Shot around central and southern Japan / Okinawa, the photographic series by Gabriella Achadinha shows day and night photographs of spaces and individuals that stood out from the time there. Marlize Eckard has added her touch by creating the ‘fleeting impermanence’ via acrylic paint with additional strokes that create the smudging, lapsing memory.

i suppose i would dance in front of any man who showed me love at one point, but then HE showed me respect too .. and now i dance only for him. and for the love and lust in his eyes that he shows with respect in his hands