natasha young

Prompt list!

Here is the prompt list! Please make some requests the queue is widddeeeee open right now. Feel free to request any character, not just the ones I have already written! Alright let’s have some fun!

1.     “I love you, you idiot.”

2.     “That’s never going to happen.”

3.     “I can’t believe you don’t like Disney movies.”

4.     “Damn, when did y/n get hot?”

5.     “Only if you give me a piggy back ride!”

6.     “Who doesn’t like waffles?”

7.      “Just shut up and kiss me.”

8.     “Is there a reason your crawling through my window?”

9.     “You’re everything to me.”

10.  “I had the weirdest dream about you and now I can’t stop thinking about you naked.”

11.  “just tAKE THE JACKET”

12.  “I can’t stop blushing… You’re not helping!”

13.  “I’ll always be here.”

14.  “You’re my nerd.”

15.  “We could just make a fort…”

16.  “Hey! Don’t do that! You can’t do that to me!”

17.  “I don’t regret it, not even for a second!”

18.  “They’re right behind me aren’t they?”

19.  “Then come here and make me.”

20.  “Sometimes I wish the sun wouldn’t go down.”

21.  “Were you ever going to tell me?”

22.  “I’ve never said that to any one before.”

23.  “In your dreams!”

24.  “Oh bite me!”

25.  “I’ve never been more in love with you.”

26.  “Can you just hold me?”

27.  “Nothing would make me happier.”

28.  “Dance with me?” “But there’s no music!”

29.  “Where’s your shirt?”

30.  “The least you could do is not hog the blanket.”

31.  “You should stay hydrated.” “What?” “You should-“ “I heard you…”

32.  “Have you seen my… oh”

33.  “You’re not always right you know!

34.  “I can fix that.”

35.  “For the last time I AM NOT JEALOUS!”

36.  “Is this you trying to seduce me?”

37.  “Wait… is this a date?”

38.  “If I did anything right in my life, it was falling in love with you.”

39.  “ I just can’t stop thinking about you.”

40.  “I just miss you every second of every day.”

Nervously but proudly rooting for a show

Come From Away
Dear Evan Hansen                                                                                        Falsettos
Groundhog Day
Hello, Dolly!
Holiday Inn
Miss Saigon
War Paint

Happy first day of Spring, friend! We’re celebrating the occasion the same way we celebrate every occasion: By starting a new book!

Tony Nominations for Musicals, 2017

Best Musical
Come From Away
Dear Evan Hansen
Groundhog Day
Natasha, Pierre & The Great Comet of 1812

Best Musical Revival
Hello, Dolly!
Miss Saigon

Best Leading Actor in a Musical
Christian Borle, Falsettos
Josh Groban, Natasha, Pierre & The Great Comet of 1812
David Hyde Pierce, Hello, Dolly!
Andy Karl, Groundhog Day
Ben Platt, Dear Evan Hansen

Best Leading Actress in a Musical
Denée Benton, Natasha, Pierre & The Great Comet of 1812
Christine Ebersole, War Paint
Patti LuPone, War Paint
Bette Midler, Hello, Dolly!
Eva Noblezada, Miss Saigon

Best Featured Actor in a Musical
Gavin Creel, Hello Dolly!
Mike Faist, Dear Evan Hansen
Andrew Rannells, Falsettos
Lucas Steel, Natasha, Pierre & the Great Comet of 1812
Brandon Uranowitz, Falsettos

Best Featured Actress in a Musical
Kate Baldwin, Hello Dolly!
Rachel Bay Jones, Dear Evan Hansen
Stephanie J. Block, Falsettos
Jenn Colella, Come From Away
Mary Beth Peil, Anastasia

Best Book of a Musical
Come From Away, David Hein and Irene Sankoff
Dear Evan Hansen, Steven Levenson
Groundhog Day, Danny Rubin
Natasha, Pierre & The Great Comet of 1812, Dave Malloy

