molded bra

Throwback Little Mix Outside BBCR2 | 19th November 2016

Leigh

Pants -  Fendi Name of the Game Pants: Sold Out

Jacket -  Cheap Monday Prize Biker Jacket: Sold Out

Shoes - Public Desire Josie Stiletto Heels in Black Crushed Velvet: Sold Out

Jesy

Bodysuit -  River Island Black rock ‘n’ roll print bodysuit: Sold Out

Jacket - GCDS

Jeans -  Topshop Moto Super Rip Jamie Jeans: Sold Out

Choker -  Topshop Buckle Choker Necklace: Sold Out

Shoes -  Jeffrey Campbell Famous Boot: Sold Out

Jade

Shoes -  Daisy Street Snake Print Heeled Over The Knee Boots: Sold Out

Top - H&M

Perrie

Jacket -  ASOS Cropped Bomber Jacket: Sold Out

Pants -  Urban Outfitters Urban Renewal Vintage F2 Army Pant

Bra -  Urban Outfitters Out From Under Veronica Molded Cup Bra: Sold Out

Shoes - Public Desire

anonymous asked:

top 5 CRJ songs/ lyrics/ looks

KEY ARTIFACTS FROM EVERY CARLY RAE JEPSEN VIDEO, RANKED

  1. THE FANTASY MICROPHONE STAND WRAPPED AND ENCRUSTED WITH FAKE PEARLS IN “YOUR TYPE”

  2. THE CAPE

  3. A RED T-SHIRT KNOTTED IN THE BACK TO TRANSFORM ITSELF INTO A SHORTER, TIGHTER RED T-SHIRT IN “YOUR TYPE”

  4. THE ARRANGEMENT OF FACING SURFACES TILED WITH MIRRORS IN “YOUR TYPE”

  5. SCORPIO POP IDOL CARLY RAE’S SHEER YELLOW TOP DOTTED WITH RED STARS IN “YOUR TYPE” WORN IN OBVIOUS HOMAGE TO THE GREEN OR BLUE TOP DOTTED WITH SILVER OR WHITE STARS WORN BY SCORPIO POP IDOL JONNY GREENWOOD IN POOLSIDE PERFORMANCES OF “CREEP” AND “ANYONE CAN PLAY GUITAR” AT MTV BEACH HOUSE IN 1993 AS WELL AS IN A HANDFUL OF PHOTOSHOOTS THROUGHOUT 1993 AND 1994

  6. THE CREAM DRAPES OUT OF WHICH CARLY RAE PEERS IN “CALL ME MAYBE”

  7. THE PROCESSED GREEN CARPET OF A LAWN THAT DOESN’T NEED MOWING IN “CALL ME MAYBE”

  8. THE RED AND GREEN GARAGE DRAPERIES STAGING AN ALLEGORIZED SCORPIO BODY OF CARLY RAE IN “CALL ME MAYBE”

  9. THE LUSHLY DRAPED ROLAND FP-4 OF “CALL ME MAYBE”’S CALL AND RESPONSE

  10. A CHEST TATTOO THAT FOR SOME REASON SAYS “THE SKY IS THE LIMIT” IN “CALL ME MAYBE”

  11. THE NOTCHED COLLAR OF A JUST-TOO-BIG SHORT-SLEEVED TOP IN A STAGGERED STRIPE ALIGNED PARALLEL TO THE STRIPES OF A TOKYO CROSSWALK ONTO WHICH CARLY RAE PERILOUSLY WALKS BACKWARD AND THEN EVENTUALLY FORWARD AGAIN IN “RUN AWAY WITH ME”

  12. A WHITE LACE BRA BAND BISECTING A FIELD OF SKIN REVEALED BY THE PLUNGING V ON THE BACK OF A PRINTED DRESS IN “RUN AWAY WITH ME” AND THE OVERLONG BLACK BLAZER FLUNG OVER THE DRESS’S SHOULDER

  13. PHRASES WRITTEN IN WHITE INK OR PAINT ON THE BACK OF A FAKE LEATHER JACKET WORN BY A FAKE LOVE INTEREST IN “TONIGHT I’M GETTING OVER YOU,” IN ORDER OF MY PREFERENCE: “NO-FX,” “DDT” (VERTICALLY ON THE LEFT) OPPOSING “MDC” (VERTICALLY ON THE RIGHT), “MINOR THREAT FEAR,” “BLACK [FOUR RECTANGLES] FLAG"

  14. A YELLOW BROCADE COUCH ON WHICH CARLY RAE TORMENTS A FAKE [DECOY] LOVE INTEREST IN “TONIGHT I’M GETTING OVER YOU”

  15. AT LEAST TWO MANNEQUINS OF WOMEN HANDLED BY CARLY RAE IN SCENES EXPRESSING HETEROSEXUAL FLIRTATION IN “TONIGHT I’M GETTING OVER YOU”

  16. A BOOK THAT CARLY RAE JEPSEN, HAVING JUST ARRIVED ON EARTH, DOES NOT KNOW HOW TO OPERATE IN “TONIGHT I’M GETTING OVER YOU”

  17. WHITE SUBWAY TILES BEHIND A WHITE BATHTUB, FULL OF WATER, IN WHICH CARLY RAE SITS, FULLY-CLOTHED, NOT OUT OF IGNORANCE OF THE PROPER OPERATION OF A BATHTUB BUT OUT OF DRAMATIC AND PURPOSEFUL EXPRESSION OF HER IDENTITY AS A SCORPIO, IN “TONIGHT I’M GETTING OVER YOU”

