So, the last couple years y'all may have noticed a movement taking hold on both conservative and radical exclusionist gay circles called “Drop the T.” This movement, started possits that the LGBTQ movement is only the Gay movement and everything else is “appropriation” of Gay History.
This is, of course, total horse shit for a large number of reasons, so I’m going to go in point by point deconstructing this shit:
1) These people say, “It was gay people, not BTQ, that were targeted.” This is false even on it’s face. Even if you want to say trans people weren’t there because Stonewall happened in a time when the term trans wasn’t in popular usage (more on that in point 4), there were sure as shit crossdressers there, and they were ALWAYS the first ones targeted and carted off. The night of Stonewall, Storm DeLaverie, who wasn’t trans, was “Crossdressing” and the first arrested, so we’re Marsha Johnson and Sylvia Rivera, who were trans. And guess what? Those three were the first to fight back. We owe this movement to them, and how dare you revise and erase our history for your ideology.
2) They point to Sodomy laws as proof it was gay people specifically targeted, while forgetting the existence of Crossdressing Laws, which were on the books LONGER THAN SODOMY LAWS. In New York, y'know where Stonewall happened, there were Anti Crossdressing Laws on the books until 2011 while they eliminated sodomy laws in the 1970’s! There was a federal ban on sodomy laws in 2003, Lawrence v Texas, but still none for Anti-Crossdressing laws.
3) “People were arrested because they were homosexual, not bi or trans.“ No, they just didn’t care if were apart of the L, G, B, or T, we were Queers that had to be Taken Care Of. Why do you think we banded together in the first place?
4) The Nazis’ first target for book burnings was Institut für Sexualwissenschaft, which was the first medical institute to perform Sex Reassignment Surgery in the 1930s and the works of Magnus Hirchfeld, who coined the term “Transsexual.” The reason “trans people didn’t exist” in the time of Stonewall is because it took us almost half a century for us to recover. You’ll notice quite a few of Stonewall Veterans who were “crossdressers” back in the day, ID’d as trans later in life when the language became available again. The Nazis were the first to try this, and they wiped us off the face of the Earth for decades.
5) Divide and Conquer. We are strong together, and weak apart. It is an attempt to weaken our movement now that it isn’t specifically focused on helping topass legislation benefit only cis gay people. We fought for your rights, and now you got yours so screw us? Fuck that. It’s ENDA, when Barney Frank and the HRC pushed to exclude trans people so they could have it for themselves, all over again.
6) It’s apart of a larger transphobic movement in which conservatives and radical exclusionists teamed up. Remember when the Reagan administration banned funding for trans healthcare? Yeah, they used writings of Janice Reymond as supporting evidence. These groups wrote to the fucking UN to have trans rights removed from International Human Rights laws. They team up for bathroom legislation, including sending cis men into women’s bathrooms to scare cis women into supporting bathroom legilsation. ENDA. What did we do that’s equivalent to that? Why do you despise us so much?
You have no basis for your movement, not histrocial, not political, not anything other than pure hatred. Go fuck yourselves. We’ll eliminate exclusionist before trans people.
I think we’ve all been in the situation where we want to write about a specific character but have no idea how to approach it. For some reason, despite them being your own character, you have no idea how they would act or what they would say in a certain situation. Sometimes, if you even write about your character(s) at all, when you read it back they seem fake or 2-Dimensional. Unrealistic, if you’d prefer.
In this post, I am going to give you some exercises to get past hollow characters and help develop your writing.
1) Empty Their Pockets
Pretty simple. Think of what your characters would have in their pockets on a day-to-day basis. It doesn’t have to be anything super extraordinary, of course. Just start writing some everyday items down and think about whether your character would have these items in their pockets.
