my love for tooth is infinite

Beyond Sex pt 1

This room is vacant of character.

It’s too clean. Too organised.

It’s not like us;

Two beings of highs and lows,

Of swinging thoughts

And instability.

Brimming with desire and

Feeding off of the energy that

Sparks from our eyes.

Infinitely charged spectres

Trapped in skin and flesh.

I’m breaking you out

By tooth, by nail, by force,

By unwavering determination

To tear down your walls.

As a quivering pile of contractions

And heavy breaths I will leave you.

Damaged externally, while inside

A fire will burn with a strength

Unbeknownst to you yet.

The smoke rising and clouding

Your mind, rendering you

Confused and broken,

Yet the most whole you’ve ever been.


Our lips press, and fueled by

Our insatiable restlessness,

We grope and caress anything

That feels of skin.

Exploring beneath the fabrics

That shroud you in

the worst of ways.

I need you, not these.

The denim that hugged your thighs

Is thrown to the floor

And, as your scent reaches me,

My chest burns with a

Nostalgic desperation.

You go to such lengths to

Dress what is already the purest

Of art in such fanciful decoration.

I can see the excitement seeping

Through the thin layer that

Still covers you.

I pull it to the side and

Your exposure overwhelms me.


You’re a palette of pale and pink.

Your prodigious aesthetic splendor

Matched only by your taste,

Which greets my tongue and rolls

Waves of ecstasy through my body.

All thought is lost.

Now driven solely by immaculate

Craving, I devour what lays before my

Mouth, savouring each pulse,

Each throb, each moan,

As if they were to be the last

I ever experience.

I gnaw your lips and thighs

And smile against your skin

As you convulse from

The zaps or pain.

Soon after you’re nothing but skin.

In your most natural and

Vulnerable state.

Laid before me:

Beauty incomprehensible.


I climb your body, leaving

Bites of Ariadne’s string

To guide me around your

Entire being.

My hands grip your breasts

With a strength only you can give me.

I am a piece of you that has

Sailed in seas of despair and

Become bitter from the harshness

Of unrequited longing from

Unworthy travellers.

With a slow push I am

Once more home.

Now wearing you and

Sparking the charges of your

Most inner satiety.

We breathe in unison, while

Around us, the fickle universe

Crumbles from the shock waves

We unleash.

Animator Interview - Disney Animator, Daniel Klug

Name: Daniel Klug

Tell us a little about yourself. (We know there is more to people than being an animator.):

Well, I’m more nerd than anything else - a child of the internet, video games, and Saturday morning cartoons. I love all forms of media and I have an unending thirst for storytelling and entertainment. Animation in 3D is a perfect blend of engineering and artistry, so naturally I was drawn to it. For fun, I’m usually programming or playing games.


Daniel Klug - Frozen Animation Reel from Daniel Klug on Vimeo.

This is my Frozen animation reel. You can find more of my stuff on my Vimeo page.

Where do you work and how long have you been there?

Walt Disney Feature Animation. Almost 3 years now. I started working here on Wreck-It Ralph.

What are some of your past jobs?

Previous to Disney, I joined Rhythm&Hues in 2010 for their Animation Apprenticeship program. I got my start in film working on Hop and Alvin & the Chipmunks 3. Before that, I was in the commercial industry doing motion graphics, FX, and design work.

Where did you do to school?

Self taught up until AnimationMentor in 2008. From there, while at R+H, I continued my education with iAnimate and then Animation Collaborative. Collab was in-person, which meant I had to drive from LA to Emmeryville every Friday night for 15 weeks to take that class. Believe me, it was worth it.

What made you decide to be an animator?

Storytelling is my biggest drive. And no part of the process gets closer to telling stories with emotional beats than animation. Once the characters start moving, the story is alive.

What is your favorite part about being an animator?

The work is absolutely rewarding and extremely difficult. I thrive on challenges. I love solving problems and I have a fascination for acting. Animation is the perfect blend of technical and artistic expression.

What’s your favorite kind of animation?

I love going to the theater to see giant robots fighting - it’s my guilty pleasure. But my number one would be that perfect blend of cartoony and hyper-natural movement. Somewhere between Tangled and Cloudy with a Chance of Meatballs would be the sweet spot for me. But seriously, Pacific Rim is pure ambrosia.

What’s your software preference?

Maya is such a powerful tool if you learn how it works. And I mean, deeply. In the past 2 years, I’ve been teaching myself Mel and Python and learning the Maya API. I’m able to write tools to help the entire pipeline. Other studios tend to use proprietary software, so I’m not sure how customizable they can get. Maya is a fantastic framework to build upon.

