This was my final for my Animation 3 project at Massart in my sophomore year! I recently collaborated with a music student from Berklee to do the score for it this past semester, and forgot to upload it!
“Life Itself” This one actually started off as a dark, slow, moody track. Quite insular. But eventually we realized there was a cheekiness to the lyrics that we hadn’t really explored, so we injected a sense of optimism into the music. The character that this track is about is a sci-fi obsessed dude who spends most of his time alone inventing strange things and writing stories about ray guns or looking for aliens on Google maps. We made him a website. But that’s what the chords and sound effects were inspired by. Old sci-fi films/series. I also got a bit obsessed with Lollywood music (music from Pakistani films), and thats where the idea for the drums came from.
“Youth” The idea for this one came from a story someone told me once. They were telling me about their child, and something awful had happened to them. She was crying—but at the same time the memories that they had from that previous life made her so happy—so she was also smiling. That combination of emotions kind of made me feel like my heart was being ripped apart but also optimistic in a weird way. She had found a way to see happiness in this awful thing that had happened to her. That combination of emotions is what this song is getting at. Have a look at this character’s website, too.
“Season 2 Episode 3” Everyone knows someone like the character from this song. If you don’t, then it’s you. But there are lots of references to different psychedelic cartoons in this one—sonically and lyrically—including Adventure Time. That show is crazy.
“Pork Soda” I heard a homeless man talking to someone once and say ‘pineapples are in my head.’ In retrospect, I’m pretty sure it wasn’t actually those words, but I thought it was at the time, and it kind of stuck with me. The opening of the song is meant to sound like you’re outside on the street, and you can hear a group of people chanting this song. The drum sounds are made from old bins and trash pieces of metal I found around the studio. Kind of like those street drummers use. All that is meant to set the scene for the story.
“Mama’s Gun” I don’t use samples very often. I only like using them if they bring something to the table, aside from just music—a context and a further depth to the actual meaning of the song. This song is mainly about mental health, and I remembered this song by The Carpenters called “Mr. Guder.” It fit the atmosphere musically, while the song “Mr. Guder” itself was about an odd character of sorts, and then on top of that, Karen Carpenter’s story added another dimension to the lyrics. if you don’t know the story, you should look it up. It’s important and very sad, and it started a general social dialogue about mental illness which is to this day still a subject matter that we avoid far too much.
“Cane Shuga” This is the only track on the record that didn’t start with lyrics and vocal melody. It started with the beat and the heavy drums. I let the beat spin and wrote stream of consciousness lyrics through a vocoder for this one to try to capture a certain mentality you might have when you’re a bit fucked up. When you start speaking what seems like gibberish—but maybe that gibberish is actually quite revealing.
”[Premade Sandwiches]” This is a spoken word interlude. My favorite word in the album is in this: “McFuck.” It’s something that someone’s gotten at McDonald’s. Here it is used in a sentence: “What the McFuck are you eating?”
“The Other Side Of Paradise” This is musically my favorite track on the record, I think. The chords are quite bizarre, and there are some mad arrangement and structural things going on. And the beat was super fun to make. It’s gonna be fun live!
“Take A Slice” This track is about someone with a lot of lust. It’s as sleazy as I’ll ever get in lyrics. But everyone has that inside them somewhere, even if it’s only a tiny bit. And it comes out from time to time. For some people, it’s out all the time.
“Poplar St” This song is meant to open with a kind of musical/lyrical image of a place. A little guitar hook and a floating vocal line that all seems quite peaceful, but things get more and more twisted as the song goes on. The guitar starts doing weirder things, the music builds tension, and then the whole thing flips on it’s head at the end. And you find that maybe that place isn’t what you first expected it was.
“Agnes” As soon as I started writing it, I knew it would be the album closer. This is my favorite song on the record. And the saddest song I will ever write.
phantom of the opera:
the first musical you ever saw live
do you like to act in plays or musicals
be more chill:
favorite modern musical
guys and dolls:
favorite modern musical set in the past
top five musicals
come from away:
favorite actor/actress and why
dear evan hansen:
have you ever cried listening to the cast recording of any musical? which one and why
the great comet:
which character from a musical is your fav and why
movie or actual musical
favorite ships from any musical
which character were you most mad about dying in a musical
the book of mormon:
fav song from any musical
in the heights:
are you an in depth theatre kid who is great at singing and always gets good parts or are you the one who will supports and loves their good theatre friend or the one who wants to audition but can't sing at all and gets stage fright
Hey guys! Haven’t made a quotes masterpost in a while, so I created one for the composes! And I know it’s a different header format, but I wanted to try it out! As always, I hope you enjoy these quotes and find them inspirational, like I have.
