my stuff: elementary

8

          “(…) I was sorry to hear about the murder of Andrew Mittal. And more than a bit unhappy to learn that his death was an attempt on your own most cherished life.

          I still believe there’s a game unfolding between Sherlock and I, and you have made yourself a valued and essential contributor. I won’t have you removed from play prematurely. Uninvited participants are not welcome at the table, and their intrusions will be dealt with accordingly.”

OTP AESTHETIC // /modern) James Moriarty x Sebastian Moran

they’re the napoleon of crime and the most dangerous man in london

2

There may well be more rounds to be played between the two of us, and until such time as we’re both free to engage, I shall remain in delighted anticipation.
                                                                                                  —   Jamie Moriarty

8

Screw writing “strong” women.  Write interesting women.  Write well-rounded women.  Write complicated women.  Write a woman who kicks ass, write a woman who cowers in a corner.  Write a woman who’s desperate for a husband.  Write a woman who doesn’t need a man.  Write women who cry, women who rant, women who are shy, women who don’t take no shit, women who need validation and women who don’t care what anybody thinks.  THEY ARE ALL OKAY, and all those things could exist in THE SAME WOMAN.  Women shouldn’t be valued because we are strong, or kick-ass, but because we are people.  So don’t focus on writing characters who are strong.  Write characters who are people.