mid light

We interrupt this Program to bring you some Lunara~~
  
I forgot it’s May, which means, redraw of the Lunara !! Every 6mo - 1yr I try to redraw her, to check my progression since I’ve started my Journey, and well, here we are!! 

Start | Year One | Year Two | Year Three | Year Four

I never finished Year One / Posted it 

Landscape/Environment Tut

Okay so i got a few notes on how i go about Environments/Landscapes…so i’ll share a method thats easy to work with….bare with me its been a little while since ive drawn them Lol

First thing you want to start of with in your gradient background…use what ever is your preference. Depends on the setting, ima do some type of desert/dusty place.

You’ll learn that the Lasso tool is gonna be your bae when it comes to environments…that and its pretty useful. Now your going to be working in three tones, 1.Dark 2.Mid 3.Light and it will always be the darkest at the front fading to light towards the back…make sense? So you will have three layers for each one to make your life easier and Lock those layers so you will only color within that area. Make sure the dark layer is on top. 

Here is where the fun kicks in…we add our dets, try to stay with each tone and dont end up making it all muddy so you cant distinguish each one. Now you can go about this any way you please, you can paint it all in with one brush ( for some reason people get anal about shit like that, thinking there great for using one brush…i think if you got tools use em if you know how to do it right.) Or you can use custom brushes…since this is a tut ill mostly use custom brushes to slap stuff around. Its up to you really, also use the lasso tool like i said its your bae.

The lasso can help define things better for you, so i wanted to add a structure type on the third layer. If you want to give an effect that the selection ive made is in front of the background right click your selection and invert it, add some lighting around the edges…only a little though you dont want to over do it.

Also if you’ve done something on a layer you dont want to mess up or paint on what you can do is create a clipping mask on that layer. Its kinda like locking the layer to that one so you dont go outside of the layer or ruin what you worked on. Make a new layer above the one you wish to attach it to and right click the newlayer, a menu will pop up, your looking for clipping mask. Once you clicked it the layer should look like what ive circled. 

Once your done working on each layer we are gonna put in some mist effect, this is something that helps separate each section. So make a new layer between each of your three as shown in the image. Like i said you can use what ever method you like, i just use a soft brush or cloud/mist brush to get what i want. 

Now we are going to add some definition to the image a good one to use is Curves. You can find this where your layer menu is, at the bottom you’ll find it, ive circled what your looking for. On the third image is what will appear when you click curves, all you need to do is drag the little square and you’ll see some magic happen. So adjust it to your preference. If you want you can also mess with brightness/contrast too. ALSO i would recommend adding a person in the image, it gives you an idea of the scale your environment is.

I was going to end it there but hey, ill show one last thing…its pretty simple. and that is some water reflection, we are going to turn the middle into water instead cause its a little boring right now. I merged all layers but the first one, you then want to make a selection and copy/paste. Free transform in the shortcut is ctrl T and do a vertical flip on it then adjust so its mirroring the top. 

Now make a clipping mask like i explained earlier on the reflected surface and use the radiant tool…i think its called that lol it gives it more of a water surface like you see. For the image below it i used a custom brush which creates a water effect, aaaaaaaaaand bam you got you water now covering the area…easy huh. 

And so this concludes the Tutorial and you have the end result. Hopefully that gave some tips on how to approach landscapes…they can be confusing sometimes on where to start. Enjoy and let me know if it was useful or not :P

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Shadowhunters | Season 2, Episode 10 Promo | Freeform

most remarkable thing

Jack watches from across the counter, propped up on his elbows, as Bittle prepares the peaches they picked together, hands and forearms and shoulders brushing in the shadowy lanes of the orchard. He watches as Bittle reaches for one, as he lifts it to his face and breathes deep, eyes closed and cheeks pink. The corners of his mouth tip into a smile, and Jack finds his own following suit, the contentment he feels mirrored and refracted back between the both of them, again and again and again. Summer in Georgia is hot and sticky, and Jack doesn’t care for the way his clothing feels too small, too tight against his limbs, but he loves this, here, with Bittle in his childhood kitchen.

