Today marks the first day of NO MORE MET BUTTONS at the Metropolitan Museum of Art (they’re being replaced by stickers). Sad, we know. HOWEVER, the museum will be open a whopping SEVEN DAYS A WEEK as of today so you can get your Met on whenever you’d like! VIP Tours of the Met
L. 44 in. (112 cm) The Crosby Brown Collection of Musical Instruments, 1889 (89.4.163)
Popular at nineteenth-century Indian courts, this bowed lute borrows features of other Indian stringed instruments, such as the body shape of the sarangi and the frets and neck of the sitar. There are four melody strings and fifteen sympathetic strings, which sound when the instrument is played to accompany popular religious song. The peacock is the vehicle of Sarasvati, the goddess of music, and it appears in Indian poetry as a metaphor for courtship.
One of a group of 7 mother goddesses sprung from a Hindu male god. Despite their beauty, matrikas represent dangerous and malevolent forces—the devourers of children and bearers of sickness and disease. Though integral to early temple iconography, their power was so threatening they were marginalized, consigned to shrines beyond city boundaries. Their combined power is understood to be embodied in the mother goddess, Durga.
Period: Post-Gupta period
Date: mid- 6th century
Culture: India (Rajasthan, Tanesara)
Medium: Gray schist
Dimensions: H. 24 ½ in. (62.2 cm)
via > metmuseum.org
Stirrup jar with octopus, ca. 1200–1100 b.c.; Late Helladic IIIC Mycenaean Terracotta
A large, wide-eyed octopus stretches its tentacles across the curved body of this vessel. Flecks of paint and thin, arching lines denote the creature’s membranes, and large concentric rings represent its eyes. The spiraling ends of its tentacles lure the viewer around the sides to another, similar octopus that decorates the back of the jar. This type of vessel takes its name from the stirrup-shaped handles at the top. In antiquity, such jars—easy to carry and stow, and designed not to spill—were commonly used to transport wine and oil throughout the Mediterranean. Although this vessel is a product of the Mycenaean culture of mainland Greece, its marine imagery derives from the art of Minoan Crete. When the Mycenaeans conquered Crete (ca. 1450 B.C.), Minoan styles exerted considerable influence on the art of the mainland. The design on this vase ultimately derived from motifs that decorated marine-style vessels of the Late Minoan I period.
Control of the sea was essential to the Mycenaeans for gaining and maintaining power over their vast domain. The shape of this stirrup jar and its octopus decoration testify to the importance of the sea as an avenue of communication and source of food and wealth.
Stunning dress by Jodi Gillette from “The Plains Indians: Artists of the Earth and Sky” at the Metropolitan Museum. A citizen of the Standing Rock Sioux Tribe, she was first appointed to the Obama Administration in February of 2009 and served until 2014. Power up. #Sioux #buckskin #beadwork #metmuseum
Silver Coffeepot with ebony handle, 1757 Maker: François Thomas Germain (French, Paris 1726–1791 Paris, master 1748) François Thomas Germain was the most fashionable silversmith in Paris from 1748 to 1765. http://met.org/19zrSDS
China: Through the Looking Glass Exhibit
May can’t come soon enough — not after seeing the images of Metropolitan Museum of Art’s Costume Institute upcoming Spring Exhibition … On tap will be more than 130 pieces of ready-to-wear and couture. The clothing will be shown alongside other Chinese works of art and film, like a strapless fishtail gown, which boasts a similarly ornate design as a painted dragon vase.
China: Through the Looking Glass will run from May 7 to August 16.