no.5 from october

CSSB - Update (9/24)

The CSSB is in the final edits stage and the plan is to release it next  Sunday, October 1.  We hope that each of you reblog it to pass on the message to as many CS shippers as possible.  AND please reblog several times throughout the day.  

Here’s how we would also like to celebrate…..

The following week each day will celebrate a different CS season bringing us to Friday, Oct 6 and the first S7 episode.   See below

For your season’s day, please make a post and include the amazing artwork your artist has made (pm me if you are missing it) and then the first few paragraphs of your story.   After those paragraphs please link the storybook site.  We ask that you wait until Sunday, October 15 to post the full story on your blog or on your AO3 or FF accounts.  

In addition please tag @csstorybook  @whimsicallyenchantedrose  and @flslp87   

Collaborative stories will be posted from the CSStoryBook blog and each contributor will be tagged.   

The schedule is as follows:

Sunday - October 1 - the debut of the complete CSSB Vol 2, which is over 500 pages long. 

Monday - October 2 -  Please post stories from Season 2 in the manner stated above. 

Tuesday - October 3 - Stories from Season 3 in the manner stated above

Wednesday - October 4 - Stories from Season 4

Thursday - October 5 - Stories from Season 5 

Friday - October 6 - Stories from Season 6

Keep reading

youtube

On this day in music history: January 11, 1971 - “Pearl”, the fourth album by Janis Joplin is released. Produced by Paul A. Rothchild, it is recorded at Sunset Sound in Hollywood, CA from September 5 - October 1, 1970. Following the dissolution of her first post Big Brother band, The Kosmic Blues Band, Joplin regroups with a new band of musicians called Full Tilt Boogie for her fourth release. Working with Doors producer Paul A. Rothchild, the production is more polished than her previous efforts. Recording Rothchild’s favored studio Sunset Sound, it is also the first time that a CBS Records artist is permitted to record at a studio other than one owned the record label. Tragically, Joplin dies of a heroin overdose the day before sessions are to conclude on October 4, 1970. Most ironically, the song she is to record that day is titled “Buried Alive In The Blues”. The instrumental track is included on the finished album. “Pearl” (titled after her nickname) yields several songs that become part of her legend including “Move Over”, “Mercedes Benz”, “Get It While You Can” and “Me And Bobby McGee” (#1 Pop), co-written by Joplin’s former boyfriend Kris Kristofferson, posthumously becomes her biggest hit. First remastered and reissued on CD in 1999 with four live bonus tracks. It is also reissued as a 180 gram vinyl LP by Sony Music in 2011. A double CD boxed edition titled “The Pearl Sessions” containing addition and previously unreleased outtakes from the recording sessions is released on Record Store Day in April of 2012. Audiophile label Mobile Fidelity Sound Lab had planned the release of a half-speed mastered LP release in 1984, but is abruptly cancelled, though test pressings do exist. Over thirty years later, MFSL announces that the title is to be released as a 45 RPM mastered double 180 gram vinyl LP set. It is finally released on March 2, 2016, and is also issued as a hybrid SACD. “Pearl” is released ten weeks after Joplin’s death, spending nine weeks at number one on the Billboard Top 200, and is certified 4x Platinum in the US by the RIAA.

5

colinlanephoto STROKES 8”x10” SALE!!!
$100 (plus S+H) to first person to email me at colin@nyc.rr.com. JUST found these shots from October 5, 2002 when The Strokes were opening for The Rolling Stones. I was there to shoot live shots of The Stones for Q. All the other photographers had to leave the arena after shooting the first three songs! They couldn’t even stay for the show. Luckily for me The Strokes hooked me up with a backstage pass so we all watched the show from the side of the stage passing a bottle of red wine back and forth. Here’s Julian singing. MORE PICTURES COMING! (SOLD!)

@ryuji7117

This has become a video that has been recorded with Punio gnawing on my thigh.
It’s the first time that it’s publicly unveiled; Punio’s voice, which sounds like [he’s saying] “n, nfyuu”, is also in the video.
The “n, nfyuu” of Punio constantly saying that it tastes bad whilst gnawing on a human’s thigh is also in here.