  18. LOW-PILE INDIGO CARPET, BARE EXCEPT FOR CARLY RAE LOUNGING TOWARD A TELEVISION SCREEN IN A MISDIRECTED CONCEPTUAL HACK AT AN ODALISQUE, IN “TONIGHT I’M GETTING OVER YOU”

  19. A TELEVISION SET RESTING ON THE INDIGO CARPET IN A CAPITAL-E EMPTY CAPITAL-P PREWAR CAPITAL-R REAL ESTATE ROOM IN A DRAMATIC AND PURPOSEFUL EXPRESSION OF CARLY RAE’S IDENTITY AS A SCORPIO AND ALSO A BIT OF A PRINCESS IN “TONIGHT I’M GETTING OVER YOU”

  20. BLACK AND WHITE CHECKERBOARD PANELS ON A JACKET CARLY RAE WEARS GAZING OUT OF ONE OF THE MANY WINDOWS THAT SERVE HER AS SUBJECTS, IN “TONIGHT I’M GETTING OVER YOU”

  21. WHITE LACY CURTAINS THROUGH WHICH–AS OPPOSED TO BETWEEN WHICH–CARLY RAE PEERS INWARD–AS OPPOSED TO OUTWARD–AT THE CAMERA, FROM HER PERCH ON ONE OF THE MANY WINDOWSILLS THAT SERVE HER AS SUBJECTS, IN “TONIGHT I’M GETTING OVER YOU”

  22. THE LYRICS OF “TUG OF WAR” HANDWRITTEN AND PINNED TO A BULLETIN BOARD IN “TUG OF WAR”

  23. SYMBOLS OF HETEROSEXUALITY SUCH AS “CIGAR” AND “GLASS OF WHITE WINE” IN “TUG OF WAR”

  24. A GOLD-FRAMED MIRROR IN A PAINTED-BLACK BEDROOM IN “TUG OF WAR” IN WHICH CARLY RAE WATCHES HERSELF TRY ON OUTFITS SIGNIFYING IDENTITIES

  25. A BLACK TIARA IN AN ALL-BLACK BEDROOM AS A DRAMATIC AND PURPOSEFUL AND FRANKLY (IF ENDEARINGLY) HAM-FISTED EXPRESSION OF CARLY RAE’S IDENTITY AS A SCORPIO IN “BOY PROBLEMS”

  26. THE IMPRESSION OF RAINDROPS COLLECTING ON A WINDOW (ONE OF THE MANY WINDOWS THAT SERVE CARLY RAE AS SUBJECTS) THROUGH WHICH WE THE AUDIENCE PEER INTO CARLY RAE’S ALL-BLACK SCORPIO INTERIOR IN “BOY PROBLEMS”

  27. CARLY RAE’S GOLD LAMÉ COMING OUT KEYHOLE HALTER IN “BOY PROBLEMS”

  28. AFTER A GLANCE AND A LAUGH, A RED CUP CARLY RAE HANDS TO A GIRL IN “BUCKET"

  29. A FLESHY CAVERN OF RED-LIT BALLOONS AND ITS PAPER SLIT EXIT IN “THIS KISS” 

  30. A WALLET CHAIN ON BLACK LEATHER HOTPANTS IN “THIS KISS”

  31. CARLY RAE PHOTOGRAPHING TWO GIRLS WHILE SINGING YOU’RE A REAL HOT THING, BUT YOU KNOW I GOT A BOY IN “THIS KISS”

  32. A SWIMMING POOL INTO WHICH CARLY RAE JUMPS, HEELS AND ALL, MID-KISS, IN A DRAMATIC AND PURPOSEFUL EXPRESSION OF HER SCORPIO IDENTITY IN “THIS KISS”

  33. SUBWAY TILE OF TOM HANKS’S BATHROOM IN “I REALLY LIKE YOU”

  34. A BLACK OVERSIZED BUT STILL CROPPED FUR COAT IN “I REALLY LIKE YOU”

  35. AN ENTIRELY DIFFERENT BROWN FUR COAT ON A COSTUME RACK IN “I REALLY LIKE YOU”

  36. A BLACK DIRECTOR’S CHAIR READING “JEPSEN” IN “I REALLY LIKE YOU”

  37. A BLACK LEATHER PSYCHIATRIST’S COUCH IN A BLACK-WALLED PSYCHIATRIST’S OFFICE ON WHICH CARLY RAE’S SINGING BECOMES LITERAL THERAPY IN “SOUR CANDY”

  38. THE LOG FACADE OF A BAIT SHOP AGAINST WHICH CARLY RAE LOUNGES AND HANGS WITH GIRLS IN “GOOD TIME”

  39. ABOUT FOUR TWIGS CARLY RAE FINDS, HANDLES AND TWIRLS IN HER FINGERS IN “GOOD TIME”

  40. THE ACID-WASH DENIM BUTTON-DOWN BRA CARLY RAE WEARS OVER SOME KIND OF YELLOW SPORTS BRA AND UNDER A DENIM JACKET WITH TYE-DYED DENIM SHORTS IN “GOOD TIME”

  41. A BLACK DOOR ON A BLACK HOUSE, UNLOCKED BY CARLY RAE WITH A SKELETON KEY DURING A THUNDERSTORM, BEHIND WHICH LIES A TELESCOPING HALLWAY AND, AT THE END, CARLY RAE HERSELF IN A RED DRESS, IN “CURIOSITY”