no doubter

“You will never win if you never begin.” – Helen Rowland

“You can’t wait for inspiration. You have to go after it with a club.” – Jack London

“A somebody was once a nobody who wanted to and did.” – John Burroughs

“If you can dream it, you can do it.” —Walt Disney

“Do not wait; the time will never be ‘just right.’ Start where you stand, and work with whatever tools you may have at your command, and better tools will be found as you go along.” — George Herbert

“Step by step and the thing is done.” – Charles Atlas

“The future belongs to those who believe in the beauty of their dreams.” — Eleanor Roosevelt

“If you don’t ask, you don’t get.” – Stevie Wonder

“There will be obstacles. There will be doubters. There will be mistakes. But with hard work, there are no limits.” — Michael Phelps

“One way to keep momentum going is to have constantly greater goals.” — Michael Korda

“Be gentle to all and stern with yourself.” – Saint Theresa of Avila

“You just can’t beat the person who never gives up.” —Babe Ruth

“The world breaks everyone, and afterward, some are strong at the broken places.” — Ernest Hemingway

“Things do not happen. Things are made to happen.” – John F. Kennedy

“He who believes is strong; he who doubts is weak. Strong convictions precede great actions.” — Louisa May Alcott

“Without discipline, there’s no life at all.” – Katharine Hepburn

“That which does not kill us makes us stronger.” —Friedrich Nietzsche

“Sometimes you don’t realize your own strength until you come face to face with your greatest weakness.” — Susan Gale

“Do you want to know who you are? Don’t ask. Act! Action will delineate and define you.” — Thomas Jefferson

“There is only one corner of the universe you can be certain of improving, and that’s your own self.“ – Aldous Huxley

“Doing the best at this moment puts you in the best place for the next moment.” – Oprah Winfrey

“From my tribe I take nothing, I am the maker of my own fortune.” – Tecumseh

See Part 1 for more motivation!

anonymous asked:

I don't understand how people thought we were reaching with the Sana, Isak and Even friendship thing. They were literally the only other characters (beside the girls obvs) who were in the trailer for this season. It would have been weird for them to have been the only two from the boy squad to be featured in it and then not have them be important to Sana in the season.

absolutely anon! @imansmeskinis and i were just talking (screaming) about this too! also like, there was a lot of intentional foreshadowing on the sana/isak/even friendship in s3! let’s review

the previous seasons (1 and 2) both had pretty significant storylines going on with characters other than the main, i.e. noora and wilhelm, isak and his mom/moving out/being closeted. a lot of people have mentioned that s3 breaks this mold. it was only about isak and even. but in light of the connections we now know exist between even and sana, as well as the building up of sana and isak’s interaction, it’s more than possible to see these as big road signs as to where those relationships are headed in this season!

no doubt some shit is gonna go down, most likely with even (maybe the balloon squad isn’t cool with sana hanging out with him? maybe she doesn’t exactly know what happened between them but when she finds out she has to reassess the friendship? so many possibilities) BUT ITS HAPPENING!!

This was as subtle as Louis following that photographer, or the Gucci person following Harry after Louis wore Gucci or Steve liking the rainbow pic when following Harry…. even the Hailie Steinfeld follow but then LORDE? Now when Harry’s doing SNL. WTF boys?

“One day the people that didn’t believe in you will tell everyone how they met you.” - Johnny Depp

