naval flag

The Navy Wants Men
1915
Color lithograph
Published by The Mortimer Co., Limited (Montreal, Quebec, Canada)
Library of Congress, Prints and Photographs Division, Washington, D.C.

i started my rebellion with a hair tie,
blood red
holding together the night-time of my hair
an exposed artery on my head
in a place where rules
didn’t allow for colour

a girl doesn’t need a blade to start a war.
we rolled up our skirts like rebel flags,
saluting each other
with an inch of skin above the knee;
our colourful watches decorating our wrists 
like naval flags, sending messages in code-
“sleepover tonight. bring knives.
this town doesn’t know what we’re made of.”

the man who taught me algebra tried
to calculate my worth by the curvature,
the size of my growing breasts;
so the girls took his calculator and 
let the numbers block his screams. 
they left a crime scene littered with glitter
to let everyone know - we may be soft
youth-tinged, bright pink,
but our souls are dark and our hearts
are diamond.

the lunch room was no man’s land,
our cliques became platoons-
cheerleaders and débutantes, 
sticking rhinestones on our jackets
like war medals.
we taught ourselves to kill,
to put make up on
with eyeliner sharpened to a point.
my best friend did my nails and said,
“scratch, and you’ll rip their eyes out.
i guarantee.”

we hunt like killers.
sugar and spice cocktails,
stolen vodka mixed with cherries and blood.
stealing hearts and playing games
running from age while the cops
trail behind. 

warsong of the teenage girl | l.x

9

Warrior Culture : Pirate

Naval Raiders used false flag operations (raising the flag of the target ships nation in order to close on the enemy), insurance scams (it was easier and cheaper for both parties if the ship surrendered its cargo to the Pirates bloodlessly), and firepower (force and intimidation) to take ships and cargo’s. Pirates were often a rag tag bunch, using ships of various sizes almost always designed for other purposes but refitted as privateers (lawful pirates given legal permission to target the maritime interests of the opposing countries merchant navies).  

Cavalier/Knight Talk: Heraldry

Well, I’m bored, so inspired by our Captain’s post about Naval Flags, I decided I was going to do a short bit on something common to all Knights and nobles; Heraldry!


Let’s begin!


WHAT IS HERALDRY?

Heraldry is a pretty broad term, but generally refers to a Coat of Arms, personal, hereditary, military, or to some extent, even national. This usually takes the form of a shield or badge with associated colours, symbols, or heraldic beasts, mottoes, and occasionally a crest.
It is important to note a crest and a heraldic Coat of Arms are not the same thing; a crest refers to a 3D icon placed atop a helmet. Often this is related to the family of the one wearing the said crest, but not always.


WHAT IS IT FOR?

Heraldry has kind of been in use since antiquity, but the essential purpose is to identify yourself and your allegiance. It’s not too dissimilar to modern forms of identification. For a Knight in the mediaeval period of history (so; fall of Rome onward to early Modern period), their heraldry was a way of declaring “I am Sir/Dame X of Y, belonging to house Z, etc”. Naturally, you’d think someone could just create their own heraldry and blag their way to the top, but Heralds kept a close eye upon which house had what heraldry, meaning it was not an easy task to create a convincing bit of heraldry without close scrutiny. Not to say it didn’t happen; it was just difficult.
Naturally, a person or family that was ennobled had the right to create their own heraldry, thus having special permission to do so.
Heraldry also played a part in combat; Knights would often avoid targets without heraldry, seeing the average soldier as beneath them, and targeting only other knights specifically. Or at least, ideally they would have done so. In reality, and especially toward the late mediaeval period, Knights would target anything in their way. However, even then, heraldry served the purpose of revealing whom was whom, what allegiance they held, and what forces they had gathered about them. Wearing your heraldic banner allowed your allies to rally around you, but also allowed enemies to focus upon you, making it a double-edged sword. However, glory-seeking Knights favoured open displays of their valour, thus it was considered honourable to display one’s Heraldry in battle.