Let’s take a look at one I did for my characters earlier. (sorry that just sounded like something from Blue Peter)
Character A’s Pockets Contained:
pack of gum, empty pack of cigarettes, library card, NOKIA brick phone
So, here a few things you can tell about Character A simply through the items in their pockets. They visit the library often, meaning that they probably have a high interest in reading (this also could be a sign of intelligence). Judging by the fact Character A has both a pack of gum and cigarettes this could indicate a potential smoking habit, chewing gum is a known way for helping people quit smoking. The pack of cigarettes could show that they are not very good at restricting themselves and could in fact be addicted and finding it hard to cope with smoking. Finally, the NOKIA brick phone shows how they may want to feel connected to people or want to allow their friends/family members/whoever to be able to contact them but have no desire to get the latest model of phone or perhaps believe that having such a device would distract them unnecessarily.
When doing this exercise, think about key objects which portray certain details about your character! Try not to overthink it too much, write whatever comes to mind and put it down on the page! After writing down a couple objects, go back through them and feel free to edit out items you think are unnecessary or add items which you think would suit the character.
2) Go Through Their Daily Routine
Again, another easily explained exercise. Go through a regular day in your character’s life, try and do this exercise as if it was happening before whatever events occur in your story or novel. This way it makes it easier to understand your character before they met a secondary character in the novel or before whatever events happened in your writing which may affect their routine. You don’t need to include every single detail in your description, just brief notes or key events which occur during their day would be fine. You can make it as short or as long as you wish, maybe don’t just do it for one day in your character’s week perhaps do it for multiple days.
Does their routine change during the week? What time do they wake up? What time do they go to sleep? Are they punctual with going to work? Do they do any other activities outside their day-job? These are the kind of things you may want to ask yourself when writing it.
3) Give Them Fears/Phobias
Everyone fears something: whether it be a phobia of spiders or oblivion, everyone has a fear. Giving your character a phobia makes them seem more realistic, it allows your reader to easily relate to your character.
However, just having a phobia for the sake of it doesn’t help develop your character at all. If you give them a terrible phobia of snakes and they come across a snake and suddenly within moments are able to get over their fear just like that, it’s not a phobia. It’s more of a mild inconvenience than anything else. The reader needs to feel convinced by their fears, they would feel more dissatisfied with your writing if they felt the character could dismiss anything and everything than knowing them being confronted by their fears could be a possible problem. Besides, it would give them no reason to motivate or encourage the character if they knew it was impossible for them to be defeated by anything. Still, this does not mean that your character has to be destroyed by their fear. There is a very big difference between simply dismissing your character’s fear and perhaps overcoming it in the future.
An easy way to write your character possibly overcoming their fear in the future is that when they first encounter that fear, add an element of chance or fate into it. For example, if a character were to move to get away from the creature which may be coming towards them; in the process of getting up, they could slip which could cause their legs to lash out towards the creature. The sudden movement may just be enough to scare the creature away, this way it does not appear to the reader as ridiculous or uncharacteristic courage but instead accidental bravery. This sudden revelation that the character’s horrible fear may not be as all powerful as they first thought could be the first step for them to slowly overcome that fear.
Don’t believe me? Let’s think about this for a moment. Imagine your character, let’s call them the Protagonist™, is stuck in a terrible situation. It doesn’t matter what the situation is but let’s say it’s something which involves them being trapped in a room with a snake. I’m going to give you two examples, both involving the same situation.
Protagonist watched with wide eyes as the snake slowly slithered towards them. The snake paused for a moment, it hissed lowly as it waited for Protagonist to move, waiting for the right moment to strike. Not hesitating for a single moment, they suddenly realised how dire the situation was and jumped to their feet. Their heart pumping wildly as their body was filled with adrenaline, they were terrified yet they had to do something. Protagonist grabbed the nearest thing to them and stepped towards the snake.
“Get away!” They threatened, “Get away!”