Saying there’s no proof of HL together or even living together but ignoring: looks, touches, hugs, kisspers, whispers, body language, domesticity, protectiveness, supportiveness, dream team, interactions, finishing each other’s sentences, always knowing what the other is thinking of or is about to say, jealousy, body language when the other one’s PR relationships are brought up, fond, living situation, when we’re home, house in L.A., the fucking giddiness when they so much as look at each other, the bubble when they only focus on each other, Louis looking for Harry when he doesn’t know where he disappeared, Harry looking for Louis when he doesn’t know where he went, coordinating their fucking wee breaks on 2 hr long concerts, where’s Harry where’s Louis gone, even as young as you are, sharing clothes, jeans, t-shirts, etc, their reaction to rings-engagement-marriage topics, the being MIA at the same time and reappearing on the same day for years, the being sick at the same time while every other band member is healthy, the blue and green, the bandana, the sharing cars, sharing hotel rooms, having the same friends, the mirroring, the tattoos, those fucking tattoos, the song lyrics???, like helloooo, the lyric changes, the throat lozenge, the we’re both kinda generous with each other, the we kind of share that really, the good lad good lad nice lil body, the fucking aimh tweet, and the family’s reaction when it beat Obama’s, the paris imterview, the video diaries, the turning away to hide his smile Tomlinson because he was so gone, the Script concert, the jumping in your arms because our band got formed, their tweets to each other, the way Louis tweeted at the asscrack of dawn about something English then disappeared for mia days, the serenading, the kicking away water bottles so you don’t fall face down, the bringing a new water bottle because i see yours is empty, the hey cutie have a nacho, the serenading, the watching each other on the big screens, the goofing around in the monitors, the other boys’ outing them, their OWN moms outing them, their own family outing them, their own friends outing them, their own co-workers outing them, other celebrities outing them, how the whole fucking world knows about them, their same habits in everything, they are legit morphing into the same person, the nicknames they use, the orbiting on stage, the secret touches, the sign language, the meal, the left and right sides respectively tattooed then used in bed for example, the fucking little spoon information, the lipbiting when looking at the other one when he’s not watching, the bruises, the innuendos, the horse rider, the he has one, the salt and vinegar, the fucking bears, the denials being a joke, the receipts, home, if i could fly, strong, happily, don’t let me go, something great, the fucking narrative, the fucking no pic of them for years and only them, and this became a long list and it’s way more than you ever wished for.

But you put all this firm and long theory into all kinds of unrealistic challenges and it is ridiculous, really.

You are in situations in your life constantly when you have to make decisions, you look up at the sky 400000 times your life and you are making immediate assumptions when seeing dark clouds and making a logical deduction SHIT IT’S GONNA RAIN.

This list I put here is the longest fucking rainstorm with clouds so dark that the only thing darker is the brain of those people who are still in denial.

The GOP could cut NASA funding for climate change in favor of space exploration

  • The GOP is bringing its fight against climate science to a new battleground: NASA. 
  • According to a report from E&E News, congressional Republicans have called for a “rebalancing” of the program’s budget, which could allocate much of the roughly $2 billion that currently goes toward NASA’s Earth Sciences Division to space missions.
  • Under President Donald Trump, however, the fate of agencies focused on climate change research feels precarious at best. 
  • Himself a climate change doubter, Trump has spent his first month in office fast-tracking policies that worry environmental activists. Read more. (2/19/2017 3:00 PM)

Water Venus’s are or can be hopeless romantics ..but they’re also doubters, they’re afraid that the person they want or even need will leave them at any moment and can obsess over that but at the same time. They’ll try and convince themselves that it’s nothing, that the person they want want them back too even if deep down they know the other person doesn’t feel the same way. They can dream about being with that someone all day, everyday until they find someone better but when they’re fixated on someone. There’s no way that they can stop just because you tell them to or even if they’re bad for them

Battling Insecurity

The biggest demon of most musicians is a feeling of insecurity. It’s the creeping (or blatant) suspicion that you are literally the worst musician in the world — or at least nowhere near as good as you “should” be. It can also manifest as the idea that you’re going to: get laughed at by your peers, be a complete failure at everything you ever attempt, be revealed as a fraud, find out everyone is just humoring you, find out that your doubters were right, end up completely destitute and have to live in a cave, or possibly just spontaneously die the next time you have to perform. It turns out that all of these worries are 99.999% of the time completely baseless. No, you are not that 0.001 percent case where these thoughts are accurate. Bassoonist Georg, who has never actually touched a bassoon and likes living in caves, is an outlier adn should not have been counted.