HOW DOES IT WORK?

Well that’s a pretty broad function to narrow down, but let’s focus upon the basics here:
To create heraldry, you have to use an assortment of things: ·       
- a shield/badge·       
- a heraldic symbol or beast·       
- personal colours of Heraldic specification (Tinctures)·       
- Occasionally (especially in modern military and academic organisations), a motto
All these things should be fairly unique and personal, which differentiates the bearer and marks them out. Remember; this is a form of identity!


(EXAMPLE)
Knight will use their own Coat of Arms for reference (no I’m not about to show you an image of it; that’d be telling), via description:

Knight’s Family Coat-of-Arms is a Shield/Field (Verte), slashed with Crosses (Ermine). The small crosses are all that separates this heraldic Coat from the similar Heraldry of the Kingsley Family.

So to translate that: Green Shield, White Crosses/Lines, Black small crosses.

The heraldic beast used as a crest for Knight’s family is usually depicted as either a Goat’s head or an Antelope, depending upon stylistic depiction, though more commonly the Goat.

The Motto is (as mottos often were), fluid, and there are two different mottos associated with the Family, specifically: “Virtute et Fortutido” and “Haud Facile”, meaning, respectfully: “By Valour and Strength” and “Not With Ease”. Both correlate well, making it fairly straight forward why both correspond to the theme here. 


HOW DOES IT WORK?

Now, if Knight wanted to enter a tournament in the mediaeval period, along with a patent of nobility, he’d be expected to display his heraldic colours. Partly to gain glory, but also to let people know, again, who is who.
Special exceptions exist however, with “black knights” entering the tournaments using false or fake heraldry, or even fully painted black shields. Such things were allowed when a patent of nobility was presented at the lists, though a knight could keep anonymity by way of changing or hiding their heraldry. This was allowed in rare cases for rule of drama (hey, the mediaeval people liked plot-twists as much as we do now), sometimes without noble patent, but this was a very rare instance usually again permitted for dramatic purposes. A tournament is, after all, as much about showing off as it about sport!
Naturally, there were times when it was favourable to hide one’s heraldry, and this is where heraldry that was well known was useful; for example, in the High Middle Ages, High Middle French was commonly spoken by the nobility as their primary language. So, say you were a Knight in the Hundred Years War, trying to hide your English identity in French territory? Well, speaking High French was a good start, but if you happened to be able to repaint your shield of kit with Heraldry belonging to the Constable of France (Charles I of Albret), as an extremely high-profile example, you’d manage to pass in the French countryside fairly well. So essentially,  


WHAT ARE TINCTURES?
Back to basics: Tinctures!
What are they? Essentially, colours, specific in Heraldry.
The most prominent and basic are the two Metalics: Or (Gold) and Argent (Silver/White). Essentially, these make up whites and yellows on Heraldry, and the former is usually used by Royalty.

Next up are the primary Heraldic colours: Gules (red), Azure (blue), Verte (green), Sable (black), Purpure (purple), Sanguine (blood red), Tenny (tan).In addition to that are the furs: Ermine (white and black), Emines (black and white), Erminois (yellow and black), Pean (black and yellow), Vair (blue with white belled shapes), Counter-Vair (blue with white), Potent (Blue with white T shapes), Counter-Potent (reverse of the former). 


HERALDIC BEASTS?
This is VEEEERY broad subject. Basically most animals can be used in heraldry, as with mythological beasts, most typically a dragon (early England, Scandinavian countries) or Unicorn (Greece). The way an animal is depicted in posture defines it at times by name. Most obvious example:Lion on all fours = “Leopard”/Lion-passant-guardant
Lion on hind legs = “Lion”/Lion-RampantBoth are Lions, but depending on how it is depicted, it will be named a Lion or a Leopard. Reason being is caught up in mediaeval zoology; a leopard was thought to be a beast created by the union of a lion and a fictional beast called a Pard; hence “Leo-Pard”.Back on topic; literally any animal can be used and there is a huge list of heraldic beasts, and if I tried to list them all we’d be here all day. In short; the only limit is your imagination. Though, naturally, people will try to keep it noble, native, or mythological, and somewhat serious. 


