overwhelming out.”

enoch didn’t respond for a few moments, talking with himself mentally. “why? have you got lots?”

“oh yeah.” y/n raised her eyebrows. “this day has been one big…. something.”

“happens to everyone on their first day here, nothing special.”

“just because it doesn’t seem like anything special, doesn’t mean it’s not.” y/n argued. “it’s a lot to take in.”

“i know.”

“what was your first day here like, then?”

“it was too long ago to remember, but it doesn’t stick out much.”

“what does stick out?”

“used to be the germans’ bomb dropping on us, but not anymore.”

“why?”

“i’ve been here… it feels like longer than anyone has lived.”

“i heard you say '68 years’ back in the house.”

“exactly that long.”

“people live longer than 68 years.” 

“well, not in this time loop.” 

“oh.” y/n said. “i’m still thinking of a way to prove to myself that i’m not dreaming, tho.”

enoch was silent. “you’re not dreaming, trust me, i would know.”

“oh? how?”

“i’ve been here for 68 years, do you think you could make this up in your dreams?”

“probably not. i still don’t understand - how can you bear living in the same day for that many years?”

“i can’t. well, not really.”

“have you tried… escaping?”

“i wanted to, some time ago. but millard told me i’d crumple to pieces if i was out of the loop for a few minutes longer than needed.”

“millard?”

“you’ll see him. oh, wait, sorry. he’s invisible, you won’t actually see him.”

“okay.” y/n chuckled. “but why would you crumple to pieces?”

“you ask a lot of questions, greenie. but all the others did, too.” enoch sighed. “the years would catch up to me, to any of us who have lived in a loop for a long time. escaping would’ve been possible a few years after mis peregrine created this loop, but not now.”

“why?”

“because we’re not from that world, your world. we’re from the past, the previous century. we were born in the 20th century, we don’t belong to the…”

“the 21st century.” y/n finished. “so you’re like… ghosts from the past?”

“could call it that.” enoch stated. “but your current year is real time, ours is like an imaginative one, we’re not really real.”

“okay.” y/n said. “i think this could be enough for today’s overwhelming things.”

enoch didn’t reply, but y/n didn’t mind.

“does everyone cry the first time this happens to them?” y/n asked and enoch furrowed his eyebrows at her. “you know, when their parents leave them here, probably forever?”

“i think so.” enoch said. “so you were crying when i was watching you?”

“you watched me?”

“w-well, not really, i just..” enoch hated being embarrassed. y/n chuckled again. “anyway, were you crying?”

y/n contemplated telling truth because she didn’t want to seem like a weak little girl in front of a boy she’d just met. but then she just mentally threw her hand at it. “i was, yeah.”

“how is it, to cry? does it feel good?”

“sometimes it does.” y/n shrugged. “why are you asking, though? have you never cried?”

“i don’t recall i have.” enoch said dreamily. “but there’s nothing for you to cry about.”

“oh really? how so?”

“you can always go back to your time, return to your life, family, friends.”

“i can?”

“of course, the loop is still open.”

y/n paused. she could go back? for real? find her parents? maybe bring them here? 

she could go home again. live her normal life. 

but did her parents want her? why did they leave her here, then? did she, herself, want to go back?

she didn’t know.

“you’re thinking about it, aren’t you?” enoch asked. “you’re free, you can still do anything you want.”

“but?”

“but what?”

“there’s always a catch.”

“depends on how the person feels.”

“huh?”

“well, depends on what the person counts as a catch.” enoch said. “some would count leaving this wonderful, peaceful place a catch, some would count leaving loved ones as a catch. and some would… nevermind.”

“nevermind what? is there a specific catch?”

“there is.” enoch said distantly. “but i don’t think mis peregrine would want me to tell you.”

“i don’t see her here. tell me.”

enoch sighed, obviously making a huge decision. “the main catch for any peculiar who wants to return to their real time is their safety.”

“their safety?”

“i think i’ve told you enough.” enoch said. “now i want to know something from you.”

“and what would that be?”

“what’s your peculiarity?”

y/n coughed. “hmm.” she said in response. 

“hey, that’s not fair. i told you-”

enoch was stopped mid-sentence when he saw his own shoes flying around in front of him. “i-is that your doing?” he asked, mentally fighting annoyance with admiration.

“uh-huh.” y/n replied, never taking her eyes off enoch’s shoes. they floated above the water, dancing as a pair in calm movements before stopping them just inches from enoch’s nose. then y/n diverted her eyes from the two objects, making them fall in the dark haired boy’s lap.

“that’s something. we’ve never had a telekinetic someone here.” enoch said as he was putting his pair of shoes back on. 

“glad to be the first one.” y/n had a soft smile of satisfaction on her face. “can i see what you can do?” she asked and enoch’s head snapped up in excitement at hearing those words.

