molly way

It's interesting to note that...

When Eurus wanted John’s attention, she impersonated a vivacious, confident woman who found him attractive.

Originally posted by eurussholmess

When Eurus wanted Sherlock’s attention, she impersonated a slightly awkward, pretty, but vulnerable woman who needed him to save her.

Originally posted by shelrokc

What, therefore, might we deduce about Sherlock’s “type?”

Originally posted by sebstanmcu

Originally posted by ladyofglencairn

  • Arthur Weasley: Well, I manage my department, and I’ve been doing that for several years now. And, Merlin, I’ve learned a lot of life lessons along the way.
  • Molly Weasley: Your department’s just you, right?
  • Arthur Weasley: Well, yes, Molly dear, but I am not easy to manage.

optimisticcandydream  asked:

Can I share the reason why I ship Molly and Lestrade? When I first watched Sherlock I ended up randomly watching The Sign of Three and l thought that Molly and Lestrade were together and were worried about Sherlock like they were his parents lol - I was surprised when I learned that they weren't together (l wasn't even aware of tjlc or anything at this point)

This is LITERALLY the scene that made me ship them SO HARD. They are SO precious together, OMG <3 I’m so sad that they completely disregarded this little relationship they were building on since ASiB for…destroying Molly’s character completely.

Who is that over there?

Why, it’s Molly Prewett! All ready for the Hosmeade trip, Molly?

Are you going with Arthur Weasley?

But you have a plan, don’t you, Molly?

What’s the plan, Molly?

…The plan is to woo Arthur by flaunting your freckly goods?

Now just wait a minute there, Molly!

I want you to think carefully about this, Molly. Is this the way your mother raised you?

Oh. Well then…

…Go get ‘im, tiger.

((OOC: Mama didn’t raise no fool.))

Can I get a round of applause for Louise Brealey? She managed to invest so much vibrancy and life into Molly Hooper that she draws all of my attention in any scene she’s a part of. That’s not an easy feat, especially with the talented people she shares scenes with. I don’t know, she just loves Molly so much, and it’s blatantly obvious every time she’s onscreen.

  • *221B*
  • Sherlock: *sitting in his chair*
  • Rosamund: *sitting in his lap; frowning at a photo* What am I looking at, Uncle Sherlock?
  • Sherlock: *smiles* My baby *points* that's the head, see?
  • Rosamund: *fascinated* Wooow...all those squiggly lines are a person?
  • Sherlock: *chuckles* Yes.
  • Rosamund: Your person.
  • Sherlock: *nods* Yup. And your Aunt Molly's.
  • Rosamund: *giggles* It's funny.
  • Sherlock: Hmm?
  • Rosamund: *still laughing* Aunt Molly has a person in her. How did you put it there?
  • Sherlock: *snorts* Oh, no *lifts her and stands* I'm not having that conversation for another twenty five years.
  • Molly: *enters; grinning* Hello.
  • Rosamund: *happily* Aunt Molly! *runs over; hugs her, whispers* hello, little person.
  • Molly: *smiles* You told her, then?
  • Sherlock: *nods* Oh, yes *pats Rosie's head* you're going to be a godcousin, aren't you?
  • Rosamund: *excited* Uh-huh.
  • Molly: *giggles* Is that so?
  • Sherlock: *nudges Rosie* Pyjamas, young lady. I'll be in soon.
  • Rosamund: *sighs* Okay, Uncle Sherlock. Night Aunt, Molly. Night, little person *runs off*
  • Molly: *calls* Night, Rosie *hugs Sherlock* I'm glad she took it well.
  • Sherlock: *kisses the top of her head* Mmm *pauses* John has some questions to answer, though.
What Sherlock Doesn't Say to Molly

In light of Sherlock finally saying those three little words to Molly, I’ve been going back and tracing the progression of his feelings for Molly.  And one of the things that stood out to me started with that often analyzed Sherlolly question… “Was Sherlock really oblivious about the coffee invite?"  Because there is one thing that Sherlock has never said to Molly despite having ample opportunity to do so.

We’ve noted for ages that for all his supposed obliviousness Sherlock is socially perceptive enough to realize that John’s questions about Sherlock’s dating status could denote a romantic interest, and Sherlock immediately and politely shuts that down lest it create some misunderstanding or trouble with his new roommate.  Not that John meant it in that way, anyhow, but an ounce of prevention… 

So if Sherlock can recognize those social cues, how does he miss Molly’s date invitation?  One could argue that Molly’s invite was more subtle and at a time when he was rather distracted by the experiment that he was conducting at the time… except for one rather large fly in the ointment. 