The thing is that everyone feels like this, at least sometimes. I myself have, at the time of writing, complained at two different people a total of four times in the past week that I am going to end up living in a cave in the North Woods because no one will ever want to pay me for anything because I Suck. This is objectively not true. (You bought this book after all.) It may be a cliche, but there is a lot of truth to the thought that we are our own worst critics. There is no one else out there who knows your musical intent. If your trill doesn’t sound the way it did in your head, you are the only person who knows. Everyone else will think approximately this: “Hey, that was a trill. Cool.” If they’re especially persnickety, they might add “That was a little (better/worse) than when (you/someone else) sang a similar trill.” I don’t think there is a person out there who specifically goes to listen to a performance and thinks “This is awful and this performer is awful,” because most people are very nice. You are the only person there who thinks that you suck.

There are ways to battle insecurity, of course. Every performer develops a set of techniques to reaffirm their own self-worth, to calm themselves down, and essentially talk themselves down from the tree their anxiety has them hiding up. However, trial and error can take a long time, and you are going to need your self-esteem shored up a lot in the next year. With that in mind, here are suggestions from performers in college and beyond for how to manage insecurity.
Focus on things you’ve improved in the past year. When you start to worry about how obviously you’re no good and no one will ever want to listen to you etc. etc. etc., take a deep breath, then list three things you’ve improved in your playing in the past year. You have definitely improved at LEAST three, if not eight or nine aspects of your playing. Be as broad or as specific as you wish. This is about you acknowledging that you have grown and gotten better, so you choose the things on which to focus.
Listen to old recordings of yourself. If you absolutely CANNOT think of a SINGLE THING you’ve improved on in the past year (really? Not even your ability to play a single piece?), then go and listen to recordings of yourself from years ago. Find something you performed in when you were a freshman in high school (or, if you’re a freshman, see if you can find stuff from elementary school!). Go and listen to it, as critically as you can. It will probably make you cringe. That’s a good thing. Know why?
It’s because it shows you how much you’ve grown since then. If you fast-forward ten years from now, as long as you have kept playing, I can guarantee that future-you will listen to recordings of current-you with that same kinda cringey feeling. Because, in ten years, you will have improved so much that your current playing will be unrecognizable. And you will be proud.
Remember that the goal is improvement, not perfection. Music is not a race. Music is not a competition. Music is an art for self-fulfillment and self-expression. Perfection is impossible. Being “the best” is also impossible - there are seven billion people on Earth (and six in space (I checked!)). There’s always going to be someone out there who has practiced a little longer, or harder, or started earlier, or whose fingers are just a little closer to the perfect shape for your instrument. Your goal, then, should be to improve your own self - no comparisons to others, nothing like that.
Remember everyone comes from a different background. That person who sits to you in your ensemble, the one you’re envious of? You can’t know everything about their life. Maybe their parents started them on their instrument at age three. Maybe they haven’t gone out on the weekend in a year and a half because they practice then, or because they work to make up for not working during their practice time during the week. They could have a buttload of debt because of outside lessons. There’s no way to know what advantages or tradeoffs they’ve had to get where they are.
Once you’re at a certain point in life, there’s no way to add something to your life without sacrificing something else that you also like. If someone else practices X amount hours more a week then you do, then they spend X amount less doing something valuable to you - work, sleep, other homework, socializing, recharging, etc. They may simply have different priorities than you, and that’s okay.
Shut down the voice that compares people. Comparing yourself to someone else does nothing for you. Really. Unless you’re actively studying someone’s technique for educational purposes, comparing yourself to that 5th year senior, or that incredible freshman, does nothing for you. When you notice yourself doing the comparison thing, just shut it off. Practice rebuffing that voice.
“Sarah plays really well, yes. When I’ve played as long as she as, I’ll be better than I am now, too!”

Or!

