POZ Discussion: Albums That Deserve 10 Year Tours In 2014
Our music scene is going through an interesting cycle in the present day. There have been a large influx of young bands that have provided great excitement and passion for us all in the last few years, but we’re also entering a time where the influences of those bands are celebrating major anniversaries for their most loved albums. Bands like Say Anything, Jimmy Eat World, and Midtown, among many others, have seen ten year anniversaries come and go. We all expect there to be more than a few great ten year tours in 2014, but PropertyOfZack team members put together a list of a few more albums that we want more than anything to see toured in full in 2014. Check out the full Discussion and feel free to reblog with any albums you think need to be championed as underrated masterpieces too!
Say Anything - Is A Real Boy I hate being “that guy” that holds allegiance to a band or artist’s very first record and finds little-to-nothing in subsequent records to grab onto, but if we’re being honest, there are TONS of “those guys” out there, enough to make commemoration tours of seminal records a rousing success and continuing trend. When I realized a few years ago that anniversary tours were going to start becoming relevant to my (very old) self, one of the first ones I mentally put on my future years calendar was the potential tour for “Is a Real Boy” here in 2014. While I’m not sure if anything will ever feel as triumphant or cathartic as seeing SA tour on that record in tiny rooms right after it came out (“what say you and all your friends step up to my friends in the alley tonight?” might as well be a call to war), the record is one of the most musical and theatrical that our scene ever adopted, and listening to it in its entirety feels like a crazy anecdotal journey through the amusement park of someone’s brain. And even though I personally feel that SA hasn’t been able to capture lightening in a bottle like that since, the band has been around for a long time, fine tuning their craft, touring with frequency, and seems to have a lot of respect for what they used to write and where they came from - the most recent example being the rarities and B-sides tour they did last summer. If they pull off a 10-year tour for Is a Real Boy, I will be more than thrilled to see how Bemis and his gang herald and revere the record that put them on the map, and is one of the most brave, artistically interesting releases to have come out in independent music in the last ten years. - Adrienne Fisher
Jimmy Eat World - Futures Jimmy Eat World is lucky enough to have two to three generations of fans; that’s just part of what happens when you release an incredible record followed by an incredible record followed by another incredible record. Many fans were lucky enough to witness a ten year tour for Clarity in 2009, but the band decided to not do another for Bleed American several years ago. Why would they for Futures? That album feels different to many, I think. You could look at it is the “younger generation” Jimmy Eat World fan’s Clarity. And it looks like the band recognizes it too.
Jimmy Eat World has apparently also been practicing some extra songs off of Futures lately, because they played one for the first time ever at a holiday show in New Jersey in December. There have been hints of a reissuing for the album on vinyl too, to mark its ten year anniversary. All the stars are close to aligning. Hook it up, Jimmy Eat World. - Zack Zarrillo
Midtown - Forget What You Know Of the dozens and dozens of bands from last decade that have recently appeared on the reunion circuit, the one from my own personal roster of favorites that’s been most glaringly missing is Midtown. For those with a self-proclaimed bleeding Drive-Thru heart like my own, the disappearance of Midtown from active duty in 2005 was a pretty unexpected blow, especially considering the then-recent release of their major label debut, Forget What You Know. It was a record that, at the time, felt like a weird outgrowing of pop-punk despite how the album prior had been even popper and prettier than the first one.
And the lyrical content of FWYK strayed even further from the expectations, presenting philosophical takes on existentialism and disillusionment that perhaps a bubblegum crowd of wide-eyed teenagers wasn’t quite ready to “get." Given the timeline, Midtown had only less than a year of touring under their belt for the record before they dissolved, and now it’s been 10 years since the moody, almost modern-rock record fell into the laps of fans. Which means that we’ve had plenty of time to absorb and understand the mature undertones that made Forget What You Know so excellent, but mostly it means that we’ve been crying for almost a decade now for Gabe Saporta to step down from the disco dance floor of Cobra Starship and pick up his bass again, preferably in a New Jersey firehouse somewhere, with the rest of the band. Although I have little-to-no hope that a Midtown reunion anything will ever happen (especially not on the heels of something so obvious as a ten-year milestone), it never hurts to put the reminder out, every once in a while, that we the fans are still out here. - Adrienne Fisher
However, the core group surprised everyone and reunited at Hot 97’s Summer Jam concert last June. Since then, they’ve added a new member to the fold named Kidd Kidd. They released a mixtape in August titled The Beauty of Independence. And earlier this month they dropped The Beast Is G-Unit EP, which was gritty and hungry enough to conjure up memories of what made G-Unit indomitable back in 2003.
Considering we’re in the midst of a full blown G-Unit a comeback, it seemed like the perfect time to hit up Young Buck, Lloyd Banks, and Tony Yayo for a chat. I met the G-Unit rappers at the New York Yankee Steakhouse in Midtown. In between eating extravagant steak and seafood and fans interrupting our meal to get pictures, we had an incredible conversation that explored their journey to and from the highest echelons of hip-hop and the trials and tribulations that came with it. Lloyd Banks and Tony Yayo were especially unguarded. They spoke with an openness that was cognizant of their former glory and their mortality. Here’s what they had to say.
Never thought that our journalism training went happily
This photo is at the GrandXing Imperial Hotel in Iloilo City, Philippines . Fun fact about our journalism training, we thought that we will spend our two nights at GrandXing hotel, but end up sleeping at Midtown hotel, eating our breakfast at Grand tower and closing program at Iloilo Grand hotel .
We really enjoy the three days stay at different hotels then a plus because we all end up having that dizzy feeling because of the elevator .
Special thanks to @19thspring for the cute crop top I bought ( LINK BELOW)
1. Feeling This - blink-182 2. Hit Or Miss - New Found Glory 3. The Best Of Me - The Starting Line 4. The Middle - Jimmy Eat World 5. The Quiet Things That No One Ever Knows - Brand New 6. Want You Bad - The Offspring 7. The Patron Saint Of Liars And Fakes - Fall Out Boy 8. Cute Without The “E” (Cut From The Team) - Taking Back Sunday 9. In Too Deep - Sum 41 10. Girl All The Bad Guys Want - Bowling For Soup 11. Sweetness - Jimmy Eat World 12. Failure By Design - Brand New 13. Chicago Is So Two Years Ago - Fall Out Boy 14. Become What You Hate - Midtown 15. The Rock Show - blink-182 16. Movies - Alien Ant Farm 17. Left Coast Envy - TheStarting Line 18. You Know How I Do - Taking Back Sunday 19. Fat Lip - Sum 41 20. My Friends Over You - New Found Glory 21. Almost - Bowling For Soup 22. Like A Movie - Midtown 23. The Kids Aren’t Alright - The Offspring
Man, I met Jay Z and was hella star struck. I had dinner with him, and it was exactly what you’d think. He’s him, literally. We’re at a steakhouse in Midtown eating lobster, we’re talking about gangsta movies, we’re talking about basketball, and he’s telling a story about Suge Knight. Literally, like, is this real right now?