With steady hands, Bittle slices just so into the flesh of the peach, catching the skin on the edge of his knife and pulling it free. He does this repeatedly, movements sure and easy even as his hand becomes slick with juice and the smell of peach permeates the air.

Jack’s mouth waters.

Keep reading

It’s You That I Hold Onto (Newt Scamander x Reader)

Originally posted by sweetly87

✩ prompt: a lovely anon message a few posts back :) includes a jelly reader and an overprotective thunderbird

✩ word count: a fair amount idk man

✩ warnings: so sweet u could possibly get a toothache :(

It’s You That I Hold Onto

It’s a typical Saturday evening in the Goldstein residence (plus a few), Queenie and Jacob waltzing to sleepy crackling records, dappled golden mid-winter light on the wallpaper, the smell of something delicious wafting from the kitchen. 

Everything seems perfect to Y/N as she makes her way to the living room, her brilliant crimson skirt swishing rather gracefully about her waist, her hair (for once!) cooperating falling over her shoulders smoothly.

Queenie smiles at her, elegantly breaking away from Jacob to switch which record is playing, new music erupting from the golden phonograph.

“Would ya’ care to dance?” Jacob asks, giving her a rather sloppy grin and holding out his hand.

Y/N nods gleefully, enjoying the time with one of her best friends as the stout man spins her about the room, Queenie clapping to the music.

Newt’s eyes flick to the duo dancing gleefully through the living room, his gaze caught on the pretty woman in his arms. How that skirt shows off her hips-

He looks away immediately, blushing and mentally kicking himself for being “an absolute bloody creep.”

Keep reading

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Shadowhunters | Season 2, Episode 10 Sneak Peek: Magnus Finds Madzie | Freeform

Some tips on painting from B&W to color

As promised! Using this last painting.

1. Tweak your levels

You do not want your darkest darks to be too low on the value scale: you will be colorizing shadows, and likely glazing over them to darken them. To avoid a muddy mess, make sure that the darkest darks on your HSV/HSB (hue-saturation-value) color sliders are at MOST a 9. Photoshop has a Levels feature that lets you do that quickly.


2. Start with a colored base

Sometimes I use a gradient map (which can color lights/mid values/shadows at once), but the idea is the same – you want to color on top of a picture that has NO grey in it. Pick a neutral color that’s closest to your shadows – for example, here I wanted to have a warmer skintone, so I made the shadows cool.

3. Glaze CAREFULLY

Here is an example of what not to do – do not pile adjustments layers on top of one another in hopes that some of them will give you a good result. Lower your opacity and learn what layer modes do! Overlay will hit your lights, Multiply will hit your shadows, and Hard Light (my favourite) will show up exactly like a colored light source would.

Slow down. This is kind of like glazing an oil painting. Pull down your saturation and leave the Jersey Shore orange for the last steps of a painting.

4. Turn on hue jitter

Real skin is transluscent and highly reactive to the environment it is in. If you look at any realist painting, you will see glazes and glazes and glazes of color packed into a single square inch of canvas. You can imitate this by playing with your brush’s HUE JITTER setting, which will make the color you pick jump around the color wheel a little. This is especially helpful when glazing shadows.

5. Use neutrals to unify your painting

Greys are great. Greys are AMAZING when you want skin to pop, and this is why the majority of classical portraiture sports a neutral background. I just went over the whole piece and punched a bit of grey-green into the background and shadows to “kill” the oversaturated color. The painting immediately started to come together.


6. Remember that this is not a coloring book

The great thing about digital painting is that your CANVAS is your palette – and this method allows you to build one. It helps establish major structures so you can focus on color and light, but chances are you will end up repainting large parts of it anyway. Don’t be afraid to!

Joshua Butler‏: Some of the #BTS fun I had directing tonight’s @ShadowhuntersTV WINTER FINALE. Follow me on @Instagram for more.