Video Translation:

Eh, everyone, it’s been a while. Um, finally, it’s become troublesome to even just type letters, so like this, I’m using my voice to write a Tweet. Now, I’m smack in the middle of rehearsals for my front line departure [1], but today, I finished early - That hurts! Punio, that hurts! - and right now, I’m going to a certain place. - That hurts! That hurts! Wait! (LOL) That hurts, that hurts! - Where is this place?

NOTE:

[1] The front line departure that Sato Ryuji is referring to is the “Musical Touken Ranbu Kashuu Kiyomitsu Tanki Shitsujin”, which is Kashuu Kiyomitsu’s solo live that is scheduled to run from October 5, 2017 to October 15, 2017.

More information about the performance can be found: HERE

More information about the live viewing of the performance on the DMM website can be found here: HERE

I missed workin on vocaloid but October had me so burnt out on it ksdjskfjsjdj

5 Videos From October You Need To See

Since 2010, the It Gets Better Project has collected over 60,000 video stories from LGBTQ+ people and their allies from around the world.

Here are some of our favorite moments from October 2017.

1. Todo Mejora + True Love Show Interview Presidential Hopefuls

Todo Mejora caught up with the hosts of the YouTube series True Love Show to explain their collaboration with the non-profit on an exciting new project. In conjunction with Todo Mejora, the dynamic duo is interviewing Chilean Presidential candidates in regards to their stance on LGBTQ+ rights.


2. Member of Austrian Parliament Has A Message For Young People

Katharina Kucharowits sat down with Es Wird Besser Österreich to send a message of hope to the younger generation. While it may not be easy now, things DO get better.


3. Famous Personality Yolanda Parks Spreads The It Gets Better Message in Paraguay

The journalist, TV host and radio personality had a message for the LGBTQ+ community. She said that we must love ourselves for who we are, find strength in our differences and, above all, work together for a better society.


4. It Gets Better Peru Held An Online Psychology Workshop

Hosted by It Gets Better Peru’s very own specialist, Lucy Ibañez, the video tutorial aimed to help young people who are questioning their sexual or gender identity.


5. Mexican Diplomat Vanessa Calva Shares Her Voice

It Gets Better Mexico spoke to Mexican Ministry of Foreign Affairs Deputy Director General, Vanessa Calva. Calva says that while it took her time to be comfortable identifying as a gay woman, she found courage by turning to supportive family and friends.

1. It Gets Better Brazil did a presentation at the National House of Representatives on the climate in schools for LGBTQ+ youth in Brazil and other South American countries.


2. Todo Mejora joined Wal-Mart for their Diversity Fair.


3. Daniela Villegas, It Gets Better Colombia’s Executive Director, participated as a panelist at the One Young World summit.


4. It Gets Better Mexico partnered with Facebook Mexico to celebrate the launch of their LGBTQ+ employee group.


5. By invitation of the student group Youth Fest, It Gets Better Paraguay held a workshop and presentation at the National University of Asunción. 

Craving more?! Go to www.itgetsbetter.org, or keep scrolling to learn more about the cool things It Gets Better and its affiliates are doing around the world.

4

@ryuji7117

He was there. Kogarasumaru was there in my app.
Upon welcoming Kotegiri Gou, I went to bed feeling buoyant. With this, my solo departure to the front lines [1] will definitely be okay too.

Well then, today is the “FIVE” event [2], let’s enjoy it with all our hearts.

NOTE:

[1] His “solo departure to the front lines” refers to the “Musical Touken Ranbu ~Kashuu Kiyomitsu Tanki Shutsujin~” live which is slated to happen from October 5, 2017 to October 15, 2017. For more information about the live, please refer to this post: HERE

[2] The “FIVE” event he is referring to is the Drama “FIVE” The End of Summer Special Event that is happening today. For more information about the event, please refer to this post: HERE

And, Totani Kimito (Yamachika Tooru) responded to Sato Ryuji’s (Shimizu Toshi / Kashuu Kiyomitsu) Tweet in a show of his support,

Totani Kimito @kimitotani0507

I’ll leave the event in your care! Do your best~ 👍

Personal Note:

