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Well it’s finally finished! My GW2 character sheet. Featuring most of my kids. There are still a few left but those are still developing as characters. Most outfits are based from their ingame model!

I’ll be posting a separate sheet for each and then like some charter to how they connect to another. If you have any questions about them now feel free to drop an ask! I’ll be happy to answer all your questions~

Thank you Anet for letting me make such cool characters and meeting lovely people! <3

**please check the full view as well tumblr is killing the image ;3;

Congratulations, you’ve made your way back to the original version of this post. Since I value my mental health too much to argue with all of you individually over an UNTAGGED VENT POST made on the PERSONAL BLOG of an LGBT WOC, I will provide you with some responses here:

1. Whitewashing is not acceptable. Reimagining a character as a different race is fine. If you’re okay with black Meg but not with white Tiana, then you’ve missed the point.

2. Genderbends don’t have to be F –> M or M –> F. You can reinterpret a character as agender if you want.

3. Stop acting like MOST women don’t have curvier shapes, longer hair, and feminized facial features, and MOST men have rectangular builds, shorter hair, and masculinized facial features. Those are what people go after when doing genderbends. They’re not saying that all women and all men look like that, they’re just doing what is easy.

4. A character being problematic can be an intention of a content creator. That doesn’t make the creator a bad person.

5. Stop sending me hatemail/death threats/other bullshit messages. I don’t think you want to cyberbully an LGBT Middle Eastern chick with depression, do you?


Tumblr REALLY needs to learn when something is a design choice done intentionally or for fun and when something is a racist/sexist/LGBTphobic caricature.

THIS is a racist caricature.

The various races represented here are grossly exaggerated and narrowed down to the utmost basic of their character traits, with the white guy being the most formal and the other races looking more savage.

THIS is NOT a racist caricature.

These are taking known characters and redesigning them to perhaps show what they would look like as a different ethnicity. Their designs do not boil down to exaggerated stereotypes.

THIS is a sexist caricature.

Women are inherently being represented as unable to do the most mundane of tasks, such as opening a bottle. On top of that, the woman is pretty, with lipstick and primped hair and nice nails, as only pretty girls can be in advertisements.

THIS is NOT a sexist caricature.

Each character is unique and has their own talents and skills, and even if the two girls are conventionally ‘pretty’, they are represented as incredibly smart and capable.

THIS is a transphobic caricature.

It represented the ‘trans woman’ as just a man in women’s clothes - notably as an ugly man with overly masculine features - and attempts to represent trans women as a threat to children despite literally no evidence to that claim.

THIS is NOT a transphobic caricature.

These characters who were originally male are being reinterpreted as women (not men in drag). This is an experiment in design, not a message that men and women are the only genders.

The major point in all of these is intent. In the first images, the intent is clearly to offend and misrepresent. In the second images, the intent is clearly to explore new designs and character reinterpretations.

So the next time you want to complain that people who draw Lucio as a Junker are racist or people who genderbend the Ed Edd n Eddy cast are transphobic, maybe consider the intent of the artist and realize that NOT EVERYTHING IS MADE TO OFFEND YOU.

Getting rid of nazis on your blog

Hey, if you’re sick of nazis on your Tumblr but you keep on having to block new ones, Tumblr’s most recent experimental feature can probably really help you out. It’s called Reblog Graphs and you can test it here

Basically, what it does is show you a network of how your post was reblogged and who were big influencers in getting lots of reblogs. That’s useful in general but extra usefull if you want to know who to block to get rid of shit on your dash. 

For example, this post that I wrote got a lot of notes and when I use Reblog Graphs is generates this graph:

I’m the yellow dot and all the other dots are reblogs, the bigger the dot, the most reblogs originated from that reblog. Next, I can click on the dots and see who they are and what content they added. For example:

When @thatdiabolicalfeminist reblogged my post the result was a lot of supportive reblogs, helpful feedback and conversations that I want to have. 

But check out the other cluster: 

When wogbeginatcalais reblogged my post the result was a stream of hateful comments by white supremacist, nazi blogs and nazi trolls. Not stuff I want and one reblog started all of it. 

I had blocked a lot of white supremacist blogs when the hate started, but according to Reblog Graph I missed out on quite a lot of the most important blogs that were causing my post to be noticed by these shits in the first place. By blocking key nazi dots in this chain, I can now more effectively stop nazi shits from finding my posts. Good to know!

That’s all. Happy Tumblring. 

Originally posted by beatingthebinary

Let me introduce you to three of my friends: hallucigenia, opabinia, and wiwaxia. They’re all from the Cambrian explosion, the period of time around 500 million years ago when life was just starting and was still trying to figure out questions like “how should a mouth work?” and “legs?”

Hallucigenia was about an inch long (most life back then was tiny, they were only a few eras removed from being single celled after all) and it had sixteen clawed legs, hard spines coming out of its back, and a wicked tentacle neckbeard. 

Opabinia was between two to three inches long and it had thirty fins along the side of its body, along with five mushroom shaped eyes on top of its head. By far though, its most interesting feature was its strange proboscis. Like a Dr. Moreau style mashup of an elephant and a lobster, the long nose terminated in a large claw that it used to grab prey and bring it to its backward facing mouth.

Finally, this is wiwaxia. This danger-artichoke was a two inch long armored slug-like creature with no head. In fact, its actual body was largely just its one massive foot. 

I find these animals interesting for three main reasons. First, it’s incredibly fascinating to see all of the potential paths that life on earth could have taken. Imagine an ocean filled with elephant lobsters! Second, whenever I feel like my life is going nowhere and all my choices are the wrong ones, I like to think that I’m in in my phase where I’m still developing hallucigenias and wiwaxias, and not yet making awesome things like butterflies or velociraptors. Finally - it serves as a stark reminder that if we ever find alien life, there is a fantastic chance it will look like nothing we’ve ever seen before - it might look more like one of these creatures than a human being. 

Incoming! We’ve Got Science from Jupiter!

Our Juno spacecraft has just released some exciting new science from its first close flyby of Jupiter! 

In case you don’t know, the Juno spacecraft entered orbit around the gas giant on July 4, 2016…about a year ago. Since then, it has been collecting data and images from this unique vantage point.

Juno is in a polar orbit around Jupiter, which means that the majority of each orbit is spent well away from the gas giant. But once every 53 days its trajectory approaches Jupiter from above its north pole, where it begins a close two-hour transit flying north to south with its eight science instruments collecting data and its JunoCam camera snapping pictures.