Protagonist watched with wide eyes as the snake slowly slithered towards them. The snake paused for a moment, it hissed lowly as it waited for Protagonist to move, waiting for the right moment to strike. The blood in Protagonist’s veins ran cold as the snake grew closer and closer, Protagonist couldn’t move. They begged and screamed on the inside to move away, to get away as far as possible. They had lost all control of their movement, their fear had consumed them. They were frozen to the spot and could only watch as the snake widened it’s jaw, ready to bite down on it’s prey. It widened it’s jaw once, twice - suddenly, Protagonist gained back their instincts. Fleeing seemed like the only realistic option and seconds before the snake could chomp down on their ankle, Protagonist stumbled to their feet. They stumbled backwards into a puddle of water which had pooled behind them and their ankle rolled as they slipped, their legs accidentally lashing out towards the predator. The snake recoiled backwards in shock before deciding that the risk wasn’t worth it: it quickly retreated back to it’s nest, disappearing from Protagonist’s view.
Now, hopefully you see what I mean. I think we can all agree that the second example is a lot better than the first one.
4) Create Their Flaws/Bad Habits
No one is perfect, this includes your characters.
If you’re finding it challenging to think of any flaws, try to think of some bad habits. It doesn’t have to be anything so terribly bad that’s it’s illegal. Think simple when it comes to this exercise. It can range from anything between chewing their nails to swearing.
It might help to try and develop these bad habits into possible flaws or weaknesses. If your character keeps biting their nails that might be a sign of nervousness or anxiety. So, creating bad habits might be a good way to show a certain trait your character may possess.
Flaws are important as well. Let’s be realistic, if no character had any flaws then every single book we read would be filled with a bunch of characters which are exactly the same. Besides, what’s a hero without it’s villain?
So, to give you a few ideas, let’s go back to superheroes. Maybe a hero is so set on doing the right thing that they lose sight of what they want? Perhaps it gets to a certain point where they can’t handle that hollow feeling inside of them that they grow arrogant, selfish or even stubborn? There’s a story for you right there.
Not only that, by giving your characters flaws it is possible that you could work that into your story somehow. This way, not only will you get to show off your amazing character development, but it could also be an exciting point in your storyline.
Write down some ideas, think of flawed personality traits and just write them down! Try to write down at least five straight off the bat, for each one you don’t like you should think about why it doesn’t suit your character. You’re bound to find one flaw you’re happy with!
5) Write Some Scenarios
Now that you’ve developed your characters, go ahead and write them in your story! If you think you still need a bit of practice, try writing something about them being in a certain scenario. It could be anything from ordering their favourite coffee to being trapped in a prison: just write it! Try not to think about it too much, just do whatever feels write (I unintentionally made that pun but i’m not deleting it).
It doesn’t have to be long either, just a couple paragraphs would be fine. Try to focus on body movements and interior thoughts, it would be ideal if your character was on their own in the situation: that way you can get to know the character on their own a lot better. No other characters means no distractions. It’s just you, the wonderful author, and your character - there is an endless amount of possibilities for you!
Have faith in yourself too! Nobody knows your brilliantly developed characters better than you do, so here’s your chance to show them off! If you’d like a second opinion, write something about them and give it to a friend/parent/random stranger etc. to read! If they don’t want to, make them read it anyway!
I hope this helps you all in developing your characters!
One of the most common ways fairies and other ethereal beings are noticed, is as spheres, flickers or glints of light. It’s very common to see it around mushrooms, blooming flowers and springs. People associated with fairies (children of fairies) can watch these lights anytime. You may also notice unexplained movements out of the corner of your eyes.
2. Chilling sounds and music
Once you’ve entered the fairy Realm nothing is the same. Soft sounds may greet the strangers who enter the fairy land. Whether it’s the sound of various wind instruments - like the flute - or a simple sound - like the welcoming sound of tiny bells - it’s absolutely the same. Allegedly, if you ring a bell over a spring or pond you may see the reaction of fairies responding to your invitation.
