there’s a pretty girl at the door | peter parker imagine
Summary: When you return to Queens after moving away, you find yourself reconnecting with old friends, as well as making new ones.
Warnings: fluff ig??, also trash writing oOps (if you have any warnings you’d like me to use please lmk!)
Word Count: 2,480
A/N: honestly, idek what this is. it started as a few paragraphs and then wh00ps. it’s not the best thing i’ve ever written but here it is :/ anyways… i wrote this super quick and didn’t go back to revise/edit so if you notice any mistakes please tell me about them! i’d also appreciate any feedback you have for me… i’m always looking to improve! :}
She was obnoxious and unforgiving. Her loud and violent nature was immutable, and she was, in essence, the vilest being to ever exist. From the bravest of brave to the strongest of strong: many have taken on her challenging cry, but none have been able to resist her alluring song. The delicate melody hisses and bites at your ears, and the sinister tune infects your thoughts and shakes you to your core.
You didn’t expect that it would come so soon, but alas, it was your turn to challenge the infamous she-beast. As much as you tried to defy the temptation of her enchanting chorus, you were consumed by the captivating rhythm and demandingness of the euphony.
You reluctantly sacrifice the warmth of your covers and relinquish your peaceful slumber to the villain that is your alarm clock.
Of all the daily struggles that come with being a teenager, waking up is the harshest burden you have to face. The will to sleep always seems to tease and taunt you throughout the day, only to vanish when you crawl under those sheets. Nevertheless, it is a necessary evil, and waking up is the gateway to wonderful (and not-so-wonderful) days.
It’s not long now, dear minor.
All of the unexplained suffering
And doubtful comforting will fall away.
Like leaves on a stem that can no longer feed
Like the generation of leaves, the lives of mortal men.
Like tears on the new soil spread in spring.
Like an old friend, with their hands bound with
Tame your mind now, sleepless child.
All will be forgiven soon
For a new beginning is approaching,
Gentle and kind,
Unlike the harsh winters we’ve just
When My Little Pony: The Movie (2017) finally came out, I wanted to review it right. And to do that, I had to call in a few friends.
I basically knew this had to be a collab of some sort, but instead of reaching out to big names in the fandom, I decided to ask a couple of friends to review the movie with me. What’s more in the spirit of things than making something with the friends, new and old, that we made because of this show and its ridiculous fandom?
I have links to Mr. Mikail’s and DigiKate’s spoiler-free and, in the case of DigiKate, full-length spoiler reviews!
I’ll wait until the blu-ray/DVD comes out in January to release my full spoiler-filled review (mostly because you know how busy I’ve been the past two months, but also because I have friends who haven’t seen the movie yet), but until then, here’s some general thoughts on the movie and how it fits into the modern animated films scene.
How does it measure up to other movies? Should we be comparing it differently because it’s a movie based on a TV show? How the fuck did the Emoji Movie get nominated for Best Animated Feature when MLP: The Movie didn’t?
Meta-Narratives in Kids Movies
Gotta get this out of the way first. Big surprise: I loved it.
I knew I’d enjoy it, but I couldn’t believe how much I was smiling, even by the first big musical number. Every time a minor character came on screen that I recognized, I had to hold back a scream. I was so proud of the girls, and so impressed with DHX’s work.
I just. Fucking. Loved it.
So, there’s no denying it. My Little Pony: The Movie is an absolute joy for fans (for reasons I can’t get into in the spoiler-free review), but I think what separates this from being a universally beloved insta-classic anywhere except among fans is the landscape of kids movies these days.
Take a look at the likes of Frozen, Moana, and Zootopia and you’ll find a lot of meta commentary on the way Disney usually tells its stories—sometimes, even while embracing those cliches if necessary.
Inside Out and How to Train Your Dragon 2 tackle deeply emotional subjects, as modern Disney, Pixar and Dreamworks love to do.
Even Lego: Batman was a ceaselessly rapid-fire comedy with a heart, and hit on all fronts for it.
So, what? Is there something we’re missing? Well, MLP: The Movie does have all those elements to various degrees—meta humour, emotional subject matter, and quite a number of great jokes. But then, what’s the real missing element for general audiences and movie critics?
A clever, unique message and/or implementation. As much as we love MLP, we know it’s not the first to talk about the value of friendship. And it’s certainly not the first movie to use the 3-act fetch-quest structure it does.
If you wanna know what’s stopping MLP: The Movie from being as phenomenal to other people as it is to me, it’s that this is something I haven’t seen before, and this is something they’ve seen a hundred times (even if it was done pretty well here).
As a fan, who knows these characters inside and out, I haven’t seen these characters pushed to their limits in quite the ways they are here. Leaving Equestria and the lore and worldbuilding therein is inspiring, as it expands the possibilities and the map itself of a world I love so much. And to be honest there are one or two dark moments (by MLP’s standard) that I couldn’t believe!
Basically, the novelty and originality of the movie, at least in terms of story, comes mostly from the perspective of fans and staff members who have been dealing with this world and its characters for the better part of a decade now.
But since they used both the message of friendship without bells and whistles and the tried-and-true road trip movie plot beats, I can see why some audience members think this is adorable, but bland.
If however you think of MLP: The Movie as a response to the recent string of Disney movies that playfully roll their eyes at Disney’s happy-go-lucky (or meet-cute-and-go-marry as the case may be) philosophies, then it’s very relevant.
And a bit of that structure is actually there. Within the movie itself there’s a bit of that eye-rolling, and as seen in the trailers, it comes from the villains. The heroes remain genuinely positive and even schmaltzy, and that’s what wins the day in the end.
