*cries* could you maybe do a sequel where their reincarnated selves are trying to find each other and they finally get to be together?
That’s actually precisely the reincarnation fic that I plan on writing. It’s why I wrote the end the way I did. I need them to get their happy ending. Just how to do it though…modern AU? TFA timeline? We’ll see if this one moves up my “to-write” queue.
i just rewatched aladdin with the roommates and it got me thinking
aladdin wishes to be made a prince, but all genie does is get him a lot of stuff and money. that’s not what a prince is. a prince is the son of the king, someone in line for the throne. someone with a lot of money is just - rich. so what i think is:
genie goes okay, that’s a big one - and i can do it! but not on my own, not if you want to do it right. not if you truly want a chance to marry your princess for real, as a prince. and aladdin is a foolish, moral, kind boy - and he agrees. he’s fallen in love with jasmine, an innocent all encompassing love, and he’ll do anything for this sweet, clever girl he only knew for a few hours. so genie takes him across the desert, far from agrabah, and plops right in the middle of a skirmish and is like okay, good luck! and aladdin is like ?????
but there’s assholes with swords attacking a young girl, and aladdin doesn’t even have to think about that, just like when he stood in front of the whip for those little kids. there are three men against him, but he’s fast and clever and has been against a dozen trained palace guards. so it’s not easy to get out of there alive, especially with the little girl to protect, but he manages it with only a thin slice on his upper arm, and he’s endured worse for less. so he picks up the little girl and says “i think we should get out of here, hmm?” and she’s in a pretty red silk getup with tiny jewels encrusted on her like stars against sunset. and she nods and throws her arms around his neck. she won’t talk, only points in the direction of home, but aladdin’s okay with that, he’s used to quiet, scared kids. so he keeps up a steady stream of stories of agrabah, which seems almost like this other desert land. but there are more men with swords and aladdin is like what the fuck is going on, but he hides the girl in a corner and fights them too. and that’s how it goes all the way home. there’s no one on the streets really, and they all scatter when the men attack, and they keep on attacking, he fights his way all the way through the city with the girl on his hip or hidden away.
and he should have known, of course, but he was tired and bruised and bleeding by the time he realized the little girl is silently guiding him to the palace and he’s like why can’t you princesses stay inside??? but he walks up and the guards get one look at the child in his arms and whisk him through and multiple people try to take the girl away but she won’t budge from him, a stubborn pout to her lips as her hands remained locked behind his neck. and he’s finally tossed into a throne room where a tall old man is sitting in agony and two young men pace in front of him, each at least a decade older than aladdin. “they’ve taken our sister!” one of the younger men hiss, “i don’t care about their power or their connections, they’ve taken esfir, and we must go get her!”
“uh,” he clears his throat, “hi?”
and all three men whirl on him and the old man stumble-runs to him. esfir finally lets go of aladdin to picked up and twirled around by her father. the two men are rahim and shapur and they look in wonder at this dirty boy of fifteen who’s returned the girl to them, and he speaks with an accent and clearly is not from here and they get the story from him - he’s traveled across the desert because those in his own country want him dead. “you know,” rahim says as the king clutches at esfir in desperate relief, “you could have held her for ransom. you almost died saving her, and we would have paid handsomely to have her returned safely.”
and aladdin gives him a flat disapproving look, appearing in this moment four times his age, and says “people are not objects or bargaining chips. especially not lost little girls.” and rahim and shapur share an impressed conspiring look and they each grab one of his arms and lead him away. “hey! what are you -”
“do be quiet little brother,” shapur says cheerfully, “we really have to get you out of your rags.”
Once upon a time there was a Space Outlaw who fell in love with the Space King’s daughter. They both agreed they were meant to be together. The princess decided to run away with him, and they planned to meet at their favorite meadow before they escaped. But it was a trap.
hannah baker & jessica davis ;; thirteen reasons why
“friendship. it’s complicated. but don’t worry. you won’t go through this alone. that’s not fun. trust me. i’ve been there. now, it won’t always be easy. it might even hurt a bit. or a bit more than a bit. that depends on you. but fear not, we’ll get through this. step by step, tape by tape. you and me. together.”