Space Fact: The download of six megabytes of data collected during the two-hour transit can take one-and-a-half days!

Juno and her cloud-piercing science instruments are helping us get a better understanding of the processes happening on Jupiter. These new results portray the planet as a complex, gigantic, turbulent world that we still need to study and unravel its mysteries.

So what did this first science flyby tell us? Let’s break it down…

1. Tumultuous Cyclones

Juno’s imager, JunoCam, has showed us that both of Jupiter’s poles are covered in tumultuous cyclones and anticyclone storms, densely clustered and rubbing together. Some of these storms as large as Earth!

These storms are still puzzling. We’re still not exactly sure how they formed or how they interact with each other. Future close flybys will help us better understand these mysterious cyclones. 

Seen above, waves of clouds (at 37.8 degrees latitude) dominate this three-dimensional Jovian cloudscape. JunoCam obtained this enhanced-color picture on May 19, 2017, at 5:50 UTC from an altitude of 5,500 miles (8,900 kilometers). Details as small as 4 miles (6 kilometers) across can be identified in this image.

An even closer view of the same image shows small bright high clouds that are about 16 miles (25 kilometers) across and in some areas appear to form “squall lines” (a narrow band of high winds and storms associated with a cold front). On Jupiter, clouds this high are almost certainly comprised of water and/or ammonia ice.

2. Jupiter’s Atmosphere

Juno’s Microwave Radiometer is an instrument that samples the thermal microwave radiation from Jupiter’s atmosphere from the tops of the ammonia clouds to deep within its atmosphere.

Data from this instrument suggest that the ammonia is quite variable and continues to increase as far down as we can see with MWR, which is a few hundred kilometers. In the cut-out image below, orange signifies high ammonia abundance and blue signifies low ammonia abundance. Jupiter appears to have a band around its equator high in ammonia abundance, with a column shown in orange.

Why does this ammonia matter? Well, ammonia is a good tracer of other relatively rare gases and fluids in the atmosphere…like water. Understanding the relative abundances of these materials helps us have a better idea of how and when Jupiter formed in the early solar system.

This instrument has also given us more information about Jupiter’s iconic belts and zones. Data suggest that the belt near Jupiter’s equator penetrates all the way down, while the belts and zones at other latitudes seem to evolve to other structures.

3. Stronger-Than-Expected Magnetic Field

Prior to Juno, it was known that Jupiter had the most intense magnetic field in the solar system…but measurements from Juno’s magnetometer investigation (MAG) indicate that the gas giant’s magnetic field is even stronger than models expected, and more irregular in shape.

At 7.766 Gauss, it is about 10 times stronger than the strongest magnetic field found on Earth! What is Gauss? Magnetic field strengths are measured in units called Gauss or Teslas. A magnetic field with a strength of 10,000 Gauss also has a strength of 1 Tesla.  

Juno is giving us a unique view of the magnetic field close to Jupiter that we’ve never had before. For example, data from the spacecraft (displayed in the graphic above) suggests that the planet’s magnetic field is “lumpy”, meaning its stronger in some places and weaker in others. This uneven distribution suggests that the field might be generated by dynamo action (where the motion of electrically conducting fluid creates a self-sustaining magnetic field) closer to the surface, above the layer of metallic hydrogen. Juno’s orbital track is illustrated with the black curve. 

4. Sounds of Jupiter

Juno also observed plasma wave signals from Jupiter’s ionosphere. This movie shows results from Juno’s radio wave detector that were recorded while it passed close to Jupiter. Waves in the plasma (the charged gas) in the upper atmosphere of Jupiter have different frequencies that depend on the types of ions present, and their densities. 

Mapping out these ions in the jovian system helps us understand how the upper atmosphere works including the aurora. Beyond the visual representation of the data, the data have been made into sounds where the frequencies
and playback speed have been shifted to be audible to human ears.

5. Jovian “Southern Lights”

The complexity and richness of Jupiter’s “southern lights” (also known as auroras) are on display in this animation of false-color maps from our Juno spacecraft. Auroras result when energetic electrons from the magnetosphere crash into the molecular hydrogen in the Jovian upper atmosphere. The data for this animation were obtained by Juno’s Ultraviolet Spectrograph. 

During Juno’s next flyby on July 11, the spacecraft will fly directly over one of the most iconic features in the entire solar system – one that every school kid knows – Jupiter’s Great Red Spot! If anybody is going to get to the bottom of what is going on below those mammoth swirling crimson cloud tops, it’s Juno.

Stay updated on all things Juno and Jupiter by following along on social media:
Twitter | Facebook | YouTube | Tumblr

Learn more about the Juno spacecraft and its mission at Jupiter HERE.

Some Thoughts: Storm in the Room

With the reactions post-Storm in the Room, I feel that Steven doesn’t get enough credit. Going to Rose’s Room, searching for answers, and comfort even though he didn’t know that yet, Steven wasn’t setting out to create a perfect mother or project himself the ideal version of Rose. He starts, the moment he enters the room, by saying he knew it wasn’t real.

Everything Steven did with Cloud Rose, everything that happened between them, were reasonable assumptions we could make of Rose. And this is because the Rose we saw was from Steven’s expectations of what she would be like. And Steven was wary about idealising Rose the way the Crystal Gems did. He says this explicitly several times. Also, Steven’s view of Rose was tempered early on by Greg’s stories of her. 

So the Rose we see isn’t a sad Steven’s attempt at finding the perfect mother figure. Steven’s attempt at a reasonable and believable portrayal of Rose deserves to be acknowledged. Had it not been the case, the Rose we saw could not have evoked the feelings she did. It’s because of the depth Steven introduced to her from all his memories of her that it was made possible.

And what I want to talk about in this post, is how the images of Rose reflect which narratives he’s channeling as he tries to piece together, quite literally, the image of Rose.

The first appearance of Cloud Rose shows her with messy hair, parts of it stick up and around her. Her facial expressions are often wiggly, for lack of better word, and she shows her thighs a lot more than in the succeeding scenes, either in cross-sitting or running. 

This Rose is goofy and funny and casual. And it’s the Rose whom Greg’s stories have constructed in Steven’s memories. 

The same scenes we see Rose hitch up her dress in the same way (such as when she’s reading books with Greg on the bed) or similarly goofy, like stopping a ferris wheel with her bare hands, she’s with Greg. 

Even the line Steven takes from her video in Lion 3: Straight to Video, about “every X being unique and beautiful” is shot in Greg’s presence. Without realising it, Steven is remembering this image of Rose.

