Martín Ramírez. A Madonna Figure, Untitled (Three VW Vans), Untitled (Church with Arches and Tunnels), Untitled (Trains and Tunnels), Untitled (Horse and Rider), Untitled (Trains and Tunnels), Untitled (Horses and Riders), Untitled (Trains and Tunnels), Untitled (Man at Desk), Untitled (Woman and Church), Untitled (Horse and Rider with Large Bugle). 1948-1963.


Leonora Carrington OBE (6 April 1917 – 25 May 2011) was an English-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City, and was one of the last surviving participants in the Surrealist movement of the 1930s.

Leonora Carrington was also a founding member of the Women’s Liberation Movement in Mexico during the 1970s

Following the escape to Lisbon, Carrington arranged passage out of Europe with Renato Leduc, a Mexican Ambassador. Leduc was a friend of Pablo Picasso, and agreed to marry Carrington just for the travel arrangements.

Events from this period continued to inform her work. She lived and worked in Mexico after spending part of the 1960s in New York City.

While in Mexico, she was asked, in 1963, to create a mural which she named El Mundo Magico de los Mayas, and which was influenced by folk stories from the region.

The mural is now located in the Museo Nacional de Antropología in Mexico City.

Carrington designed Mujeres conscienscia (1973), a poster, for the Women’s Liberation movement in Mexico, depicting a ‘new eve’.

Carrington, personally and primarily focused on psychic freedom, understood that such freedom could not be achieved until political freedom is also accomplished.

Through these beliefs, Carrington understood that “greater cooperation and sharing of knowledge between politically active women in Mexico and North America” was important for emancipation.

Carrington’s political commitment led to her winning the Lifetime Achievement Award at the Women’s Caucus for Art convention in New York in 1986.

I didn’t have time to be anyone’s muse… I was too busy rebelling against my family and learning to be an artist.


Temporary Calligraphy Illuminates Historic Sites Throughout Europe

Mexican calligraffiti artist Said Dokins combines calligraphy writing with graffiti techniques to create public murals that address conflicts of power, destruction, and control imposed by both historic and contemporary regimes. His latest project, Heliographies of Memory, uses luminous tools to explore displaced memory, creating light paintings that use famous historic buildings or other iconic sites as temporary backdrops.