“That freshman plays really well - I’m glad they had the opportunities they did.”

If all else fails, just look at these other people as motivation. Aspire to be as good as them, and use that to fuel your own practice. Just don’t let it spiral into beating yourself up. You’re worth more than that.
Directors have a vision. If you don’t match that vision, it’s not a personal failing.This is specifically in regards to auditions or chair seatings. Every musician has a different style and different technical abilities, and that’s okay. Sometimes your skill in a certain area may be amazing, but your tone just doesn’t match the rest of an ensemble. Or your sight-reading is great, but the director prefers someone else’s musical interpretation. That’s okay. There are ensembles where sight-reading is super important, and where your tone matches perfectly. You just have to find them, and you will eventually.
Make sure to take care of yourself. You can’t practice as efficiently if you’re sick. You can’t improve as much when you’re always exhausted. Trust me - due to an immune system that works about as well as a mall cop, I’ve spent on average eight weeks a school year feeling absolutely gross. I had to take an incomplete with my private teacher the first semester of my senior year of college, because I was so ill I could barely phonate (mono is a big ball of suck).
I’ve been better overall, however, since I started scheduling my sleep and food and socialization times. My calendar has nine hours of sleep scheduled in every night, I have phone calls and coffee dates with my best friends penciled in every week, and food is as regular as clockwork. Why? Because it prevents that nauseous, exhausted feeling of sleepwalking through a ten hour day. Hard days still happen, of course. However, I don’t spend nearly as much time cajoling myself to just keep putting one foot in front of the other anymore. Instead, I’m awake, engaged, and able to complain about things other than how tired I am. Progress!
Read up on Impostor Syndrome. Impostor Syndrome is when your brain’s resident jerkwad is constantly suggesting everyone you know is about to find out you’re a fraud. Who cares about any auditions you’ve successfully done. Who cares how good a grade you got last week. The jerkwad yells that you’re faking everything you’ve ever done, and people are going to figure that out, and then you’re going to end up living under a bridge and charging people tolls to cross it, and then they’ll figure out you aren’t even really a troll, and then you’re going to have join me in the cave in the North Woods and eat beetles and moss.
That jerkwad is a liar. Even I haven’t ended up in the North Woods yet, and I’m pretty sure I should list “Can BS Real Well” on my resume under Skills. You are a real musician - after all, you play music! That’s it. That’s all that’s required to call yourself a musician. I promise.

3 Kinds of INFP

All INFP’s share the same cognitive functions, however differences in behavior and motivation can be quite drastic. The best explanation for these kinds of differences is Enneagram. Enneagram is a personality theory that assesses trauma, motivation and behavior, it can be used along side MBTI as they do not cancel each other out in any way. Any MBTI type can potentially be any Enneagram type. Unlike MBTi, where the point is to develop INTO the best your type can be, the point of Enneagram is to develop OUT of your type, basically categorizing it as a self-help tool. INFP’s are often enough one of 3 types. It is absolutely possible to not be one of these types, and my description of each kind of INFP will not correspond directly with the broader scale of each enneagram type (example; I’m explaining what a type “X” INFP looks like not what a type “X” looks like) I have met or am each of these types of INFP and here is my assessment:

