The Apocalypse Tapestry is a 14th century French work commissioned by the Duke of Anjou. In over 90 scenes it portrays the apocalypse as described by John in the New Testament book of Revelations. Allusions to the 100 years war with England are also present. The Anjous held the tapestry for a century before gifting it to Angers Cathedral. During the French Revolution the tapestry was stolen, cut into pieces, and used for functional purposes ranging from floor mats to insulating stables. During the 19th century a canon of the cathedral located the pieces (all but 16 were successfully recovered) and began restorative work. After World War II the tapestry once again moved, this time to Chateau d’Angers. In order to preserve the 300 foot masterpiece a special gallery with dim lighting and custom ventilation was built within the castle where it remains on view today.
Manuscript evidence of the little known bunny rebellion of the late 13th century that also shows the facts long suppressed by male historians of the important role that women had in putting down the rebellion.
Claricia was a German illuminator who included a self-portrait in a South German psalter produced circa 1200 CE.
In the self-portrait, she depicts herself swinging from the tail of a letter Q with her name inscribed over her head. Her uncovered head, braided hair, and style of dress (close-fitting tunic, long-waisted dress, long flowing sleeves) suggests that she was a lay student at the convent.