EXAMPLES?
Let’s make some imaginary examples of heraldry, using the WAA gang.
To make it simple, I’m going to use Tarek (Paladin), Meriel (AntiPaladin) and Edward (Knight/Cavalier), as they are all knights, and would use heraldry.

So let’s take what defines each as a character, and their symbolisms/aesthetics;
Tarek = Light, black and gold, goodness, courage, Middle-Eastern aesthetics.
Meriel = Darkness, blood red and black, evil, fear and strength, Lovecraftian aesthetics.
Edward = Chivalry, red, gold and black, honour, bravery, High Mediaeval aesthetics.Some of those are, again, a bit broad, but these are what I’ll work with.
So, assuming all of them use a shield base, lets take their colours.

Tarek = Black and gold becomes Pean (black field with gold marks)
Meriel = Sanguine field and Sable (blood red and black)
Edward = Gules field and Or (red and gold)Now add additional symbolism.

Tarek is an adherent of the First Sun, so we can use a Sol alchemical symbol, or to fit his aesthetics, a Persian inspired sun symbol, in the colour Or (gold). This fits nicely on the black background and golden symbols (which themselves give a mid-eastern look).
Meriel USED to be a Paladin of Serenae (sun goddess), but is now a dark and corrupted version. Considering her family had an attachment to said Goddess, and being the landed gentry, I’ll assume they used the sun as well in their own heraldry, and Meriel has since altered it to fit her new Patron; red field upon which a Sable jagged Sol/Sun sits, sort of like the Germanic Black Sun symbol of antiquity.
Edward embodies Knighthood on the whole; knights and chivalry are associated with armour and the sword. For this mental exercise, I’ll draw upon both; a gauntlet grasping a sword, Ors (gold).

Now the Heraldic beasts. Kind of hard to summarise for the characters individually, but I’ll take what seems to fit:

Tarek = Persian inspired Lion/’Leopard’ (Lion-passant-Guardant), or perhaps a Phoenix? Naturally, the colour here will be Or (gold).
Meriel = Lovecraftian aesthetics are hard to put onto heraldry, so I’ll use a very odd creature for hers that is terrifying – either a Yale, or Biscoine. The former being a bizarre and somewhat terrifying looking beast almost resembling a goat, the latter being a serpent in the act of consuming a child. Colours used will be Sable (black).
Edward = Lion Rampant, due to the courageous, noble, and chivalric connotations. Colour used will be Or (gold).

So what do we get for our basic level Heraldry?

Tarek = A shield in Pean (black with gold), depicting a stylised Sun and Lion/Phoenix roaring or rising beneath the dawning sun imagery.
Meriel = A shield in Sanguine (blood red), depicting a black and wrong looking Sun in Sable (black), beneath which a Yale or Biscoine howls or swallows the very symbol of youth and life itself under the corrupted sky.
Edward = A Gules (red) field, with a Lion Rampant in Or (gold), wearing a gauntlet and grasping aloft a sword, also in Or (gold). 

This is, of course, just a basic example, but I hope this has been an interesting read for all that have observed it!

~ Knight

PS:
@weareantipaladin, @wearepaladin
I know Antipaladin wanted help with heraldry a while back, not sure what became of that. If you’re still looking, hopefully this is useful.
As for Paladin…I just hope you enjoy the idea for your heraldry?

6

Girls&WomenToKnow Michelle Howard U.S. Navy’s 1st Female 4-Star Admiral in its 238 Year History.

In her career Howards has achieve many historical “first”, Howard was the first African-American woman to achieve three star rank in the U.S. Armed Forces.

The first woman and African-American woman to achieve the rank of admiral in the Navy. First African-American woman to command a U.S. Navy ship, the USS Rushmore.