Type 4 INFP

Type 4′s are often called the “Individualists”, “Romantics” or “Artists”. This makes up the biggest portion of INFP’s. I’d say almost half. This is the classic INFP. The feeler, the lover, the emotional and rhapsodical idealist. The princess in her castle, the poet writing in water, the passionate artist. This type of INFP puts alot of weight on Fi and the Fi truly “wields” the Ne. This Fi is organic, true, and uncompromised by anything. Type 4 INFP’s are likely to feel the greatest depths of pain and sorrow of any of us. Type 4 INFP’s might describe emotional pain as so real it physically hurts. With that passion comes poetry, art, and beautiful written word. This type is likely to have deep moral convictions based on ethics and empathy. This type of INFP is highly dramatic, bringing to mind shakespearean theatrics. This can manifest as scathing drama, emotional appeals to the heart or just general hellfire and brimstone. Certainly the most likely type of INFP to cry and/or throw a fit when they feel overlooked or invalidated. Has the speech pattern of someone writing in their diary. This type tends to be a wallflower due to being unable to conform to social norms or put on a face for anyone. May be a person of few words due to only being able to be honest. This kind of INFP is highly individualistic, craving authenticity more than any other type of INFP. They’re likely to see trends, fashions, cliques and fame as highly detestable. The type of INFP to hate and never want to be “the cool kids”. This kind of authenticity is very attractive to those who love authenticity and originality, as these INFP’s have it in spades. Always interesting and always unique, these INFP’s can be highly cherished by friends and family and highly sought after as lovers. This subset of INFP’s might be the most romantically minded of any other subset of any other type. However, they are plagued by fears of being abandoned, and when alone, wish for someone to come and save them. Type 4 INFP′s believe that someone (or something, maybe a religion or philosophy) is going to come into their lives and make them whole, and can have trouble generally feeling whole in and of themselves. Overall, this kind of INFP’s personifies on of the most lovable subsets of human beings. Genuine, authentic, passionate, and creative. This kind of INFP is capable of the most beautiful and genuine expressions of human emotion of just about anyone. 

Type 9 INFP 


This type of INFP is also very well known but less of the population than Type 4′s. Type 9′s have been called “The Peacemaker” or “The Mediator”. This Type of INFP is very sensitive to conflict and great at seeing others perspectives. This INFP is great at giving advice and helping with others problems and generally being a caring shoulder to cry on. Often being mistaken for INFJ’s, Type 9 INFP’s still have staunch values and an openly hyperactive mind, they’re just less pushy about their views. This Type of INFP can be seen as having a very balanced function set, not weighing to heavily on any functions. They are very laid-back, non-judgemental, and sensitive to others thoughts and feelings. This type is likely to have a weak definition of self, seeing themselves in everything. They might see themselves as “a little of column A, a little of column B, quite honesty”. They might outwardly appear to not greatly enjoy or strongly feel about anything. They may struggle to say exactly who they are and what they stand for, being cautious of taking any harsh or finite stances on things. They really don’t want to offend anyone or be offended. They just don’t want a conflict to break out. This type seems to have the strongest shadow Ni of any kind of INFP, easily seeing other perspectives and views. They are still, however, separate from INFJ because they are still associative creatures rather than dissociative, relaying new information through the lens of their own understanding and experience. This kind of INFP was often neglected or silenced as a child and taught to not think of themselves as important. As a consequence of this, they are likely to see other people as having more intrinsic worth than they do. (not in a type 2 way, mind you, or in an Fe way, in a self-depreciating way) This can cause this type of INFP to think nothing they do is important, and kill any drive for them to do anything. Because of this, this INFP is kind of a loaner and maybe pretty lazy and slothful. However, these same qualities can make these type 9′s, self-sacrificing and loving friends. They are a wonderful, understanding and compassionate shoulder to cry on. They are just as happy talking about any topic with you as any other, and the most imaginative and flexible people you will ever meet. 

