no words......

For Attractive lips, speak words of kindness. For lovely eyes, seek out the good in people. For a slim figure, share your food with the hungry. For beautiful hair, let a child run their fingers through it once a day. For poise, walk with the knowledge that you never walk alone.  People, more than things, have to be restored, renewed, revived, reclaimed, and redeemed. Remember, if you ever need a helping hand, you will find one at the end of each of your arms. As you grow older, you will discover that you have two hands, one for helping yourself and the other for helping others
—  Sam Levenson

You could’ve said sorry,
and I’ll forgive you—
again and again.

I could’ve listened.

And everything
still could’ve been
the same.

—  ma.c.a // Wishful Thinking
youtube.com
Thor: Ragnarok Movie Clip - Get Help (2017) | Movieclips Coming Soon
Thor: Ragnarok Movie Clip - Get Help (2017): Check out the new clip starring Chris Hemsworth and Tom Hiddleston! Be the first to watch, comment, and share cl...

I’m gonna deconstruct this scene because I’ve been thinking about it ALL DAY and what the hell, I’ve got time. This clip demonstrates what I love most about Taika Waititi’s filmmaking and it shows off Chris and Tom’s chemistry in the fiercest way. It’s hilarious, sweet, bittersweet, surprising, and poignant.

1) “Loki, I thought the world of you.” 

Even though there was an instinctive part of me that screamed, “OK, WELL, YOUR ACTIONS TOLD A DIFFERENT STORY, THOR” due to residual bitterness over what a dickbag Thor was in the first film, I’m 1,000% here for this line. I’m proud of how much Thor has matured, thrilled that these two are actually talking to each other, and happy that Loki’s hearing something he’s probably always wanted/needed to hear even though it’s bittersweet because Thor’s using the past tense.

Tom’s reaction here is SO GOOD. Just the tiniest shift in his eyebrows to indicate that Thor has Loki’s attention and he’s fucking locked in and hanging on to every word.

2) “I thought we were gonna fight side by side forever, but at the end of the day you’re you and I’m me.”

I know there was a minor (?) uproar over Chris’ comments that Thor will be “indifferent” to Loki in Ragnarok, but this scene seems to suggest a kind of acceptance rather than indifference. Maybe for the first time, Thor truly seems to have accepted that he and Loki are fundamentally different beings–and by extension, he’s accepting Loki’s nature. Yes, part of that acceptance means letting go and moving on (note: I did not say giving up) and that’s sad, but realistic I think. How many fakeout deaths and stabbings can a person be expected to withstand? “You’re you” is a significant break in pattern for Thor and Loki appears genuinely taken aback by it.

“You’re you” is a huge deal because to me, the brothers’ central conflict has always boiled down to the fact that Loki isn’t Thor (thanks, Odin, for exacerbating this tension). For Loki, that fact is a source of self-loathing and resentment, something that he can act out against and, as Tom has often said, define himself in opposition to.

By the same token I think it’s become clearer that what Loki thinks of Thor matters to Thor. For an older sibling, having a younger sibling who looks up to you and wants to be like you is perhaps one of the biggest indicators that you’re a good–dare I say worthy–person. Ever since Loki let go of Gungnir Thor has struggled to make sense of Loki’s rejection, to define himself without the security of having his brother by his side. With that in mind I’ve always seen Thor’s past attempts to bring Loki back to the “good” side as heartfelt and genuine, but also somewhat ego-driven and shortsighted because it came at the expense of Loki’s autonomy and self-identification.

Cut to now. By acknowledging that he and Loki are each their own person, Thor’s relieving Loki of the pressure and expectation to be anyone other than himself. In a way that’s a gift, but it’s also terribly sad because it’s accompanied by loss for both of them. Which brings me to:

3) “I dunno, maybe there’s still good in you but let’s be honest: our paths diverged a long time ago.”

It’s in this moment that Loki really seems to realize where this conversation is headed. And he doesn’t like it.