In 2006, Howard was selected for the rank of rear admiral which is the lower half making her the first admiral selected from the U.S. Naval Academy class of 1982 and the first female graduate of the U.S. Naval Academy selected for flag rank. On July 1, 2014, Howard became the first African-American woman and the first woman to become a four-star admiral. As Vice Chief of Naval Operations she is the first African-American and the first woman to hold that post!!!!

Howard is the recipient of the 2008 Women of Color Science Technology Engineering and Math (STEM) Career Achievement Award,

2009 Dominion Power Strong Men and Women Excellence in Leadership Award 

2011 USO Military Woman of the Year.

Howard was honored with the “Chairman’s Award” at the 44th NAACP Image Awards February 2013.

She is a 1987 recipient of the Secretary of the Navy/Navy League Captain Winifred Collins  Award.

A Confederate naval flag taken from a rebel gunboat by a Union army lieutenant after the fall of Richmond in April 1865.

They found it in a storage area in Virginia of all places. It went to the Hampton Roads Naval Museum for conservation, sewn into the flag was a handwritten note that read:

“Flag of the Confed gun boat Hampton burnt in James River at the taking of Richmond. The flag was taken from the burning ship by Liet. Ladd (13th N. Hampshire) of Gen Devens staff.”

Unknown to Ladd and his companion, the departing Confederates had rigged the ship to explode so the Union could not make use of it. The explosion, which sent the ship to the bottom of the James, actually occurred well after the two men had tied the flags to their saddles and departed.

http://www.washingtonpost.com/blogs/house-divided/post/conservation-planned-for-rare-confederate-naval-flag/2013/08/02/baea5cd4-fbc1-11e2-8752-b41d7ed1f685_blog.html

Time After Time: Part One

Nervous doesn’t begin to describe how I feel. Be gentile.

Emma thinks the reason Liam doesn’t like her is because he believes she’s not good enough for Hook. But what if there is more to it than just that? Because the Underworld isn’t the first time Liam Jones meets Emma Swan.


“Hades went to a lot of trouble to keep us from learning his story,” Snow says with a smile.

“Which means we’re onto something,” Regina responds.

“Question is, what is Hades trying to hide from us?” David asks.

Hook looks over at Emma and smiles. For the first time, they finally have the upper hand.

“Well, there’s only one way to find out,” Emma starts.

She leans forward and picks up the pen. As soon as her fingers touch, a bright light shoots out from the book and the pen.

“What the bloody hell is going on?” Hook yells.

Regina drops the book to the ground and a portal opens. The air around them starts to whip and blow hard and they have to shield themselves from flying objects. Hook looks up just in time to see Emma start to tumble back toward the portal.

“Emma!” he hollers.

He takes a step forward but it’s too late. She’s falling into the portal with her arms out reaching for him.

“Killian!”

Keep reading

The first of my Studio Ghibli Laserdisc collection ^___^ Not that I have a Laserdisc player to play it on, hehe, but at least it looks pretty!

Oh, and the disc doesn’t have the Japanese naval flag printed on it, it’s a reflection of the one I have hanging on the ceiling of my bedroom.

2

Rogue places fans in the shoes of a Templar, controlling former Assassin-turned-Templar Shay Patrick Cormac. Employing the popular naval gameplay from Black Flag, you navigate a ship across the frigid North Atlantic. Other locales you visit include the Appalachian River Valley and a reimagined New York. Shay is an assassin hunter who has to be even more clever to outsmart his sneaky foes. This entry takes place during the Seven Years’ War, filling in the gap between Black Flag and Assassin’s Creed III. It has a crucial link to the Kenway saga.

Meanwhile, the new-gen exclusive, Assassin’s Creed Unity, follows Arno Dorian on a quest for redemption during the French Revolution. Things aren’t black and white for this Assassin, as he’s been raised by Templars without knowing it and even falls in love with one, Elise.