►►Mission: Impossible - Rogue Nation Movies Online (2015) HD 



Mission: Impossible - Rogue Nation Movie Storyline:
Ethan and team take on their most impossible mission yet, eradicating the Syndicate - an International rogue organization as highly skilled as they are, committed to destroying the IMF.

Movie Details :
Release Date : 2015-07-23
Casts : Simon McBurney, Nigel Allen, Nicholas Sharratt, Sagar Radia, Sean Harris, William Roberts, Ving Rhames, Alec Baldwin, Adam Ganne, Rupert Wickham, Osy Ikhile, Nigel Barber, Steven Gätjen, Hermione Corfield, James McOran Campbell, Femi Ogunbanjo, Georgina Redhead, Jeremy Renner, Julian Moore Crook, America Olivo, Tyler Fayose, Carola Niederhuber, Tom Lowe, David Peart, Daniela Nitsch, Benjamin Plautz, Martin Cochrane, Shamir Dawood, Wolfgang Cerny, Judith Bogner, Jens Hultén, Rebecca Ferguson, Peter Stark, Patrick Poletti, Nina Hartmann, Stella Stocker, Nicholas Lupu, Hadrian Howard, Mateo Rufino, Fernando Abadie, Amra Mallassi, Yasen Atour, James Weber Brown, Simon Pegg, Katie Pattinson, Rachel Handshaw, Wolfgang Stegemann, Bruce Lawrence, Ash Merat, Barnabás Réti, Martin Nelson, Jorge Leon Martinez, Zhang Jingchu, Tom Cruise, Tom Hollander, Alec Utgoff, Robert Maaser, Eva-Marie Becker, Emilio Aniba, Walles Hamonde, James Cleverton, Robert Luckay, Noor Dillan-Night, Saif Al-Warith, Martin Bermoser, Mingus Johnston, Ulli Ackermann, Laurence Rupp, Tarrick Benham, Sean Cronin, Volkan Ay, Tim Breyvogel, Lasco Atkins, Jesus Alvarez

The wound, let’s say, is a symbol of sick life, of unrealized life. And, I want to change Parsifal…The spear is for me a phallus symbol. Also, when you read Wagner’s text, at the end: “Only one weapon can close the wound.” That’s the Spear. And so all the spears that are used are phallus symbols, and also, I want only to show with the spears something [e.g. reality, not a representation]. I show the wound, I show the genitals, especially from the ‘wife’; the open body of an animal…
—  Hermann Nitsch on the spear and Amfortas’ wound.
my actions require the most extreme sensuality. turning physical and bodily givens inside-out is the leitmotif of the theatre of orgies and mysteries, bloody and moist internal organs are constantly in view. entrails and intestines are laid bare, and the vegetativecreaturely, incarnate occurrence of our species is constantly demonstrated. In this sense, organic forms repeatedly find their way into my architectural drawings. the entire thing, all developmental stages of the natural occurrence that is the human being, is to flow into this rampantly proliferating architecture. therefore, repeated structures of intestine, kidney and liver forms, human and plant-derived organic forms. the mannerist expansion of my theatre project makes it conceivable that my actions take place in an architecture in which not only individual organs, but the entire human body is reformed into spaces. the act of starting with rather abstract organic forms led to my present designs for actual architectural forms which literally replicate entire bodies or refer thereto. drawings such as the last supper and the entombment of christ are architectural drawings according to figurative models.

Hermann Nitsch

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