On the side of Ryuji’s saniwa adventures, he has actually achieved a personal goal xDDDD

In March 2017, he Tweeted about wanting Kogarasumaru: HERE

With this latest update, he has finally welcomed Kogarasumaru to his citadel xD

So, Sato Ryuji posed fans a question in his Tweet: HERE

Well, the answer has been revealed! xDDDD

When his rehearsals for the “Musical Touken Ranbu Kashuu Kiyomitsu Tanki Shutsujin” ended early yesterday, Ryuji attended the “Chou! Datsugoku Kageki Nanbaka” xD

And, he took a photo with Inagaki Seiya (Godai Yamato) and, of course, Kitazono Ryo (Uno)! ♥

(For more photos, please check out this post: HERE )

Kimeru (Mitsuba Kiji) also Tweeted about Ryuji’s attendance despite not being able to take a photo with him xD

Kimeru @Kimeru_

Even though we didn’t take a photo, Ryuji came to our performance. How long has it been!?

I’ve been continuously seeing the Toumyu DVD and the photo book though.

Good luck for your front line departure [1]!

(For the rest of the Tweet, please check out this post: HERE )

On that note, apparently quite a few Touken Danshi attended the same performance xD Other than Ryuji (Kashuu Kiyomitsu), Miura Hiroki (Higekiri), Zaiki Takuma (Ookurikara) and Araki Hirofumi (Nikkari Aoe) were also in attendance ♥

Source(s): ( x , x )

NOTE:

[1] The front line departure that Sato Ryuji is referring to is the “Musical Touken Ranbu Kashuu Kiyomitsu Tanki Shitsujin”, which is Kashuu Kiyomitsu’s solo live that is scheduled to run from October 5, 2017 to October 15, 2017.

More information about the performance can be found: HERE

More information about the live viewing of the performance on the DMM website can be found here: HERE

2

@R_nanjyo

#Toumyu Kashuu Kiyomitsu Tanki Shutsujin 2017 [1]

With Ryuji-kun [2] in the vanguard, the 7 of us will make this the best stage 💥💥💥

Only a little while more until the first day!! Please wait and look forward to it ✨

NOTE:

[1] “Kashuu Kiyomitsu Tanki Shutsujin 2017” refers to Kashuu Kiyomitsu’s solo live that is scheduled to run from October 5, 2017 to October 15, 2017.

More information about the online live stream of the performance on the DMM website can be found here: HERE

More information about the performance and Blu-ray/DVD/CD/merchandise release can be found: HERE

[2] “Ryuji-kun” refers to Sato Ryuji, who plays Kashuu Kiyomitsu in the “Musical Touken Ranbu”.

Entire Shelter Tour Playlist/Remixes:

Opening: Technicolor into Shelter

transitions: both say thank you’s and then continue with the show

•Pay No Mind x Easy

-transition: the main drop from Easy into Porter playing piano to the end of Pay No Mind

•Sad Machine x You’re On

-transition: literally the best damn remix of You’re On anyone has ever heard to fading into Hugo making sick beats: DRUM OFF. STRAIGHT UP CORE DUBSTEP TYPE OF SHIT. 1000/10

• OK x Easy Melody

-transition: fading out of OK but merging into harmonies and slowing down + Hugo drums, literally beautiful.

• dope remix of Flicker: Madeon’s Flicker remix x Astre Flicker Remix

-transition: PORTER SINGING FINALE WITHOUT BACKUP AAAAA

• Finale x epic drum beats by Porter

-transition: the high pitched voice in Cut the Kid into the song

• Cut The Kid x Sad Machine’s “is anyone there” then some hard deep beats “oh hi”

-transition: the intro to Imperium but higher pitched

• Imperium x hard beats

-transition: three consecutive beats and then silence as the beauty of the piano moving into the next song, the lights move with the notes.

• Imperium drop x drums once again, sick heavy beats.

-transition: FUCKING ME UP WITH POP CULTURE LIVE !!!!!!!