We know Loki lives to test Thor. It’s his (super dysfunctional and unhealthy) way of making sure Thor still cares about him. In The Dark World, Loki tests Thor’s assertions that he doesn’t trust him and has lost hope for him by … getting himself impaled. Yeah, “dying” was also his “get out of jail free, usurp the throne” card, but it’s not insignificant that he calls Thor’s bluff in the process. 

4) “Yeah. It’s probably for the best that we never see each other again.”

Speaking of calling Thor’s bluff, I think Loki–because he’s a smart little fucker–says this in order to get ahead of the conversation. He knows what’s coming, so he pulls the classic “I’ll reject you before you reject me” move. But I don’t think he means it. It’s more likely that he’s trying to balance the scales so he’s not on the utter losing side of this conversation. And honestly? Deep down I doubt he can bear to hear Thor say it and by proactively agreeing with him he’s holding out hope that Thor will pull a “JK!” and change his mind.

5) “That’s what you always wanted.”

OMG THOR HAS GOTTEN SO SMART. I mean, I guess it’s within the realm of possibility that Thor is still really dumb about Loki’s feelings/motivations, but personally it’s more fun and satisfying to think he sees Loki’s test and raises him an even bigger one.

Loki’s face is so sad-funny. His plan backfired, he’s panicking a little, but he’s got to save face and play it cool, and he’s also legit sad because he knows this outcome is the culmination of his past actions and he did his part in paving this road for both of them. And at the end of the day he’s still the younger brother who doesn’t want to appear weak, so he’s doing his best to match Thor’s tone and attitude.

The moment when Loki lifts his chin and gives a little nod is a dead giveaway; never seeing Thor again is the opposite of what he wants, but he’s prepared to accept that it’s too late for anything else. It’s SO far from an apology, but for Loki it’s about the most mature thing we’ve seen him do.

The fact that for once they’re not arguing with each other is what made me tear up. It’s like they both know they should’ve had this conversation years ago, when it could have made all the difference, but at the same time they know that moment has passed. THIS IS FUCKING TRAGIC.

(If I wrote this movie, this would be the moment where they both dissolve into tears, fall on the floor, and cry-hug it out, which is why I write poetry and not screenplays.)

6) “Hey, let’s do Get Help.”

This was the beginning of the death of me, I will never be the same. I laughed so hard. On the surface this whole exchange may seem like just a gag–and it IS funny as hell–but I feel like it’s working on so many levels and reveals something deeper about Thor and Loki’s bond.

First of all, if you’re me, everything that preceded this moment was really uncomfortable and sad and almost unbearable to witness so I don’t think it’s a stretch to assume that Thor and Loki were feeling some of that too.

What I love about this transition is that Thor immediately cuts through the tension, probably to put both of them at ease and bring them back into the more familiar territory of their rapid-fire banter. Loki seems a bit surprised but relieved.

IMO, this brief exchange of dialogue does more to convey Loki and Thor’s bond and establish their history than anything we’ve been shown in the previous films (not counting that deleted scene from the first movie). I thought it was really poignant to see them revert to/rely upon something from their distant past. You can tell this is an argument they’ve had a zillion times before. You can tell from the stunt itself that it’s something they’ve had many opportunities to perfect. 

Even though Loki is reluctant to participate, he does, because he still craves inclusion and acceptance. Even though Thor is no longer quite as overbearing and arrogant as he once was, he regresses into that role so that he can get his younger brother back for just a moment. It’s like they’re consoling themselves without admitting that they want to be consoled. And yeah, on a practical note they also need to find a way off of Sakaar.

In conclusion, they’ve both just conceded that their relationship has reached an impasse with no real way forward, yet in the immediate aftermath of this supposed acceptance they choose to revert to an older dynamic that reflects presumably happier times. They don’t want to quit each other. This is fine. It’s fine. I’m not crying. I love them. The end.