And she cares about Steven. She engages in his interests. It’s not so far a stretch because some episodes back, Bismuth was willing to do the same thing. Rose was a fun person. There’s a running joke that she would have loved cheesy and corny jokes. She probably told a few in her day. 

She probably wasn’t always as poised as presented in her portrait. Greg remembers the Rose he changed, when she was starting to understand human beings in earnest and come to terms with how they could exist with gems on the same level. 

Rose at that point still didn’t want to talk about her past, and Greg never made her. So Greg and Rose made new memories and didn’t dwell on the old. And those memories were filled with fun and laughter and love.

The moment sobers when it is Rose not Steven, who gestures the latter to sit down and stare at the expanse of clouds.

And we should know that what we’re about to see means something has changed. The first hint is that Rose’s body language changes. She sits perfectly straight, even though she’s cross-sitting the way she was earlier. And we don’t see her legs anymore. Her hair neatens and her expression calms.

What’s more, her hands assume the position Garnet did in Here Comes A Thought in Mindful Education. And that emphasises the kind of role Rose plays in this moment. Steven felt Rose taught Garnet how to manage her feelings, because it was a motherly thing to do. In a very Steven Universe fashion, the music changes from the bright xylophone to a quiet piano music, which is the mark of another Crystal Gem, Pearl. 

And when we go back to the senior Crystal Gems and their image of Rose, it is exactly the way she’s presented.

Cloud Rose is a huge presence, with Steven a small child by her side. She speaks deliberately, every word is one of wisdom. She is magnanimous and comforting at the same time. 

She tells him, “But we’ve been together the entire time.” And it brings back the idea of how our parents are always with us, and a part of us, because one way or another they’ve left a mark on us.

At the same time though, the similarities of the scenes between this moment and the one at Rose’s Fountain in An Indirect Kiss, lead to the same end.

Rose is viewed as a godly icon, very distant from Steven. She’s not sitting beside him, playing with him, kneeling on the ground anymore. He looks up to her, and he can’t reach her.

In both times, he realises she’s not really there. That he talked to the statue of Rose in the fountain, confided his deepest insecurities about how he didn’t know how to feel about her when everyone else did, parallels the empty image on his phone.

And it segues into the next scene perfectly.

Because Steven doesn’t know how to feel about Rose. Now, he’s more certain than ever that he doesn’t even know who she is. The Rose we see at the end has a blank face, because Steven can’t project anything on it. He’s thinking of Pink Diamond’s shattering, Bismuth, and the Rebellion, and all the people hurt by them.

When he sees Rose, he can no longer see himself, which is why her eyes, one of the facial features most like Steven’s, (next to his nose) are nowhere to be seen.

And this Rose is distant, because there’s no mitigating narrative linking him to her. In the other scenes, the room remained the same, because these stories he was told of Rose and who she was firmly rooted the first two Roses as part of the real Rose’s identity.

This Rose is foreign, because nowhere in those narratives did Steven think it possible to for her to do the things he learned she did.

And in that moment he begins to doubt. 

Because he can no longer see the image of his mother, he doesn’t know where he himself stands. A huge part of his identity is being Rose’s son. What happens when the “Rose” part becomes fuzzy, blurry, and unintelligible?

What happens to the Steven?

Notice that this Rose is silent. She offers no response to the accusations Steven hurls at her, about all the people she hurt and her act of leaving them all behind. 

At this point, we see the part of Steven that understands Rose is gone. That he’s never going to get these answers and there won’t be an explanation coming from her.

There are some things he’ll never get to hear about, some memories he’ll never know, some experiences he’ll never share with her.

And it’s sad and disheartening and lonely. In losing his idea of Rose, Steven loses a part of his identity. Such that he felt it would be better if he denounced Rose, cutting off the part of himself he didn’t want to think about: That he was created just to fix her mistakes.

It’s then that we see Rose’s face for the first time since we’ve entered the paradigm of Rose-through-Steven’s eyes. Not Greg’s, not the Crystal Gem’s. Because these new things he’s learned about Rose are things the others would never have known without him. How else would they have heard the Diamond’s song of mourning? How would they have known Bismuth was there all along?

And the things Rose said in the tape were meant for Steven, in a space only Steven could find.

The Rose speaking to Steven at the end is the Rose who’s already spoken to Steven directly before, through the tape.

A lot of negative reaction has been given to this moment, because it feels as though the tape absolves Rose of everything she’s done. It doesn’t and I don’t feel that was the point.

The point of her saying that, was to reaffirm Steven’s belief in Steven. To show that it wasn’t about Rose anymore, that Steven’s birth wasn’t about Rose but about him.

And it’s striking that’s the only time we see her face again. Because immediately after, Steven hugs her, and her face is obscured. 

That’s Steven’s recognition that he’s never going to hear any other words straight from his mother for him. He understands and he realises that nonetheless, Rose is exerting a presence in his life. He really is always with her and never alone. 

The past few episodes and everything leading up to them were about Steven’s realising his mother was still an individual, one who could made mistakes and rash, selfish decisions. 

He was afraid that upon realising his mother could be a selfish individual, could do huge selfish things that affected thousands of lives, he feared the act of his birth, the most personal thing about him, was meant to serve her self-interests alone too. He needed a concrete and tangible answer, which was what prompted him to go to the room. 

At the end of the episode, he didn’t think that anymore. He knows he has a lot of work ahead in figuring out Rose’s place in his life, but the lingering doubt of the very foundation of his existence is gone.

And because of that, he finally feels comfortable letting her go.

The signs most prominent features
  • [ as I know them ]
  • Aries: strong jawline, like, can you cut food with that?
  • Taurus: prominent cheeks, high but small
  • Gemini: profound nose, makes you look beyond your years
  • Cancer: adorable smile, like, pls
  • Leo: eyebrows on fleek 24/7
  • Virgo: soft and full but firm lips
  • Libra: brow structure is 10/10
  • Scorpio: that body is to die for omg
  • Sagittarius: your hair is always perfect, even if you just woke up
  • Capricorn: deadly eyes, like a celebrity that will kill you with just one glance
  • Aquarius: that natural smirk will be the death of me
  • Pisces: I'm seriously jealous of those perfect nails
8

Mosques domes

Most mosques also feature one or more domes, called qubba in Arabic. While not a ritual requirement like the mihrab, a dome does possess significance within the mosque—as a symbolic representation of the vault of heaven.