I just finished LOT season 1 and rewatched season 1 of the flash and something really bothered me - Mick Rory. In the flash we see him as someone who is able to lear how his gun works and able to work out the plans etc. Len is the mastermind ofc but Mic wasn't just the muscles. And we had Mick Rory at the begining of LOT aka IQ of meat. The difference really bothered me and only after the chronos deal we see him back to "inntelect levels" like in the Flash. Do you have thoughts on that?
I actually don’t think Mick’s IQ appears to dip at the start of Legends, to be honest. Second episode, with Len and Ray breaking into Savage’s house, he’s there berating Ray alongside Len and also completing Len’s sentences, going to fix the situation before Savage gets a hold of him. He’s shown right off the bat to be competent and underestimated.
Which is what it is, in my opinion. He’s constantly underestimated by the team, and with them constantly calling him and idiot or acting like he’s the slow one, the audience starts to believe it, when it couldn’t be farther from the truth. He might not be a scientific genius like some of the team, but he’s probably the most competent in terms of base skills and also easily the most practical. He has multiple types of intelligence that are underrepresented on the team because of how different he is than most of them, but it’s seldom appreciated or pointed out in canon.
Another pre-Kronos example? How he knows what Druce is up to and warns Rip that Druce is going to kill him. Interpersonal intelligence, down to earth, great at reading a situation. Actually, he has some of the highest interpersonal understanding on the team. He always reads a situation and sums it up perfectly, often the first to recognize what’s going on, if he’s being insulted, if someone else is being threatened or insulted, how to get under people’s skin, etc. He doesn’t always do what you’d expected him to with the knowledge, but he sees it and understands him. I’d say he and Sara are pretty equal in this regard.
More examples of him being smart though? He always knows what Len is talking about and easily goes along with plans intuitively without much explanation. Reads between the lines immediately when Len wants to make an extra pit stop with the jump ship in episode 3. Follows orders to the t and keeps things moving on all of their early missions up to and including in Russia. Knows what to do with the pirates when they’re locked up in that cell and how to make a deal and sort out of the situation. He’s the only one who even thinks of making a deal with the pirates and knows how to do it.
It’s also worth saying… the way Mick sees the world? Is a bit different than most people, I think. He sees it in very practical terms of what can be used and how, regardless of that was it’s intended function, or regardless of whether that was someone’s intended skill set. Think of the recent scenes with Martin where he asks Martin to fix his brain. Martin complains that he’s not that kind of doctor but Mick doesn’t care. I mean, he says “same thing” basically, but he understands that Martin isn’t a neuroscientists logically, he gets that Martin is a physicist. He just doesn’t care because it’s not relevant.
What is relevant is that Martin is smart enough and knows enough about what’s happening to him to help him with it, neurologically. So at that point in time, the distinction between PhD and MD doesn’t matter and he expresses that. Some people interpret that as him being less than intelligent, but I’d say it’s more accurate to read that as him just keeping different categories in his head than most of us are used to.
Finally, I don’t think we need to value a person based on their IQ or intellect, and I don’t think that a high IQ would ever be the best thing another person could have to offer a team already comprised of so many geniuses. But I also don’t think it’s necessarily accurate to say that Mick’s changed? He’s always been super competent, that’s always been underestimated by the team (and most people really), and he’s always been much sneakier than he’s given credit for :)
(Some other posts about this are here, here, here, and here, for curious minds).
so as the most recent series of ITV’s Endeavour finished lately and we will be on hiatus until series 5 comes out, I felt the need to make this for you all to enjoy, also please go watch this if you haven’t it’s such a good show :3
if you like Sherlock you will like this, I promise
also @howmuchpieisleft contributed a little bit so thanks for filling the holes in my brain <3