“Lena,” Kara walks out of the bathroom, looking down at the floor. “I can’t find my cape. Have you seen-” She looks up and stops dead. Her eyes, shining a shimmering blue-green in the mid-morning light, widening and her mouth dropping open with a slight ‘pop’.

“You know, I always thought you looked good in red,” Lena muses, almost absently, from Kara’s bed, as she fiddles with the end of Supergirl’s cape and keeps her eyes fixed on the Kryptonian.

A cape that Lena has draped, haphazardly, over her shoulders and across her midsection, covering just enough pale skin to make it obvious that it's all she’s wearing.

Kara’s mouth dries up and she hears her own heart rate spike, while Lena’s remains steady. Confident.

“How do I measure up?” Lena arches a single eyebrow and curves her mouth into a smirk; actions so elegant in their design that they make Kara’s toes curl inside her boots.

It takes Kara a moment. For her brain to catch up, for her eyes to readjust. For words to reform and moisture to return to her mouth. When it does, she licks her lips and takes a step closer to the bed.

“You,” Kara starts, placing one knee on the edge of her bed and brushing Lena’s hand away from where it’s still touching her cape. “Look good in everything.” She runs her fingers over silky material and smiles at the feel of Lena beneath it. “You look good in this.” At the way Lena shivers under her touch. “But,” Kara grips the corner of the cape, “I think you’ll look even better out of it.” And with a flick of her wrist, Kara flips the material back, away from Lena’s body, and slides her other leg over until she’s straddling the woman beneath her.

Kara spends a moment gazing down at the expanse of smooth skin on display. Brushing her fingers over the dips of Lena’s ribs and across her flat stomach.

“Verdict?” Lena queries, but it’s another moment before Kara looks up at her. She hums, thoughtful and appreciative, before she does.

And when she does meet Lena’s eyes, she’s smiling the smile of someone who knows she’s being bad, but can’t quite help it.

“I’m going to be so late for work.”

youtube

Shadowhunters | Season 2, Episode 10 Sneak Peek: Maia Punches Jace | Freeform

Essential Crystal List
This is by no means a complete list, just what I’ve got information on at the moment

I’ve included the gems (grouped by color) followed by their color variants (if no color variant is mentioned refer to category color) and keywords for their healing/magical uses.

Use this for what you want. It originally came up when I was discussing gemsonas with a friend but I’m also a stonecaster wiccan.
 
If you have any questions or want more information please just hit me up! :)

Black and Silver

·         Black Tourmaline
grounding, protecting, realigning

·         Obsidian [black, greenish black, grey or red-brown]
revealing, transforming, cleansing

·         Onyx [Black with white bands, occasionally just black]
calming, distancing, quieting

·         Magnetite (Lodestone when magnetized)
aligning, grounding, directing

·         Jet [black, dark brown]
stability, calm, perspective

·         Meteorite [light grey, green-grey or black]
perception, new horizons, awakening

·         Flint [blue-grey, grey or black]
repair, knowledge, confidence

·         Haematite [metallic grey-black or red]
energizing, empowering, grounding

·         Silver
easing, serenity, flow

·         Smoky Quartz [smoky brown to brown black]
potential, beginnings, stability

·         Tektite [various shades of green, brown, black]
containing, amalgamating, transforming 

Brown

·         Tiger`s Eye [brown, gold]
practicality, sociability, realism

·         Vesuvianite [brown, green, black-green, yellow {rarely blue, purple or               colorless}]
brightness, resolution, perspective

·         Halite [pink, brown, white, yellow, blue]
absorbing, protecting, stabilizing

·         Bronzite [brown, bronze-brown]
security, integration, relaxation

·         Staurolite [dark to light brown, yellow]
focusing, quietening, combining

·         Limonite [grey to brown, yellow-brown or black]
attuning, simplifying, de-cluttering 

Red

·         Garnet [red-brown (Pyrope); red-purple or black-brown (Alamandine);                red-orange (Spessartine); red or green (Grossular); all colors                            (Andradite); dark green (Uvarovite)]
initiating, stimulating, fiery