4

The Swingin’ Harlem Hellfighters Band,

The Harlem Hellfighters have taken to the spotlight in modern times thanks to the popularity of the video game “Battlefield 1″, where the African American soldiers are featured in the very opening of the game. The US 369th Infantry Regiment was a unit of African American soldiers who served with incredible distinction during World War I. During the war many white American soldiers refused to serve with blacks, and as a result the 369th was assigned to the French Army, the French having little qualms with serving with African Americans, nor did they have a policy of segregation such as the US Army. They were even issued French weapons and wore French helmets while in combat. During their service in World War I the 369th was nicknamed by the French “The Harlem Hellfighters” because of their tenacious fighting spirit.  They never gave ground in combat, not one soldier was ever captured, and they served the longest continuous deployment of any other Allied unit during the war (191 days of continuous combat). Due to their bravery, they were also among the most decorated Allied units, with two Medals of Honor, 171 French Croix de Guerre’s, and numerous Distinguished Service Crosses.

One of the most unique features of the Harlem Hellfighter’s was their band, perhaps the only unit in the entire war to have a ragtime band.  Unlike pretty much all other military bands which played traditional marches and martial music, the Harlem Hellfighter Band played the music they loved and could perform best, mostly American ragtime music and early forms of Jazz.  The Harlem Hellfighter Band was directed by Lt. James Reese Europe, a man who was certainly fit for the job as he was the band leader of the Clef Club Orchestra, a band popular in New York for their ragtime and proto-jazz music.

On April 8th, 1918 French soldiers turned their heads in wonder as The Harlem Hellfighters marched toward the front to the tunes of hot ragtime and Jazz beats. 

No one in Europe had ever heard such music, in fact Jazz was barely even heard in the United States outside of a few communities in New Orleans, Chicago, and New York.  The new music became an instant hit among both French and British soldiers, and before long the Harlem Hellfighters Band was being called to perform for French and British units all along the line, as well as villages they passed through. Soon, the Harlem Hellfighters swinging sound took Western Europe by storm, and the band was even invited to perform in Paris at the Théâtre des Champs-Elysées. Among the Hellfighters biggest hits was a ragtime tune called “Memphis Blues”.

https://www.youtube.com/watch?v=pJPztEjzf6s

Another popular hit was “On Patrol in No Man’s Land”, written by Lt. James Europe himself while recuperating after being wounded in a poison gas attack while on patrol.

https://www.youtube.com/watch?v=wpFCuZ-B4j0

And then of course the biggest crowd pleaser given the location and audience was a jazzed up version of “Le Marseillaise”  

After the war the band would make a grand tour of Europe, then return home and make a grand tour of the United States. Stories of the Harlem Hellfighters unique sound had spread across American and people were demanding more.  During their American tour, the band cut 24 records. Everywhere they went, whether in Europe or the United States, they drew huge cheering crowds, they had become the superstars of their day. 

Unfortunately the story of the Harlem Hellfighters Band did not end well for James Europe. On the night of May 9th, 1919 Europe confronted one of his drummers over poor and unprofessional behavior.  The drummer, known as a hothead among the band members, attacked Europe and stabbed him in the throat with a penknife. Europe bled out and died while in the hospital later that night.

The legacy of the Harlem Hellfighters Band is as grand and all encompassing for music as the Great War itself.  Essentially, the band is credited with spreading the popularity of Jazz throughout Europe and America. Before World War I, Jazz was a niche genre of music, common only among African Americans living in certain areas of New York, New Orleans, and Chicago.  After the exploits of the Harlem Hellfighters Band Jazz would spread across the world, becoming the dominant form of popular music up to the 1950′s and serving as the predecessor to popular music styles today such as rock, hip hop, pop, and soul.

3

hurricane // panic! at the disco

Fun fact 1: guys who are actually nice generally don’t see friendship with women as a punishment.

Fun fact 2: guys whos most defining feature is “nice”, tend to be boring as fuck. Like, bro, its great you meet the bare minimum of “not an asshole”, but maybe get a hobby too?

Creatures From Around The World


My Favorite Mythology/Folklore and Cryptid monsters collected by Country/Continent.


MEDIEVAL EUROPEAN MYTHOLOGY / FOLKLORE (Book of Imaginary Creatures, Heraldry, Alchemy, Medieval Bestiary, Roma, Left-Over European)

The Muscaliet is so hot it will inflate everything it touches into a burning column of fire. Entire forests burn away when they find their way into earthly forests.

A Bao A Qu / Barometz or Vegetable Lamb / Basilisk / Cagrino or Chagrin / Carbuncle / Catoblepas / Echeneis or Remora / Flaga / Goblin / Gold-Digging Ant or Formica Aurum / Hypnalis / Ichneumon or Hydrus / Imp / Incubus / Leontophone / Leucrotta or Crocotta / Muscaliet / Myrmecoleon or Antlion / Nependis / Nightmare or Mare / Odontotyrannos / Pard / Peryton / Salamander / Scitalis or Scytale / Seps / Succubus / Undine / Will o Wisp / Wyvern / Yale or Centicore / Ziphius

Abarimon / Aspidochelone / Bicorn / Blemmyes / Bonnacon / Cerastes / Chichevache / Cockatrice / Cynocephaly / Haermorrhois or Blood-Letter / Indus Worm / Keythong / Musimon / Onocentaur / Panotti / Parandrus / Sandman / Wild Hunt / Ypotryll / Zitiron

==============================================================

GREEK MYTHOLOGY (Ancient Greek/Roman Mythology)

Nemean Lions (named Golden Lion or War Lion in Mythika) are powerful hunters with very tough skin which is almost impossible to pierce with normal weapons. Their manes are covered with arrows and the weapons from their victims.

Akheilos / Amphisbaena / Anteros / Argus / Cacus / Centaur / Cerberus / Charon / Charybdis / Chimera / Chrysaor / Dactyl / Echidna / Empusa / Erinyes or Fury / Faun or Satyr / Gorgon or Medusa / Harpy / Hekatonkheires or  Hundred-Handed One / Hippocampus / Hydra / Kampe / Karkinos or Cancer / Ketos or Cetus / Ladon / Lamia / Lampad / Makhai or War Daemon / Minotaur / Narcissus / Nemean Lion / Nosoi or Pandora Box / Phobetor / Scylla / Sphinx / Thriae

Aegipan or Capricorn / Aetos or Caucasian Bird / Antaeus / Arachne / Celedon / Circe / Cyclops / Dryad / Erote or Cupid / Erymanthian Boar or Dire Boar / Eurynomos / Gegenees / Geryon / Graeae or Stygian Hag / Griffon or Griffin / Khalkotauroi / Maenad / Mormo / Pytho or Delphyne / Scorpios / Skolopendra / Spartoi / Stymphalian Bird / Symplegades or Planctae / Talos or Bronze Colossus / Teumessian Fox / Triton / Typhon / Zelus

==============================================================

NORSE MYTHOLOGY (Ancient Norse Mythology)

Fenrir are said to be ancestors of all canine species, and in Mythika they are among the most powerful, only Cerberi stand a chance. Their skin is riddled with ice crystals and their breath is cold as winter.

