After publishing allegations from women who say Trump sexually assaulted them, Donald Trump threatened to sue the paper (see letter above).
The New York Times’ response? Try it. Take us to court.
The Times sent a letter back, saying:
The essence of the libel claim, of course, is the protection
of one’s reputation. Mr. Trump has bragged about his non-consensual sexual
touching of women. He has bragged about intruding on beauty pageant contestants
in their dressing rooms. He acquiesced to a radio host’s request to discuss Mr.
Trump’s own daughter as a “piece of ass”. Multiple women not mentioned in our article
have publicly come forward to report on Mr. Trump’s unwanted advances. Nothing
in our article has had the slightest effect on the reputation that Mr. Trump,
through his own words and actions, has already created for himself.
But there is a larger and much more important point here.
The women quoted in our story spoke out on an issue of national importance –
indeed, an issue that Mr. Trump himself discussed with the whole nation
watching during Sunday night’s presidential debate. Our reporters diligently
worked to confirm the women’s accounts. They provided readers with Mr. Trump’s
response, including his forceful denial of the women’s reports.
would have been a disservice not just to our readers but to democracy itself to
silence their voices.
We did what the law allows: We published newsworthy information about a subject of deep public concern.If Mr. Trump disagrees, if he believes that American citizens had no right to hear what these women had to say and that the law of this country forces us and those who would criticize him to stand silent or be punished, we welcome the opportunity to have a court set him straight.
In order for me to feel confident with one of my songs it has to really move me. That’s how I know that I’ve written a good song for myself — it’s when I start crying. It’s when I just break out in fucking tears in the vocal booth or in the studio, and I’ll need a moment to myself.
According to a recent New York Times article, more Asian-American actors and activists have spoken out with raw, unapologetic anger.
When Constance Wu landed the part of Jessica Huang, the Chinese-American matriarch on the ABC sitcom “Fresh Off the Boat,” she didn’t realize just how significant the role would turn out to be. As she developed her part, Ms. Wu heard the same dismal fact repeated over and over again: It had been 20 years since a show featuring a predominantly Asian-American cast had aired on television. ABC’s previous offering, the 1994 Margaret Cho vehicle “All-American Girl,” was canceled after one season.
“I wasn’t really conscious of it until I booked the role,” Ms. Wu said. “I was focused on the task at hand, which was paying my rent.”
The show, which was just renewed for a third season, has granted Ms. Wu a steady job and a new perspective. “It changed me,” Ms. Wu said. After doing a lot of research, she shifted her focus “from self-interest to Asian-American interests.”
Other actors lending their voices include Kumail Nanjiani of “Silicon Valley,” Ming-Na Wen of “Agents of S.H.I.E.L.D.” and Aziz Ansari, who in his show, “Master of None,” plays an Indian-American actor trying to make his mark.
They join longtime actors and activists like BD Wong of “Gotham”; Margaret Cho, who has taken her tart comedic commentary to Twitter; andGeorge Takei, who has leveraged his “Star Trek” fame into a social media juggernaut.
This week, two important publications set the standard for embracing gender-neutral language in the media.
First, the New York Times used the gender-neutral honorific “Mx.” to refer to an interviewee in a story, a big deal particularly because the Times said as recently as June that it wouldn’t be using Mx. anytime soon. Next, the Washington Post announced that writers can use the singular “they” when needed.
From the Washington Post memo:
It is usually possible, and preferable, to recast sentences as plural to avoid both the sexist and antiquated universal default to male pronouns and the awkward use of he or she, him or her and the like: All students must complete their homework, not Each student must complete his or her homework.
When such a rewrite is impossible or hopelessly awkward, however, what is known as “the singular they” is permissible: Everyone has their own opinion about the traditional grammar rule. The singular they is also useful in references to people who identify as neither male nor female.
Millions of people read these publications every day, and they’re considered leaders in the industry. This is a really big deal.