3. Fairy Rings
It’s long believed that fairies love to sing and dance at night. They usually dance around a circle. Many who stay in forests at nights claim to have heard wonderfully enchanting songs, while later in the morning they find mushroom circles, circles of flowers or trace of footprints of human-sized nymphs dancing known as the Fairy Rings. Many believe that the “Fairy Rings” are the Gateways to the Fairy World. Respect the fairy rings and always ask for permission before entering the Circle.
As Fairies are - almost always - described as cheerful creatures, when you are close with these entities it very likely to hear laughter or feel the urge to laugh. The feeling of joy fills your heart and lasts long!
5. Scent of Flowers
You are walking down a path, or even a road while your nose is filled with an overwhelming scent of flowers like Iris or Violets, or even the scent of the grass like it just rained or maybe it smells like walnuts, apples or grapes. As fairies are often associated with flowers, plants and trees, this could be the work of a playful Fairy sprinkling scented fairy dust to you, blessing you or trying to catch your attention.
6. Deviations of the Air
The “fairy wings” may cause a light breeze on the area around a fairy. Whether it’s actually the wings or the energy shift around the ethereal being does not really matter. Pay attention to the leaves around you. A gentle whirlwind may be a solid proof that a fairy (or fairies) like your company.
7. Animals around you Act Weird
You notice that you are being followed by birds like ravens, your cat acts weird, staring at something for minutes (with no apparent reason) or play with the air while your dog is nervous or probably bark at something you do not see. As Fairies could be described as the Souls of Nature they can easily cause phenomena like this.
8) Milk or Beer goes bad and candies are missing
Your milk has gone bad before its actual expiration date and so does your beer. You may also notice that milk is less as if someone drunk it while you are certain that no one would ever drink from your milk. This could be a sign of a fairy who entered you house. Try to contact them rather than getting angry.
9) Jewellery and shiny objects are missing
Before you call the police try to look around if you can find them in other places. Fairies love to play with humans in this way. They enjoy “stealing” stuff like this and hide them in different places. It is said that Fairies love all shiny objects and that’s what they love to take first. Keys or with fancy keychains is a “fetish” for this wonderful creatures. Be kind to them. They -almost- always return them!
10) A sense of warmth on your skin
The energy of the Fairies - when is in close contact with your aura - can be felt like tiny vibrations of energy on your body, or heat on your skin. You may actually feel the warmth of the beloved creature as a gently tingling or tickling on part of your body.
11) Flowers (and other plants) sprouting from bizarre places
This is another phenomenon that is often associated with the presence of Fairies. You may notice that from one second to another a flower has bloomed while you could swear that you have not even seen it at all! This is very common when Casting Fairy Witchcraft or a Ritual which invokes Fairies. If this happens in your house it means that you have a winged visitor… or maybe visitors!
12) The Eyes of the Woods
Have you ever felt that trees are watching you as you walk down the path in a forest? Have you ever felt the presence of something really strange when you are alone and the night-sky is full of dazzling stars? The Trees may - indeed - have eyes of their own, as they are probably inhabited by magical creatures as Fairies (of course it can also be elves, gnomes or other entities). Greet these trees and ask for guidance and protection.
A handy list of poisons for writing reference, provided to you by me, Bella
Poisoning is one of the oldest murder tactics in the books. It was the old equalizer, and while it’s often associated with women, historically men are no less likely to poison you. This is not a guide on how to poison people, you banana bunches, it’s a guide on writing about poisons in fiction so you don’t end up on a watch list while researching them. I’ve taken that hit for you. You’re welcome. These are just a few of the more classic ones.
Hemlock: Hemlock (conium maculatum) is one of the more famous ones, used in ancient times most notably in Socrates’ forced suicide execution. So it goes. The plant has bunches of small, white flowers, and can grow up to ten feet tall. It’s a rather panicky way to die, although it wouldn’t show: hemlock is a paralytic, so the cause of death is most often asphyxiation due to respiratory paralysis, although the mind remains unaffected and aware.