Wolfgang Amadeus Mozart
“I pay no attention whatever to anybody’s praise or blame. I simply follow my own feelings.”
“Without craftsmanship, inspiration is a mere reed shaken in the wind.”
“Let your mind alone, and see what happens.”
“I don’t go around regretting things that don’t happen.”
“Try a thing you haven’t done three times. Once, to get over the fear of doing it. Twice, to learn how to do it. And a third time to figure out whether you like it or not.”
“Easy mind, light heart. A mind that is too easy hides a heart that is too heavy.”
“The moment is supreme.”
“The world resembles a stage on which every man is playing a part.”
“You believe happiness to be derived from the place in which once you have been happy, but in truth it is centered in ourselves.”
“It should be one’s sole endeavor to see everything afresh and create it anew.”
“Fortunately, something always remains to be harvested. So let us not be idle.”
“A symphony must be like the world. It must contain everything.”
“It is easier to achieve a desired result in short pieces.”
“Never let oneself be guided by the opinion of one’s contemporaries. Continue steadfastly on one’s way.”
“The point is not to take the world’s opinion as a guiding star but to go one’s way in life and working unerringly, neither depressed by failure nor seduced by applause.”
“I don’t let myself get carried away by my own ideas - I abandon 19 out of 20 of them every day.”
“A beautiful sunset that was mistaken for a dawn.”
“Works of art make rules; rules do not make works of art.”
“We are involved in a life that passes understanding and our highest business is our daily life.”
“We carry our homes within us which enables us to fly.”
“The first question I ask myself when something doesn’t seem to be beautiful is why do I think it’s not beautiful. And very shortly you discover that there is no reason.”
“I can’t understand why people are frightened of new ideas. I’m frightened of the old ones.”
“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.”
“We need not destroy the past. It is gone.”
“When we separate music from life we get art.”
“To achieve great things, two things are needed; a plan, and not quite enough time.”
“Beware of missing chances; otherwise it may be altogether too late some day.”
“Inspiration is enough to give expression to the tone in singing, especially when the song is without words.”
“Life is a lot like jazz… it’s best when you improvise.”
“True music must repeat the thought and inspirations of the people and the time.”
“I frequently hear music in the very heart of noise.”
“It is always possible to create something original.”
Ludwig van Beethoven
“I will seize fate by the throat; it shall certainly never wholly overcome me.”
“What you are, you are by accident of birth; what I am, I am by myself. There are and will be a thousand princes; there is only one Beethoven.”
“This is the mark of a really admirable man: steadfastness in the face of trouble.”
“Don’t only practice your art, but force your way into its secrets; art deserves that, for it and knowledge can raise man to the divine.”
Louis Tomlinson has become the fifth and final member of One Direction to sign a solo record deal.
According to a report by Variety, the deal is with Epic Records, which, like Simon Cowell’s Syco Records, comes under the umbrella of Sony Music.
The news comes just two days after the 25-year-old shared a snippet of his first solo single, Back to You, since his collaboration with Steve Aoki on the song Just Hold On at the end of 2016. The new single is due out on July 21.
Each member of One Direction has signed to a different individual label, with Harry Styles and Zayn Malik signed to Columbia Records and RCA Records, respectively – both of which also fall under the Sony umbrella – while Niall Horan and Liam Payne are with Capitol and Republic (which are owned by Universal Music Group).
Epic Records president told Variety: “We are beyond delighted to have Louis Tomlinson as an artist,” adding that his new music “is the perfect bridge from his past to his future, and we are just as excited as the fans to experience his journey and growth.”
Q1: Hobbies or things you’ve been
into to spend your days off? A1: When I have days off, I want to do those so-called ‘ordinary’ things. Such as going to a cafe by myself, meeting up with friends. Having an ordinary daily
life is very important to me. I won’t do anything special just because I’m on my days off. For me, spending my days off while relaxing is more important.
Q2: Tell us your preferences and
tastes in fashion! A2: Rather than getting different
types of clothes, I’m the type that if I like or love something, I’ll use it for a long
time. Since debut, because of my job, I’ve been wearing a lot of expensive
clothes and clothes that I like. But I want to become one that can have their
own style even when wearing simple clothes, so now I just choose simple
clothes. Also, I don’t like to expose so I wear long sleeves even in the summer.
Q3: Your favorite scent? A3: For cologne, I like sweet scents. Depending
on my mood on that day, occasionally I’ll use a bit. But I haven’t finished
using one bottle yet. Since I really like to drink coffee, it makes me feel
calm when I smell the aroma of coffee. To me, coffee is like a substitute of
water, it’s indispensable.