·         Ruby
positive thinking, nourishing, steadying

·         Zincite [red, orange, acid green]
awakening, revelation, surprise, innovation

·         Iron Quartz [red-brown, orange]
gently energizing, restorative, condensing

·         Jasper [red, brown, yellow, green]
practical, grounding, repairing

·         Spinel [red or brown (rarely blue, green or colorless)]
initiating, focusing, cleansing

Orange

·         Carnelian [orange, red-orange]
releasing, repairing, warming

·         Sunstone [orange-brown-gold with gold flecks]
warmth, self-worth, happiness

·         Aragonite [orange, golden brown, yellow, white]
practicality, self-discipline, centering

·         Copper [orange, orange-red]
anti-inflammatory, smoothing, unifying

Gold and Yellow

·         Citrine Quartz [yellow, golden-brown or orange-brown]
warming, comforting, uplifting

·         Amber [gold, yellow, brown, sometimes green]
enlivening, stimulating, strengthening

·         Pyrite [light brass yellow with a dark tarnish]
activating, cleansing, sparking, clarifying

·         Gold
confidence, creativity, stability

·         Rutilated Quartz [clear with fine strands of yellow or orange-brown                   needle-like inclusions]
impelling,binding, restoring

·         Topaz [orange, yellow, pink, white, blue, grey, green, brown, clear]
assuredness, confidence, relaxation 

·         Calcite [comes in all colors as well as in colorless varieties]
soothing, calming. cooling

·         Mookaite [marbled red and yellow]
safety, practical solutions, smoothing

·         Heliodor [yellow, lemon-yellow, sometimes with a blueish tinge]
refreshing, restoring, clearing, quietening

·         Sulphur [bright yellow, yellow-brown]
cleansing. detoxifying, enlivening

Light Green

·         Peridot [green, yellow-green]
cleansing, freshening, invigorating 

·         Chrysoprase [apple to emerald green]
serenity, harmony, calm

·         Prase (Actinolite Quartz) [medium green to dark green]
support, integration, forces of nature

·         Prehnite [yellow-green, clear]
softening, alleviating, reassuring 

Green

·         Aventurine [green with metallic flecks. Rarely red-brown, blue]
balance, tranquility, stability

·         Emerald [bright green]
calming, cleansing, harmonizing

·         Bloodstone [green with red, brown, or yellow markings]
courage, strength, support, stimulation

·         Chlorite [pale and dark green to black]
opening, sensitizing, revealing

·         Dioptase [deep blue-green]
stimulating, nourishing, expanding

·         Diopside [black, dark green or green (occasionally colorless, yellow or             blue)]
revelation, growth, renewal

·         Epidote [pistachio green, green, brown or black]
gathering, strengthening, practical

·         Jade [green, white, grey, bluish]
belonging, stability, instinct

·         Sphene [yellow-green, green-brown, brown-red]
clarifying, aligning, exploring

·         Serpentine [shades of green, yellow, brown and red]
comforting, flowing, enlightening 

·         Malachite [green with dark green or black concentric bands]
balancing, soothing, detoxifying, absorbent 

·         Moldavite [translucent green, brown-green]
transforming, expanding, amplifying

·         Moss Agate [clear with green and brown inclusions]
feeling of space, optimism, opening 

Turquoise

·         Turquoise [turquoise, turquoise-green, light blue]
strengthens, protects, enhances

·         Aquamarine [almost colorless, pale blue, turquoise]
cooling, clarifying, soothing, lightening 

·         Amazonite [pale turquoise to deep mid-green, with lighter striations]
stimulation, communication, memory

·         Chrysocolla [green and turquoise to light mid-blue]
absorbing, communication, relaxing

·         Larimar [light turquoise, light blue, white]
far horizons, equanimity, acceptance

·         Smithsonite [pink, blue, green, green-blue, grey]
blending, combining, smoothing

Light Blue

·         Blue Lace Agate [bands of blue, white, and grey]
gently cooling, nurturing, comforting