Berserker / Draugr / Fafnir / Fenrir or Fenris / Hraesvelgr / Jormungandr / Jotunn or Frost Giant / Nidhogg / Svartalfar or Dark Elf / Troll / Valkyrie

Alberich / Dwarf / Elf / Hell / Hrimfaxi / Naglfar / Ratatoskr / Skinfaxi / Ymir

==============================================================

CELTIC MYTHOLOGY / WESTERN EUROPE MEDIEVAL MYTHS (English, Welsh, Manx, Scottish, Irish, Breton and Arthurian)

Tatty Bogle are evil animated Scarecrows which can control birds and animate objects they touch. It is said that they are created by evil Hags which use the hearts of humans and the soul of a bogeyman to animate them.

Afanc or Addanc / Alp-Luachra or Joint Eater / Ankou / Awd Goggie / Banshee / Barghest or Black Dog / Boobrie / Brobinyak / Brollachan / Brucha / Buggane / Cirein Croin / Cu Sith / Cwn Annwn / Dullahan or Headless Horseman / Fachen / Fear Liath or Grey Man / Fomorian / Gancanagh / Grindylow / It / Jack-in-Irons / Kelpie / Knucker / Lavellan / Leanan Sidhe / Marool / Muirdris / Nuckelavee / Phooka or Pucca / Questing Beast / Rawhead or Bloody Bones / Redcap or Dunter / Shellycoat / Sianach / Sluagh / Spriggan / Springheel or Spring-Heeled Jack / Stray Sod / Tatty Bogle / Water Leaper or Llamhigyn Y Dwr / Wizard’s Shackle or Burach Bhadi

Arkan Sonney / Black Annis / Bluecap / Bodach / Boobach or Bugaboo / Bugbear / Cat Sidhe / Cath Palug / Ceffyl Dwr / Clurichaun / Curnunnos / Dobhar-Chu / Far Darrig / Fear Dorcha / Fear Gorta / Gwyllion / Kilmoullis / Leprechaun / Lunantishee / Ly Erg

==============================================================

NORTHERN EUROPE MEDIEVAL MYTHS (Germanic, Scandinavian, German, Norwegian, Finland, Sweden, Iceland, Dutch, Belgian and Danish)

Osschaart are bizarre constructs made by the Jack-in-Irons. Osschaarts dangerous aura’s increase gravity and they can animate and control the chains that form most of their bodies.  

Ajatar / Alraune / Buckrider / Colorobetch / Doppelganger or Fetch / Erlking or Erlkonig / Gloson or Gravso / Gulon / Horerczy / Hrokkall / Ice Worm or Lagarfljot Worm / Iku-Turso / Kraken / Land Wight or Landvaettir / Osschaart / Pesta / Swamfisk / Valravn or Vilderavn

Askafroa / Baldanders / Fossegrim or Nakken / Helhest / Hrosshvalur / Huldra / Kludde or Aufhocker / Kobold / Lorelei / Mandragora or Mandrake / Nachtkrapp / Norn / Otso / Skotumodir / Snow Queen / Traicousse / Vatnagedda / Waldgeist

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EASTERN EUROPE MEDIEVAL MYTHS (Slavic, Russian, Polish, Romanian, Slovenian, Lithuanian and Serbian)

Combining the most feral features of both wolves and dragons the Zburator is a nocturnal hunting dragon that unlike most other dragons hunt in packs, they mostly hunt for other dragons.

Aitvaras / Bagiennik / Bauk / Bukavac / Fext / Hala or Ala / Karzelek / Kikimora / Leshy or Leshii / Lich / Moroi or Vampire / Nocnitsa or Night Hag / Planetnik or Demon Storm / Poludnica or Lady Midday / Shtriga / Veela or Vila / Vodyanoi or Vodnik / Zburator / Zirnitra / Zlatorog or Goldhorn / Zmey or Gorynych

Abaasy / Alkonost / Baba Yaga / Balaur / Bolotnik / Domovoi / Drekavac / Ebajalg / Indrik / Likho / Nosferatu / Ovinnik / Psoglav / Rusalka / Sarkany / Tculo / Ziburinis

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SOUTHERN EUROPE MEDIEVAL MYTHS (Spanish, Basque, Maltese, Sardinian, Italian, French, Swiss, Austria, Cyprus and Medieval Greek)

Every year the scales on a Cuelebre’s body become harder, until after a 1000 years they reach Adamantium hardness, once they reach this age they are almost impossible to destroy with normal weapons and most spells will simply bounce of their shimmering iron scales.

Aatxe / Agrippa / Barbegazi / Butatsch-Cun-Ilgs / Codrille / Cuelebre / Erchitu / Gargoyle or Gargouille / Gaueko / Hellequin / Kaw Kaw / Lou Carcolh / Marabbecca / Nuberu / Peluda / Pyrausta or Pyrallis / Stella / Tarasque / Trenti / Vrykolakas

Aerico / Caladrius / Drac / Krampus / Tartalo / Vouivre

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NATIVE AMERICAN FOLKLORE AND MYTHOLOGY (Inuit, Canadian, Navajo, Cherokee, and other such Tribal American)

Psonen are beautiful, but ice-cold bird monsters that are said to be related to the Phoenix. They mostly serve the Snow Queen as aerial mounts. They summon cold weather wherever they go.

Acheri / Ahkiyyini / Akhlut / Amikuk / Aniwye / Awahondo / Baykok / Binaye-Ahani / Delgeth or Thelgeth / Djieien / Ewah / Gaasyendietha or Meteor Dragon / Haietlik or Lightning Serpent / Mahaha / Mishibizhiw or Underwater Panther / Nalusa Falaya / Nida / Oniate / Piasa / Psonen / Pukwudgie / Qalupalik / Rougarou or Werewolf / Skinwalker / Tlanusi / Tsenahale / Utlunta or Spearfinger / Wendigo or Windigo / Yeitso

Adlet / Agloolik / Amarok / Amhuluk / Aziwugum / Baxbakwala / Cervitaur / Fastachee / Hinqumemen or Engulfer / Ijiraq / Ishigaq / Isitoq / Kokogiak or Qupqugiaq / Raven Mocker / Thunderbird / Tizheruk / Tupilaq / Ugjuknarpak

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CENTRAL AMERICAN MYTHOLOGY / FOLKLORE (Aztec, Mayan, Mexican)

The Reptilian Xhumpedzkin are famous for the lethal headaches they cause with their psychic aura’s. They feed on other creatures shadows.