For someone who is supposed to be oblivious to Molly, Sherlock is awfully damned observant.  His reaction to Molly’s explanation is equally problematic if we are supposed to believe that Sherlock is completely oblivious. 

That is not the face of a man who is just going with the easy explanation.  Even as Sherlock starts to turn back to his notes, his eyes are warily fixed on Molly and his expression and body language seems quite suspicious and nervous, rather like a man who has just discovered a large cobra that looks ready to strike.  He knows there’s more to this and that Molly is about to make a move.  This would be the perfect time to lay things on the line, as he later does with John, but instead he feigns complete ignorance. 

We’ve thrown out plenty of theories about his actions here before, but I think that in light of the progression between Sherlock and Molly it’s worth a few new thoughts.  I am honestly not sure if Sherlock knows why he plays dumb at this moment.   As Mrs. Hudson points out in S4, Sherlock is actually all emotion… however in S1 Sherlock is firmly denying his emotions to the point that you have to wonder if he’s even convinced himself.  

For as concerned as Sherlock was about his observation that Molly had put on lipstick for him, he’s equally concerned when he observes that she has taken it off after her failed invitation.  And it is not at all inconceivable after all we’ve seen between them that a primal part of Sherlock actually enjoyed the fact that Molly was putting on that lipstick for his benefit. 


He doesn’t want her to push for something he thinks is beyond his capabilities, but he doesn’t want her to completely lose interest in him either.  Sherlock knows how to give Molly a compliment to get in her good graces, as he does in the very next episode, but he doesn’t do that here either.  A compliment this soon after her invite could provoke another invite.  So he needles her instead, trying to provoke her into continuing to wear lipstick around him. 

At heart I really don’t think that Sherlock is behaving this way because he’s a cold bastard who’s merely trying to use Molly at the beginning of the series.  I think that would have been his way of rationalizing his behavior in the first two episode, but I also think that from the beginning Sherlock at least subconsciously wants Molly’s romantic attention.  There could even be a conscious recognition of this desire on his part that he is internally at war with himself over, because there is a pattern of behavior here that continues even as their relationship escalates. 

Let’s skip ahead to the next big development in their relationship.  The Christmas party where Sherlock discovers that Molly’s regard for him is deeper than just a little meaningless flirting… after he humiliates both of them in front of their friends by trying to deduce her.  She’s dressed to the nines, she’s carrying one specially wrapped present, and she’s wearing that sexy red lipstick for someone–and Sherlock’s deductions make it crystal clear that he does understand the psychology behind a woman trying to draw a man’s attention to her lips.  The "Jim” incident made it clear that Molly wasn’t just sitting around and pining for Sherlock, and he might even have reason to believe that Molly has moved on after that particular scene in the lab.  It’s only after he has behaved like a complete bellend that Sherlock realizes that he was the object of her affection all along. 


Sherlock giving his first ever apology in the series to Molly was a beautiful and important moment.  Sherlock goes beyond that though by giving Molly a Christmas present in return. 

After all the horrible things he’d said, Sherlock gives her a tender kiss on the cheek while wishing her a Merry Christmas.  Leaving Molly (and the rest of the world) to wonder what to make of his actions.  Was he so cruel before because he was jealous?  Was he overcompensating for having just been a total jerk to her?  It’s not like Sherlock bothers to clarify with something like, “I’m flattered Molly, but I’m married to my work."  Is that because he’s trying to spare her more pain, or because he, himself, is confused especially with how Irene has been trying to stir his libido? 

Between the kiss, Sherlock’s lewd ringtone, and Sherlock identifying Irene at the morgue by "not her face”… Sherlock is definitely not giving Molly the impression that he is a man who is married to his work.  No wonder she’s looking for a little clarification on the subject while they are working alone in the lab. 

And this was Sherlock’s golden opportunity to tell her if he didn’t want her affections, because he didn’t have to make the answer about Molly.  There is nobody around to make the situation humiliating.  He could have simply answered, “Molly, I think you should know I consider myself married to my work, etc." 

Because at this point Sherlock knows how Molly feels about him.  All the Christmas deductions plus the "three x’s… sign of romantic attachment."  And yet again, Sherlock doesn’t say it. 

