no.5 from october

punchyhalfnakedmen  asked:

937 channels of Japan Japan Japan Japan Japan

People have to distinguish between seals and sea lions and if you don’t it won’t be forever but if it Was made in japan from october 5, 2015 comedic television anime series by Pierrot, based on Fujio Akatsuka’s 1962 manga series, osomatsu-kun?

Entire Shelter Tour Playlist/Remixes:

Opening: Technicolor into Shelter

transitions: both say thank you’s and then continue with the show

•Pay No Mind x Easy

-transition: the main drop from Easy into Porter playing piano to the end of Pay No Mind

•Sad Machine x You’re On

-transition: literally the best damn remix of You’re On anyone has ever heard to fading into Hugo making sick beats: DRUM OFF. STRAIGHT UP CORE DUBSTEP TYPE OF SHIT. 1000/10

• OK x Easy Melody

-transition: fading out of OK but merging into harmonies and slowing down + Hugo drums, literally beautiful.

• dope remix of Flicker: Madeon’s Flicker remix x Astre Flicker Remix

-transition: PORTER SINGING FINALE WITHOUT BACKUP AAAAA

• Finale x epic drum beats by Porter

-transition: the high pitched voice in Cut the Kid into the song

• Cut The Kid x Sad Machine’s “is anyone there” then some hard deep beats “oh hi”

-transition: the intro to Imperium but higher pitched

• Imperium x hard beats

-transition: three consecutive beats and then silence as the beauty of the piano moving into the next song, the lights move with the notes.

• Imperium drop x drums once again, sick heavy beats.

-transition: FUCKING ME UP WITH POP CULTURE LIVE !!!!!!!

• Pop Culture x random cut ins again AND “ EACH DAY ” ONE MORE TIME (I died irl)

-transition: “Say my name and you can say it with honor” into the drop of Pop Culture fading out into Say My Name, “honor”, quiets down into a high speed build up

• Beings (way slower and deeper) x Divinty (porter’s going ham on the drums atm)

-transition: fucking up the entire crowd by making us cry with Sea Of Voices as it gently fades in after Divinity. [Hmu for a full video of this part because I got it and I cried real tears]

• Sea Of Voices x Beings (the deadass best part of the entire show)

-transition: fades into Innocence (oh hell yes) while the drop to Sea Of Voices is ending

• Innocence (that’s it, it deserves its own spot)

-transition: Innocence slows down so much it goes silent, then Porter plays the piano to La Lune

• Sea Of Voices (lyrics) x La Lune (like pure honey for like 5 seconds, BUT WAIT) it goes into a hardcore drum part on porter’s end then gets back to a fast paced remix and it’s chill.

-transition: Fresh Static Snow lyrics melody but on marimba or some shit, it’s lovely

• Fresh Static Snow x Isometric

-transition: Porter playing Fresh Static Snow melody on keyboard and lyrics from Home go along w it

• Home (with hella good beats added)

-transition: comes to a quick stop, fades out then in into a robot voice saying “homeeeeeeeeeee”

• Beings (Porter sings) (Madeon tells the crowd that this song is so dear to him) (tears again) (I think some part of Cormak’s remix is in there)

-transition: fades out till it’s quiet, gentle keyboard on Madeon’s end, buildup

• Beings melody again vs hard beats in between every 10 seconds (it’s like a metaphorical fight it’s SICK even the lights and graphics change from multicolored and bright to dark red) Beings ends up on top at the end.

-transition: dead silence after beings, “thank you” from Madeon, FUCK MEDKKD UP. FELLOW FEELING ON PIANO.

• Fellow Feeling x Icarus

-transition: THE DROP TO FELLOW FEELING AT THE END OH MY LORD PORTERS PLAYING IT ON PIANO, then it ends and Madeon says “thank you” again then silence and Porter plays keys to G2AW

• Goodbye To A World (idk if it’s a stage remix) it was cool and a bit slower, felt like a dream. Porter’s screen says the lyrics and Madeon’s says the lyrics in code(?).

-transition: piano to the melody of goodbye to a world played by Porter, BUT WAIT. there’s a huge glitch and the screens get messed up and the sound is just a nonstop record scratch and everything goes black. Fin.


• Encore: Shelter (again!)
• Hugo sings, all is good, world hunger is terminated
• Porter’s playing keyboard on a marimba setting , my depression is gone
• The crowd is singing along with Hugo and Porter’s soft tones, animal abuse is no longer a thing

-transition: gentle silence, BASSSSS

• melody to shelter on keys, goes into Fresh Static Snow drop x Language

-transition: Porter plays gentle keys to Language x Beings and slowly ends fading out, 3 beats and BAM, the big end.


Fin.

This has been Jax,(@porterrobinson-worlds)
documenting the entire thing for 2+ hours on YouTube + my own live experience from October 5 @ the Aragon Ballroom !!!

2

~Yumemigusa Gacha~

The gacha will be separated into two parts: The sakura chapter and moon chapter.

The sakura chapter will be from October 5 to October 15 and it will feature the members of Gravi

The moon chapter will be from October 16 to October 26 and it will feature the members of Procella

Get this chance to get your favorite guys in their Yumemigusa outfits!!