What does your workflow look like?

It’s very reference heavy with a huge push toward caricatured physics and posing. I use ref for nuance and natural, proportional timing. But then everything else is pushed into the style of the character and film.

How do you prepare for a new shot?

I really try to understand the purpose of the shot first. What it means in the film and why the character is making the choices they are making. Once I understand things from the character’s point of view, acting choices tend to seem natural and easier to come by. It’s easier to know what is the right choice and wrong choice. Then I shoot a lot of ref, trying to get that nice timing and efficiency. Then it’s deep into blocking.

What is the aspect of animation that you struggled with the most and how did you move past that struggle?

I struggle a lot with the rigs. There tends to always be something I want to do that the rig doesn’t do naturally. So, I break the rig over and over again. Unfortunately, there isn’t an elegant way past this problem unless you remodel the character on the fly.

What are some of the ways you manage your time so that you can get everything done in time?

Sometimes, the shot is going to go longer than anticipated. It’s the nature of the beast. The best thing I can do is to keep the communication going between the supes and the producers about my predictions of when the shot is going to land.

What are some of the things you look for before you declare your shot complete?

I never declare my shot complete. That’s entirely up to the director and production. There is always soooo much more I would love to do to my shots before they are pushed downstream. I would love to take a fine-tooth comb to the whole thing and make sure all parts are moving in perfect concert; never starting or stopping at the same time, yet maintaining a relationship in movement and energy.

What’s your favorite animated movie, short, and game?

UGH, this is a tough question. There isn’t a king of the hill in my mind, but the top three would be: The Incredibles, Cloudy with a Chance of Meatballs, and Wreck-It Ralph. Shorts-wise, I love Burning Safari and Octopodi. Game: Bioshock Infinite, Mass Effect 2, Half Life 2, and WoW (still recovering).

What do you do when you get animator’s block?

Take a walk, get Starbucks. Ask friends what they think of the shot. Watch some movies, surf the internet, procrastinate, then suddenly get a flash of inspiration. That seems to do the trick.

What do you use to get inspired?

My life is filled with art, movies, and video games. I’m never short of inspiration.

What is your favorite experience as an animator?

Every time I final a shot where the director sees it and says, “Wow. That’s awesome. Let’s watch it again.”

What are your favorite animation resources that other animators might find useful?

You can get a ton of helpful scripts and tools from a place like And animal reference from

How do you take your Chipotle Burrito?

Burrito Bowl with no rice or beans, extra veggies, carnitas, sour cream, cheese, guacamole. Smothered in chipotle tobasco.

If you could direct a project, what would it be?

A Disney-Animated spin-off Star Wars movie. I don’t even care what character it’s about. A guy can dream.

Do you have any advice for students and animators trying to find their break?

There was a time I was working at R+H and I just knew that I wasn’t going to have a good enough reel to get me a job after the contract. So I enrolled into an online school to keep learning and keep growing - at a rate faster than I could at work. People told me I was crazy because I was already working. But here’s the thing: You don’t ever get to a point where you “deserve a job because you worked hard.” At the end of the day, if your shots aren’t entertaining, or your execution is lacking polish, your entire reel is easily dismissed. It’s a subjective industry and very difficult to pinpoint what exactly people want to see. Work hard to make shots that are special and appealing. My advice would be to keep learning and keep animating. Oh, and an easy point to make: if you are still learning mechanics or even how to polish, stick to shots that are short. Like 6 seconds max. You’ll learn just as much in a 100 frames as you will in a 500 frame shot. And you won’t be stuck for months working on the same shot. Finish short shots and move on.


Stimtastic order review!

I recently got a bunch of stuff from stimtastic. I got two infinite edamame keychains, a pop tube, the snake puzzle, lava putty, the trapezoid chewy necklace, the droplet chewy necklace, and the bubble wrap phone case.

First of all, I just want to say I got everything so fast, like whoa. Also I wanted the trapezoid in purple with a black cord, but that wasn’t an option on the site, so I just added a note to make the replacement of mine purple, but they made me a purple w/ black cord one special which was really sweet. 20/10.

Now, product reviews.

Infinite Popping Edamame
These things are so much fun. The beans in the one I opened are kinda dirty looking, and their faces are really smudged up, but it’s not really important and couldn’t really be predicted. It’s so much fun to place with them though. 10/10 stim toy. It smells faintly of plastic. Hard to resist putting it in my mouth.