For someone who had zero trouble saying those words to John when he thought John might have a romantic interest, Sherlock goes out of his way to never say those words to Molly, even after he knows she is romantically interested in him.  Even when Molly thinks that he is in love with Irene, Molly is still that helpful and loyal soul he can rely on.  He’s not going to lose her help in the lab or on his cases, so none of his potential earlier rationalizations for not telling her would apply anymore. 

Instead, Sherlock goes on to tell her things like, "You can see me.” “You do count.  You’ve always counted, and I’ve always trusted you."   "If I wasn’t everything that you think I am, everything that I think I am, would you still want to help me?"  And let’s not forget his answer to "What do you need?"  Obviously the only way to answer that was, ”You.“  ;)

So Molly helps fake his death (and keep it secret for two years) and lets him use her bedroom for a bolthole, so I think we’ve reached a pretty high level of trust between them by the beginning of season 3, where Sherlock gets yet another scene where he could have said those words. 

Yeah, so if Molly considers "have dinner” a viable ending to that sentence, Sherlock has obviously still never mentioned his “no dating” policy to her.  They have a day filled with crime solving, meaningful looks, Sherlock’s heartfelt thanks, declarations of Molly being “the one person who mattered most”, another kiss from Sherlock, and an offer to take her to dinner after all… until Sherlock and Molly finally have to acknowledge that she’s currently engaged to another man. 

And do you know when else Sherlock would have had an opportunity to tell Molly that he was married to his work and not interested in romantic entanglements?  During whatever off-screen conversation that had about saying “I love you” to each other during the whole bomb threat scene.  Of course, with the way that Molly was beaming the world’s biggest smile and rushing towards Sherlock’s favorite spot in the ending montage, I think it’s safe to say that Sherlock never said those words to her then either. 

But, you guys, SHERLOCK MADE THE SEATING ARRANGEMENT FOR THE WEDDING.

He sat them together on purpose. So why would he want them together? It’s simple - he has found two people in his life that he cares about. They matter to him, Lestrade in a paternal way, and Molly he loves like a sibling. If he can push them together then they’ll simply date each other and he won’t have to let them force anyone new into his comfort circle of friends. Sherlock ships Lestrolly because it is convenient for him. Plus, deep down, he wants them to be happy.

Sherlock is the Lestrolly Captain.

Pass it on.

Six Sentence Sunday- 7/16/17

“Molly, I need you to know that I honestly do love you,” Sherlock suddenly blurted out at Bart’s lab.

After a moment of stunned silence, Molly nodded while casually replying, “it’s ok, Sherlock, I know.”

“No no, you don’t understand,” he continued, a bit more desperate and aggitated now. “I love love you, as in wanting to be with you in every way two people can be together. I want to hold you and kiss you and do an innumerable list of other intimate things with you, make you feel wanted as well as needed, act like an idiot at times just to make you happy, see you every night before I fall asleep while comforted with the knowledge that you’ll be there when I wake up, because it’s only you who have finally made me understand how a romantic relationship truly could complete me as a human being!”

Molly’s lips spread in a slow smile as his little speech drew to a close, and she very calmly and simply repeated, “Sherlock…I know.”

  • *the lab*
  • Molly: *blinking* You want me to...
  • Sherlock: *smiles* Snog me. For an experiment, obviously.
  • Molly: *confused* Right. What kind of experiment are you doing?
  • Sherlock: Not sure. We'll need to shag, too.
  • Molly: *wide-eyed* What?
  • Sherlock: *thoughtful* Maybe get married in a few months, have a couple of children. Three, four. Grow old together, keep bees in the-
  • Molly: *giggles* You mean a relationship.
  • Sherlock: *smirks* Experiment sounds more romantic, don't you think?
  • Molly: *grinning* You know what? *wraps her arms around him* it really does.

I’m sorry, Fred Weasley can’t come to the phone right now…

4

RIVERS OF LONDON FANCAST

Alfie Enoch as PC Peter Grant
Paul McGann as DCI Thomas Nightingale
Kerrie Hayes as PC Lesley May
Sebastian Roché as Dr Abdul Haqq Walid
Vincent Regan as DCI Alexander Seawoll
Kiri Pritchard-McLean as DS Miriam Stephanopoulos
Sophie Okonedo as Lady Tyburn
Freema Agyeman as Beverley Brook
Cynthia Erivo as Mama Thames
Léa Seydoux as Molly
David Morrissey as Frank Caffrey
Toby as Himself