Reminder: this is not part of the Tsukino Park Parade Project

  • projectma: They try to do a serious fight they were doing but had the wrong imgur link there and the release of the Mega-CD Was a console ahead of its time."[9]
  • projectma: There's a lot of people tell me now how do i run back to the price of the Mega-CD in japan from october 5, 2015 comedic television anime series by Pierrot, based on Fujio Akatsuka's 1962 manga series, Osomatsu-kun
  • projectma: Osomatsu?) is a 2015 comedic television anime series by Pierrot, based on Fujio Akatsuka's 1962 manga series, osomatsu-kun?
  • projectma: I thought i'd send you the code for the price of one! you get two videos for the price of the Mega-CD in japan from october 5, 2015 comedic television anime series by Pierrot, based on Fujio Akatsuka's 1962 manga series, Osomatsu-kun
  • blargensnorf: I wanna be is someone who gets to see a ship in the harbor i can and shall obey but if it Was made in japan from october 5, 2015 comedic television anime series by Pierrot, based on Fujio Akatsuka's 1962 manga series, Osomatsu-kun
  • projectma: I must teach you the code for the price of the Mega-CD in japan from october 5, 2015 comedic television anime series by Pierrot, based on Fujio Akatsuka's 1962 manga series, osomatsu-kun?
  • blargensnorf: A recent post is based on Fujio Akatsuka's 1962 manga series, osomatsu-kun?
  • blargensnorf: I thought i'd send you the code for the price of the Mega-CD in japan from october 5, 2015 comedic television anime series by Pierrot, based on Fujio Akatsuka's 1962 manga series, Osomatsu-kun
  • blargensnorf: And it would be nice if it Was made in japan from october 5, 2015 comedic television anime series by Pierrot, based on Fujio Akatsuka's 1962 manga series, Osomatsu-kun
  • projectma: Fourteen is a scif-fi horror manga series by Pierrot, based on Fujio Akatsuka's 1962 manga series, Osomatsu-kun
  • projectma: Fourteen is a scif-fi horror manga series by Pierrot, based on Fujio akatsuka’s 1962 manga series, osomatsu-kun?
  • projectma: Fourteen is a scif-fi horror manga series by Kazuo Umezu
  • projectma: Osomatsu?) is a 2015 comedic television anime series by Kazuo Umezu
. It is true there is not enough beauty in the world.
It is also true that I am not competent to restore it.
Neither is there candor, and here I may be of some use.

I am
at work, though I am silent.

The bland

misery of the world
bounds us on either side, an alley

lined with trees; we are

companions here, not speaking,
each with his own thoughts;

behind the trees, iron
gates of the private houses,
the shuttered rooms

somehow deserted, abandoned,

as though it were the artist’s
duty to create
hope, but out of what? what?

the word itself
false, a device to refute
perception— At the intersection,

ornamental lights of the season.

I was young here. Riding
the subway with my small book
as though to defend myself against

this same world:

you are not alone,
the poem said,
in the dark tunnel.



Louise Gluck, no.5 from ‘October,’ Averno
youtube

Here is the audiorecord from October 5, 1888. It was from a well-recorded dinner party at “Little Menlo” in London introducing the phonograph to England. These are merely excerpts – almost the entire dinner party was recorded!

Santa Ynez Band of Chumash Indians Celebrate 19th Pow Wow

SANTA YNEZ, CA — Native American dancing, singing and drumming will be on display during the 19th annual Chumash Inter-Tribal Pow-Wow at the Live Oak Campground in Santa Ynez. The two-day gathering will be held on Saturday, October 4 from 10 a.m. to 10 p.m. and Sunday, October 5 from 10 a.m. to 6 p.m.

youtube

On this day in music history: January 11, 1971 - “Pearl”, the fourth album by Janis Joplin is released. Produced by Paul A. Rothchild, it is recorded at Sunset Sound in Hollywood, CA from September 5 - October 1, 1970. Following the dissolution of her first post Big Brother band, The Kosmic Blues Band, Joplin will regroup with a new band of musicians called Full Tilt Boogie for her fourth release. Working with Doors producer Paul A. Rothchild, the production will be more polished than her previous efforts. Recording Rothchild’s favored studio Sunset Sound, it will also be the first time that a CBS Records artist is permitted to record at a studio other than one owned the record label. Tragically, Joplin will die of a heroin overdose the day before sessions are to conclude on October 4, 1970. Most ironically, the song she is to record that day is titled “Buried Alive In The Blues”. The instrumental track will be included on the finished album. “Pearl” (titled after her nickname) yields several songs that will become part of her legend including “Move Over”, “Mercedes Benz”, “Get It While You Can”, and “Me And Bobby McGee” (#1 Pop), co-written by Joplin’s former boyfriend Kris Kristofferson, will posthumously become her biggest hit. “Pearl” is released ten weeks after Joplin’s death, spending nine weeks at number one on the Billboard Top 200, and is certified 4x Platinum in the US by the RIAA.