Ahuizotl / Camazotz / Cipactli / Lechuza / Nagual / Xhumpedzkin

Camulatz / Chaneque / Huay Chivo / Quetzalcoatl / Tezcatlipoca

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SOUTH AMERICAN MYTHOLOGY / FOLKLORE / CRYPTIDS (Brazilian, Chilean, Paraguay, Colombia, Venezuela, Patagonian, Surinam and Argentina)  

Cherufe are the voice, will and mobility of a living volcano. They can take any shape they like but are always formed from lava and magma. Inside their volcanic homes these elementals are invincible, only outside the volcano the creature can be slain. 

Abuhuku / Alicanto / Caleuche or Ghost Ship / Candileja / Cherufe / Chon Chon / Cuero / Curupira / Eintykara / Encantado / Inulpamahuida / Invunche / Kayeri / Mapinguari / Minhocao / Nguruvilu / Peuchen / Succarath / Tuyango

Anhanga / Ao Ao / Boitata / Bush Dai Dai / Camahueto / Capelobo / Colo Colo / Cuca / El Tunche / Huallepen / Kori / Yacuruna

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AFRICAN FOLKLORE AND CRYPTIDS (Central and South African Countries)

The Migas in Mythika kinda resembles the LOTRing’s Watcher in the Water. Swamp Octopi with more than twenty tentacles, fighting one of these aberrations is like fighting an entire army of tentacles.

Aigamuxa / Asanbosam or Sasabonsam / Bouda or Werehyena / Cagn or Mantis / Dingonek / Eloko or Biloko / Emela Ntouka / Gbahali / Impundulu or Lightning Bird / Intulo / Jba Fofi / Kongamato / Lukwata / Lunwaba / Mbielu Mbielu / Migas / Mngwa or Nunda / Nandi Bear or Chemosit / Popobawa / Umdhlebi / Ya-Te-Veo

Abada / Adze / Anansi / Aziza / Chipfalamfula / Emere / Gambo / Grootslang / Jengu / Kwamang-A / Mokele-Mbembe / Ngoubou / Nguma-Monene / Ninki Nanka / Olitiau / Rompo / Yehwe Zogbanu

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EGYPTIAN MYTHOLOGY (Ancient Egyptian Mythology)

Sak are strange, wingless Griffons with a beautiful lotus flower on the end of their tails. This lotus flower releases a calming fragrance which takes away aggression in its victims. Sak love the flesh of Unicorns and other equine creatures.

Ammit or Devourer / Khepri / Petsuchos / Sak / Salawa or Set Animal

Axex / Heqet / Mummy / Phoenix or Firebird / Serket / Serpopard

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LEVANTINE FOLKLORE, RELIGION, MYTHOLOGY ( Arabian, Persian, Iran, Iraq, Turkish, Sumerian, Mesopotamian, Akkadian and Middle East)

The centaur-like Urmahlullu combines the best features of the lion and a humanoid. They are the perfect hunters and both gentle and evil variants exist.

Aghash or Evil Eye / Asag / Asdeev / Bushyasta / Caspilly / Devalpa / Druj Nasu / Dybbuk / Fulad-Zereh / Ghul or Ghoul / Girtablilu or Aqrabuamelu / Golem / Ifrit or Efreet / Jidra / Karkadann / Manticore / Miraj or Almiraj / Ouktazaun / Roc or Rukh / Sandwalker / Shadhavar or Siranis / Tiamat / Urmahlullu / Zaratan

Anzu / Arzshenk / Asena / Djinn / Ghawwas / Humbaba / Lilith / Palis / Pazuzu

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HINDU BELIEFS (Hindu Religion, Buddhism)

Raktavija are masters in blood magic, they can animate and harden their own demonic blood into shields, armor and weapons. To refill their lost blood they simply drain other creatures dry of theirs.

Juggernaut / Rakshasa / Raktavija / Virabhadra / Vish Kanya or Poison Girl / Vritra 

Airavata / Apaosha / Garuda / Makara / Naga 

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JAPANESE MYTHOLOGY AND FOLKLORE (Yokai, Japanese Stories)

Oh, can I keep it? Keukegen look like fuzzy, innocent creatures made entirely from hairs, in reality they spread horrid itching diseases and in the worst case a victim will scratch its own skin off.

Akaname or Filth Licker / Ashinaga-Jin / Bakekujira or Ghost Whale / Baku / Dorotabo / Enenra / Gashadokuro / Harionago / Heikegani / Isonade / Ittan-Momen / Jinmenju / Jorogumo / Jubokko or Vampire Tree / Kamaitachi or Sickle Weasel / Kappa / Keukegen / Kurage-no-Hinotama / Muramasa Blade / Namazu / Nekomata or Bakeneko / Nogitsune or Kumiho / Nurikabe / Omukade / Otoroshi / Raiju or Thunder Beast / Rokurokubi / Sagari / Sazae-Oni / Tenaga-Jin / Tengu / Tenome / Tera-Tsutsuki / Tesso / Tsuchigumo / Umibozu or Sea Bonze / Wanyudo / Yuki-Onna or Snow Maiden

Akashita / Ame-Onna / Hahakigami / Hannya / Hyakume / Jinshin Mushi / Kamikiri / Kasa Obake / Kasha / Katsura-Otoko / Kirin or Qilin / Kitsune / Mekurabe / Nodeppo / Nue / Nure-Onna / Oni / Shachihoko / Suiko / Tanuki / Yanagi-Baba

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CHINESE MYTHOLOGY AND FOLKLORE (China, Chinese Stories)

Xiao or Hsigo are kleptomaniac pests, they steal for the act of stealing and even attack other creatures to rob them of their possessions, especially gemstones and golden coins are wanted by the little thieves. Their leaders are called Ahools and they combine baboons with bat features.