Q4: Any Japanese
film, drama, manga or other works that you like? A4: My all-time favorite manga is ‘Slam
Dunk’! It’s my favorite so I read it over again and again, I’ve read it for
over 100 times. Most of the anime that I’ve watched when I was little, are
From JIN: He’s interested in clothes,
furnitures and miscellaneous goods, but when he’s shopping, he’ll only buy
equipment that’s related to music. As his roommate, only I know about this, it’s my treasured information. ♪
From V: Recently, Suga hyung is really
interested in Japanese. I’ve seen him studying Japanese diligently. Also, I
feel that the things Suga hyung talks about and the atmosphere became more
interesting than before (laughs).
Encountered rap around when I was in primary school and began to get involved in making music. I’m still active and continuing to produce music. For
someone boring like me, the only thing I can do is to make music, it can’t be separated
In the past I would look for answers either 0 or 100. For example, why do some people don’t like me? I worried about
these things and I also showed my emotions on my face. But after I’ve accumulated
a various of experiences, I could understand better about people’s sensitivity
and values. I thought “people could have various of thoughts”, and I began to
think that I want to open every possibility for myself.
It’s a word that describes me (laughs). Since I rarely step forward (voluntarily), I’m discreet, quiet and I like to be
alone. I don’t like to move around and I like to lie down.
“Tonight is maybe the best night of my life,” Harry Styles confessed Friday, facing an excited crowd of fans and friends gathered to hear the songs of his just-released solo debut, Harry Styles. The intimate club performance unfolded at the Troubadour, the celebrated West Hollywood room where some of his folk-rock heroes from the Seventies performed early career-defining gigs.
The erstwhile One Direction singer walked out as casually as anyone can in golden glitter pants. He picked up an electric guitar to begin “Ever Since New York,” a ballad warm and jangly, to an audience of raised cell phones. He winced dramatically to the lyrics of bitter love (“Almost over / Had enough from you”), ending with a fan sing-along to the repeated closing line: “Oh, tell me something I don’t already know.”
The album wasn’t the obvious move for the pop idol, but is now fully expected to debut at Number One on the Billboard 200 album chart. The concert at the 500-capacity Troubadour was a night to celebrate (and a benefit for homeless teens), while a crowd of mostly female fans not lucky enough to score a ticket stood outside waiting behind a barricade, maybe hoping for a glimpse of Styles, guest James Corden or anyone else.
At 23, Styles has launched a solo career to genuine acclaim, drawing less on the immediate pop of his multi-platinum boy band than lessons learned from the rock and pop past. His new songs show the direct influence of Bowie, Elton John, the Stones, Lennon & McCartney, and many others. The results that aren’t revolutionary in 2017 but are emotionally resonant, and suggest a healthy foundation of taste and ambition.
At the Troubadour, the percussive piano on “Woman” began like Elton’s “Bennie and the Jets.” The folky glimmer of his “Meet Me in the Hallway” shimmered like Bowie’s “Space Oddity.” His “Only Angel” snarled with Stonesy guitars and fittingly brutal beats and cowbell from drummer Sarah Jones.
By the time Stevie Nicks stepped out as his surprise guest for a trio of duets, Styles had traveled comfortably through a variety of styles. “You look pretty wonderful,” Styles said almost shyly as Nicks arrived at the mic. She replied, “So do you.”
“Nicks wore black and sang harmony on Styles’ "Two Ghosts,” a dreamy tune that could be Beck in sad singer-songwriter mode. Nicks looked over at her singing partner and blended her voice with his: “We’re just two ghosts standing in the place of you and me / Trying to remember how it feels to have a heart beat.”
They followed with Fleetwood Mac’s classic “Landslide,” trading lyrics and admiring glances. Young women in the crowd shouted along to Nicks, but turned silent when Styles delivered his lines, which were his most gentle and reverent of the night. When Nicks paused to share some history about “Landslide,” Styles stepped back to sit and listen like the rest of the room, then joined her on one more song, “Leather and Lace.”
For much of the 80-minute set, Styles’ demeanor was as casual as if he were hosting a cocktail party in his living room, at ease with fans shouting ecstatically to his every syllable. With him were not a band of session players but a group of young musicians and peers, including guitarist Mitch Rowland, who was still working at a pizza shop when recruited by Styles as a player and co-writer on the album.
Together, they charged into “Kiwi,” a grinding rocker in the tradition of the Strokes or Jet, sending Styles bouncing around the stage, leaning into the front rows, punching the air.