These days Disney in particular feels the need to call itself out on all that, and while it can be refreshing, that can also put a bit of a cynical edge into these movies that, frankly, doesn’t always need to be there. Sometimes you do need to believe in the cheesy, sometimes you need your friends and all the sentiment that comes with them. A kinder world can be incredibly charming. Trust me.
But maybe I’m being a bit harsh. All those movies have teams and budgets multiple times the size that MLP: The Movie did. Maybe it’s fairer to compare it to other animated show turned theatrical releases.
So what does that landscape look like?
There’s nothing like seeing your favourite show on the big screen for the first time. Upped visuals, bigger stories—what more could you want?
It’s here where I think MLP: The Movie measures up in wonderful ways.
Even going from a seemingly similar medium like TV to movies is a pretty hard transition, and I think there are any number of common pitfalls and crowning moments of awesome that come along with that.
But it’s very rare for an theatrical adaption of an animated show to quite meet the same level of quality as the big Disney, Pixar, and sometimes Dreamworks movies.
And it’s obvious as to why. The lower budgets, teams often having to split their time between the show and a movie, bigger-and-better-itis, you name it.
But even if I can’t say most of these movies are transcendent, there’s often still a level of excellence achieved. Even with the relatively low-performing Powerpuff Girls Movie, or the cheesiness of Pokemon: The First Movie, you can still find great movies in this category.
It’s just… they’re always better if you’ve watched the show. Always. There’s more depth, greater knowledge of what this means for the characters, a built-in love and understanding ofthe world. The phrase “for the fans” is implied. It has to be.
Unless, of course, you’re like the Lego: Ninjago movie which (I haven’t seen but heard) totally and completely abandons the canon of the show. But then, what’s the point in making a movie based on that show?
You see the problems show staffs face here?
So, I think MLP: The Movie is exceedingly enjoyable, but is that really just for fans? And if it is, did it cater enough to fans?
In her review, ILoveKimPossibleALot made a good point: we spend the movie with a new set of villains, in new territory, with new characters, and a new story unrelated to the backstories and lore that we, as fans, are so interested in.
I’ve seen a number of fans actually wish the season seven finale’s story and MLP: The Movie’s story were switched.
The season seven finale is straight up lore porn, and one of the greatest two-parters MLP has had. And honestly I would love to see this expanded on in a way to see what it would be like for Starswirl to be emotional. Build it all up even more so the weight of the regret hits home harder.
But, see, that would be impossible, because MLP: The Movie went into production 3-4 years ago.
You can tell, too. No spoilers, but Twilight’s arc in this movie is very reminiscent of something she might go through in season 4 and Rainbow Rocks.
That’s yet another reason animated adaptations are so tricky—unless you’re in the case of Hey Arnold, which is about to premiere its final movie this friday over a decade after the end of the show. In that case, no matter how long the movie took, they knew for sure where the characters would be, and thus, where they could take them.
Which isn’t to say MLP: The Movie doesn’t do anything with the characters, far from it, but I think it’s also far from how deep it could’ve gone.
But then… that rounds back to the top, and how it compares to other animated movies in the eyes of general audiences, and how they might feel alienated, and we just keep going ‘round and ‘round in circles.
So, does any of that make it a bad story or a bad movie? No, certainly not! For fans, this is a moving character study and a celebration of a lot of the elements we love most from the show (meta humour, genuine heart, the works). The beats, as standard as they are, pretty much all work, save for maybe Grubber’s comic relief depending on your sense of humour.
But, you know, it’s funny to be left with the feeling that you just watched something incredible, that made you so happy you couldn’t believe it, only to have to admit it’s understandable that critics and even general audiences won’t feel the same way. But, that’s where I am.
Jacob became one popular dude during my sophomore year of high school, two years ago. In the middle of the year, he just showed up. His family had moved him away from their old home, but his reputation somehow got loose in the hallways.
At the age of twelve, Jacob had been kidnapped from his home in the middle of the night. His parents had been apparently drugged by an unknown person, and their son had been stolen. No one even called the police until the parents woke up. No witnesses, fingerprints, ransom notes, nothing.
1. Old friends pass away, new friends appear. It is just like the days. An old day passes, a new day arrives. The important thing is to make it meaningful: a meaningful friend - or a meaningful day.
2. Every day, think as you wake up, today I am fortunate to be alive, I have a precious human life, I am not going to waste it. I am going to use all my energies to develop myself, to expand my heart out to others; to achieve enlightenment for the benefit of all beings. I am going to have kind thoughts towards others, I am not going to get angry or think badly about others. I am going to benefit others as much as I can.
3. Remember that the best relationship is one in which your love for each other exceeds your need for each other.
4. Silence is sometimes the best answer.
5. Love and compassion are necessities, not luxuries. Without them, humanity cannot survive.
6. Know the rules well, so you can break them effectively.
7. If a problem is fixable, if a situation is such that you can do something about it, then there is no need to worry. If it’s not fixable, then there is no help in worrying. There is no benefit in worrying whatsoever.
8. This is my simple religion. No need for temples. No need for complicated philosophy. Your own mind, your own heart is the temple. Your philosophy is simple kindness.
9. Remember that sometimes not getting what you want is a wonderful stroke of luck.
10. People take different roads seeking fulfillment and happiness. Just because they’re not on your road doesn’t mean they’ve gotten lost.
11. Be kind whenever possible. It is always possible.