Belladonna: Atropa belladonna is also called deadly nightshade. It has pretty, trumpet-shaped purple flowers and dark, shiny berries that actually look really delicious which is ironic since it’s the most toxic part of the plant. The entire plant is poisonous, mind you, but the berries are the most. One of the most potent poisons in its hemisphere,it was used as a beauty treatment, so the story says, and rubbed into the eyes to make the eyes dilate and the cheeks flush. Hench the name beautiful lady. The death is more lethargic than hemlock, although its symptoms are worse: dilated pupils, sensitivity to light, blurred vision, tachycardia, loss of balance, staggering, headache, rash, flushing, severely dry mouth and throat, slurred speech, urinary retention, constipation, confusion, hallucinations, delirium, and convulsions. It’s toxic to animals, but cattle and rabbits can eat it just fine, for some reason.
Arsenic: Arsenic comes from a metalloid and not a plant, unlike the others here, but it’s easily the most famous and is still used today. Instead of being distilled from a plant, chunks of arsenic are dug up or mined. It was once used as a treatment for STDs, and also for pest control and blacksmithing, which was how many poisoners got access to it. It was popular in the middle ages because it looked like a cholera death, due to acute symptoms including stomach cramps, diarrhea, confusion, convulsions, vomiting, and death. Slow poisoning looked more like a heart attack. The Italians famously claimed that a little arsenic improved the taste of wine.
Strychnine: Strychnine (strick-nine) is made from the seed of strychnos nux vomica and causes poisoning which results in muscular convulsions and eventually death through asphyxia. Convulsions appear after inhalation or injection—very quickly, within minutes—and take somewhat longer to manifest after ingestion, around approximately 15 minutes. With a very high dose, brain death can occur in 15 to 30 minutes. If a lower dose is ingested, other symptoms begin to develop, including seizures, cramping, stiffness, hypervigilance, and agitation. Seizures caused by strychnine poisoning can start as early as 15 minutes after exposure and last 12 – 24 hours. They are often triggered by sights, sounds, or touch and can cause other adverse symptoms, including overheating, kidney failure, metabolic and respiratory acidosis. During seizures, abnormal dilation, protrusion of the eyes, and involuntary eye movements may occur. It is also slightly hallucinogenic and is sometimes used to cut narcotics. It also notably has no antidote. In low doses, some use it as a performance enhancer.
Curare:Chondrodendron tomentosum is lesser known than its famous cousins, but kills in a very similar way to hemlock. It is slow and terrible, as the victim is aware and the heart may beat for many minutes after the rest of the body is paralyzed. If artificial respiration is given until the poison subsides, the victim will survive.
Wolfsbane: Aconitum has several names; Monkshood, aconite, Queen of Poisons, women’s bane, devil’s helmet) and is a pretty, purple plant with gourd-shaped flowers. The root is the most potent for distillation. Marked symptoms may appear almost immediately, usually not later than one hour, and with large doses death is near instantaneous. Death usually occurs within two to six hours in fatal poisoning. The initial signs are gastrointestinal including nausea, vomiting, and diarrhea. This is followed by a sensation of burning, tingling, and numbness in the mouth and face, and of burning in the abdomen. In severe poisonings pronounced motor weakness occurs and sensations of tingling and numbness spread to the limbs. The plant should be handled with gloves, as the poison can seep into the skin.
Foxglove: Digitalis is large with trumpet-shaped flowers that can be many colors, but usually a pinkish shade. It may have from the term foxes-glew, which translated to fairy music. Intoxication causes nausea, vomiting and diarrhea, as well as sometimes resulting in xanthopsia (jaundiced or yellow vision) and the appearance of blurred outlines (halos), drooling, abnormal heart rate, cardiac arrhythmias, weakness, collapse, dilated pupils, tremors, seizures, and even death. Slowed heartbeat also occurs. Because a frequent side effect of digitalis is reduction of appetite and the mortality rate is low, some individuals have used the drug as a weight-loss aid. It looks a bit like comfrey, which is an aid for inflammation. Make sure not to confuse the two.