Dijiang / Gaki or Preta / Kun Peng / Shen or Chan / Taotie / Terra-Cotta Warrior / Xiao or Hsigo / Xing Tian / Zhenniao

Azure Dragon / Bai Ze / Byakko / Dragon Turtle / Feng Huang / Genbu / Nian / Pixiu / Zheng

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POLYNESIAN MYTHOLOGY AND FOLKLORE (Philippines, Indonesia, Melanesian, Malaysian, Solomon Islands and Vietnam)

Terrifying aberrations, the Kurita use their many arms for swift locomotion, grabbing their victims along the way, they can eat and move at the same time without much trouble.

Abaia / Abere / Adaro / Bakunawa / Batibat or Bangungot / Berbalang / Bonguru / Con Rit / Dalaketnon / Jenglot / Kurita / Mambabarang / Nuno / Orang Minyak / Polong / Pua Tu Tahi / Sigbin / Tikbalang / Tiyanak

Ahool / Anggitay / Aswang or Manananggalen / Babi Ngepet / Banaspati / Berberoka / Bungisngis / Gawigawen / Genderuwo / Imoogi or Imugi / Kapre / Pelesit / Sarangay / Siyokoy / Tiburones / Toyol / Veo

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AUSTRALIAN MYTHOLOGY, CRYPTIDS AND FOLKLORE (Australian, Aboriginal and New Zealand)

Tiddalik suck up water and spit it at great force at their prey, putting them off balance and turning them into easy prey to swallow. There are also jungle variants of the Tiddalik which shoot with poisonous water and which look like giant mutant poison-arrow frogs, they can climb in trees as well.

Burrunjor / Dheeyabery / Drop Bear / Mokoi / Muldjewangk / Nargun / Papinijuwari / Punga / Taniwha / Whowie / Tiddalik / Wulgaru / Yara-Ma-Yha-Who

Bunyip / Mimi / Minka Bird

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FEARSOME CRITTERS (North American Lumberjack Stories, Cryptids)

Argopelters live high up in the treetops where they use their bizarre tentacle-like arms as whips, they also use them to throw wood-splinters which hit their enemies like bullets, often instantly killing their prey.

Argopelter / Cactus Cat / Hidebehind / Hodag

Hoop Snake / Jackalope / Moskitto / Roperite / Splinter Cat / Squonk

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LEFTOVERS (Modern Cryptids, Caribbean, Biblical, Himalayan, Dante’s Inferno and Alien Sightings)

Rat Kings are bizarre beasts which appear like a swarm of rats which tails are all tangled together into an impossible situation. These swarms of rats have a single mind and their diseased aura will cause the pest into any creature that lives close by.

Apocalypse Locust / Chupacabra / Death Worm / Gray or Dover Demon / Mad Gasser / Morgawr / Mothman / Ooze / Rat King / Tooth Fairy / Wolpertinger / Zombie

Beelzebub / Behemoth / Bloody Mary / Boo Hag / Cecaelia / Gowrow / Gremlin / Grendel / Guardian Angel / Horseman of Death / Horseman of Famine / Horseman of Pestilence / Horseman of War / Jack-O-Lantern / Jersey Devil / Leraje / Leviathan / Lusca / Poltergeist / Reptilian or Lizardman / Tree Octopus / Tulpa / Yeti or Abominable Snowman



ALL PICTURES FOUND ON GOOGLE-PICTURES, CREDITS TO ALL THE ARTISTS, NOT MY WORK!

PLANNING YOUR WEEK

Start early!

  • Planning your week should start Saturday night. The week officially begins on Sunday, and Saturday night is the day to figure out everything that will be happening. By doing this, you do not have to spend meaningless time on the Sunday which commences your week with tasks such as planning. Everything should already be planned.

Find out what is on your plate for the upcoming week

  • Look at your school’s portal, or the syllabus, whatever your instructors use to inform you of tests, quizzes, essays and other assessments. Write down what is coming up this week!!! Know everything there is to know about what will be on your plate.

Use color

  • Color is an extremely effective categorization tool. It can allow you to distinguish between tests, quizzes, essays, homework assignments, extracurricular activities, health, personal activities, and more. Assign a color to each subsection of your plan, and create a key so you’re aware of what’s happening. Stay true to this color key, and don’t stray from it.

Prioritize

  • Your plan should feature the most important things to complete and the least important. However, your plan should also establish a general understanding of the ranking system these assignments fall under. If you have a very important test coming up which will count for a large portion of your grade, it should be featured earlier in and stressed more clearly in your plan. Utilize highlighters to clarify the importance level of different assignments.

Make time parameters

  • Making a plan is very important, but assigning time blocks to the plan is arguably even more important. Consider what you do every day after school. Think about how much you do after every day, and at what times you will be doing homework. Consider the length of time it takes to complete each assignment. Then, assign time blocks to each assignment. For example, you could assign “English Essay” for 4 pm - 6 pm, then “Break” from 6 pm - 6:30 pm, then “Math Worksheet” from 6:30 pm - 8 pm. This will keep you on track and going to sleep at a reasonable time.

Leave time for fun

  • It cannot be all school all the time - it is not healthy or conducive to effective living. Leave time for fun and breaks. This can manifest in reading a nice book in between assignments, or planning a hangout session with friends during the week. You only get one childhood, and you can NOT spend the entirety of it in academic mania.

Feature your extracurriculars and appointments

  • When you plan out everything, you have to include e v e r y t h i n g. This means that you must feature any meetings you have for extracurricular commitments, doctors appointments, personal appointments and more. This will ensure your plan is truly accurate.

Make copies!!!

  • Put your plan EVERYWHERE. There should be a copy in your planner, a copy in your bullet journal (if you have one), a copy on your desk, a copy on your mirror, and more. Put the plan anywhere you look often, and anywhere it won’t be drowned by other things.

U S E I T

  • Do not ignore the plan, now that you’ve spent all this time making it. Put it to good use! Keep it with you. Love it, learn it, and make it again next Saturday.
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And just when you thought we’d never hear “Think of Me” in French! Sierra Boggess sings it in French, with the last few lines in English.

Featuring the most amazing “surprise” Raoul.

Describing Character Appearances

Anonymous asked: “Do you have any tips on how to describe characters effectively? I always find myself dumping a paragraph on their appearance the moment they appear which often really halts the action.”

Even in great manuscripts, character descriptions can come off pretty clunky. Some writers will get pretty creative to minimize that aspect of it, but it’s usually there to some degree no matter what. Though character descriptions might bog down the writing to some extent, I know they’re necessary. As a reader, I would feel that something is missing if a character wasn’t adequately described. With that said, descriptions do not have to be long, just long enough to help the reader picture him or her. 