• Pop Culture x random cut ins again AND “ EACH DAY ” ONE MORE TIME (I died irl)

-transition: “Say my name and you can say it with honor” into the drop of Pop Culture fading out into Say My Name, “honor”, quiets down into a high speed build up

• Beings (way slower and deeper) x Divinty (porter’s going ham on the drums atm)

-transition: fucking up the entire crowd by making us cry with Sea Of Voices as it gently fades in after Divinity. [Hmu for a full video of this part because I got it and I cried real tears]

• Sea Of Voices x Beings (the deadass best part of the entire show)

-transition: fades into Innocence (oh hell yes) while the drop to Sea Of Voices is ending

• Innocence (that’s it, it deserves its own spot)

-transition: Innocence slows down so much it goes silent, then Porter plays the piano to La Lune

• Sea Of Voices (lyrics) x La Lune (like pure honey for like 5 seconds, BUT WAIT) it goes into a hardcore drum part on porter’s end then gets back to a fast paced remix and it’s chill.

-transition: Fresh Static Snow lyrics melody but on marimba or some shit, it’s lovely

• Fresh Static Snow x Isometric

-transition: Porter playing Fresh Static Snow melody on keyboard and lyrics from Home go along w it

• Home (with hella good beats added)

-transition: comes to a quick stop, fades out then in into a robot voice saying “homeeeeeeeeeee”

• Beings (Porter sings) (Madeon tells the crowd that this song is so dear to him) (tears again) (I think some part of Cormak’s remix is in there)

-transition: fades out till it’s quiet, gentle keyboard on Madeon’s end, buildup

• Beings melody again vs hard beats in between every 10 seconds (it’s like a metaphorical fight it’s SICK even the lights and graphics change from multicolored and bright to dark red) Beings ends up on top at the end.

-transition: dead silence after beings, “thank you” from Madeon, FUCK MEDKKD UP. FELLOW FEELING ON PIANO.

• Fellow Feeling x Icarus

-transition: THE DROP TO FELLOW FEELING AT THE END OH MY LORD PORTERS PLAYING IT ON PIANO, then it ends and Madeon says “thank you” again then silence and Porter plays keys to G2AW

• Goodbye To A World (idk if it’s a stage remix) it was cool and a bit slower, felt like a dream. Porter’s screen says the lyrics and Madeon’s says the lyrics in code(?).

-transition: piano to the melody of goodbye to a world played by Porter, BUT WAIT. there’s a huge glitch and the screens get messed up and the sound is just a nonstop record scratch and everything goes black. Fin.


• Encore: Shelter (again!)
• Hugo sings, all is good, world hunger is terminated
• Porter’s playing keyboard on a marimba setting , my depression is gone
• The crowd is singing along with Hugo and Porter’s soft tones, animal abuse is no longer a thing

-transition: gentle silence, BASSSSS

• melody to shelter on keys, goes into Fresh Static Snow drop x Language

-transition: Porter plays gentle keys to Language x Beings and slowly ends fading out, 3 beats and BAM, the big end.


Fin.

This has been Jax,(@porterrobinson-worlds)
documenting the entire thing for 2+ hours on YouTube + my own live experience from October 5 @ the Aragon Ballroom !!!

2

~Yumemigusa Gacha~

The gacha will be separated into two parts: The sakura chapter and moon chapter.

The sakura chapter will be from October 5 to October 15 and it will feature the members of Gravi

The moon chapter will be from October 16 to October 26 and it will feature the members of Procella

Get this chance to get your favorite guys in their Yumemigusa outfits!!

Reminder: this is not part of the Tsukino Park Parade Project

. It is true there is not enough beauty in the world.
It is also true that I am not competent to restore it.
Neither is there candor, and here I may be of some use.

I am
at work, though I am silent.

The bland

misery of the world
bounds us on either side, an alley

lined with trees; we are

companions here, not speaking,
each with his own thoughts;

behind the trees, iron
gates of the private houses,
the shuttered rooms

somehow deserted, abandoned,

as though it were the artist’s
duty to create
hope, but out of what? what?

the word itself
false, a device to refute
perception— At the intersection,

ornamental lights of the season.

I was young here. Riding
the subway with my small book
as though to defend myself against

this same world:

you are not alone,
the poem said,
in the dark tunnel.



Louise Gluck, no.5 from ‘October,’ Averno