I promised I’d give you all another Dark fic when we reached our next milestone, and I always keep my promises.
Just a quick warning- this is not fluff. It’s not romance. It’s not a sympathetic portrayal. This man is a manipulator, a good one, and he does what he does to further his own interests. He enjoys control, not company. And, to use Mark’s own words:
He is not here to help you. He is here to use you.
Prompt: Can you do a Damian Wayne Imagine where the reader is Catwoman’s protogé and they have a relationship just like Bruce and Selina but the mentors don’t approve?
AN: Okay, this one actually starts Damian Wayne that is 16-17 years old.
You can feel his eyes on you, following you, and tracking your every movement. You may have been adding a bit more sway to your walk, to draw his eye, or maybe it was simply how you walked. You’d never tell. All you knew was that you had his attention, and you just couldn’t resist teasing him.
He catches up with you eventually, his arm slipping casually around your waist, as he leads you towards the dance floor. As the music starts, you allow him to lead at first; guiding you around the floor, your eyes locked on one another. As the tempo picks up, you begin battling for the lead, a chance to get the almighty Damian Wayne to give up control.
He pushes back, as he turns you into his arms, your eyes still locked on one another. You’re completely oblivious to the rest of the room, which has stopped to watch the two of you. You’re so absorbed in one another that you don’t even feel Selina’s glare from across the room. Your sister is a bit picky when it comes to the Wayne men. They’re heart breakers of the worst kind she says, and you believe it.
But you know better, you know how to protect your heart. Plus, a little bit of fun never hurt anyone, and Damian is a ton of fun. From his motorcycle, to his superhero bit he always brings the fun.
As the music slows to a stop, and the clapping begins you finally pull away from the youngest of Bruce Wayne’s children. You can’t help but miss his body heat, but you’re quite sure that you’ve provided enough of a distraction for Selina to grab the mark.
Going up on your toes, you kiss Damian. A full blown kiss, that drags the heir into a world you’ve created, and you can’t help but smile, because you’ve wrestled the advantage out of his hands. Pulling away as his brothers and father begin to surge on your location, you just wink and say, “See you soon Bird Boy.” Before vanishing into the crowd.
Selina is waiting by the door; the cat’s eye necklace she just stole resting safely around her neck. She doesn’t say anything but, “Remember my warning about those boys, little Hell Cat,” before leading the way out.
That night you slip into the designated meeting spot. He’s already there, lying on the bed, a book covering his face. You silently crawl on top of him, until you’re straddling his lap. His hands come to rest on your waist as the book slides off of his face.
His voice is deep when he speaks, “You played me tonight.”
You just smile before leaning down and kissing him, it long, slow, and deep. When you pull away you whisper, “You just fell for the bait. Naughty little bird.”
“Y/N.” he whispers, “This is our safe place, no hero’s and no villains, no Gotham. Just us.”
You do your best to let the hellcat go, and just be yourself, you relax onto his chest, and allow him to wrap his arms around you, and pull you in close. And, as he begins running his finger through your hair, you can’t help but think, that you’ve done a pretty bad job of keeping your heart safe, ‘cause Damian Wayne surely stole it when you weren’t looking.
this moment is so small and weirdly lit that there’s really nothing to be done with it gifset-wise but i had to gif it anyway bc it’s the only shot of sabo in film gold that i hadn’t been spoiled for before watching it and even tho it’s only like 2 sec his beauty in it blows me away
Requested by anonymous: Hi! I was wondering if you could write a Connor x reader with the prompts 231, 236, and 243, but like it’s set in the 1950’s and Connor is a greaser along with Jared and Evan and the reader is middle class (like how in the outsiders there the greasers, socs and the middle class if that makes sense????)? Thank you!