·         Celestite [clear, grey-blue or sky blue]
ethereal, revealing, blissful, uplifting  

·         Blue Quartz [dense mid-blue, grey-blue, lavender-blue]
protection, contentment, communication

·         Angelite [light blue, white, grey, violet]
steadiness, coolness, attentiveness 

·         Apatite [blue, yellow or green]
structure, flexibility, strength

·         Tanzanite [strong blue with pleochroism of red, blue and brown]
enlivening, transmutating, expanding

Dark Blue

·         Sodalite [usually blue with white veining]
meditation, contact, peace

·         Sapphire [blue or violet-blue; many other colors including black, green,             yellow]
protection, understanding, power

·         Lapis Lazuli [deep blues with white and gold flecks]
truth, memory, awareness

·         Azurite [blue to dark blue]
deep release, old memory, integration

·         Dumortierite [light blue to dark blue to violet, usually with dark speckles           and pink and brown areas]
understanding, conciliation, equilibrium

·         Kyanite [usually blue to blue-black, sometimes streaked; also white,                 grey or green]
connecting, friction-less flow, release

·         Preseli Bluestone [blue-grey, blue-green with inclusions]
clarifying, grounding, timeless

Violet

·         Amethyst
integration, spiritual calm, healing

·         Fluorite [purple, blue, green, yellow, clear]
coordination, innovation, inspiration

·         Sugilite [pink, lilac, purple]
integration, sensitivity, spiritual confidence

·         Charoite [violet-purple with white, pink and gold]
calm perspective, flexibility, awareness 

·         Ioite [violet, violet-blue, brown or blue-grey]
clear thinking, decision-making, empathy

·         Purpurite [dark violet to dark red]
contentment, acceptance, focus, calm

Pink

·         Rose Quartz [pink, rose, peach, violet-pink]
love, emotion, release

·         Kunzite [pink, lilac-pink]
love, support, understanding, peace

·         Lepidolite [pink, violet, grey]
fulfillment, security, instinct

·         Morganite
release, simplification, love

·         Rhodonite [pink to dark pink with black or brown areas]
resonance, passion, motivation, communication

·         Rhodocrosite [pink, reddish brown, grey]
self-confidence, ease, empowerment

·         Thulite [pink, red-pink, grey]
exploration, self-assurance, motivation

White

·         Moonstone [pearly white, cream, yellow, blue]
emotional balance, release, empathy, femininity

·         Zeolite [white,, grey-white, yellow, red]
cooperation, variety, innovation

·         Milky Quartz
diffusing, soothing, relaxing

·         Selenite [white, clear (occasionally yellow, brown, red, blue)]
expansion, release, cooling

·         Tourmaline Quartz [white or cloudy with black linear inclusions]
protecting, grounding, strengthening

·         Clear Quartz [transparent, white]
brightening, organizing, amplifying

·         Apophyllite [clear, white, grey, green, pink]
nature, clarity, transcendence 

·         Danburite [colorless, occasionally gold or pink]
brightness, transformation, intuition

·         Diamond [colorless but also blue, green, pink, yellow]
brilliance, alignment, connectivity

·         Ulexite [clear, white]
communication, clarity, visions

·         Zircon [clear, most colors]
revealing, transforming, regulating 

Multicolored

·         Labradorite [grey with iridescence of green, yellow, orange and                       peacock blue]
openness, flexibility, protection

·         Chalcopyrite [brassy yellow (unweathered), blues, pinks, reds, yellows             (weathered)]
protective, cleansing, stimulating 

·         Opal [all colors]
[too many variations]

·         Tourmaline [all colors]
[too many variations]

·         Coral [red, white, pink, gold, blue, black]
community, strength, connectivity

·         Pearl [white, pink, brown, black, blue, green]
sensitivity, tolerance, alignment 

·         Pietersite [black-blue with gold-brown flecks]
stirring, clearing, anchoring 

·         Unakite [pink and green]
perspective, balance, self-worth