There are a few ways strategies to describing characters that can help avoid that long description dump at the first sight of a new character:

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The Ouroboros

I’ve been pondering what Feyre saw in the Ouroboros Mirror. What parts of herself did the Mirror drag up from the darkest depths of her soul and make her face? What was Feyre forced to come to terms with in order to save Prythian, her friends, her family, and court? What did she learn to love? And what does the beast have to do with anything? 

I think Feyre had more to come to terms with than anyone else in Prythian. Yet she overcame it. She decided not to let her own soul destroy her. 

I believe she had to watch her younger self wring the neck of a tiny rabbit as it screamed in pain—her first kill. Feyre watched from the snow-shrouded trees as an ash arrow imbedded itself in the side of large wolf, an unprovoked shot of pure hatred. The Ouroboros would have shown in graphic detail everything that occurred UtM—the dancing and drinking that made her feel filthy, the unsolved riddled that made her relive her shortcomings, and the unbearable murder of two innocent fae. The families of those two innocent souls as they raged and mourned and crumpled in weary misery. They had come so close to freedom, but the price to pay had been their loved one. Feyre had taken it from them. 

The Mirror would have swirled with images and flashes of Tamlin, Lucien, Elain, Nesta…all those Feyre felt she had betrayed or let down in some way, whether it was deserved or not. Her conversations with Ianthe as she ignorantly shared every detail about her human family and their estate, then the moment her sisters stumbled through the door in Hybern, and were shoved into the Cauldron, Made into the very thing they hate. And somehow, after all this and so so much more, Feyre came to acceptance. But I think, more than all the ways she hurt those around her, or they hurt her in turn, all the blood and vomit and nightmares…more than any of that, Feyre had to learn to love the beast that stared back

I was not alone.

Crawling down the snow-kissed wall, a massive beast of claws and scales and fur and shredding teeth inched toward the floor. Toward me.

Its enormous paws were near-silent on the floor, the fur on them a blend of black and gold. Not a beast designed to hunt in these mountains. Certainly not with the ridge of dark scales down its back. And the large, shining eyes—.

I didn’t have time to remark on those blue-grey eyes as the beast pounced. 

Where I had been standing … the beast now sat, scaled tail idly swishing through the snow.

Watching me.

Not—not watching.

Gazing back at me. My reflection.

Of what lurked beneath my skin.

My knife clattered to the stones and snow. And I looked into the mirror. (pg. 605-6) 

“What did you see?”

“Myself. I saw myself.” (pg. 617-18) 

Maas gives us a short, but very revealing description of the beast—Feyre’s beast

The significance of gold and black fur? Throughout ACOTAR and MAF, Feyre religiously rejected any power that related to Tamlin, namely the ability to shift into animal form. She feared the claws that poked against her skin. She hated them. Until she realized they weren’t Tamlin’s claws, they were her own. They were talons. And if she could make talons, she could make wings. Feyre’s beast form having a mixture of black and golden fur signifies that Tamlin is a part of her, and always will be. She once loved him, so much so that she killed for him, died for him. A love like that leaves a permanent imprint on a soul, even if the love itself doesn’t last forever. Feyre had to learn to love the part of her soul that had been touched and permanently changed by Tamlin. 

The scales could signify several things. Of course Summer comes to mind. Feyre obviously has an affinity for the Summer magic that flows through her veins. It came easily to her—more easily than any other High Lord’s power. The scales might represent the bond formed between Tarquin and Feyre while she visited Summer. Regardless of the blood rubies, now rescinded, the High Lord of Summer and High Lady of Night shared a unique understanding of one another, and a common passion to spread equality between the High Fae and lesser faeries (and even humans) to all courts and territories. 

The scales might also be equivalent to the thorns Feyre feels she has and once used to describe herself to Tamlin—the spiny ridge running down the beasts’ back and tail representing her prickly side. This is an annoying feature most of us have, and a part we all hate, but must accept responsibility for. 

But perhaps the mostly likely possibility is that the scales and ridges represent Feyre’s armor (Illyrian armor is scaled). We know it to be thick. In ACOMAF, Rhysand worked for months to attempt to delve through the layers and layers of Feyre’s armor in the form of depression, anger, bitterness, and solitude. It is likely that Feyre had to learn to love that armor, even if she wished it had been stronger, or less harmful to those around her, the way it hurt Rhys after the Court of Nightmares scene in ACOMAF, and Mor at the camp in ACOWAR. While gazing at herself in the Mirror, Feyre had to learn to bear her armor proudly and honorably, to use it to strategically protect herself, and not harm or keep out those who love her, fight for her. 

The massive, flesh-shredding teeth—Feyre’s ability and willingness to kill and murder. Whether for food to avoid starvation, killing for no other reason than pure, undiluted hatred, or the murder of innocents to save the one she loved, Feyre has a lot of blood on her hands. And as we learned through her nightmares and admittance to Cassian…Feyre feels that blood should be her own. She has fangs, and she’s used them—over and over again. Feyre suffered soul-deep from the pain she felt she brought upon others. But when the Mirror showed her those glistening teeth and impressive maw, Feyre had to accept that pain and torment—and then turn it against her enemies. Not fangs to harm the innocent, but rather to protect them, to fight for them. To fight against Hybern and the injustices of the world. To protect her sisters and those like them. To care for the weak and weary and afraid. 

I have been struck each time I’ve read these scenes—on a personal level. To think about facing my own beast…what would it look like? How would I react as it sat and laid my very soul bare? Could I even look into my own eyes as they gazed back in judgement? Could I learn to love every part of myself as Feyre did? Would I be able to face my inner most demons? Honestly, I don’t know. But I think we could all benefit from pondering this passage a bit more.

Penny for your thoughts.

What Is The Shape Of Your Monster? – Get Out and Thought-out Horror

Get out.

No, I’m dead serious. If you haven’t already seen Jordan Peele’s Get Out yet, I need you to do me a massive favor. I need you to bookmark this page, close this page, and absolutely do not read this page— or any other essay or article on Get Out— until you’ve finished watching it.

I’m not just saying this because this essay will contain major spoilers for a movie that is best enjoyed going in knowing as little as possible— I mean, yes, it will— but most of all I just want as many people to see this movie as possible. It is by far the most socially relevant American movie to come out this year, at time of writing, if not one of the most socially relevant pieces of American art of the past decade.

It’s also just a very good movie.

(SPOILERS START NOW)

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