El paraguas, fuente y columna escultórica diseñada por Pedro Ramírez Vázquez, decorada con un relieve en bronce de José Chávez Morado, Museo Nacional de Antropología, av. Paseo de la Reforma y Calzada Gandhi, Bosque de Chapultepec, Polanco, Miguel Hidalgo, Ciudad de México 1964
Arqs. Pedro Ramírez Vázquez, Rafael Mijares y Jorge Campuzano
The Paraguas (Umbrella), fountain and sculptural column designed by Pedro Ramirez Vazquez with bronze bas relief sculpture by Jose Chavez Morado, National Museum of Anthropology, Paseo de la Reforma at Gandhi, Chapultepec Park, Polanco, Miguel Hidalgo, Mexico City 1964
Dios mexica, su nombre proviene de los vocablos náhuas •xochitl• (flor) y •pilli• (príncipe); lo que lo hace el príncipe de las flores ♡”
MNA, Museo Nacional de Antropología e Historia.
Ciudad de México, D.F., México.
Leonora Carrington OBE (6 April 1917 – 25 May 2011) was an English-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City, and was one of the last surviving participants in the Surrealist movement of the 1930s.
Leonora Carrington was also a founding member of the Women’s Liberation Movement in Mexico during the 1970s
Following the escape to Lisbon, Carrington arranged passage out of Europe with Renato Leduc, a Mexican Ambassador. Leduc was a friend of Pablo Picasso, and agreed to marry Carrington just for the travel arrangements.
Events from this period continued to inform her work. She lived and worked in Mexico after spending part of the 1960s in New York City.
While in Mexico, she was asked, in 1963, to create a mural which she named El Mundo Magico de los Mayas, and which was influenced by folk stories from the region.
The mural is now located in the Museo Nacional de Antropología in Mexico City.
Carrington designed Mujeres conscienscia (1973), a poster, for the Women’s Liberation movement in Mexico, depicting a ‘new eve’.
Carrington, personally and primarily focused on psychic freedom, understood that such freedom could not be achieved until political freedom is also accomplished.
Through these beliefs, Carrington understood that “greater cooperation and sharing of knowledge between politically active women in Mexico and North America” was important for emancipation.
Carrington’s political commitment led to her winning the Lifetime Achievement Award at the Women’s Caucus for Art convention in New York in 1986.
I didn’t have time to be anyone’s muse… I was too busy rebelling against my family and learning to be an artist.