Type 6 INFP

Somewhat lesser known, but about as common as type 9 INFP’s, Type six INFP’s are cautious, inquisitive and loyal. Type 6′s are often called “The Loyalist” “The Detective” and “The doubter”. This kind of INFP focus’s much more on the Ne/Si axis than the other kind of INFP’s and can seem to effortlessly match even ENFP’s in outward intuition. However, this comes at a price as this type of INFP tends to use that ability to worry quite a lot. This type of INFP is highly insecure, spending a lot of time in “what if” scenarios and wondering if things will turn out okay. Due to just how much time they spend doing that, they get rather good at guessing outcomes and asking the right questions. 
This type of INFP craves security, they value unconditional love and stability above just about anything. They are plagued with doubts in their relationships, personal struggles, and careers. They can really bring down the mood and bother people with this behavior. They image countless scenarios in which things can turn out bad, and really just need guidance and a gentle push out of such thinking from friends and loved ones. Guidance, security and reassurance are paramount to a type 6 INFP, and anyone who gives them this will receive a loyal and passionate ally. This kind of INFP is also highly opinionated as they become very attached to things that mean something to them. They might go on a rant at or about people who disagree or ideologically oppose them due to their deep and inseparable attachment to their owns thoughts, preferences and philosophies. 
This is they type of INFP to seem to be really into a handful of things and talk about them non-stop. “I have all their albums” “I’ve been going here for years” “I have a blog about it” “I’ve read tons of books about it” They’re very loyal to bands, ideas, philosophies, values, ideologies, artists and people. 
Valuing stability, this kind of INFP is much more sensible and practical than the average INFP, and less likely to be emotionally turbulent. They stand in solidarity with thier self-concept and values. They rarely question thier identity or the validity of their feelings. Due to this, much more energy goes into the Ne/Si axis and allows type 6′s INFP’s to be great philosophers and thinkers, asking the right questions and stead-fastly seeking answers. All makes the type 6′s a fierce debater, playful philosopher, and loyal companion. 


Thank you all so much for reading, I hope you INFP’s out there find yourself in this. There are also many type 2, 5, 1 and 7 INFP’s out there but i wanted to focus on the common ones here. The roughly 10% or so of INFP’s who aren’t a 4, 9, or 6 should feel special! I hope you’ve enjoyed this very much!

~INFP-sama
There will be one of two reactions when looking back on chapter 127:

YES! THAT WAS THE DAY WE TWO CIEL THEORY BELIEVERS WERE FINALLY PROVEN CORRECT AND TAKEN SERIOUSLY! IN YOUR FACE, YOU DOUBTERS!

Or

Ha, remember that time when the fandom was panicking and we actually thought that Ciel had a twin?

Epic Movie (Re)Watch #112 - The Prince of Egypt

Originally posted by dreamworksmoments

Spoilers Below

Have I seen it before: Yes

Did I like it then: Yes.

Do I remember it: Yes.

Did I see it in theaters: No.

Format: DVD

1) The head of Jeffrey Katzenberg, the head of Dreamworks animation at the time and one of the former big wigs at Disney, had been pitching an adaptation of Moses’ story from Exodus to Disney far before he started Dreamworks with Steven Spielberg. During an early meeting of Dreamworks Katzenberg recalls that Spielberg looked at him during the meeting and said, “You ought to do The Ten Commandments.”

2) I think the opening disclaimer is a nice touch.

“The motion picture you are about to see is an adaptation of the Exodus story. While artistic and historical license has been taken, we believe that this film is true to the essence, values and integrity of a story that is a cornerstone of faith for millions of people worldwide. The biblical story of Moses can be found in the book of Exodus.”

3) Music plays an incredibly important role in this film, mostly for setting its grand storytelling and dark tone. This is clearly apparent from the opening song “Deliver Us” which depicts the suffering of the Hebrew people in Egypt and also the hope of Moses.

Originally posted by holden-caulfieldlings

4) This film also does an excellent job of immediately establishing the brotherly relationship between Moses and Ramses. It’s fun and honest, which makes the following events all the more heartbreaking.

Originally posted by somehow-you-will

5) Val Kilmer is quite effective in the role of Moses, being able to provide a healthy balance of his youthful joviality and privilege early on and the wisdom that would come to define the character later.

6) This film has three noteworthy actors who have very little lines. The first two of these are Patrick Stewart as Pharaoh Seti and Helen Mirren as The Queen.

Originally posted by ofallingstar

Neither of them sing, so their lines are few and unfortunately Mirren feels wasted in the part (less of a comment on her acting, which is top notch as usual, and more from the lack of screen time). Stewart, however, gives Seti some depth. We see him as father and ruler, both roles where he cares about his people, but also murderer of Hebrew babies which gives him a sinister feel.

