tried some different styles with textures. failed pretty miserably. tried to release a wish lantern with my love. failed half-heartedly. landed on a typical self-portrait. in case you missed the sunset.
Lin-Manuel Miranda’s dressing room is literally a bedroom, albeit a very small one. The kinetic 28-year-old star and composer of In the Heights, the new pan-Latino pop opera that celebrates the Inwood-Washington Heights neighborhood Mr. Miranda grew up in, has outfitted his room at stage right like an 8-year-old boy’s, with items that speak to his own affinities, not his characters’. There are Transformers sheets for the bunk bed that’s above his dressing table, a television set and PlayStation 2, and a G.I. Joe Cobra Commander poster on the door. The stuffed monkey next to his pillow isn’t a transitional object, he said. It’s a prize from a claw machine in Times Square. “I’m only good at two things,” Mr. Miranda said, “writing music and the claw. And I’m unbelievably good at the claw.” He proffered his guest book, which has been signed by his parents, his grammar school music teacher and his director, Thomas Kail, who wrote, “You are all hype.”
Besides the bunk bed, the other notable feature of this closetlike room is its grass cloth walls, put there, as the bed was, for Joel Grey when he played Amos Hart in Chicago in 1996.
Something about people watching that’s so fascinating. we can learn about people just by stopping to observe. watching the world go by, no one aware of our existence or brief window into their world – we transcend into a different state of being.