HOWDY HO YA’LL IT IS TIME FOR ANOTHER ROUND OF ‘LISTEN TO VAL BECAUSE I HAVE IMPORTANT SHIT TO TELL YOU’ BEAUTY AND THE BEAST LIVE ACTION VERSION
the costume designs in this movie I c a n n o t b e l i e v e
the set design too, holy shit
this beast ain’t gonna take your shakespeare bullshit here take the whole fuckin’ library and then you come talk to me about romances this is unbelievable
I don’t give a fuck I will fight everybody about Le Fou
I’ll punch a wasp I don’t give a fuck
Belle can sing ya’ll— like I don’t know if the design firm behind the trailers just autotuned the fuck out of the audio they were given but she sounds great
okay I’m sorry I work in the CGI field and half of this movie was just me freaking out about the rendering of the beast’s fur and his expressions, they did so great, holy shit, ugh, I was so impressed I’m fucking mad about it
seriously dan stevens was physically in this movie for maybe three minutes and the rest of it was face/motion capture and he just shines throughout the whole goddamn thing
belle whacks multiple people with sticks, it was good times
HER YELLOW DRESS WAS SO AMAZING YA’LL YOU HAD YOUR DOUBTS BUT I AM TELLING YOU THAT SHIT WAS GORGEOUS
Le Fou, again, I’mma fight people
adlkjflkjdg I DON’T WANT TO GET TOO SPOILERY BUT THE GROWL????? THE G R O W L???????
AUDRA MCDONALD????? WHY YOU GOTTA GO SO HARD??????
Stanley Tucci was in this movie? Like holy fuck?
Gaston????? Like holy shit????? He wasn’t so bad in the beginning but as the movie went on he just got creepier and creepier and creepier?????
Is it just me or were there a shit ton of interracial couples in this movie? I counted at least five, I think? I KNOW THAT IS SUCH A LOW BAR TO SET BUT I WAS HAPPY TO SEE IT IN A HUGE ASS DISNEY FILM
FUCKING LE FOU’S LINE IN KILL THE BEAST ‘Marching off to battle, yet I fear the wrong monsters have been released’
LIKE WHAT THE FUCK?????
WHY YOU GOTTA MAKE ME FEEL FOR A MINOR CHARACTER LIKE THIS, DISNEY
Disney has this new technology where they work with motion capture, body doubles, CGI, and practical effects to make ‘older’ actors appear in their youth. Previously there was Jeff Bridges on Tron: Legacy which was entirely CGI and looked cartoonish. RDJ’s in Captain America: Civil War was the best, looking seamlessly like a younger him. Carrie Fisher’s cameo in Rogue One was such a reveal it because while many should’ve seen it coming because it was visually her it blew us away. Johnny’s was easily the highlight of the film as it was a fuller scene and it’s importance was so enticing for its own story. Needless to say this tech is at the forefront of Hollywood legends’ appeal and I can’t wait to see who jumps in Disney’s time machine next.
Pulling double duty, Waititi plays the 8-foot-tall Kronan warrior made of purple rocks. Korg was originally supposed to have only a few scenes, but Waititi manages to flesh him out (via motion-capture suit) substantially.
“You’ve got to understand that Taika Waititi the actor is an incredible person to work with,” the director explained. “When Taika Waititi the director comes across someone like that, it just seems appropriate to give that actor a bit more time to show what they can do. I did that, and my theory was correct. I was, he was that good. As an actor, I highly valued Taika Waititi the director, who was very generous to me in giving me a few more takes than everyone else, and really let me show what I can do.” –Taika Waititi interviewed by Meredith Woerner for L.A. Times
Cab Calloway was groundbreaking as one of the first African-American musicians to be prominently featured on film. His work with the “Betty Boop” cartoons (as seen above) was legendary because it was basically the grandfather of what we know now as motion capture animation. They recorded Cab singing and dancing (dancing which included an early version of the moonwalk so take that Michael Jackson) and they TRACED HIS MOVEMENTS FRAME BY FRAME to translate them into the character he was playing. None of that unitard covered in ping-pong balls mess. Painstaking frame by frame tracing to capture his motions. You can watch full length versions of the Betty Boop cartoons featuring Cab Calloway pretty easily. I think they’re all on YouTube and they’re in the public domain so they’re easy to find and download. The names of the cartoon shorts are “Minnie the Moocher”, “Snow White ”, and “The Old Man of the Mountain”.
So go watch them now and appreciate a hard-working black musician who pioneered the jazz genre and was a key player in animation advancement.