Prompt(s): 231. “May I have this dance?” 236. “My parents asked about you.” 243. “Oh, my God! You’re in love with her!”
A/N: I haven’t uploaded in forever jeez sorry !!! ((I haven’t read The Outsiders in a LONG time so it’s pretty different but I hope it’s decent!)) So like I just chose random names ?? I don’t remember the girls’ names in The Outsider except wasn’t one of them named Cherry?? Sherry??? It was something like that right? Idk
You stood near the walls, chatting idly with your friends while people danced around the room. Music played softly, and peaceful laughter filled the party.
“And how did it go?” You spoke, looking to your friend, Martha, in excitement.
“It went-” She was cut off when Amelia nudged you in the arm.
“Don’t look now, but Connor Murphy is walking over here.” She whispered. You stopped, surprise evident on your face.
“Connor Murphy?” You squeaked.
The girls around you laughed at your response, before their gaze shifted to something behind you.
When you felt someone tap on your shoulder, you spun around quickly, your skirt swinging along with your movement.
“May I have this dance?” Connor stood in front of you, hand outstretched.
You felt your face heat up, and nodded silently, not trusting your voice. He pulled you away from your friends, who were now watching you two and giggling.
Music filled your ears as you swayed gently with Connor to the beat.
You stayed like that for a while, but the time was cut short when the song ended and his friend - Jared if you remembered his name correctly, dragged him off.
Arriving back to your group of friends, they all turned to you.
“So, how was Connor Murphy?” Amelia put extra emphasis on his name, giggling softly.
“He was nice.” You mumbled, feeling your face heat up once more, much to the enjoyment of your friends.
When Martha dropped you off, the sky had already gotten dark. Walking inside, you found your mom relaxing in the living room. Your dad joined her soon enough, both greeting you as you passed them.
“How was the dance?” You dad wondered, making you stop in your tracks.
“Anything interesting happen?” Your mom pressed, causing you to collapse on a seat near them.
“There was this boy.” Both parents were immediately attentive, leaning forward to hear about him.
“Do we know this boy?” You dad questioned, a hard look on his face.
“Connor Murphy?” You tried, feeling a slight pit in your stomach as your dad recalled him.
“Isn’t Connor Murphy one of those greaser boys?”
“He is.” You responded, quieter than you intended.
“What’s this Connor boy like?” Your mom inquired, her kind eyes staring at you.
“He’s nice.” You said quickly. “Um, he’s really pretty and smart and talented and he can be really caring when he needs to be and-” You paused, looking to your parents.
“Sounds nice, sweetheart.” Your mom glanced to the clock. “Now get to sleep, it’s late.”
With a quick nod, you rushed upstairs into your room.
The next day, you were walking home from the store when a car slowed beside you.
“Hey.” A familiar voice greeted. Your head snapped up from your focus on the ground, smiling when you saw Connor.
“Hi.” You replied meekly. The car he drove was slowed so it matched your pace as you strolled down the street.
“On your way home?” He questioned, one hand on the wheel and the other resting on the back of the seat.
“Here, I’ll give you a ride.” He whispered something to Jared, who sat in the passenger seat. After a moment of their quiet conversation, Jared reluctantly climbed into the backseat next to another boy. You didn’t hear him speak that often, but you were pretty sure his name was Evan.
As gracefully as you could muster, you clambered into the seat Jared had been in previously.
“My parents asked about you.” You whispered after a few minutes of silence.
“Oh yeah.” You laughed lightly. “A lot of questions.” That earned a laugh from Connor, which sounded more beautiful than you could describe.
When you finally arrived at your house, you waved goodbye to Connor and the other two before rushing inside with a smile spread across your face.
Connor stared after you long after the door to your house had closed.
Jared and Evan sat quietly for a moment before Jared’s voice cut through the silence.