Pop Tube
Easily my favorite thing in this order. Like by a landslide. It’s a triple threat combination of visual, auditory, and tactile stimming. Best $1.50 I ever spent. Who knew something so simple could be so fun. 20/10.

Snake Puzzle
I was excited about this, and it was honestly a bit of a let down. Not much fun. I should have gotten a second tangle or more pop tubes. 3/10.

Lava Putty
Different than what I expected but lots of fun. It doesn’t seem to change colors with heat, but instead just looks different in different lights. It doesn’t seem to go past browns and reds and a little orange? I don’t know, it’s an enigma. It’s a lot of fun though, and I might be using it wrong or something. It looked different in the video. It’s odorless. It’s a little softer than I expected, which was unpleasant the first touch, but very nice to touch after the surprise was gone. 9/10.

Trapezoid necklace
I literally can’t stop sucking/chewing on this thing. Perfect thickness. I’m amazed at how durable it is. I bought a watermelon shaped baby teeth awhile back and ripped through it in hours. This thing has been constantly chewed on for 2 days and I haven’t so much as left a tooth mark. And I have two of them because it came with a replacement. Odorless and tasteless. The only issue I have with it is that the ridge from the mold is a little irritating to my tongue. 10/10.

Droplet necklace
It was bigger than I’d thought it would be. It’s honestly a bit too thick for me and hurts my jaw. Odorless and tasteless. 3/10.

Infinite Bubble Wrap Phone Case
I love this thing. It’s more like pressing the buttons on an old Nokia cellphone than popping bubble wrap though, which honestly is a pleasant surprise. The texture of the bubbles is a really nice stim too and they also give your phone some traction. 10/10.

You should definitely buy from Stimtastic, they do a great job, they’re super nice, and their products are great. Buy a pop tube too, they’re really fun.

anonymous asked:

Who's your favorite Bastille member and why?

As you might deduce because of the URL and my posts about it it is mister Daniel Campbell Smith and the reasons why I love him are infinite but I will write you a list anyways because it 3:10am and I want to bury myself in a hole because of his face

Lets start with the looks ok:

I love

  1. His adorable smile
  2. His little front tooth that sticks out
  3. His perfect lips
  4. His jawline (uGHH)
  5. His ginger stubble
  6. His fucking neck
  7. His perfect nose
  8. His eyelids and eyelashes (damnnnnn)
  9. His fucking blue eyes
  10. His bouncy hair
  11. His geeky t shirts
  12. His fuckiNG arms
  13. His incredible sexy hands
  14. The bracelets he wears
  15. His derpy calculator watch
  16. His cute as fuck sweaters
  18. His slightly oversized hoodies
  19. His dorky glasses
  20. EY E BROWS
  21. His converse
  22. THose black pants he wears
  23. That scarf he has that makes me want to strangle myself

Lets move on to the other stuff I love abut him

  1. His humor
  2. The way he bends over or throws his head back when he laughs
  3. The way he scrunches his nose
  4. His  infinite repertoire of expressions
  5. The sound of his laugh
  6. The way he rolls up his sleeves
  7. THe way he licks his lips
  8. His politeness
  9. His perplexity at their success
  10. His incredible modesty
  11. How considerate he is
  12. His pessimism (even if it gets on my nerves sometimes) 
  13. His amazing writing sills
  14. THe fact that he is like 3 years old sometimes but then acts like 30000 years old
  15. His adoration for TKAK
  16. His passion for what he does and for music in general
  17. When he talks about the things he likes (Like David Lynch or music, etc)
  18. His appalling dancing skills
  19. The fact that he wrote a song for his parents and played it live in their home town
  20. How he tells stories
  21. His jokes
  22. When he smiles when he sings and you can hear him
  23. The emotion he puts into what he does
  24. How he stepped on glass and pierced his foot but kept dancing
  25. The way he tries to involve the crowd at gigs
  26. The face he puts when they have a big turnout at a gig or a festival
  27. When his voice goes all raspy
  28. He goes out there and sings even though he is sick
  29. His hilarious and humble tweets
  30. His incredibly wide vocal range
  31. The way he climbs onto really high places during gigs
  32. THe way his hands move across the piano
  33. The way he bangs those drums
  34. His dorkiness
  35. The faces he makes in photos
  36. THe way he plays with his shoelaces
  37. His shyness
  38. The way he holds a microphone
  39. How deep he is

Im missing so many things

Because this man is pure unadulterated perfection and there is now possible way to describe why I love him the way I do