“sure. we’ll just have to go indoors.” he said with a grin on his face. y/n agreed and they soon left the beautiful garden.


a/n: i honestly find it so adorable when enoch gets excited because someone mentioned his peculiarity or it being used/useful, mY BABY BEAN

She’s not the type of girl you’re used to… and you’re not quite sure if you like it or not. She’s not easy to get to know. She’s guarded and closed off… anything even slightly personal is harder to get to than Fort Knox. With her – it’s always one step forwards and two steps back and it’s SO frustrating… But you think maybe you kind of like it… because when you see those little glimpses of her you know you’re probably the only person who ever has.
She can’t be charmed… she’s not that type of girl. She manages to twist your compliments into insults or downplay them into jokes, and again… it’s so frustrating!!! Why can’t she believe that you like her!? Why can’t she just accept that she’s beautiful?
She can’t be bought because again… she’s not that type of girl. Jewelry, flowers, gifts… none of it interests her and she gets angry if you try it. She seems to think it’s effortless, and to her credit she’s kind of right… you’re simply repeating the same rehearsed steps to try and make her like you that you did with every other girl… and it won’t work… because she’s not like other girls.
She’s demure yet provocative… She runs hot and cold… She’s self-conscious, but also self-assured… In fact, she’s just about every contradiction you can possibly think of and yet you’re somehow addicted to this roller coaster ride because you know that even when she’s being the complete opposite of herself she’s still the most ‘real’ woman you think you’ve ever met and you just want to get to know her more. You want to see all of her… get inside her mind… know everything there is to know about her…
But she won’t let you. She’s not that type of girl.
And when the day comes to let her go and kiss her goodbye forever, you can tell she wants to cry… But she won’t… because she’s not that type of girl. She never was. She never will be…
And that’s exactly what you loved about her most.
—  Ranata Suzuki | Not that type of girl
Vittsjö - Daveed Diggs x Reader

Summary: The reader wants some help from her boyfriend Daveed to build the IKEA set she just bought. Bad idea?

Warnings: None that I know of, other than “Daveed Diggs is a legitimate angel who graced us with his glorious smile and presence you might need to sit down and have a cry after considering this”. 

Word Count: 1,098

A/N: This is a little warm up to start preparing for my Lin + Pride and Prejudice AU. Thank you so much to @digging-daveed for putting up with my endless ideas and being annoying. This one’s for you. 

askbox | masterlist


“Baby?”

“Mhm?”

“If you don’t come and help me with this, I’m breaking all the pieces in half and wasting the eighty dollars you spent.”

Keep reading

Black and White (Part 1)

Dean is a mechanic, running an illegal chop shop on the side to pay for his baby brother’s college tuition. Castiel is a local photojournalist who just so happens to catch Dean on film stealing a car.

Dean convinces Cas not to turn him in, and sparks fly.

But what happens when Cas appears to be involved with a rival group? Can Dean trust him at all? Or does Cas already know enough to ruin him?

Word Count: 3250

Warnings: None yet

A/N: Feedback appreciated! This is an AU that’s a little different, so I hope y’all enjoy this one!


There’s nothing left to do for the day, and Dean’s just about to lock up when a woman walks in, walking briskly and looking a little flustered, like most people who’ve just had unexpected car trouble.

“And what can I do for you?” Dean asks, eyeing her as she sets her purse on the counter. Pretty, but a little too upscale for his taste, with her manicured nails and name-brand everything.

Keep reading

Little Parker - Kai Parker (Part One)

Request: I’m making a request, it’s me. It’s always me dropping on by. But anyway. I’d like a Kai fluff. Where he comes back and sees YN (his wife) and his daughter who is now five (because of time jump) and due to pictures YN showed their daughter, she knows exactly who the man is in the front door and screams “DADDY!” And runs and jumps and hugs him. ((( @geminioriginalsimagines )))

Warnings: None? Fluff? Kai gets smacked twice but he sort of deserves it.

A/n: SARAH WHYYYYY SO CUTE

CHAPTER MASTERLIST

Originally posted by christopherwooddaily

Tag- @geminioriginalsimagines

——

You were making sandwiches, as simple as a lunch as you can for Annalise. She was playing in the living room, you kept having to glance over your shoulder to see that she hadn’t gotten into anything she wasn’t meant to.

She was so much like her father, even if she never met him. She had his bright blue eyes, his brown hair, and possibly his magic. You had no idea, and you wouldn’t know until she’s older, so you let it go. For now, she was a normal little girl with teddy bears and a love for cartoons. She was different, she understood that, and she understood that her father was different as well. He was gone, and he was never coming back, and Annalise knew that. But recently she had started having dreams that he was back again, coming to see her.

You weren’t sure you wanted him back.

A knock on the back door makes you jump, you nearly drop the knife you were holding. When you turn to open the door you freeze, eyes widening as you stare right out the door at Kai, staring at you through the glass of the back door.