Best Original Score
Come From Away, David Hein and Irene Sankoff
Dear Evan Hansen, Benj Pasek and Justin Paul
Groundhog Day, Tim Minchin
Natasha, Pierre & The Great Comet of 1812, Dave Malloy

Best Direction of a Musical
Christopher Ashley, Come From Away
Michael Greif, Dear Evan Hansen
Jerry Zaks, Hello, Dolly!
Rachel Chavkin, Natasha, Pierre & the Great Comet of 1812
Matthew Warchus, Groundhog Day

Best Choreography
Andy Blankenbuehler, Bandstand
Peter Darling and Ellen Kane, Groundhog Day
Kelly Devine, Come From Away
Denis Jones, Holiday Inn
Sam Pinkleton, Natasha, Pierre & The Great Comet of 1812 

Best Costume Design of a Musical
Linda Cho, Anastasia
Santo Loquasto,  Hello Dolly!
Paloma Young,  Natasha, Pierre & the Great Comet of 1812 
Catherine Zuber, War Paint

Best Lighting Design of a Musical
Howell Binkley, Come From Away
Bradley King,  Natasha, Pierre & the Great Comet of 1812
Natasha Katz, Hello Dolly!
Japhy Weideman, Dear Evan Hansen

Best Scenic Design of a Musical
Rob Howell, Groundhog Day
David Korins, War Paint
Mimi Lien, Natasha, Pierre & The Great Comet of 1812
Santo Loquasto, Hello, Dolly!

Best Orchestrations
Bill Elliott and Greg Anthony Rassen, Bandstand
Larry Hochman, Hello, Dolly!
Alex Lacamoire, Dear Evan Hansen
Dave Malloy, Natasha, Pierre & The Great Comet of 1812 

So many shows, performers and creatives were robbed last night, but I hope that they all know that they are winners in my heart

great comet obc recording things

the door slam before the first chorus in Prologue

“and how many men befoooorree GOOD russian MEN”

“then you’ll read to me as I kniiiiiit”

“natasha is young, and worthless and DUMB”

“… they are there upon his head”

“constraaaaiiiiiiiiiined and straaaaaaaiiiiined”

“says the mean old man in his underthings”

“and he’s sitting in the drawing room… and i simply forgot”

“and then, a rush of cold air, an exceptionally handsome man walked in, with a confident yet courteous air”

“it doeeeesn’t matter, i don’t giveee a damn”


“they say we are asleep until we fall in love… we are children of dust and ashes”

“life and love i don’t! de! serve!… close my eyes, let the death! bells! chime!”

“bury me in burgundy, i just don’t care”

“…and i’m so ready… to wake up now…”

“suuuuuuuuunday morning. TIME FOR CHURCH”

“it’s such a shame to bury pearls in the country”



the fast staccato chords at the end of The Ball

“we are caught in the WAVE, of history, nothing matters”


“passports, horses, tenthousand ruplesihavetakenfrommysister”

dolokhov’s rapid-fire rhyming dialogue in Preparations

“we were gathered in my study, drinking up some tea”

“the driver is here! the driver is here! balaga is here!”

the transition of the slow beat at the end of Preparations to the fast beat at the beginning of Balaga


“you will not enter MY HOUSE”

“why didn’t come to the HOuse? why didn’t he openly ask for your HAnd?”

“what” “what” “whAT” “WHAT!?”

“there’s ruin at the DOOR!”

“anatole followed with his usual jaunty step, but his face betrayed anxiety”

“next day, anatole left, for PETERSBUUUUUUUUUUUUUURG”

“pierre grew confused…”

the simple repetitive notes playing in the background of Pierre & Natasha

“if… if i were not myself… but the brightest, handsomest, best man on earth, and if i were free, i would get down on my knees this minute, and ask you for your hand, and for your love”

the smooth transition to The Great Comet of 1812 after “and i get into my sleigh”

“shines the Great Comet of 1812, the Brilliant Comet of 1812″

“and this bright star, having traaaced its parabola”

the final note subtly rising in pitch over a full minute