I’m deep in my feels right now and probably projecting a lot (HI, HELLO, I HAVE A TROUBLED YOUNGER BROTHER, I’VE NEVER USED HIM AS A PROJECTILE BUT I UNDERSTAND THE IMPULSE), but even without having seen this scene in the full context of the film, it’s my favorite Thor/Loki moment to date. It’s what I’ve always wanted. It actually brings “We were raised together, we played together, we fought together” to life in a meaningful way, whereas in The Avengers I felt like those were just words.

If you made it this far, thanks for reading!

call.

call me when you’re lonely, call me when you’re happy. call me when you’re sad, call me when you’re angry. call me when you need me, call me when you want me. call me when we run out of ways to speak love into existence, call me when it hurts to be away. call me if you fucked up, call me and we’ll work things out. call me just to call me, baby, i’ll pick up. call me just to hear my voice, call me just to hear my smile. call me even if i’m asleep, darling for you? i’m always awake, inside of my dreams you’re the soft rattle of heartbeats and soul art.

And I sometimes wonder where you are or if the smell of cinnamon sugar poptarts still makes you want to puke. But I don’t miss you and I don’t regret anything. Because I’m great now, better even, and the fact that you’re not happy for me is so typical but I still want you to know: you said it was a mistake but it wasn’t, it was right for me.

ok so all of u rlly just have @sergeant-santiago to blame. she requested this. and i KNOW it’s more than 100 words don’t @ me it was IMPORTANT. 

His lips move hard against hers, a little desperate as his hands card through her hair. She kicks his door closed behind her. This is Date Eight, and she already knows exactly where it’ll end - with her head against his bare chest and his arms holding her close on top of the good lump on his mattress.

She can’t wait.

And then Jake is backing up, shedding clothes like they’re on fire. She lets her blouse drop to the floor, lets her eyes fall away from her boyfriend for just a second to unbuckle her belt. And then, at his laughing, quickly swallowed curse, she looks up. Her jaw goes slack as she lets her pants drop to her knees, entirely forgetting what she’d started to do.

Because three feet away, Jake is holding his hands over his boxers, doing his absolute best to cover the still-clearly-visible face of his favorite Teenage Mutant Ninja Turtle grinning cheekily from his undergarments.

And then she’s collapsed against the wall, clutching her stomach against the giant belly laughs forcing themselves out because Rafael’s tongue is out right over the crotch and his left eye is winking for some reason she can’t begin to parse and her boyfriend’s blush is spreading from his neck over his chest and up across his cheeks.

He tries to turn around, hiding the ridiculous face entirely, but the turtle shell decorating his butt is too much for Amy, who slides to the floor under the force of renewed laughter.

She’s not sure how long she stays there - it feels like an eternity, but it’s more likely only a few seconds - but every time she starts to calm down, starts to think she must have exaggerated just how mind-bogglingly obnoxious the boxers are, she opens her eyes to Jake striking a new pose.

Tongue out, eyes bugged, one arm straight up, throwing a peace sign.

Hips jutting out, an exaggerated model pout.

One eye winking, tongue out in a perfect imitation of the turtles on his underwear.

When she opens her eyes for a fourth time, certain that she’ll be able to calm down, will be able to stop the literal tears she can feel building up and give her beleaguered abdominal muscles some relief, she finds herself eye-to-eye with Rafael himself, the turtle’s face inches from her nose. Jake, above her, is grinning down with a self-satisfied smirk, knowing he’s gotten her again.

But then she remembers why his boxers are out in the first place, remembers how this whole thing started, and a competitive gleam lights up her eyes.

“You know,” she starts slowly, forcing her breathing back on a controlled rhythm between the aftershock giggles. “Those really are awful. We should probably get them off.”

As she hooks her thumbs through the waistband, her fingers brushing against his hips, eliciting a small hiss from Jake, she spares a glance up at her boyfriend’s face, noting with satisfaction that the smug smile is long gone, replaced with awe at the woman in front of him.