“What the hell?” You ask as you pull the door open. He was holding a bouquet of flowers in his hand.

“What the hell? How are you back? How are you even- your head got chopped off! I was there!” Your voice was raising, you wanted to hit him, how long had been back?

“I know, I remember it. I brought you these, hoping to make amends, I-” You actually do smack him this time, right across the face with the back of your hand. His head flies to the side and he moved his bottom jaw slowly.

“I deserve that-” You hit him again- “And that.”

“How fucking could you?! How could you abandon me- how could you abandon your child?!” Kai’s eyes widen.

“I have a-”

“Daddy!” Annalise comes running from behind you and before you can stop her she’s thrown herself into Kai’s arms. Kai hugs her back, stunned, in shock.

“I knew you were back! I knew you were going to find mommy again! Are you staying?” Kai’s sets her down.

“No, he’s not staying.” Annalise’s face falls, and her eyes tear up. Kai notices her quick change in emotion and take her hand. Her fingers wrap tightly around his index finger.

“But I’ll be back tomorrow, me and your mommy need to have a talk.” You cross your arms over your chest, eyes glaring across at him, you’re pissed, you’re so pissed you could kill him.

“Alright, go back inside, I’ll see you tomorrow.” She lets go of Kai’s finger and comes back into the house, watching through the glass of the now shut door as he walks away.

“Mommy, I’m hungry.”

anonymous asked:

Oh about that Kara sharing food with Lena, I was thinking about that the other day! And how the gang figures it out they are dating because there's no way Kara would allow Lena to have half of the LAST potsticker or how Lena would say she'd want something and someone else would offer to share with her like each would eat half of the portion or something and she'd be just, -

- “no, no it’s okay, I’ll just have some of Kara’s” and everyone would start sharing looks while Kara and Lena are none the wiser because Kara doesn’t realize that and Lena being the last one to join the gang had no idea Kara didn’t share food because between them they’ve always had that dynamic and Winn is the one who brings it up and that’s how their relationship is unveiled.             

UGHH!!

You know this is how all the gang finds out!!

Winn is just in shock, because there has been many a time that he has wanted the last potsticker or the last donut and Kara has always pouted until he gives it up but with Lena she doesn’t even say anything!! just stares at the other woman adoringly as she eats THE LAST POTSTICKER!!

And Winn is offended because hello, he’s her best friend!! why shouldn’t he get the last potsticker?!!!

But then he finds out that their dating and his best friend status is still intact and he becomes the biggest shipper ever!!

Speaking of Pinboard and Delicious today, one of the things that Delicious facilitated was being able to bookmark your own fanfic, then click a little link next to the bookmark and see all the comments and tags of other people who had bookmarked the same URL. 

So I sometimes checked on particularly new or controversial fanfics of mine, and I once found that someone had bookmarked a fanfic with “Good, but no werewolves.” Since this was a House MD fic, and not an AU, like, no werewolves had been implied, I was a little perplexed. 

I shared this strange review with @junietwohundred​, who is much wiser and more cynical in the ways of fandom than I am, and she said “Look at the rest of their bookmarks. I bet I know what you’ll find.”

Sure enough, this person had like…four hundred bookmarks, all rating every fic they had bookmarked on the presence or absence of werewolves. None of the comments were nasty or mean, it was just fanfic after fanfic – “Not enough werewolves.” “Excellent werewolves.”  “Interesting new werewolf ideas.”  “Werewolves are background only.” 

It was one of the most magnificently niche reccslists I’ve ever seen. I salute you, werewolf archivist, wherever you may be. I hope the werewolf tag on AO3 is constantly bustling for you. 

“No, don’t ever fucking let her go,” he blurts out.

He was in the driver seat looking straight ahead, he had a friend in the back there ranting on about his own mess, contemplating whether or not it was time for him to walk away from her.

“Just, listen to me,” he cut him off, “you ever find someone who cares so goddamn much for you, you don’t ever let them go. I don’t care whatever circumstances are keeping the two of you from being together - it doesn’t matter, none of it will ever matter. Because once you realize that she is just about the best damn thing you will ever find, she’ll be gone. She’ll be gone, and you’ll be here wishing that you could go back and change it all,” he stopped, he finally admitted to his mistake, “don’t walk down a path you know shouldn’t, if you have better ones to follow.”

The one in the passenger seat broke the dead silence, “you still think about her don’t you?”

“Not a day goes by that I don’t,” he admitted.

—  c.f. // “maybe ten years down the road, we’ll meet again in a coffee shop and start over” #1
2

“She’s been at the centre of two political scandals in the last year, and recently ended the marriage of a prominent novelist by having an affair with both participants separately.” 

“You know I don’t concern myself with trivia. Who is she?” 

“Irene Adler, professionally known as The Woman.”