“Unfortunately I only have one album, so we’ve only got one song left,” he said with a laugh near the end of the night. “We’ve quite literally run out of material.”
He then turned to the band and suggested performing “Kiwi” once more, as many in the crowd erupted. The band dove back into the rocker, and it was just as convincing, the song and energy clearly a sweet spot for Styles. When it was done, he asked, “Do it again?”
Instead, Styles closed with the emotionally lush “Sign of the Times,” already a career-defining song for the new solo artist. It wasn’t a casual reading. His voice soared and shifted gracefully between tenor and falsetto, retaining the epic song’s solemn gospel flavor (even without the album’s accompanying choir).
Like “Kiwi,” the tune tapped into something real in the singer, lifting him far beyond casual charmer and into passionate performer. Which might the greatest lesson of all from the musical heroes of the rock and pop past.
jaebum: the one mysterious neighbor
- barely outside
- the one house nobody dares to go to on halloween
- you would never know when he’s home
- rumors spread about him being a psycho
- his cats roam the yard sometimes
- has about 244 cats
- has on giant hoodies with headphones in as he dumps the garbage
- hot af
- intimidates everyone
- jehovah witnesses skip his house
youngjae: the chipper neighbor
- “good morning Susan!”
- borrows people’s things but they’ll never get it back
- house looks like an entire garden
- is friends with everyone in the neighborhood
- you’ll see him all dressed up for church on Sunday with his nieces and nephews
- always mowing his lawn
- has family and friends over his house literally everyday
- decorates house for every holiday
- very loud
mark: the shy neighbor
- sits out on his porch while listening to music
- always getting compliments from other random people walking past his house
- blushes whenever he makes eye contact with people
- barely talks
- always at home unless he has to go to work at In N Out
- invites his friends over at night for small house parties
- hopes you like rap music since that’s what you’ll be hearing all night
- turns from a quiet small boy to a loud f**kboy
- is really attractive
bambam: the extremely weird neighbor
- the smell of burnt lasagna can be smelled miles away
- always outside with no shirt on as he tries to flex his ‘muscles’
- pool parties in the summer
- has his best friend over everyday
- dabbing like the usual
- flirts with the cute girls that walks by on the sidewalk
- “you can come in if it’s too hot baby.”
- gets slapped upside the head by elders
- luxury mansion
jinyoung: the shady Christian neighbor
- despises bambam and yugyeom the most
- “I’m allergic to sin.”
- hands out fliers to come to his church for worship service (especially to jaebum)
- dresses in formal attire everyday
- pastor in the streets but the devil in the sheets
- sits outside with his wife as they supervise their 3 children playing outside
- never at home when it’s Sunday
- whoops bambam on site
- always giving neighbors death glares when they do something stupid
jackson: the loud neighbor
- literally never wears a shirt
- you’d catch him in your backyard borrowing your water hose
- “are you gonna use that bro?”
- makes the ladies blush with his muscles
- always exercising
- gives everyone on the block organic tea for halloween
- his laugh can be heard from here to France
- probably bi
- always screaming
- barely at home
- outside drinking beer
yugyeom: the dancing neighbor
- bumps Chris brown everyday
- everyone knows he can dance. everyone.
- whips with bambam
- everyone assume he and bambam are boyfriends
- plays doorbell ditch at Jinyoung’s house
- gets beaten with a belt by Jinyoung
- “do you have any sugar?”
- somewhere moonwalking in the suburbs
- very tall
- T.P.’s houses on Halloween
- knocks the power out by crashing his Lamborghini
Summary: He thinks she wants nothing to do with him. She thinks he can’t remember her. Aelin and Rowan were friends once upon a time. But high school drove them apart. However, one night - one party - is about to change not only their lives, but the lives of their friend as well.
1. Troian and her fantastic acting skills
2. Mona Mona Mona Mona Mona
3. Hanna trying to get pregnant by laying upside down on her bed
4. The music (did you guys recognize some of the music from past seasons because i did and it distracted me for a little bit from what an entire shitshow this episode was)
Picasso’s art is undeniably Picasso. Nobody says “but this isn’t Picasso because it isn’t the same as his blue period.” It’s Picasso. It’s Picasso’s art. He just had a different view of the world when he created pieces in his blue period, so it looked different from his other stuff.
That’s why I get annoyed when people go “oh it’s not bad but it’s not Paramore” - because it is Paramore. It’s just another period of their life where they’re inspired by different things and have a different view on life so their music sounds different from their past albums, just like Picasso’s art looked different throughout his life.