7) Moses could have been painted as a spoiled brat while acting as prince of Egypt, but he takes responsibility for his actions and mistakes while also trying to shield Ramses from some of their father’s heavy expectations.

8) Tzipporah is established as fierce as heck from the get go.

Originally posted by spypartygifs-blog

Kept as a foreign slave in her first scene, she still fights back with great vigor despite being in a room who don’t care if she dies by the hands of the pharaoh. Michelle Pfeiffer imparts some of the strength she brought to Catwoman into the part and it’s a wonderful take on the biblical figure.

9) Sandra Bullock may have more lines than Helen Mirren, Patrick Stewart, and (later) Danny Glover, but for some reason I’m always wanting more of her and her character Miriam by the time the film ends. I like what I see, I just wish there were more of her in the film (I think).

Originally posted by holden-caulfieldlings

10) For some reason I don’t feel the way about her brother Aaron, who is voiced wonderfully by Jeff Goldblum. That may be because we see Aaron develop from non-believer to believer over the course of the film (wheres Miriam is consistently good and believing in Moses) and Jeff Goldblum plays both the doubter and the supporter well.

Originally posted by radioactivelizzy

11) Continuing with the excellent music in this film, “All I Ever Wanted,” carries with it that sense of grandeur as well as the heartbreak of Moses denying his true heritage.

12) Moses’ nightmare is one of the most memorable non-musical sequences out of the film (not THE most memorable but one of them), and this is done both through the unique hieroglyphic art style and the lack of dialogue. It is true visual storytelling.

13) Remember how I said Tzipporah is fierce as heck? Well, that continues throughout the film when she decides to drop Moses into a well as a bit of payback for being a prince of Egypt (although she does help him out because he helped her escape the palace).

14) Danny Glover is the third actor who doesn’t have enough lines. He plays the role of Jethro, a character with about ten spoken lines (more or less) and then the rest of his role is in song. And Danny Glover doesn’t sing the song.

Originally posted by holden-caulfieldlings

In the little dialogue Glover does give though, he is able to establish Jethro as a man who’s heart is as big as his stature. I just wish we’d heard more of him.

15) I mentioned in The Road to El Dorado the effectiveness of using a song to cover large gaps of time. This film is no different, initial with Jethro’s song “Through Heavens Eyes.” It’s a rousing and hopeful number which talks of the Hebrew god and how we can only know our worth when trying to look through (one guess what I’m going to say next) heaven’s eyes. In that time we cover Moses learning what a free life is from these people, his growing humility, and his blossoming relationship with Tzipporah (and eventual marriage).

Originally posted by holden-caulfieldlings

16) The Burning Bush.

Val Kilmer provides the voice of god in this film, although that wasn’t the initial plan. Originally all the actors in the film were going to voice god at the same time, and were told to whisper so they wouldn’t overpower each other. When the time came to record Kilmer’s lines, they realized someone had to speak louder. It was a happy realization, as the filmmakers later noted that god usually speaks to us as the little voice in our own heads. And it parallels the Cecil B. Demille version of The Ten Commandments where it is said (although I don’t think confirmed) that Charlton Heston also provided the voice of god while also playing Moses.

17) Moses telling Tzipporah about his encounter with the burning bush is another fine example of how filmmaking is primarily a VISUAL medium. We don’t hear a word they saw to each other, but we see him talking and we see her reaction and we know EXACTLY what is happening.

Originally posted by quaslmodo

18) Ralph Fiennes performance as Ramses is at its best when Ramses becomes villainous and conceited. Hmm, Ralph Fiennes playing a villainous and conceited villain. Sounds familiar…

Originally posted by yerr-a-wizard-harry

19) Playing with the Big Boys is the only real villain song in this film.

Performed by the evil lackeys Hotep and Huy (who are voiced wonderfully by Steve Martin and Martin Short respectively), the song shows off just how dark things in the Egypt really are and how tricky these two “magicians” are. Martin and Short breathe wonderful life and evil fun into the song, and even recorded their dialogue together. And the scenes uses wonderful use of darkness and shadows to make us feel like Moses is in over his head. Which in a way, he is. But the film wouldn’t be interesting if things were easy for the protagonist.

20) The growing conflict between Moses and Ramses is heartbreaking and I give credit to all those involved in this film for that. The directors, the writers, the animators, Val Kilmer & Ralph Fiennes, everyone. We see them go from the best of friends to archenemies and neither of them wants to be in that position. But they are, and they each think they’re doing what is best for their people. It hurts a lot to watch.

21) “The Plagues” is also a great example of how this film condenses what could have been a massive chunk of time into a little two-and-a-half minute song.

It also does not make light of the plagues either. The plagues were horrible. True wrath of god type stuff that ruined people’s lives. And this song is an epic but dark representation of just what those were like while also developing the conflict between Moses and Ramses.

22) I’m not as familiar with my biblical readings as maybe I should be, but I like that this film depicts Moses reaching out to Ramses one last time before he releases the final plague. It is one final reminder that they are or, more appropriately, were brothers. And they almost seem to understand each other, to make peace. But they don’t. Meaning the final and most awful plague is released.

23) I don’t want to get into my own theological beliefs or philosophies, but I am always sickened about the death of the first borns of Egypt.

The scene is animated beautifully but the entire thing is heartbreaking. The idea of a god who will take away the lives of children just to get what he wants, even though he later claims that we are all his children, just never sits right with me. I just…it sickens me. That’s all I can say. It sickens me.

24) “When You Believe” is probably THE song from this film. It won the Oscar for best original song that year, beating out “I Don’t Wanna Miss A Thing” by Aerosmith. It is the perfect representation of the power of hope and belief which is the central theme of this film. Michelle Pfeiffer and Sally Dworsky (along with the film’s chorus) do an excellent job performing the song written by Stephen Schwartz, but the pop version performed by Whitney Houston and Mariah Carey is just as good.

Originally posted by holden-caulfieldlings

25) I think the most memorable part of this film has to be the parting of the Red Seas. And it could just be for this image alone:

Originally posted by neverlandpixy

That is such a powerful image which really gets across the wonder of what we’re seeing. A representation of the scene which few if any adaptations of the Exodus story have ever lived up to and which I think only animation can bring to life so wonderfully.

26) After the Red Sea crashes down and Ramses is washed away, we see Moses looking off in the distance and hear Ramses screaming, “MOSES!” The filmmakers have suggested that this may be in Moses’ head and that Ramses might actually be dead. I like that idea. It shows Moses still has hope for his brother.

27) And since this is an adaptation of Exodus, of course it has to involve the Ten Commandments in some way. I’m just glad that it’s the last shot of the film. A nice way of ending the story.

It makes sense to end a family film there, as opposed to Moses finding his people worshipping a false idol (a golden cow, I think) and smashing the tablet before God destroys the idol and forces his people to wander the desert for 40 years to kill off the rebellious generation. Oh, and Moses didn’t get to go into the promised land.

(GIF originally posted by @rocktheholygrail)

What’s not family friendly about that?


The Prince of Egypt is a great animated film who’s popularity has unfortunately lost steam in recent years. It represents its story well without beating you over the head with the religion, the animation and music are gorgeous, and the voice acting is top notch (if a little wasted at times). I highly recommend you see it.

Like unless Louis and Harry explicitly come out and say in like an honest to god video recording that they’ve broken up I’m not going to doubt shit. Like there’s a reason that this is all still going on. Like they have never ever ever denied Larry, despite the numerous times they’ve had the chance to do it, and I refuse to believe that any of the members of this band would’ve ever agreed to use “Larry Stylinson” as a way to garner PR. That’s just too fucking low.